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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8617B it is the complementary color #079E84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8617B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8617B shade: #FD6176, #FF7389, #FF859C, #FF97AF and #FFA9C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8617B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8617B shade: #F8617B, #E74F68, #D63D55, #C52B42 and #B4192F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8617B shade: #F8627C and #F86262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8617B shade: #F8627C, #F862A4, #F862CD, #F862F5 and #D262F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8617B shade matches the following richer shades: #F8627C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8617B shade: #F8627C, #EB6F84, #DE7C8D, #D08996 and #C3979E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8617B shade: #F862CD, #F862A5, #F8627D, #F86E62 and #F89662

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8617B shade: #F5133A, #F63A5B, #F8627C, #FA899D and #FBB1BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8617B shade: #F8617B, #F5F862 and #62B9F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8617B shade: #F8617B, #7DF862 and #627DF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8617B shade: #F8617B, #F5F862, #62F8DC and #6462F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8617B shade: #F8617B, #C8F862, #62F8DC and #9162F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 50 / 3

HEX #F8617B

RGB 248 97 123

HSL 349.67, 0.92%, 0.68%

LAB 61.6, 59.68, 16.32

 

Complementary color

CMYK 96 / 0 / 16 / 38

HEX #079E84

RGB 7 158 132

HSL 169.67, 0.92%, 0.32%

LAB 58.19, -40.99, 3.82

 

CMYK 0 / 62 / 53 / 1

HEX #FD6176

RGB 253 97 118

HSL 351.92, 0.98%, 0.69%

LAB 62.29, 60.87, 20.27

 

CMYK 0 / 55 / 46 / 0

HEX #FF7389

RGB 255 115 137

HSL 350.57, 1%, 0.73%

LAB 66, 55.18, 14.58

 

CMYK 0 / 48 / 39 / 0

HEX #FF859C

RGB 255 133 156

HSL 348.69, 1%, 0.76%

LAB 69.78, 48.5, 9.18

 

CMYK 0 / 41 / 31 / 0

HEX #FF97AF

RGB 255 151 175

HSL 346.15, 1%, 0.8%

LAB 73.86, 41.69, 4.47

 

CMYK 0 / 34 / 24 / 0

HEX #FFA9C2

RGB 255 169 194

HSL 342.56, 1%, 0.83%

LAB 78.19, 34.91, 0.33

 

CMYK 0 / 61 / 50 / 3

HEX #F8617B

RGB 248 97 123

HSL 349.67, 0.92%, 0.68%

LAB 61.6, 59.68, 16.32

 

CMYK 0 / 66 / 55 / 9

HEX #E74F68

RGB 231 79 104

HSL 350.13, 0.76%, 0.61%

LAB 55.67, 60.25, 18.84

 

CMYK 0 / 71 / 60 / 16

HEX #D63D55

RGB 214 61 85

HSL 350.59, 0.65%, 0.54%

LAB 49.85, 60.51, 21.84

 

CMYK 0 / 78 / 66 / 23

HEX #C52B42

RGB 197 43 66

HSL 351.04, 0.64%, 0.47%

LAB 44.22, 60.25, 25.49

 

CMYK 0 / 86 / 74 / 29

HEX #B4192F

RGB 180 25 47

HSL 351.48, 0.76%, 0.4%

LAB 38.9, 59.16, 29.89

 

CMYK 0 / 60 / 50 / 3

HEX #F8627C

RGB 248 98 124

HSL 349.6, 0.91%, 0.68%

LAB 61.78, 59.33, 15.99

 

CMYK 0 / 60 / 60 / 3

HEX #F86262

RGB 248 98 98

HSL 0, 0.91%, 0.68%

LAB 61.28, 57.39, 30.24

 

CMYK 0 / 60 / 50 / 3

HEX #F8627C

RGB 248 98 124

HSL 349.6, 0.91%, 0.68%

LAB 61.78, 59.33, 15.99

 

CMYK 0 / 60 / 34 / 3

HEX #F862A4

RGB 248 98 164

HSL 333.6, 0.91%, 0.68%

LAB 62.82, 63.29, -5.59

 

CMYK 0 / 60 / 17 / 3

HEX #F862CD

RGB 248 98 205

HSL 317.2, 0.91%, 0.68%

LAB 64.24, 68.5, -26.79

 

CMYK 0 / 60 / 1 / 3

HEX #F862F5

RGB 248 98 245

HSL 301.2, 0.91%, 0.68%

LAB 65.97, 74.55, -46.41

 

CMYK 15 / 60 / 0 / 3

HEX #D262F8

RGB 210 98 248

HSL 284.8, 0.91%, 0.68%

LAB 60.97, 66.1, -56.32

 

CMYK 0 / 60 / 50 / 3

HEX #F8627C

RGB 248 98 124

HSL 349.6, 0.91%, 0.68%

LAB 61.78, 59.33, 15.99

 

CMYK 0 / 60 / 50 / 3

HEX #F8627C

RGB 248 98 124

HSL 349.6, 0.91%, 0.68%

LAB 61.78, 59.33, 15.99

 

CMYK 0 / 53 / 44 / 8

HEX #EB6F84

RGB 235 111 132

HSL 349.84, 0.76%, 0.68%

LAB 62.25, 49.82, 11.75

 

CMYK 0 / 44 / 36 / 13

HEX #DE7C8D

RGB 222 124 141

HSL 349.59, 0.6%, 0.68%

LAB 63.23, 39.74, 7.74

 

CMYK 0 / 34 / 28 / 18

HEX #D08996

RGB 208 137 150

HSL 349.01, 0.43%, 0.68%

LAB 64.57, 28.87, 4.31

 

CMYK 0 / 23 / 19 / 24

HEX #C3979E

RGB 195 151 158

HSL 350.45, 0.27%, 0.68%

LAB 66.68, 17.53, 2.68

 

CMYK 0 / 60 / 17 / 3

HEX #F862CD

RGB 248 98 205

HSL 317.2, 0.91%, 0.68%

LAB 64.24, 68.5, -26.79

 

CMYK 0 / 60 / 33 / 3

HEX #F862A5

RGB 248 98 165

HSL 333.2, 0.91%, 0.68%

LAB 62.85, 63.4, -6.12

 

CMYK 0 / 60 / 50 / 3

HEX #F8627D

RGB 248 98 125

HSL 349.2, 0.91%, 0.68%

LAB 61.8, 59.42, 15.45

 

CMYK 0 / 56 / 60 / 3

HEX #F86E62

RGB 248 110 98

HSL 4.8, 0.91%, 0.68%

LAB 63.33, 52, 32.85

 

CMYK 0 / 40 / 60 / 3

HEX #F89662

RGB 248 150 98

HSL 20.8, 0.91%, 0.68%

LAB 71.32, 32.1, 42.73

 

CMYK 0 / 92 / 76 / 4

HEX #F5133A

RGB 245 19 58

HSL 349.65, 0.92%, 0.52%

LAB 52.04, 77.15, 41.8

 

CMYK 0 / 76 / 63 / 4

HEX #F63A5B

RGB 246 58 91

HSL 349.47, 0.91%, 0.6%

LAB 55.46, 71.04, 26.71

 

CMYK 0 / 60 / 50 / 3

HEX #F8627C

RGB 248 98 124

HSL 349.6, 0.91%, 0.68%

LAB 61.78, 59.33, 15.99

 

CMYK 0 / 45 / 37 / 2

HEX #FA899D

RGB 250 137 157

HSL 349.38, 0.92%, 0.76%

LAB 69.93, 44.89, 8.75

 

CMYK 0 / 29 / 24 / 2

HEX #FBB1BE

RGB 251 177 190

HSL 349.46, 0.9%, 0.84%

LAB 79.43, 28.74, 4.24

 

CMYK 0 / 61 / 50 / 3

HEX #F8617B

RGB 248 97 123

HSL 349.67, 0.92%, 0.68%

LAB 61.6, 59.68, 16.32

 

CMYK 1 / 0 / 60 / 3

HEX #F5F862

RGB 245 248 98

HSL 61.2, 0.91%, 0.68%

LAB 94.92, -19.32, 69.49

 

CMYK 60 / 25 / 0 / 3

HEX #62B9F8

RGB 98 185 248

HSL 205.2, 0.91%, 0.68%

LAB 72.28, -7.91, -39.07

 

CMYK 0 / 61 / 50 / 3

HEX #F8617B

RGB 248 97 123

HSL 349.67, 0.92%, 0.68%

LAB 61.6, 59.68, 16.32

 

CMYK 50 / 0 / 60 / 3

HEX #7DF862

RGB 125 248 98

HSL 109.2, 0.91%, 0.68%

LAB 88.15, -61.46, 60.12

 

CMYK 60 / 50 / 0 / 3

HEX #627DF8

RGB 98 125 248

HSL 229.2, 0.91%, 0.68%

LAB 56.13, 26.92, -64.65

 

CMYK 0 / 61 / 50 / 3

HEX #F8617B

RGB 248 97 123

HSL 349.67, 0.92%, 0.68%

LAB 61.6, 59.68, 16.32

 

CMYK 1 / 0 / 60 / 3

HEX #F5F862

RGB 245 248 98

HSL 61.2, 0.91%, 0.68%

LAB 94.92, -19.32, 69.49

 

CMYK 60 / 0 / 11 / 3

HEX #62F8DC

RGB 98 248 220

HSL 168.8, 0.91%, 0.68%

LAB 89.35, -46.39, 1.57

 

CMYK 60 / 60 / 0 / 3

HEX #6462F8

RGB 100 98 248

HSL 240.8, 0.91%, 0.68%

LAB 49.76, 43.45, -74.95

 

CMYK 0 / 61 / 50 / 3

HEX #F8617B

RGB 248 97 123

HSL 349.67, 0.92%, 0.68%

LAB 61.6, 59.68, 16.32

 

CMYK 19 / 0 / 60 / 3

HEX #C8F862

RGB 200 248 98

HSL 79.2, 0.91%, 0.68%

LAB 91.82, -36.79, 65.23

 

CMYK 60 / 0 / 11 / 3

HEX #62F8DC

RGB 98 248 220

HSL 168.8, 0.91%, 0.68%

LAB 89.35, -46.39, 1.57

 

CMYK 42 / 60 / 0 / 3

HEX #9162F8

RGB 145 98 248

HSL 258.8, 0.91%, 0.68%

LAB 53.53, 51.69, -68.67

 

Description

Color code: HEX #F8617B | qconv.com Color code: HEX #F8617B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 97 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 97 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 50 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 50% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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