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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8682B it is the complementary color #0797D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8682B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8682B shade: #FD6826, #FF7A39, #FF8C4C, #FF9E5F and #FFB072

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8682B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8682B shade: #F8682B, #E75618, #D64405, #C53200 and #B42000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8682B shade: #F8672A, #F8302A and #F82A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8682B shade: #F8672A, #F89F2A, #F8D62A, #E2F82A and #AAF82A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8682B shade matches the following richer shades: #F8672A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8682B shade: #F8672A, #E66E3C, #D4754D, #C37D5F and #B18471

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8682B shade: #F82A5D, #F82D2A, #F8642A, #F89B2A and #F8D22A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8682B shade: #C94006, #F14D07, #F8672A, #F98452 and #FAA07A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8682B shade: #F8682B, #94F82A and #2A42F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8682B shade: #F8682B, #2AF864 and #642AF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8682B shade: #F8682B, #94F82A, #2ABEF8 and #8D2AF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8682B shade: #F8682B, #56F82A, #2ABEF8 and #CB2AF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 83 / 3

HEX #F8682B

RGB 248 104 43

HSL 17.85, 0.94%, 0.57%

LAB 61.68, 52.24, 58.86

 

Complementary color

CMYK 97 / 29 / 0 / 17

HEX #0797D4

RGB 7 151 212

HSL 197.85, 0.94%, 0.43%

LAB 58.91, -11.14, -40.34

 

CMYK 0 / 59 / 85 / 1

HEX #FD6826

RGB 253 104 38

HSL 18.42, 0.98%, 0.57%

LAB 62.44, 53.9, 61.82

 

CMYK 0 / 52 / 78 / 0

HEX #FF7A39

RGB 255 122 57

HSL 19.7, 1%, 0.61%

LAB 66.12, 46.8, 57.33

 

CMYK 0 / 45 / 70 / 0

HEX #FF8C4C

RGB 255 140 76

HSL 21.45, 1%, 0.65%

LAB 69.85, 38.69, 52.33

 

CMYK 0 / 38 / 63 / 0

HEX #FF9E5F

RGB 255 158 95

HSL 23.63, 1%, 0.69%

LAB 73.89, 30.52, 47.54

 

CMYK 0 / 31 / 55 / 0

HEX #FFB072

RGB 255 176 114

HSL 26.38, 1%, 0.72%

LAB 78.18, 22.48, 43.1

 

CMYK 0 / 58 / 83 / 3

HEX #F8682B

RGB 248 104 43

HSL 17.85, 0.94%, 0.57%

LAB 61.68, 52.24, 58.86

 

CMYK 0 / 63 / 90 / 9

HEX #E75618

RGB 231 86 24

HSL 17.97, 0.81%, 0.5%

LAB 55.8, 53.79, 60.08

 

CMYK 0 / 68 / 98 / 16

HEX #D64405

RGB 214 68 5

HSL 18.09, 0.95%, 0.43%

LAB 50.03, 55.17, 59.94

 

CMYK 0 / 75 / 100 / 23

HEX #C53200

RGB 197 50 0

HSL 15.23, 1%, 0.39%

LAB 44.45, 56.2, 56.73

 

CMYK 0 / 82 / 100 / 29

HEX #B42000

RGB 180 32 0

HSL 10.67, 1%, 0.35%

LAB 39.13, 56.44, 52.45

 

CMYK 0 / 58 / 83 / 3

HEX #F8672A

RGB 248 103 42

HSL 17.77, 0.94%, 0.57%

LAB 61.5, 52.67, 59.12

 

CMYK 0 / 81 / 83 / 3

HEX #F8302A

RGB 248 48 42

HSL 1.75, 0.94%, 0.57%

LAB 54.28, 72.35, 52.72

 

CMYK 0 / 83 / 83 / 3

HEX #F82A2A

RGB 248 42 42

HSL 0, 0.94%, 0.57%

LAB 53.79, 73.73, 52.28

 

CMYK 0 / 58 / 83 / 3

HEX #F8672A

RGB 248 103 42

HSL 17.77, 0.94%, 0.57%

LAB 61.5, 52.67, 59.12

 

CMYK 0 / 36 / 83 / 3

HEX #F89F2A

RGB 248 159 42

HSL 34.08, 0.94%, 0.57%

LAB 72.84, 24.77, 68.9

 

CMYK 0 / 14 / 83 / 3

HEX #F8D62A

RGB 248 214 42

HSL 50.1, 0.94%, 0.57%

LAB 86.11, -3.79, 80.1

 

CMYK 9 / 0 / 83 / 3

HEX #E2F82A

RGB 226 248 42

HSL 66.41, 0.94%, 0.57%

LAB 93.22, -29.47, 85.34

 

CMYK 31 / 0 / 83 / 3

HEX #AAF82A

RGB 170 248 42

HSL 82.72, 0.94%, 0.57%

LAB 89.79, -50.85, 81.05

 

CMYK 0 / 58 / 83 / 3

HEX #F8672A

RGB 248 103 42

HSL 17.77, 0.94%, 0.57%

LAB 61.5, 52.67, 59.12

 

CMYK 0 / 58 / 83 / 3

HEX #F8672A

RGB 248 103 42

HSL 17.77, 0.94%, 0.57%

LAB 61.5, 52.67, 59.12

 

CMYK 0 / 52 / 74 / 10

HEX #E66E3C

RGB 230 110 60

HSL 17.65, 0.77%, 0.57%

LAB 60.16, 43.35, 48.67

 

CMYK 0 / 45 / 64 / 17

HEX #D4754D

RGB 212 117 77

HSL 17.78, 0.61%, 0.57%

LAB 59.21, 33.7, 38.12

 

CMYK 0 / 36 / 51 / 24

HEX #C37D5F

RGB 195 125 95

HSL 18, 0.45%, 0.57%

LAB 59.06, 23.94, 27.58

 

CMYK 0 / 25 / 36 / 31

HEX #B18471

RGB 177 132 113

HSL 17.81, 0.29%, 0.57%

LAB 59.01, 14.67, 17

 

CMYK 0 / 83 / 63 / 3

HEX #F82A5D

RGB 248 42 93

HSL 345.15, 0.94%, 0.57%

LAB 54.45, 75.7, 24.29

 

CMYK 0 / 82 / 83 / 3

HEX #F82D2A

RGB 248 45 42

HSL 0.87, 0.94%, 0.57%

LAB 54.03, 73.06, 52.5

 

CMYK 0 / 60 / 83 / 3

HEX #F8642A

RGB 248 100 42

HSL 16.89, 0.94%, 0.57%

LAB 60.99, 54.01, 58.67

 

CMYK 0 / 38 / 83 / 3

HEX #F89B2A

RGB 248 155 42

HSL 32.91, 0.94%, 0.57%

LAB 71.94, 26.86, 68.13

 

CMYK 0 / 15 / 83 / 3

HEX #F8D22A

RGB 248 210 42

HSL 48.93, 0.94%, 0.57%

LAB 85.11, -1.76, 79.25

 

CMYK 0 / 68 / 97 / 21

HEX #C94006

RGB 201 64 6

HSL 17.85, 0.94%, 0.41%

LAB 47.1, 52.39, 56.82

 

CMYK 0 / 68 / 97 / 5

HEX #F14D07

RGB 241 77 7

HSL 17.95, 0.94%, 0.49%

LAB 56.11, 60.62, 65.41

 

CMYK 0 / 58 / 83 / 3

HEX #F8672A

RGB 248 103 42

HSL 17.77, 0.94%, 0.57%

LAB 61.5, 52.67, 59.12

 

CMYK 0 / 47 / 67 / 2

HEX #F98452

RGB 249 132 82

HSL 17.96, 0.93%, 0.65%

LAB 67.47, 40.72, 46.45

 

CMYK 0 / 36 / 51 / 2

HEX #FAA07A

RGB 250 160 122

HSL 17.81, 0.93%, 0.73%

LAB 74.11, 29.54, 33.65

 

CMYK 0 / 58 / 83 / 3

HEX #F8682B

RGB 248 104 43

HSL 17.85, 0.94%, 0.57%

LAB 61.68, 52.24, 58.86

 

CMYK 40 / 0 / 83 / 3

HEX #94F82A

RGB 148 248 42

HSL 89.13, 0.94%, 0.57%

LAB 88.73, -58.31, 79.72

 

CMYK 83 / 73 / 0 / 3

HEX #2A42F8

RGB 42 66 248

HSL 233.01, 0.94%, 0.57%

LAB 39.86, 55.86, -91.33

 

CMYK 0 / 58 / 83 / 3

HEX #F8682B

RGB 248 104 43

HSL 17.85, 0.94%, 0.57%

LAB 61.68, 52.24, 58.86

 

CMYK 83 / 0 / 60 / 3

HEX #2AF864

RGB 42 248 100

HSL 136.89, 0.94%, 0.57%

LAB 86.28, -76.36, 56.64

 

CMYK 60 / 83 / 0 / 3

HEX #642AF8

RGB 100 42 248

HSL 256.89, 0.94%, 0.57%

LAB 39.82, 71.1, -91.28

 

CMYK 0 / 58 / 83 / 3

HEX #F8682B

RGB 248 104 43

HSL 17.85, 0.94%, 0.57%

LAB 61.68, 52.24, 58.86

 

CMYK 40 / 0 / 83 / 3

HEX #94F82A

RGB 148 248 42

HSL 89.13, 0.94%, 0.57%

LAB 88.73, -58.31, 79.72

 

CMYK 83 / 23 / 0 / 3

HEX #2ABEF8

RGB 42 190 248

HSL 196.89, 0.94%, 0.57%

LAB 72.29, -17.77, -39.15

 

CMYK 43 / 83 / 0 / 3

HEX #8D2AF8

RGB 141 42 248

HSL 268.83, 0.94%, 0.57%

LAB 44.37, 75.44, -83.62

 

CMYK 0 / 58 / 83 / 3

HEX #F8682B

RGB 248 104 43

HSL 17.85, 0.94%, 0.57%

LAB 61.68, 52.24, 58.86

 

CMYK 65 / 0 / 83 / 3

HEX #56F82A

RGB 86 248 42

HSL 107.18, 0.94%, 0.57%

LAB 86.64, -74.66, 77.07

 

CMYK 83 / 23 / 0 / 3

HEX #2ABEF8

RGB 42 190 248

HSL 196.89, 0.94%, 0.57%

LAB 72.29, -17.77, -39.15

 

CMYK 18 / 83 / 0 / 3

HEX #CB2AF8

RGB 203 42 248

HSL 286.89, 0.94%, 0.57%

LAB 53.09, 84.24, -69.03

 

Description

Color code: HEX #F8682B | qconv.com Color code: HEX #F8682B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 104 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 104 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 83 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 83% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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