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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F83FBA it is the complementary color #07C045. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F83FBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F83FBA shade: #FD3FB5, #FF51C8, #FF63DB, #FF75EE and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F83FBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F83FBA shade: #F83FBA, #E72DA7, #D61B94, #C50981 and #B4006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F83FBA shade: #F83FBA, #F83F88, #F83F56 and #F83F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F83FBA shade: #F83FBA, #F83FEB, #D23FF8, #A03FF8 and #6E3FF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F83FBA shade matches the following richer shades: #F83FBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F83FBA shade: #F83FBA, #E74FB4, #D75FAF, #C76FAA and #B77FA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F83FBA shade: #D33FF8, #F83FEB, #F83FBA, #F83F89 and #F83F57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F83FBA shade: #DC0895, #F617AB, #F83FBA, #F966C8 and #FA8ED6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F83FBA shade: #F83FBA, #F8A13F and #3FF8EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F83FBA shade: #F83FBA, #BAF83F and #3FBAF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F83FBA shade: #F83FBA, #F8A13F, #3FF87C and #3F95F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F83FBA shade: #F83FBA, #F8D93F, #3FF87C and #3F5DF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 25 / 3

HEX #F83FBA

RGB 248 63 186

HSL 320.11, 0.93%, 0.61%

LAB 59.03, 78.48, -23.99

 

Complementary color

CMYK 96 / 0 / 64 / 25

HEX #07C045

RGB 7 192 69

HSL 140.11, 0.93%, 0.39%

LAB 68.15, -65.26, 49.34

 

CMYK 0 / 75 / 28 / 1

HEX #FD3FB5

RGB 253 63 181

HSL 322.74, 0.98%, 0.62%

LAB 59.68, 79.08, -20.02

 

CMYK 0 / 68 / 22 / 0

HEX #FF51C8

RGB 255 81 200

HSL 318.97, 1%, 0.66%

LAB 62.77, 76.13, -26.13

 

CMYK 0 / 61 / 14 / 0

HEX #FF63DB

RGB 255 99 219

HSL 313.85, 1%, 0.69%

LAB 65.98, 71.92, -31.88

 

CMYK 0 / 54 / 7 / 0

HEX #FF75EE

RGB 255 117 238

HSL 307.39, 1%, 0.73%

LAB 69.58, 67.15, -36.83

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 75 / 25 / 3

HEX #F83FBA

RGB 248 63 186

HSL 320.11, 0.93%, 0.61%

LAB 59.03, 78.48, -23.99

 

CMYK 0 / 81 / 28 / 9

HEX #E72DA7

RGB 231 45 167

HSL 320.65, 0.79%, 0.54%

LAB 53.66, 77.13, -21.43

 

CMYK 0 / 87 / 31 / 16

HEX #D61B94

RGB 214 27 148

HSL 321.18, 0.78%, 0.47%

LAB 48.53, 74.92, -18.26

 

CMYK 0 / 95 / 35 / 23

HEX #C50981

RGB 197 9 129

HSL 321.7, 0.91%, 0.4%

LAB 43.73, 71.59, -14.34

 

CMYK 0 / 100 / 39 / 29

HEX #B4006E

RGB 180 0 110

HSL 323.33, 1%, 0.35%

LAB 39.29, 66.97, -9.55

 

CMYK 0 / 75 / 25 / 3

HEX #F83FBA

RGB 248 63 186

HSL 320.11, 0.93%, 0.61%

LAB 59.03, 78.48, -23.99

 

CMYK 0 / 75 / 45 / 3

HEX #F83F88

RGB 248 63 136

HSL 336.32, 0.93%, 0.61%

LAB 57.36, 73.31, 2.71

 

CMYK 0 / 75 / 65 / 3

HEX #F83F56

RGB 248 63 86

HSL 352.54, 0.93%, 0.61%

LAB 56.27, 69.83, 30.76

 

CMYK 0 / 75 / 75 / 3

HEX #F83F3F

RGB 248 63 63

HSL 0, 0.93%, 0.61%

LAB 55.96, 68.81, 43.46

 

CMYK 0 / 75 / 25 / 3

HEX #F83FBA

RGB 248 63 186

HSL 320.11, 0.93%, 0.61%

LAB 59.03, 78.48, -23.99

 

CMYK 0 / 75 / 5 / 3

HEX #F83FEB

RGB 248 63 235

HSL 304.22, 0.93%, 0.61%

LAB 61.23, 84.99, -48.34

 

CMYK 15 / 75 / 0 / 3

HEX #D23FF8

RGB 210 63 248

HSL 287.68, 0.93%, 0.61%

LAB 56.12, 79.69, -64.08

 

CMYK 35 / 75 / 0 / 3

HEX #A03FF8

RGB 160 63 248

HSL 271.46, 0.93%, 0.61%

LAB 49.26, 70.9, -75.52

 

CMYK 56 / 75 / 0 / 3

HEX #6E3FF8

RGB 110 63 248

HSL 255.24, 0.93%, 0.61%

LAB 43.72, 63.58, -84.81

 

CMYK 0 / 75 / 25 / 3

HEX #F83FBA

RGB 248 63 186

HSL 320.11, 0.93%, 0.61%

LAB 59.03, 78.48, -23.99

 

CMYK 0 / 75 / 25 / 3

HEX #F83FBA

RGB 248 63 186

HSL 320.11, 0.93%, 0.61%

LAB 59.03, 78.48, -23.99

 

CMYK 0 / 66 / 22 / 9

HEX #E74FB4

RGB 231 79 180

HSL 320.13, 0.76%, 0.61%

LAB 57.92, 68.14, -22.47

 

CMYK 0 / 56 / 19 / 16

HEX #D75FAF

RGB 215 95 175

HSL 320, 0.6%, 0.61%

LAB 57.78, 56.24, -20.01

 

CMYK 0 / 44 / 15 / 22

HEX #C76FAA

RGB 199 111 170

HSL 319.77, 0.44%, 0.61%

LAB 58.43, 42.6, -16.34

 

CMYK 0 / 31 / 10 / 28

HEX #B77FA4

RGB 183 127 164

HSL 320.36, 0.28%, 0.61%

LAB 59.82, 27.48, -10.98

 

CMYK 15 / 75 / 0 / 3

HEX #D33FF8

RGB 211 63 248

HSL 288, 0.93%, 0.61%

LAB 56.27, 79.88, -63.84

 

CMYK 0 / 75 / 5 / 3

HEX #F83FEB

RGB 248 63 235

HSL 304.22, 0.93%, 0.61%

LAB 61.23, 84.99, -48.34

 

CMYK 0 / 75 / 25 / 3

HEX #F83FBA

RGB 248 63 186

HSL 320.11, 0.93%, 0.61%

LAB 59.03, 78.48, -23.99

 

CMYK 0 / 75 / 45 / 3

HEX #F83F89

RGB 248 63 137

HSL 336, 0.93%, 0.61%

LAB 57.38, 73.4, 2.16

 

CMYK 0 / 75 / 65 / 3

HEX #F83F57

RGB 248 63 87

HSL 352.22, 0.93%, 0.61%

LAB 56.29, 69.89, 30.2

 

CMYK 0 / 96 / 32 / 14

HEX #DC0895

RGB 220 8 149

HSL 320.09, 0.93%, 0.45%

LAB 48.96, 78.49, -18.11

 

CMYK 0 / 91 / 30 / 4

HEX #F617AB

RGB 246 23 171

HSL 320.18, 0.93%, 0.53%

LAB 55.22, 84.61, -21.14

 

CMYK 0 / 75 / 25 / 3

HEX #F83FBA

RGB 248 63 186

HSL 320.11, 0.93%, 0.61%

LAB 59.03, 78.48, -23.99

 

CMYK 0 / 59 / 20 / 2

HEX #F966C8

RGB 249 102 200

HSL 320, 0.92%, 0.69%

LAB 64.81, 66.4, -23.08

 

CMYK 0 / 43 / 14 / 2

HEX #FA8ED6

RGB 250 142 214

HSL 320, 0.92%, 0.77%

LAB 72.58, 50.04, -19.05

 

CMYK 0 / 75 / 25 / 3

HEX #F83FBA

RGB 248 63 186

HSL 320.11, 0.93%, 0.61%

LAB 59.03, 78.48, -23.99

 

CMYK 0 / 35 / 75 / 3

HEX #F8A13F

RGB 248 161 63

HSL 31.78, 0.93%, 0.61%

LAB 73.42, 24.44, 61.63

 

CMYK 75 / 0 / 5 / 3

HEX #3FF8EB

RGB 63 248 235

HSL 175.78, 0.93%, 0.61%

LAB 89.01, -47.37, -6.82

 

CMYK 0 / 75 / 25 / 3

HEX #F83FBA

RGB 248 63 186

HSL 320.11, 0.93%, 0.61%

LAB 59.03, 78.48, -23.99

 

CMYK 25 / 0 / 75 / 3

HEX #BAF83F

RGB 186 248 63

HSL 80.11, 0.93%, 0.61%

LAB 90.75, -44.19, 76.65

 

CMYK 75 / 25 / 0 / 3

HEX #3FBAF8

RGB 63 186 248

HSL 200.11, 0.93%, 0.61%

LAB 71.52, -13.65, -40.32

 

CMYK 0 / 75 / 25 / 3

HEX #F83FBA

RGB 248 63 186

HSL 320.11, 0.93%, 0.61%

LAB 59.03, 78.48, -23.99

 

CMYK 0 / 35 / 75 / 3

HEX #F8A13F

RGB 248 161 63

HSL 31.78, 0.93%, 0.61%

LAB 73.42, 24.44, 61.63

 

CMYK 75 / 0 / 50 / 3

HEX #3FF87C

RGB 63 248 124

HSL 139.78, 0.93%, 0.61%

LAB 86.82, -70.85, 46.5

 

CMYK 75 / 40 / 0 / 3

HEX #3F95F8

RGB 63 149 248

HSL 212.11, 0.93%, 0.61%

LAB 61.07, 7.25, -56.81

 

CMYK 0 / 75 / 25 / 3

HEX #F83FBA

RGB 248 63 186

HSL 320.11, 0.93%, 0.61%

LAB 59.03, 78.48, -23.99

 

CMYK 0 / 13 / 75 / 3

HEX #F8D93F

RGB 248 217 63

HSL 49.95, 0.93%, 0.61%

LAB 86.97, -4.62, 74.68

 

CMYK 75 / 0 / 50 / 3

HEX #3FF87C

RGB 63 248 124

HSL 139.78, 0.93%, 0.61%

LAB 86.82, -70.85, 46.5

 

CMYK 75 / 63 / 0 / 3

HEX #3F5DF8

RGB 63 93 248

HSL 230.27, 0.93%, 0.61%

LAB 46.53, 41.64, -80.32

 

Description

Color code: HEX #F83FBA | qconv.com Color code: HEX #F83FBA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 63 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 63 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 25 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 25% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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