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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F83969 it is the complementary color #07C696. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F83969. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F83969 shade: #FD3964, #FF4B77, #FF5D8A, #FF6F9D and #FF81B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F83969. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F83969 shade: #F83969, #E72756, #D61543, #C50330 and #B4001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F83969 shade: #F73A69 and #F73A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F83969 shade: #F73A69, #F73A9C, #F73AD0, #EC3AF7 and #B93AF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F83969 shade matches the following richer shades: #F73A69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F83969 shade: #F73A69, #E74A72, #D65B7A, #C66B82 and #B57C8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F83969 shade: #F73AD1, #F73A9F, #F73A6C, #F73A3A and #F76C3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F83969 shade: #D7073C, #F6124B, #F73A69, #F96187 and #FA89A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F83969 shade: #F83969, #F7EB3A and #3AB8F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F83969 shade: #F83969, #6CF73A and #3A6CF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F83969 shade: #F83969, #F7EB3A, #3AF7C5 and #3A46F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F83969 shade: #F83969, #CBF73A, #3AF7C5 and #663AF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 58 / 3

HEX #F83969

RGB 248 57 105

HSL 344.92, 0.93%, 0.6%

LAB 55.99, 72.71, 19.19

 

Complementary color

CMYK 96 / 0 / 24 / 22

HEX #07C696

RGB 7 198 150

HSL 164.92, 0.93%, 0.4%

LAB 71.31, -52.64, 12.59

 

CMYK 0 / 77 / 60 / 1

HEX #FD3964

RGB 253 57 100

HSL 346.84, 0.98%, 0.61%

LAB 56.81, 73.75, 23.41

 

CMYK 0 / 71 / 53 / 0

HEX #FF4B77

RGB 255 75 119

HSL 345.33, 1%, 0.65%

LAB 59.55, 69.99, 15.99

 

CMYK 0 / 64 / 46 / 0

HEX #FF5D8A

RGB 255 93 138

HSL 343.33, 1%, 0.68%

LAB 62.44, 64.81, 8.99

 

CMYK 0 / 56 / 38 / 0

HEX #FF6F9D

RGB 255 111 157

HSL 340.83, 1%, 0.72%

LAB 65.8, 58.99, 2.9

 

CMYK 0 / 49 / 31 / 0

HEX #FF81B0

RGB 255 129 176

HSL 337.62, 1%, 0.75%

LAB 69.54, 52.77, -2.39

 

CMYK 0 / 77 / 58 / 3

HEX #F83969

RGB 248 57 105

HSL 344.92, 0.93%, 0.6%

LAB 55.99, 72.71, 19.19

 

CMYK 0 / 83 / 63 / 9

HEX #E72756

RGB 231 39 86

HSL 345.31, 0.8%, 0.53%

LAB 50.82, 71.6, 23.11

 

CMYK 0 / 90 / 69 / 16

HEX #D61543

RGB 214 21 67

HSL 345.7, 0.82%, 0.46%

LAB 45.96, 69.6, 27.78

 

CMYK 0 / 98 / 76 / 23

HEX #C50330

RGB 197 3 48

HSL 346.08, 0.97%, 0.39%

LAB 41.45, 66.59, 33.14

 

CMYK 0 / 100 / 84 / 29

HEX #B4001D

RGB 180 0 29

HSL 350.33, 1%, 0.35%

LAB 37.47, 62.12, 38.99

 

CMYK 0 / 77 / 57 / 3

HEX #F73A69

RGB 247 58 105

HSL 345.08, 0.92%, 0.6%

LAB 55.91, 72.16, 19.04

 

CMYK 0 / 77 / 77 / 3

HEX #F73A3A

RGB 247 58 58

HSL 0, 0.92%, 0.6%

LAB 55.18, 69.85, 45.28

 

CMYK 0 / 77 / 57 / 3

HEX #F73A69

RGB 247 58 105

HSL 345.08, 0.92%, 0.6%

LAB 55.91, 72.16, 19.04

 

CMYK 0 / 77 / 37 / 3

HEX #F73A9C

RGB 247 58 156

HSL 328.89, 0.92%, 0.6%

LAB 57.27, 76.38, -9.22

 

CMYK 0 / 77 / 16 / 3

HEX #F73AD0

RGB 247 58 208

HSL 312.38, 0.92%, 0.6%

LAB 59.3, 82.41, -36.17

 

CMYK 4 / 77 / 0 / 3

HEX #EC3AF7

RGB 236 58 247

HSL 296.51, 0.92%, 0.6%

LAB 59.5, 85.83, -57.89

 

CMYK 25 / 77 / 0 / 3

HEX #B93AF7

RGB 185 58 247

HSL 280.32, 0.92%, 0.6%

LAB 51.9, 76.67, -70.52

 

CMYK 0 / 77 / 57 / 3

HEX #F73A69

RGB 247 58 105

HSL 345.08, 0.92%, 0.6%

LAB 55.91, 72.16, 19.04

 

CMYK 0 / 77 / 57 / 3

HEX #F73A69

RGB 247 58 105

HSL 345.08, 0.92%, 0.6%

LAB 55.91, 72.16, 19.04

 

CMYK 0 / 68 / 51 / 9

HEX #E74A72

RGB 231 74 114

HSL 344.71, 0.77%, 0.6%

LAB 55.18, 62.97, 12.24

 

CMYK 0 / 57 / 43 / 16

HEX #D65B7A

RGB 214 91 122

HSL 344.88, 0.6%, 0.6%

LAB 55.26, 51.17, 7.23

 

CMYK 0 / 46 / 34 / 22

HEX #C66B82

RGB 198 107 130

HSL 344.84, 0.44%, 0.6%

LAB 56.22, 38.61, 3.6

 

CMYK 0 / 31 / 24 / 29

HEX #B57C8A

RGB 181 124 138

HSL 345.26, 0.28%, 0.6%

LAB 58.11, 24.19, 1.42

 

CMYK 0 / 77 / 15 / 3

HEX #F73AD1

RGB 247 58 209

HSL 312.06, 0.92%, 0.6%

LAB 59.35, 82.54, -36.66

 

CMYK 0 / 77 / 36 / 3

HEX #F73A9F

RGB 247 58 159

HSL 327.94, 0.92%, 0.6%

LAB 57.37, 76.68, -10.83

 

CMYK 0 / 77 / 56 / 3

HEX #F73A6C

RGB 247 58 108

HSL 344.13, 0.92%, 0.6%

LAB 55.97, 72.36, 17.34

 

CMYK 0 / 77 / 77 / 3

HEX #F73A3A

RGB 247 58 58

HSL 0, 0.92%, 0.6%

LAB 55.18, 69.85, 45.28

 

CMYK 0 / 56 / 77 / 3

HEX #F76C3A

RGB 247 108 58

HSL 15.87, 0.92%, 0.6%

LAB 62.34, 50.52, 52.71

 

CMYK 0 / 97 / 72 / 16

HEX #D7073C

RGB 215 7 60

HSL 344.71, 0.94%, 0.44%

LAB 45.53, 71.06, 31.57

 

CMYK 0 / 93 / 70 / 4

HEX #F6124B

RGB 246 18 75

HSL 345, 0.93%, 0.52%

LAB 52.44, 78.12, 32.39

 

CMYK 0 / 77 / 57 / 3

HEX #F73A69

RGB 247 58 105

HSL 345.08, 0.92%, 0.6%

LAB 55.91, 72.16, 19.04

 

CMYK 0 / 61 / 46 / 2

HEX #F96187

RGB 249 97 135

HSL 345, 0.93%, 0.68%

LAB 62.03, 61.04, 10.01

 

CMYK 0 / 45 / 34 / 2

HEX #FA89A6

RGB 250 137 166

HSL 344.6, 0.92%, 0.76%

LAB 70.15, 45.94, 4.03

 

CMYK 0 / 77 / 58 / 3

HEX #F83969

RGB 248 57 105

HSL 344.92, 0.93%, 0.6%

LAB 55.99, 72.71, 19.19

 

CMYK 0 / 5 / 77 / 3

HEX #F7EB3A

RGB 247 235 58

HSL 56.19, 0.92%, 0.6%

LAB 91.46, -14.18, 80.35

 

CMYK 77 / 26 / 0 / 3

HEX #3AB8F7

RGB 58 184 247

HSL 200, 0.92%, 0.6%

LAB 70.8, -13.47, -40.92

 

CMYK 0 / 77 / 58 / 3

HEX #F83969

RGB 248 57 105

HSL 344.92, 0.93%, 0.6%

LAB 55.99, 72.71, 19.19

 

CMYK 56 / 0 / 77 / 3

HEX #6CF73A

RGB 108 247 58

HSL 104.13, 0.92%, 0.6%

LAB 87, -68.64, 73.39

 

CMYK 77 / 56 / 0 / 3

HEX #3A6CF7

RGB 58 108 247

HSL 224.13, 0.92%, 0.6%

LAB 49.91, 31.49, -74.26

 

CMYK 0 / 77 / 58 / 3

HEX #F83969

RGB 248 57 105

HSL 344.92, 0.93%, 0.6%

LAB 55.99, 72.71, 19.19

 

CMYK 0 / 5 / 77 / 3

HEX #F7EB3A

RGB 247 235 58

HSL 56.19, 0.92%, 0.6%

LAB 91.46, -14.18, 80.35

 

CMYK 77 / 0 / 20 / 3

HEX #3AF7C5

RGB 58 247 197

HSL 164.13, 0.92%, 0.6%

LAB 87.7, -57.06, 11.06

 

CMYK 77 / 72 / 0 / 3

HEX #3A46F7

RGB 58 70 247

HSL 236.19, 0.92%, 0.6%

LAB 41.21, 54.35, -88.52

 

CMYK 0 / 77 / 58 / 3

HEX #F83969

RGB 248 57 105

HSL 344.92, 0.93%, 0.6%

LAB 55.99, 72.71, 19.19

 

CMYK 18 / 0 / 77 / 3

HEX #CBF73A

RGB 203 247 58

HSL 73.97, 0.92%, 0.6%

LAB 91.47, -37.55, 79.18

 

CMYK 77 / 0 / 20 / 3

HEX #3AF7C5

RGB 58 247 197

HSL 164.13, 0.92%, 0.6%

LAB 87.7, -57.06, 11.06

 

CMYK 59 / 77 / 0 / 3

HEX #663AF7

RGB 102 58 247

HSL 253.97, 0.92%, 0.6%

LAB 42.1, 64.62, -86.94

 

Description

Color code: HEX #F83969 | qconv.com Color code: HEX #F83969 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 57 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 57 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 58 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 58% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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