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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F836F1 it is the complementary color #07C90E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F836F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F836F1 shade: #FD36EC, #FF48FF, #FF5AFF, #FF6CFF and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F836F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F836F1 shade: #F836F1, #E724DE, #D612CB, #C500B8 and #B400A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F836F1 shade: #F735F0, #F735BC, #F73587, #F73553 and #F73535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F836F1 shade: #F735F0, #CA35F7, #9535F7, #6135F7 and #3535F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F836F1 shade matches the following richer shades: #F735F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F836F1 shade: #F735F0, #E646E0, #D557D1, #C467C1 and #B478B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F836F1 shade: #9635F7, #CA35F7, #F735F1, #F735BD and #F73589

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F836F1 shade: #D207CB, #F60DED, #F735F0, #F95DF3 and #FA84F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F836F1 shade: #F836F1, #F76235 and #35F7B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F836F1 shade: #F836F1, #F1F735 and #35F1F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F836F1 shade: #F836F1, #F76235, #35F73B and #35CAF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F836F1 shade: #F836F1, #F79C35, #35F73B and #358FF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 3 / 3

HEX #F836F1

RGB 248 54 241

HSL 302.16, 0.93%, 0.59%

LAB 60.73, 88.19, -52.47

 

Complementary color

CMYK 97 / 0 / 93 / 21

HEX #07C90E

RGB 7 201 14

HSL 122.16, 0.93%, 0.41%

LAB 70.77, -71.47, 68.04

 

CMYK 0 / 79 / 7 / 1

HEX #FD36EC

RGB 253 54 236

HSL 305.13, 0.98%, 0.6%

LAB 61.29, 88.43, -48.75

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FF

RGB 255 72 255

HSL 300, 1%, 0.64%

LAB 64.25, 86.79, -54.57

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 78 / 3 / 3

HEX #F836F1

RGB 248 54 241

HSL 302.16, 0.93%, 0.59%

LAB 60.73, 88.19, -52.47

 

CMYK 0 / 84 / 4 / 9

HEX #E724DE

RGB 231 36 222

HSL 302.77, 0.8%, 0.52%

LAB 55.61, 86.09, -50.12

 

CMYK 0 / 92 / 5 / 16

HEX #D612CB

RGB 214 18 203

HSL 303.37, 0.84%, 0.45%

LAB 50.73, 83.03, -47.19

 

CMYK 0 / 100 / 7 / 23

HEX #C500B8

RGB 197 0 184

HSL 303.96, 1%, 0.39%

LAB 46.08, 79.06, -43.72

 

CMYK 0 / 100 / 8 / 29

HEX #B400A5

RGB 180 0 165

HSL 305, 1%, 0.35%

LAB 41.88, 73.5, -39.33

 

CMYK 0 / 79 / 3 / 3

HEX #F735F0

RGB 247 53 240

HSL 302.16, 0.92%, 0.59%

LAB 60.44, 88.09, -52.4

 

CMYK 0 / 79 / 24 / 3

HEX #F735BC

RGB 247 53 188

HSL 318.25, 0.92%, 0.59%

LAB 57.99, 81.19, -26.75

 

CMYK 0 / 79 / 45 / 3

HEX #F73587

RGB 247 53 135

HSL 334.64, 0.92%, 0.59%

LAB 56.16, 75.78, 1.54

 

CMYK 0 / 79 / 66 / 3

HEX #F73553

RGB 247 53 83

HSL 350.72, 0.92%, 0.59%

LAB 55.02, 72.28, 30.9

 

CMYK 0 / 79 / 79 / 3

HEX #F73535

RGB 247 53 53

HSL 0, 0.92%, 0.59%

LAB 54.63, 71.09, 47.39

 

CMYK 0 / 79 / 3 / 3

HEX #F735F0

RGB 247 53 240

HSL 302.16, 0.92%, 0.59%

LAB 60.44, 88.09, -52.4

 

CMYK 18 / 79 / 0 / 3

HEX #CA35F7

RGB 202 53 247

HSL 286.08, 0.92%, 0.59%

LAB 53.83, 81.09, -67.27

 

CMYK 40 / 79 / 0 / 3

HEX #9535F7

RGB 149 53 247

HSL 269.69, 0.92%, 0.59%

LAB 46.51, 72.69, -79.51

 

CMYK 61 / 79 / 0 / 3

HEX #6135F7

RGB 97 53 247

HSL 253.61, 0.92%, 0.59%

LAB 40.9, 66.27, -88.94

 

CMYK 79 / 79 / 0 / 3

HEX #3535F7

RGB 53 53 247

HSL 240, 0.92%, 0.59%

LAB 37.88, 62.82, -94.04

 

CMYK 0 / 79 / 3 / 3

HEX #F735F0

RGB 247 53 240

HSL 302.16, 0.92%, 0.59%

LAB 60.44, 88.09, -52.4

 

CMYK 0 / 79 / 3 / 3

HEX #F735F0

RGB 247 53 240

HSL 302.16, 0.92%, 0.59%

LAB 60.44, 88.09, -52.4

 

CMYK 0 / 70 / 3 / 10

HEX #E646E0

RGB 230 70 224

HSL 302.25, 0.76%, 0.59%

LAB 58.59, 77.44, -46.53

 

CMYK 0 / 59 / 2 / 16

HEX #D557D1

RGB 213 87 209

HSL 301.9, 0.6%, 0.59%

LAB 57.62, 64.58, -39.74

 

CMYK 0 / 47 / 2 / 23

HEX #C467C1

RGB 196 103 193

HSL 301.94, 0.44%, 0.59%

LAB 57.35, 49.69, -31.22

 

CMYK 0 / 33 / 2 / 29

HEX #B478B1

RGB 180 120 177

HSL 303, 0.29%, 0.59%

LAB 58.33, 32.71, -20.72

 

CMYK 39 / 79 / 0 / 3

HEX #9635F7

RGB 150 53 247

HSL 270, 0.92%, 0.59%

LAB 46.64, 72.84, -79.29

 

CMYK 18 / 79 / 0 / 3

HEX #CA35F7

RGB 202 53 247

HSL 286.08, 0.92%, 0.59%

LAB 53.83, 81.09, -67.27

 

CMYK 0 / 79 / 2 / 3

HEX #F735F1

RGB 247 53 241

HSL 301.86, 0.92%, 0.59%

LAB 60.49, 88.24, -52.87

 

CMYK 0 / 79 / 23 / 3

HEX #F735BD

RGB 247 53 189

HSL 317.94, 0.92%, 0.59%

LAB 58.03, 81.31, -27.26

 

CMYK 0 / 79 / 45 / 3

HEX #F73589

RGB 247 53 137

HSL 334.02, 0.92%, 0.59%

LAB 56.21, 75.95, 0.43

 

CMYK 0 / 97 / 3 / 18

HEX #D207CB

RGB 210 7 203

HSL 302.07, 0.94%, 0.43%

LAB 49.7, 83.33, -48.89

 

CMYK 0 / 95 / 4 / 4

HEX #F60DED

RGB 246 13 237

HSL 302.32, 0.93%, 0.51%

LAB 58.03, 93.56, -54.56

 

CMYK 0 / 79 / 3 / 3

HEX #F735F0

RGB 247 53 240

HSL 302.16, 0.92%, 0.59%

LAB 60.44, 88.09, -52.4

 

CMYK 0 / 63 / 2 / 2

HEX #F95DF3

RGB 249 93 243

HSL 302.31, 0.93%, 0.67%

LAB 65.31, 76.43, -46.33

 

CMYK 0 / 47 / 2 / 2

HEX #FA84F6

RGB 250 132 246

HSL 302.03, 0.92%, 0.75%

LAB 71.88, 60.16, -37.69

 

CMYK 0 / 78 / 3 / 3

HEX #F836F1

RGB 248 54 241

HSL 302.16, 0.93%, 0.59%

LAB 60.73, 88.19, -52.47

 

CMYK 0 / 60 / 79 / 3

HEX #F76235

RGB 247 98 53

HSL 13.92, 0.92%, 0.59%

LAB 60.58, 54.86, 53.32

 

CMYK 79 / 0 / 29 / 3

HEX #35F7B0

RGB 53 247 176

HSL 158.04, 0.92%, 0.59%

LAB 87.2, -62.28, 21.18

 

CMYK 0 / 78 / 3 / 3

HEX #F836F1

RGB 248 54 241

HSL 302.16, 0.93%, 0.59%

LAB 60.73, 88.19, -52.47

 

CMYK 2 / 0 / 79 / 3

HEX #F1F735

RGB 241 247 53

HSL 61.86, 0.92%, 0.59%

LAB 94.09, -22.6, 83.9

 

CMYK 79 / 2 / 0 / 3

HEX #35F1F7

RGB 53 241 247

HSL 181.86, 0.92%, 0.59%

LAB 87.18, -41.91, -15.83

 

CMYK 0 / 78 / 3 / 3

HEX #F836F1

RGB 248 54 241

HSL 302.16, 0.93%, 0.59%

LAB 60.73, 88.19, -52.47

 

CMYK 0 / 60 / 79 / 3

HEX #F76235

RGB 247 98 53

HSL 13.92, 0.92%, 0.59%

LAB 60.58, 54.86, 53.32

 

CMYK 79 / 0 / 76 / 3

HEX #35F73B

RGB 53 247 59

HSL 121.86, 0.92%, 0.59%

LAB 85.8, -78.66, 71.52

 

CMYK 79 / 18 / 0 / 3

HEX #35CAF7

RGB 53 202 247

HSL 193.92, 0.92%, 0.59%

LAB 75.89, -23.35, -33.02

 

CMYK 0 / 78 / 3 / 3

HEX #F836F1

RGB 248 54 241

HSL 302.16, 0.93%, 0.59%

LAB 60.73, 88.19, -52.47

 

CMYK 0 / 37 / 79 / 3

HEX #F79C35

RGB 247 156 53

HSL 31.86, 0.92%, 0.59%

LAB 72.1, 26.26, 64.32

 

CMYK 79 / 0 / 76 / 3

HEX #35F73B

RGB 53 247 59

HSL 121.86, 0.92%, 0.59%

LAB 85.8, -78.66, 71.52

 

CMYK 79 / 42 / 0 / 3

HEX #358FF7

RGB 53 143 247

HSL 212.16, 0.92%, 0.59%

LAB 59.08, 9.37, -59.45

 

Description

Color code: HEX #F836F1 | qconv.com Color code: HEX #F836F1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 54 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 54 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 3 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 3% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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