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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F83452 it is the complementary color #07CBAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F83452. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F83452 shade: #FD344D, #FF4660, #FF5873, #FF6A86 and #FF7C99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F83452. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F83452 shade: #F83452, #E7223F, #D6102C, #C50019 and #B40006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F83452 shade: #F73552 and #F73535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F83452 shade: #F73552, #F73587, #F735BB, #F735F0 and #CA35F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F83452 shade matches the following richer shades: #F73552

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F83452 shade: #F73552, #E6465E, #D5576A, #C46776 and #B47881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F83452 shade: #F735BD, #F73589, #F73555, #F74835 and #F77C35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F83452 shade: #D20726, #F60D31, #F73552, #F95D74 and #FA8496

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F83452 shade: #F83452, #F1F735 and #35A3F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F83452 shade: #F83452, #55F735 and #3555F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F83452 shade: #F83452, #F1F735, #35F7D7 and #3B35F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F83452 shade: #F83452, #B6F735, #35F7D7 and #7635F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 67 / 3

HEX #F83452

RGB 248 52 82

HSL 350.82, 0.93%, 0.59%

LAB 55.09, 72.76, 31.62

 

Complementary color

CMYK 97 / 0 / 15 / 20

HEX #07CBAD

RGB 7 203 173

HSL 170.82, 0.93%, 0.41%

LAB 73.4, -48.79, 3.15

 

CMYK 0 / 79 / 70 / 1

HEX #FD344D

RGB 253 52 77

HSL 352.54, 0.98%, 0.6%

LAB 55.96, 73.88, 35.81

 

CMYK 0 / 73 / 62 / 0

HEX #FF4660

RGB 255 70 96

HSL 351.57, 1%, 0.64%

LAB 58.49, 70.16, 28.03

 

CMYK 0 / 65 / 55 / 0

HEX #FF5873

RGB 255 88 115

HSL 350.3, 1%, 0.67%

LAB 61.2, 64.92, 20.59

 

CMYK 0 / 58 / 47 / 0

HEX #FF6A86

RGB 255 106 134

HSL 348.72, 1%, 0.71%

LAB 64.39, 58.97, 14.04

 

CMYK 0 / 51 / 40 / 0

HEX #FF7C99

RGB 255 124 153

HSL 346.72, 1%, 0.74%

LAB 68, 52.54, 8.34

 

CMYK 0 / 79 / 67 / 3

HEX #F83452

RGB 248 52 82

HSL 350.82, 0.93%, 0.59%

LAB 55.09, 72.76, 31.62

 

CMYK 0 / 85 / 73 / 9

HEX #E7223F

RGB 231 34 63

HSL 351.17, 0.8%, 0.52%

LAB 50.09, 71.55, 35.95

 

CMYK 0 / 93 / 79 / 16

HEX #D6102C

RGB 214 16 44

HSL 351.52, 0.86%, 0.45%

LAB 45.43, 69.39, 40.82

 

CMYK 0 / 100 / 87 / 23

HEX #C50019

RGB 197 0 25

HSL 352.39, 1%, 0.39%

LAB 41.12, 66.27, 45.7

 

CMYK 0 / 100 / 97 / 29

HEX #B40006

RGB 180 0 6

HSL 358, 1%, 0.35%

LAB 37.33, 61.74, 49.32

 

CMYK 0 / 79 / 67 / 3

HEX #F73552

RGB 247 53 82

HSL 351.03, 0.92%, 0.59%

LAB 55, 72.23, 31.46

 

CMYK 0 / 79 / 79 / 3

HEX #F73535

RGB 247 53 53

HSL 0, 0.92%, 0.59%

LAB 54.63, 71.09, 47.39

 

CMYK 0 / 79 / 67 / 3

HEX #F73552

RGB 247 53 82

HSL 351.03, 0.92%, 0.59%

LAB 55, 72.23, 31.46

 

CMYK 0 / 79 / 45 / 3

HEX #F73587

RGB 247 53 135

HSL 334.64, 0.92%, 0.59%

LAB 56.16, 75.78, 1.54

 

CMYK 0 / 79 / 24 / 3

HEX #F735BB

RGB 247 53 187

HSL 318.56, 0.92%, 0.59%

LAB 57.95, 81.08, -26.24

 

CMYK 0 / 79 / 3 / 3

HEX #F735F0

RGB 247 53 240

HSL 302.16, 0.92%, 0.59%

LAB 60.44, 88.09, -52.4

 

CMYK 18 / 79 / 0 / 3

HEX #CA35F7

RGB 202 53 247

HSL 286.08, 0.92%, 0.59%

LAB 53.83, 81.09, -67.27

 

CMYK 0 / 79 / 67 / 3

HEX #F73552

RGB 247 53 82

HSL 351.03, 0.92%, 0.59%

LAB 55, 72.23, 31.46

 

CMYK 0 / 79 / 67 / 3

HEX #F73552

RGB 247 53 82

HSL 351.03, 0.92%, 0.59%

LAB 55, 72.23, 31.46

 

CMYK 0 / 70 / 59 / 10

HEX #E6465E

RGB 230 70 94

HSL 351, 0.76%, 0.59%

LAB 54.04, 62.67, 22.54

 

CMYK 0 / 59 / 50 / 16

HEX #D5576A

RGB 213 87 106

HSL 350.95, 0.6%, 0.59%

LAB 54.03, 51.16, 14.94

 

CMYK 0 / 47 / 40 / 23

HEX #C46776

RGB 196 103 118

HSL 350.32, 0.44%, 0.59%

LAB 54.81, 38.54, 8.58

 

CMYK 0 / 33 / 28 / 29

HEX #B47881

RGB 180 120 129

HSL 351, 0.29%, 0.59%

LAB 56.8, 24.73, 4.73

 

CMYK 0 / 79 / 23 / 3

HEX #F735BD

RGB 247 53 189

HSL 317.94, 0.92%, 0.59%

LAB 58.03, 81.31, -27.26

 

CMYK 0 / 79 / 45 / 3

HEX #F73589

RGB 247 53 137

HSL 334.02, 0.92%, 0.59%

LAB 56.21, 75.95, 0.43

 

CMYK 0 / 79 / 66 / 3

HEX #F73555

RGB 247 53 85

HSL 350.1, 0.92%, 0.59%

LAB 55.05, 72.38, 29.76

 

CMYK 0 / 71 / 79 / 3

HEX #F74835

RGB 247 72 53

HSL 5.88, 0.92%, 0.59%

LAB 56.75, 65.19, 49.53

 

CMYK 0 / 50 / 79 / 3

HEX #F77C35

RGB 247 124 53

HSL 21.96, 0.92%, 0.59%

LAB 65.32, 42.66, 57.92

 

CMYK 0 / 97 / 82 / 18

HEX #D20726

RGB 210 7 38

HSL 350.84, 0.94%, 0.43%

LAB 44.22, 69.12, 42.69

 

CMYK 0 / 95 / 80 / 4

HEX #F60D31

RGB 246 13 49

HSL 350.73, 0.93%, 0.51%

LAB 51.95, 77.7, 46.77

 

CMYK 0 / 79 / 67 / 3

HEX #F73552

RGB 247 53 82

HSL 351.03, 0.92%, 0.59%

LAB 55, 72.23, 31.46

 

CMYK 0 / 63 / 53 / 2

HEX #F95D74

RGB 249 93 116

HSL 351.15, 0.93%, 0.67%

LAB 60.98, 61.12, 19.55

 

CMYK 0 / 47 / 40 / 2

HEX #FA8496

RGB 250 132 150

HSL 350.85, 0.92%, 0.75%

LAB 68.77, 46.61, 11.03

 

CMYK 0 / 79 / 67 / 3

HEX #F83452

RGB 248 52 82

HSL 350.82, 0.93%, 0.59%

LAB 55.09, 72.76, 31.62

 

CMYK 2 / 0 / 79 / 3

HEX #F1F735

RGB 241 247 53

HSL 61.86, 0.92%, 0.59%

LAB 94.09, -22.6, 83.9

 

CMYK 79 / 34 / 0 / 3

HEX #35A3F7

RGB 53 163 247

HSL 205.98, 0.92%, 0.59%

LAB 64.7, -2.35, -50.52

 

CMYK 0 / 79 / 67 / 3

HEX #F83452

RGB 248 52 82

HSL 350.82, 0.93%, 0.59%

LAB 55.09, 72.76, 31.62

 

CMYK 66 / 0 / 79 / 3

HEX #55F735

RGB 85 247 53

HSL 110.1, 0.92%, 0.59%

LAB 86.36, -74, 74.01

 

CMYK 79 / 66 / 0 / 3

HEX #3555F7

RGB 53 85 247

HSL 230.1, 0.92%, 0.59%

LAB 44.19, 45.24, -83.62

 

CMYK 0 / 79 / 67 / 3

HEX #F83452

RGB 248 52 82

HSL 350.82, 0.93%, 0.59%

LAB 55.09, 72.76, 31.62

 

CMYK 2 / 0 / 79 / 3

HEX #F1F735

RGB 241 247 53

HSL 61.86, 0.92%, 0.59%

LAB 94.09, -22.6, 83.9

 

CMYK 79 / 0 / 13 / 3

HEX #35F7D7

RGB 53 247 215

HSL 170.1, 0.92%, 0.59%

LAB 88.06, -53.15, 2.2

 

CMYK 76 / 79 / 0 / 3

HEX #3B35F7

RGB 59 53 247

HSL 241.86, 0.92%, 0.59%

LAB 38.18, 63.17, -93.52

 

CMYK 0 / 79 / 67 / 3

HEX #F83452

RGB 248 52 82

HSL 350.82, 0.93%, 0.59%

LAB 55.09, 72.76, 31.62

 

CMYK 26 / 0 / 79 / 3

HEX #B6F735

RGB 182 247 53

HSL 80.1, 0.92%, 0.59%

LAB 90.19, -45.69, 78.95

 

CMYK 79 / 0 / 13 / 3

HEX #35F7D7

RGB 53 247 215

HSL 170.1, 0.92%, 0.59%

LAB 88.06, -53.15, 2.2

 

CMYK 52 / 79 / 0 / 3

HEX #7635F7

RGB 118 53 247

HSL 260.1, 0.92%, 0.59%

LAB 42.93, 68.6, -85.52

 

Description

Color code: HEX #F83452 | qconv.com Color code: HEX #F83452 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 52 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 52 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 67 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 67% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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