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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F82073 it is the complementary color #07DF8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F82073. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F82073 shade: #FD206E, #FF3281, #FF4494, #FF56A7 and #FF68BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F82073. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F82073 shade: #F82073, #E70E60, #D6004D, #C5003A and #B40027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F82073 shade: #F82073, #F82039 and #F82020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F82073 shade: #F82073, #F820AD, #F820E7, #CE20F8 and #9420F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F82073 shade matches the following richer shades: #F82073

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F82073 shade: #F82073, #E53277, #D2457B, #C05880 and #AD6A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F82073 shade: #F820E9, #F820B0, #F82076, #F8203D and #F83D20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F82073 shade: #C0054D, #E8075D, #F82073, #F9488C and #FA70A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F82073 shade: #F82073, #F8CC20 and #20CCF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F82073 shade: #F82073, #76F820 and #2076F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F82073 shade: #F82073, #F8CC20, #20F8A1 and #204BF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F82073 shade: #F82073, #E2F820, #20F8A1 and #3520F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 54 / 3

HEX #F82073

RGB 248 32 115

HSL 336.94, 0.94%, 0.55%

LAB 54.27, 78.93, 10.82

 

Complementary color

CMYK 97 / 0 / 37 / 13

HEX #07DF8C

RGB 7 223 140

HSL 156.94, 0.94%, 0.45%

LAB 78.88, -64, 28.26

 

CMYK 0 / 87 / 57 / 1

HEX #FD206E

RGB 253 32 110

HSL 338.82, 0.98%, 0.56%

LAB 55.12, 79.79, 15.15

 

CMYK 0 / 80 / 49 / 0

HEX #FF3281

RGB 255 50 129

HSL 336.88, 1%, 0.6%

LAB 57.2, 78.03, 6.79

 

CMYK 0 / 73 / 42 / 0

HEX #FF4494

RGB 255 68 148

HSL 334.33, 1%, 0.63%

LAB 59.46, 74.69, -1.13

 

CMYK 0 / 66 / 35 / 0

HEX #FF56A7

RGB 255 86 167

HSL 331.24, 1%, 0.67%

LAB 62.26, 70.42, -8.04

 

CMYK 0 / 59 / 27 / 0

HEX #FF68BA

RGB 255 104 186

HSL 327.42, 1%, 0.7%

LAB 65.52, 65.42, -14.01

 

CMYK 0 / 87 / 54 / 3

HEX #F82073

RGB 248 32 115

HSL 336.94, 0.94%, 0.55%

LAB 54.27, 78.93, 10.82

 

CMYK 0 / 94 / 58 / 9

HEX #E70E60

RGB 231 14 96

HSL 337.33, 0.89%, 0.48%

LAB 49.67, 76.06, 15.48

 

CMYK 0 / 100 / 64 / 16

HEX #D6004D

RGB 214 0 77

HSL 338.41, 1%, 0.42%

LAB 45.4, 72.21, 20.89

 

CMYK 0 / 100 / 71 / 23

HEX #C5003A

RGB 197 0 58

HSL 342.34, 1%, 0.39%

LAB 41.49, 67.28, 27.04

 

CMYK 0 / 100 / 78 / 29

HEX #B40027

RGB 180 0 39

HSL 347, 1%, 0.35%

LAB 37.57, 62.41, 33.27

 

CMYK 0 / 87 / 54 / 3

HEX #F82073

RGB 248 32 115

HSL 336.94, 0.94%, 0.55%

LAB 54.27, 78.93, 10.82

 

CMYK 0 / 87 / 77 / 3

HEX #F82039

RGB 248 32 57

HSL 353.06, 0.94%, 0.55%

LAB 53.26, 76.06, 43.85

 

CMYK 0 / 87 / 87 / 3

HEX #F82020

RGB 248 32 32

HSL 0, 0.94%, 0.55%

LAB 53.05, 75.45, 56.34

 

CMYK 0 / 87 / 54 / 3

HEX #F82073

RGB 248 32 115

HSL 336.94, 0.94%, 0.55%

LAB 54.27, 78.93, 10.82

 

CMYK 0 / 87 / 30 / 3

HEX #F820AD

RGB 248 32 173

HSL 320.83, 0.94%, 0.55%

LAB 56.09, 83.99, -20.94

 

CMYK 0 / 87 / 7 / 3

HEX #F820E7

RGB 248 32 231

HSL 304.72, 0.94%, 0.55%

LAB 58.75, 91.02, -50.03

 

CMYK 17 / 87 / 0 / 3

HEX #CE20F8

RGB 206 32 248

HSL 288.33, 0.94%, 0.55%

LAB 52.88, 86.7, -69.35

 

CMYK 40 / 87 / 0 / 3

HEX #9420F8

RGB 148 32 248

HSL 272.22, 0.94%, 0.55%

LAB 44.38, 78.91, -83.56

 

CMYK 0 / 87 / 54 / 3

HEX #F82073

RGB 248 32 115

HSL 336.94, 0.94%, 0.55%

LAB 54.27, 78.93, 10.82

 

CMYK 0 / 87 / 54 / 3

HEX #F82073

RGB 248 32 115

HSL 336.94, 0.94%, 0.55%

LAB 54.27, 78.93, 10.82

 

CMYK 0 / 78 / 48 / 10

HEX #E53277

RGB 229 50 119

HSL 336.87, 0.77%, 0.55%

LAB 52.14, 70.65, 4.89

 

CMYK 0 / 67 / 41 / 18

HEX #D2457B

RGB 210 69 123

HSL 337.02, 0.61%, 0.55%

LAB 51.14, 59.46, 0.61

 

CMYK 0 / 54 / 33 / 25

HEX #C05880

RGB 192 88 128

HSL 336.92, 0.45%, 0.55%

LAB 51.55, 45.94, -2.13

 

CMYK 0 / 39 / 24 / 32

HEX #AD6A84

RGB 173 106 132

HSL 336.72, 0.29%, 0.55%

LAB 52.79, 30.33, -2.96

 

CMYK 0 / 87 / 6 / 3

HEX #F820E9

RGB 248 32 233

HSL 304.17, 0.94%, 0.55%

LAB 58.86, 91.3, -50.98

 

CMYK 0 / 87 / 29 / 3

HEX #F820B0

RGB 248 32 176

HSL 320, 0.94%, 0.55%

LAB 56.21, 84.31, -22.52

 

CMYK 0 / 87 / 52 / 3

HEX #F82076

RGB 248 32 118

HSL 336.11, 0.94%, 0.55%

LAB 54.34, 79.14, 9.12

 

CMYK 0 / 87 / 75 / 3

HEX #F8203D

RGB 248 32 61

HSL 351.94, 0.94%, 0.55%

LAB 53.3, 76.19, 41.65

 

CMYK 0 / 75 / 87 / 3

HEX #F83D20

RGB 248 61 32

HSL 8.06, 0.94%, 0.55%

LAB 55.48, 68.58, 58.22

 

CMYK 0 / 97 / 60 / 25

HEX #C0054D

RGB 192 5 77

HSL 336.9, 0.95%, 0.39%

LAB 40.98, 66.58, 14.16

 

CMYK 0 / 97 / 60 / 9

HEX #E8075D

RGB 232 7 93

HSL 337.07, 0.94%, 0.47%

LAB 49.61, 76.68, 17.27

 

CMYK 0 / 87 / 54 / 3

HEX #F82073

RGB 248 32 115

HSL 336.94, 0.94%, 0.55%

LAB 54.27, 78.93, 10.82

 

CMYK 0 / 71 / 44 / 2

HEX #F9488C

RGB 249 72 140

HSL 336.95, 0.94%, 0.63%

LAB 58.67, 71.06, 2.27

 

CMYK 0 / 55 / 34 / 2

HEX #FA70A5

RGB 250 112 165

HSL 336.96, 0.93%, 0.71%

LAB 65.46, 57.85, -2.24

 

CMYK 0 / 87 / 54 / 3

HEX #F82073

RGB 248 32 115

HSL 336.94, 0.94%, 0.55%

LAB 54.27, 78.93, 10.82

 

CMYK 0 / 18 / 87 / 3

HEX #F8CC20

RGB 248 204 32

HSL 47.78, 0.94%, 0.55%

LAB 83.57, 1.07, 80.31

 

CMYK 87 / 18 / 0 / 3

HEX #20CCF8

RGB 32 204 248

HSL 192.22, 0.94%, 0.55%

LAB 76.23, -25.6, -33.05

 

CMYK 0 / 87 / 54 / 3

HEX #F82073

RGB 248 32 115

HSL 336.94, 0.94%, 0.55%

LAB 54.27, 78.93, 10.82

 

CMYK 52 / 0 / 87 / 3

HEX #76F820

RGB 118 248 32

HSL 96.11, 0.94%, 0.55%

LAB 87.53, -67.54, 80.24

 

CMYK 87 / 52 / 0 / 3

HEX #2076F8

RGB 32 118 248

HSL 216.11, 0.94%, 0.55%

LAB 51.88, 23.5, -71.63

 

CMYK 0 / 87 / 54 / 3

HEX #F82073

RGB 248 32 115

HSL 336.94, 0.94%, 0.55%

LAB 54.27, 78.93, 10.82

 

CMYK 0 / 18 / 87 / 3

HEX #F8CC20

RGB 248 204 32

HSL 47.78, 0.94%, 0.55%

LAB 83.57, 1.07, 80.31

 

CMYK 87 / 0 / 35 / 3

HEX #20F8A1

RGB 32 248 161

HSL 155.83, 0.94%, 0.55%

LAB 87, -67.44, 28.52

 

CMYK 87 / 70 / 0 / 3

HEX #204BF8

RGB 32 75 248

HSL 228.06, 0.94%, 0.55%

LAB 41.4, 50.25, -88.79

 

CMYK 0 / 87 / 54 / 3

HEX #F82073

RGB 248 32 115

HSL 336.94, 0.94%, 0.55%

LAB 54.27, 78.93, 10.82

 

CMYK 9 / 0 / 87 / 3

HEX #E2F820

RGB 226 248 32

HSL 66.11, 0.94%, 0.55%

LAB 93.19, -29.71, 87.25

 

CMYK 87 / 0 / 35 / 3

HEX #20F8A1

RGB 32 248 161

HSL 155.83, 0.94%, 0.55%

LAB 87, -67.44, 28.52

 

CMYK 79 / 87 / 0 / 3

HEX #3520F8

RGB 53 32 248

HSL 245.83, 0.94%, 0.55%

LAB 35.14, 71.56, -99.16

 

Description

Color code: HEX #F82073 | qconv.com Color code: HEX #F82073 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 32 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 32 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 54 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 54% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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