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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8181B it is the complementary color #07E7E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8181B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8181B shade: #FD1816, #FF2A29, #FF3C3C, #FF4E4F and #FF6062

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8181B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8181B shade: #F8181B, #E70608, #D60000, #C50000 and #B40000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8181B shade: #F71619 and #F71616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8181B shade: #F71619, #F71656, #F71693, #F716CF and #E316F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8181B shade matches the following richer shades: #F71619

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8181B shade: #F71619, #E4292C, #D13D3F, #BD5052 and #AA6464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8181B shade: #F71692, #F71656, #F7161A, #F74E16 and #F78A16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8181B shade: #B60507, #DE0609, #F71619, #F93E40 and #FA6668

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8181B shade: #F8181B, #CEF716 and #1674F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8181B shade: #F8181B, #1AF716 and #161AF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8181B shade: #F8181B, #CEF716, #16F7F4 and #3F16F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8181B shade: #F8181B, #8AF716, #16F7F4 and #8316F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 89 / 3

HEX #F8181B

RGB 248 24 27

HSL 359.2, 0.94%, 0.53%

LAB 52.61, 76.57, 58.14

 

Complementary color

CMYK 97 / 0 / 1 / 9

HEX #07E7E4

RGB 7 231 228

HSL 179.2, 0.94%, 0.47%

LAB 83.34, -45.33, -11.63

 

CMYK 0 / 91 / 91 / 1

HEX #FD1816

RGB 253 24 22

HSL 0.52, 0.98%, 0.54%

LAB 53.59, 77.76, 61.19

 

CMYK 0 / 84 / 84 / 0

HEX #FF2A29

RGB 255 42 41

HSL 0.28, 1%, 0.58%

LAB 55.15, 75.56, 54.49

 

CMYK 0 / 76 / 76 / 0

HEX #FF3C3C

RGB 255 60 60

HSL 0, 1%, 0.62%

LAB 56.9, 71.61, 46.48

 

CMYK 0 / 69 / 69 / 0

HEX #FF4E4F

RGB 255 78 79

HSL 359.66, 1%, 0.65%

LAB 59.23, 66.53, 38.66

 

CMYK 0 / 62 / 62 / 0

HEX #FF6062

RGB 255 96 98

HSL 359.25, 1%, 0.69%

LAB 62.09, 60.55, 31.5

 

CMYK 0 / 90 / 89 / 3

HEX #F8181B

RGB 248 24 27

HSL 359.2, 0.94%, 0.53%

LAB 52.61, 76.57, 58.14

 

CMYK 0 / 97 / 97 / 9

HEX #E70608

RGB 231 6 8

HSL 359.47, 0.95%, 0.46%

LAB 48.43, 73.93, 60.19

 

CMYK 0 / 100 / 100 / 16

HEX #D60000

RGB 214 0 0

HSL 0, 1%, 0.42%

LAB 44.65, 70.18, 58.89

 

CMYK 0 / 100 / 100 / 23

HEX #C50000

RGB 197 0 0

HSL 0, 1%, 0.39%

LAB 41.01, 65.97, 55.35

 

CMYK 0 / 100 / 100 / 29

HEX #B40000

RGB 180 0 0

HSL 0, 1%, 0.35%

LAB 37.3, 61.68, 51.72

 

CMYK 0 / 91 / 90 / 3

HEX #F71619

RGB 247 22 25

HSL 359.2, 0.93%, 0.53%

LAB 52.31, 76.55, 58.63

 

CMYK 0 / 91 / 91 / 3

HEX #F71616

RGB 247 22 22

HSL 0, 0.93%, 0.53%

LAB 52.29, 76.51, 59.76

 

CMYK 0 / 91 / 90 / 3

HEX #F71619

RGB 247 22 25

HSL 359.2, 0.93%, 0.53%

LAB 52.31, 76.55, 58.63

 

CMYK 0 / 91 / 65 / 3

HEX #F71656

RGB 247 22 86

HSL 342.93, 0.93%, 0.53%

LAB 52.97, 78.41, 26.52

 

CMYK 0 / 91 / 40 / 3

HEX #F71693

RGB 247 22 147

HSL 326.67, 0.93%, 0.53%

LAB 54.51, 82.62, -8.03

 

CMYK 0 / 91 / 16 / 3

HEX #F716CF

RGB 247 22 207

HSL 310.67, 0.93%, 0.53%

LAB 56.93, 89.02, -39.31

 

CMYK 8 / 91 / 0 / 3

HEX #E316F7

RGB 227 22 247

HSL 294.67, 0.93%, 0.53%

LAB 55.71, 91.17, -64.06

 

CMYK 0 / 91 / 90 / 3

HEX #F71619

RGB 247 22 25

HSL 359.2, 0.93%, 0.53%

LAB 52.31, 76.55, 58.63

 

CMYK 0 / 91 / 90 / 3

HEX #F71619

RGB 247 22 25

HSL 359.2, 0.93%, 0.53%

LAB 52.31, 76.55, 58.63

 

CMYK 0 / 82 / 81 / 11

HEX #E4292C

RGB 228 41 44

HSL 359.04, 0.78%, 0.53%

LAB 49.81, 68.61, 46.13

 

CMYK 0 / 71 / 70 / 18

HEX #D13D3F

RGB 209 61 63

HSL 359.19, 0.62%, 0.53%

LAB 48.58, 57.72, 33.13

 

CMYK 0 / 58 / 57 / 26

HEX #BD5052

RGB 189 80 82

HSL 358.9, 0.45%, 0.53%

LAB 48.47, 44.09, 21.04

 

CMYK 0 / 41 / 41 / 33

HEX #AA6464

RGB 170 100 100

HSL 0, 0.29%, 0.53%

LAB 50.19, 28.22, 12.21

 

CMYK 0 / 91 / 41 / 3

HEX #F71692

RGB 247 22 146

HSL 326.93, 0.93%, 0.53%

LAB 54.47, 82.54, -7.49

 

CMYK 0 / 91 / 65 / 3

HEX #F71656

RGB 247 22 86

HSL 342.93, 0.93%, 0.53%

LAB 52.97, 78.41, 26.52

 

CMYK 0 / 91 / 89 / 3

HEX #F7161A

RGB 247 22 26

HSL 358.93, 0.93%, 0.53%

LAB 52.31, 76.56, 58.24

 

CMYK 0 / 68 / 91 / 3

HEX #F74E16

RGB 247 78 22

HSL 14.93, 0.93%, 0.53%

LAB 57.35, 62.33, 63.08

 

CMYK 0 / 44 / 91 / 3

HEX #F78A16

RGB 247 138 22

HSL 30.93, 0.93%, 0.53%

LAB 68.03, 34.85, 70.55

 

CMYK 0 / 97 / 96 / 29

HEX #B60507

RGB 182 5 7

HSL 359.32, 0.95%, 0.37%

LAB 37.97, 61.7, 49.51

 

CMYK 0 / 97 / 96 / 13

HEX #DE0609

RGB 222 6 9

HSL 359.17, 0.95%, 0.45%

LAB 46.55, 71.72, 57.95

 

CMYK 0 / 91 / 90 / 3

HEX #F71619

RGB 247 22 25

HSL 359.2, 0.93%, 0.53%

LAB 52.31, 76.55, 58.63

 

CMYK 0 / 75 / 74 / 2

HEX #F93E40

RGB 249 62 64

HSL 359.36, 0.94%, 0.61%

LAB 56.04, 69.44, 43.05

 

CMYK 0 / 59 / 58 / 2

HEX #FA6668

RGB 250 102 104

HSL 359.19, 0.94%, 0.69%

LAB 62.36, 56.71, 28.29

 

CMYK 0 / 90 / 89 / 3

HEX #F8181B

RGB 248 24 27

HSL 359.2, 0.94%, 0.53%

LAB 52.61, 76.57, 58.14

 

CMYK 17 / 0 / 91 / 3

HEX #CEF716

RGB 206 247 22

HSL 70.93, 0.93%, 0.53%

LAB 91.55, -37.4, 86.85

 

CMYK 91 / 53 / 0 / 3

HEX #1674F7

RGB 22 116 247

HSL 214.93, 0.93%, 0.53%

LAB 51.13, 23.88, -72.31

 

CMYK 0 / 90 / 89 / 3

HEX #F8181B

RGB 248 24 27

HSL 359.2, 0.94%, 0.53%

LAB 52.61, 76.57, 58.14

 

CMYK 89 / 0 / 91 / 3

HEX #1AF716

RGB 26 247 22

HSL 118.93, 0.93%, 0.53%

LAB 85.4, -82.73, 79.29

 

CMYK 91 / 89 / 0 / 3

HEX #161AF7

RGB 22 26 247

HSL 238.93, 0.93%, 0.53%

LAB 33.19, 72.37, -101.87

 

CMYK 0 / 90 / 89 / 3

HEX #F8181B

RGB 248 24 27

HSL 359.2, 0.94%, 0.53%

LAB 52.61, 76.57, 58.14

 

CMYK 17 / 0 / 91 / 3

HEX #CEF716

RGB 206 247 22

HSL 70.93, 0.93%, 0.53%

LAB 91.55, -37.4, 86.85

 

CMYK 91 / 0 / 1 / 3

HEX #16F7F4

RGB 22 247 244

HSL 179.2, 0.93%, 0.53%

LAB 88.55, -47.25, -12.24

 

CMYK 74 / 91 / 0 / 3

HEX #3F16F7

RGB 63 22 247

HSL 250.93, 0.93%, 0.53%

LAB 34.69, 74.49, -99.32

 

CMYK 0 / 90 / 89 / 3

HEX #F8181B

RGB 248 24 27

HSL 359.2, 0.94%, 0.53%

LAB 52.61, 76.57, 58.14

 

CMYK 44 / 0 / 91 / 3

HEX #8AF716

RGB 138 247 22

HSL 89.07, 0.93%, 0.53%

LAB 87.96, -61.65, 82.46

 

CMYK 91 / 0 / 1 / 3

HEX #16F7F4

RGB 22 247 244

HSL 179.2, 0.93%, 0.53%

LAB 88.55, -47.25, -12.24

 

CMYK 47 / 91 / 0 / 3

HEX #8316F7

RGB 131 22 247

HSL 269.07, 0.93%, 0.53%

LAB 41.4, 78.97, -88

 

Description

Color code: HEX #F8181B | qconv.com Color code: HEX #F8181B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 24 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 24 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 89 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 89% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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