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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8077B it is the complementary color #07F884. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8077B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8077B shade: #FD0776, #FF1989, #FF2B9C, #FF3DAF and #FF4FC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8077B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8077B shade: #F8077B, #E70068, #D60055, #C50042 and #B4002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8077B shade: #F8067A, #F80639 and #F80606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8077B shade: #F8067A, #F806BC, #F306F8, #B206F8 and #7006F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8077B shade matches the following richer shades: #F8067A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8077B shade: #F8067A, #E31B7B, #CF2F7C, #BA447D and #A6587E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8077B shade: #F406F8, #F806BC, #F8067B, #F8063A and #F81206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8077B shade: #A80453, #D00567, #F8067A, #F92E90 and #FA56A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8077B shade: #F8077B, #F8B306 and #06DCF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8077B shade: #F8077B, #7BF806 and #067BF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8077B shade: #F8077B, #F8B306, #06F883 and #064BF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8077B shade: #F8077B, #F4F806, #06F883 and #0A06F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 50 / 3

HEX #F8077B

RGB 248 7 123

HSL 331.12, 0.95%, 0.5%

LAB 53.53, 82.22, 4.95

 

Complementary color

CMYK 97 / 0 / 47 / 3

HEX #07F884

RGB 7 248 132

HSL 151.12, 0.95%, 0.5%

LAB 86.43, -73.74, 42.09

 

CMYK 0 / 97 / 53 / 1

HEX #FD0776

RGB 253 7 118

HSL 332.93, 0.98%, 0.51%

LAB 54.39, 82.96, 9.32

 

CMYK 0 / 90 / 46 / 0

HEX #FF1989

RGB 255 25 137

HSL 330.78, 1%, 0.55%

LAB 55.85, 83.17, 0.08

 

CMYK 0 / 83 / 39 / 0

HEX #FF2B9C

RGB 255 43 156

HSL 328.02, 1%, 0.58%

LAB 57.45, 81.86, -8.8

 

CMYK 0 / 76 / 31 / 0

HEX #FF3DAF

RGB 255 61 175

HSL 324.74, 1%, 0.62%

LAB 59.61, 79.45, -16.64

 

CMYK 0 / 69 / 24 / 0

HEX #FF4FC2

RGB 255 79 194

HSL 320.8, 1%, 0.65%

LAB 62.29, 76.06, -23.46

 

CMYK 0 / 97 / 50 / 3

HEX #F8077B

RGB 248 7 123

HSL 331.12, 0.95%, 0.5%

LAB 53.53, 82.22, 4.95

 

CMYK 0 / 100 / 55 / 9

HEX #E70068

RGB 231 0 104

HSL 332.99, 1%, 0.45%

LAB 49.48, 77.67, 10.3

 

CMYK 0 / 100 / 60 / 16

HEX #D60055

RGB 214 0 85

HSL 336.17, 1%, 0.42%

LAB 45.57, 72.66, 16.12

 

CMYK 0 / 100 / 66 / 23

HEX #C50042

RGB 197 0 66

HSL 339.9, 1%, 0.39%

LAB 41.63, 67.66, 22.19

 

CMYK 0 / 100 / 74 / 29

HEX #B4002F

RGB 180 0 47

HSL 344.33, 1%, 0.35%

LAB 37.68, 62.69, 28.46

 

CMYK 0 / 98 / 51 / 3

HEX #F8067A

RGB 248 6 122

HSL 331.24, 0.95%, 0.5%

LAB 53.48, 82.21, 5.48

 

CMYK 0 / 98 / 77 / 3

HEX #F80639

RGB 248 6 57

HSL 347.36, 0.95%, 0.5%

LAB 52.27, 78.92, 42.79

 

CMYK 0 / 98 / 98 / 3

HEX #F80606

RGB 248 6 6

HSL 0, 0.95%, 0.5%

LAB 51.95, 78.05, 64.33

 

CMYK 0 / 98 / 51 / 3

HEX #F8067A

RGB 248 6 122

HSL 331.24, 0.95%, 0.5%

LAB 53.48, 82.21, 5.48

 

CMYK 0 / 98 / 24 / 3

HEX #F806BC

RGB 248 6 188

HSL 314.88, 0.95%, 0.5%

LAB 55.8, 88.27, -30.12

 

CMYK 2 / 98 / 0 / 3

HEX #F306F8

RGB 243 6 248

HSL 298.76, 0.95%, 0.5%

LAB 58, 95.07, -60.78

 

CMYK 28 / 98 / 0 / 3

HEX #B206F8

RGB 178 6 248

HSL 282.64, 0.95%, 0.5%

LAB 47.46, 86.1, -78.36

 

CMYK 55 / 98 / 0 / 3

HEX #7006F8

RGB 112 6 248

HSL 266.28, 0.95%, 0.5%

LAB 38.47, 79.89, -93.48

 

CMYK 0 / 98 / 51 / 3

HEX #F8067A

RGB 248 6 122

HSL 331.24, 0.95%, 0.5%

LAB 53.48, 82.21, 5.48

 

CMYK 0 / 98 / 51 / 3

HEX #F8067A

RGB 248 6 122

HSL 331.24, 0.95%, 0.5%

LAB 53.48, 82.21, 5.48

 

CMYK 0 / 88 / 46 / 11

HEX #E31B7B

RGB 227 27 123

HSL 331.2, 0.79%, 0.5%

LAB 50.15, 75.44, -0.46

 

CMYK 0 / 77 / 40 / 19

HEX #CF2F7C

RGB 207 47 124

HSL 331.13, 0.63%, 0.5%

LAB 47.95, 66.25, -4.75

 

CMYK 0 / 63 / 33 / 27

HEX #BA447D

RGB 186 68 125

HSL 331.02, 0.46%, 0.5%

LAB 47.05, 52.9, -7.09

 

CMYK 0 / 47 / 24 / 35

HEX #A6587E

RGB 166 88 126

HSL 330.77, 0.31%, 0.5%

LAB 47.74, 36.74, -6.98

 

CMYK 2 / 98 / 0 / 3

HEX #F406F8

RGB 244 6 248

HSL 299.01, 0.95%, 0.5%

LAB 58.17, 95.22, -60.5

 

CMYK 0 / 98 / 24 / 3

HEX #F806BC

RGB 248 6 188

HSL 314.88, 0.95%, 0.5%

LAB 55.8, 88.27, -30.12

 

CMYK 0 / 98 / 50 / 3

HEX #F8067B

RGB 248 6 123

HSL 330.99, 0.95%, 0.5%

LAB 53.51, 82.28, 4.92

 

CMYK 0 / 98 / 77 / 3

HEX #F8063A

RGB 248 6 58

HSL 347.11, 0.95%, 0.5%

LAB 52.28, 78.95, 42.23

 

CMYK 0 / 93 / 98 / 3

HEX #F81206

RGB 248 18 6

HSL 2.98, 0.95%, 0.5%

LAB 52.29, 77.07, 64.47

 

CMYK 0 / 98 / 51 / 34

HEX #A80453

RGB 168 4 83

HSL 331.1, 0.95%, 0.34%

LAB 36.05, 61.44, 2.65

 

CMYK 0 / 98 / 50 / 18

HEX #D00567

RGB 208 5 103

HSL 331.03, 0.95%, 0.42%

LAB 44.94, 72.05, 3.82

 

CMYK 0 / 98 / 51 / 3

HEX #F8067A

RGB 248 6 122

HSL 331.24, 0.95%, 0.5%

LAB 53.48, 82.21, 5.48

 

CMYK 0 / 82 / 42 / 2

HEX #F92E90

RGB 249 46 144

HSL 331.03, 0.94%, 0.58%

LAB 56.2, 78.74, -3.7

 

CMYK 0 / 66 / 34 / 2

HEX #FA56A5

RGB 250 86 165

HSL 331.1, 0.94%, 0.66%

LAB 61.39, 68.81, -8.26

 

CMYK 0 / 97 / 50 / 3

HEX #F8077B

RGB 248 7 123

HSL 331.12, 0.95%, 0.5%

LAB 53.53, 82.22, 4.95

 

CMYK 0 / 28 / 98 / 3

HEX #F8B306

RGB 248 179 6

HSL 42.89, 0.95%, 0.5%

LAB 77.41, 13.7, 79.58

 

CMYK 98 / 11 / 0 / 3

HEX #06DCF8

RGB 6 220 248

HSL 186.94, 0.95%, 0.5%

LAB 80.74, -34.31, -26.15

 

CMYK 0 / 97 / 50 / 3

HEX #F8077B

RGB 248 7 123

HSL 331.12, 0.95%, 0.5%

LAB 53.53, 82.22, 4.95

 

CMYK 50 / 0 / 98 / 3

HEX #7BF806

RGB 123 248 6

HSL 90.99, 0.95%, 0.5%

LAB 87.66, -66.67, 83.52

 

CMYK 98 / 50 / 0 / 3

HEX #067BF8

RGB 6 123 248

HSL 210.99, 0.95%, 0.5%

LAB 52.93, 19.36, -69.95

 

CMYK 0 / 97 / 50 / 3

HEX #F8077B

RGB 248 7 123

HSL 331.12, 0.95%, 0.5%

LAB 53.53, 82.22, 4.95

 

CMYK 0 / 28 / 98 / 3

HEX #F8B306

RGB 248 179 6

HSL 42.89, 0.95%, 0.5%

LAB 77.41, 13.7, 79.58

 

CMYK 98 / 0 / 47 / 3

HEX #06F883

RGB 6 248 131

HSL 150.99, 0.95%, 0.5%

LAB 86.41, -73.93, 42.55

 

CMYK 98 / 70 / 0 / 3

HEX #064BF8

RGB 6 75 248

HSL 222.89, 0.95%, 0.5%

LAB 40.97, 49.49, -89.51

 

CMYK 0 / 97 / 50 / 3

HEX #F8077B

RGB 248 7 123

HSL 331.12, 0.95%, 0.5%

LAB 53.53, 82.22, 4.95

 

CMYK 2 / 0 / 98 / 3

HEX #F4F806

RGB 244 248 6

HSL 60.99, 0.95%, 0.5%

LAB 94.48, -22.71, 91.72

 

CMYK 98 / 0 / 47 / 3

HEX #06F883

RGB 6 248 131

HSL 150.99, 0.95%, 0.5%

LAB 86.41, -73.93, 42.55

 

CMYK 96 / 98 / 0 / 3

HEX #0A06F8

RGB 10 6 248

HSL 240.99, 0.95%, 0.5%

LAB 31.74, 76.66, -104.86

 

Description

Color code: HEX #F8077B | qconv.com Color code: HEX #F8077B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 7 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 7 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 50 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 50% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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