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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F77CE4 it is the complementary color #08831B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F77CE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F77CE4 shade: #FC7CDF, #FF8EF2, #FFA0FF, #FFB2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F77CE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F77CE4 shade: #F77CE4, #E66AD1, #D558BE, #C446AB and #B33498

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F77CE4 shade: #F67DE4, #F67DC3, #F67DA2, #F67D81 and #F67D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F77CE4 shade: #F67DE4, #E87DF6, #C87DF6, #A77DF6 and #867DF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F77CE4 shade matches the following richer shades: #F67DE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F77CE4 shade: #F67DE4, #EB88DC, #E093D4, #D59ECC and #CAAAC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F77CE4 shade: #C87DF6, #E87DF6, #F67DE4, #F67DC4 and #F67DA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F77CE4 shade: #F12FD3, #F456DB, #F67DE4, #F9A4EC and #FBCBF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F77CE4 shade: #F77CE4, #F6A77D and #7DF6D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F77CE4 shade: #F77CE4, #E4F67D and #7DE4F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F77CE4 shade: #F77CE4, #F6A77D, #7DF68F and #7DCCF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F77CE4 shade: #F77CE4, #F6CC7D, #7DF68F and #7DA7F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 8 / 3

HEX #F77CE4

RGB 247 124 228

HSL 309.27, 0.88%, 0.73%

LAB 69.32, 60.13, -31.8

 

Complementary color

CMYK 94 / 0 / 79 / 49

HEX #08831B

RGB 8 131 27

HSL 129.27, 0.88%, 0.27%

LAB 47.45, -50.64, 44.31

 

CMYK 0 / 51 / 12 / 1

HEX #FC7CDF

RGB 252 124 223

HSL 313.59, 0.96%, 0.74%

LAB 69.78, 60.77, -28.28

 

CMYK 0 / 44 / 5 / 0

HEX #FF8EF2

RGB 255 142 242

HSL 306.9, 1%, 0.78%

LAB 74.2, 56.06, -31.87

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 50 / 8 / 3

HEX #F77CE4

RGB 247 124 228

HSL 309.27, 0.88%, 0.73%

LAB 69.32, 60.13, -31.8

 

CMYK 0 / 54 / 9 / 10

HEX #E66AD1

RGB 230 106 209

HSL 310.16, 0.71%, 0.66%

LAB 63.12, 60.68, -30.98

 

CMYK 0 / 59 / 11 / 16

HEX #D558BE

RGB 213 88 190

HSL 311.04, 0.6%, 0.59%

LAB 56.92, 61.07, -29.99

 

CMYK 0 / 64 / 13 / 23

HEX #C446AB

RGB 196 70 171

HSL 311.9, 0.52%, 0.52%

LAB 50.75, 61.21, -28.75

 

CMYK 0 / 71 / 15 / 30

HEX #B33498

RGB 179 52 152

HSL 312.76, 0.55%, 0.45%

LAB 44.67, 60.91, -27.14

 

CMYK 0 / 49 / 7 / 4

HEX #F67DE4

RGB 246 125 228

HSL 308.93, 0.87%, 0.73%

LAB 69.37, 59.37, -31.74

 

CMYK 0 / 49 / 21 / 4

HEX #F67DC3

RGB 246 125 195

HSL 325.29, 0.87%, 0.73%

LAB 68.17, 54.34, -15.21

 

CMYK 0 / 49 / 34 / 4

HEX #F67DA2

RGB 246 125 162

HSL 341.65, 0.87%, 0.73%

LAB 67.18, 50.05, 1.9

 

CMYK 0 / 49 / 48 / 4

HEX #F67D81

RGB 246 125 129

HSL 358.02, 0.87%, 0.73%

LAB 66.4, 46.56, 19.46

 

CMYK 0 / 49 / 49 / 4

HEX #F67D7D

RGB 246 125 125

HSL 0, 0.87%, 0.73%

LAB 66.32, 46.2, 21.6

 

CMYK 0 / 49 / 7 / 4

HEX #F67DE4

RGB 246 125 228

HSL 308.93, 0.87%, 0.73%

LAB 69.37, 59.37, -31.74

 

CMYK 6 / 49 / 0 / 4

HEX #E87DF6

RGB 232 125 246

HSL 293.06, 0.87%, 0.73%

LAB 68.37, 58.59, -43.34

 

CMYK 19 / 49 / 0 / 4

HEX #C87DF6

RGB 200 125 246

HSL 277.19, 0.87%, 0.73%

LAB 64.64, 49.98, -49.46

 

CMYK 32 / 49 / 0 / 4

HEX #A77DF6

RGB 167 125 246

HSL 260.83, 0.87%, 0.73%

LAB 61.25, 41.41, -55.05

 

CMYK 46 / 49 / 0 / 4

HEX #867DF6

RGB 134 125 246

HSL 244.46, 0.87%, 0.73%

LAB 58.4, 33.53, -59.76

 

CMYK 0 / 49 / 7 / 4

HEX #F67DE4

RGB 246 125 228

HSL 308.93, 0.87%, 0.73%

LAB 69.37, 59.37, -31.74

 

CMYK 0 / 49 / 7 / 4

HEX #F67DE4

RGB 246 125 228

HSL 308.93, 0.87%, 0.73%

LAB 69.37, 59.37, -31.74

 

CMYK 0 / 42 / 6 / 8

HEX #EB88DC

RGB 235 136 220

HSL 309.09, 0.71%, 0.73%

LAB 69.78, 49.38, -26.8

 

CMYK 0 / 34 / 5 / 12

HEX #E093D4

RGB 224 147 212

HSL 309.35, 0.55%, 0.73%

LAB 70.5, 38.84, -21.39

 

CMYK 0 / 26 / 4 / 16

HEX #D59ECC

RGB 213 158 204

HSL 309.82, 0.4%, 0.73%

LAB 71.53, 27.87, -15.53

 

CMYK 0 / 16 / 2 / 21

HEX #CAAAC5

RGB 202 170 197

HSL 309.38, 0.23%, 0.73%

LAB 73.11, 16.29, -9.41

 

CMYK 19 / 49 / 0 / 4

HEX #C87DF6

RGB 200 125 246

HSL 277.19, 0.87%, 0.73%

LAB 64.64, 49.98, -49.46

 

CMYK 6 / 49 / 0 / 4

HEX #E87DF6

RGB 232 125 246

HSL 293.06, 0.87%, 0.73%

LAB 68.37, 58.59, -43.34

 

CMYK 0 / 49 / 7 / 4

HEX #F67DE4

RGB 246 125 228

HSL 308.93, 0.87%, 0.73%

LAB 69.37, 59.37, -31.74

 

CMYK 0 / 49 / 20 / 4

HEX #F67DC4

RGB 246 125 196

HSL 324.79, 0.87%, 0.73%

LAB 68.2, 54.48, -15.72

 

CMYK 0 / 49 / 34 / 4

HEX #F67DA3

RGB 246 125 163

HSL 341.16, 0.87%, 0.73%

LAB 67.21, 50.17, 1.38

 

CMYK 0 / 80 / 12 / 5

HEX #F12FD3

RGB 241 47 211

HSL 309.28, 0.87%, 0.56%

LAB 57.5, 84.25, -40.77

 

CMYK 0 / 65 / 10 / 4

HEX #F456DB

RGB 244 86 219

HSL 309.49, 0.88%, 0.65%

LAB 62.51, 74.23, -37.4

 

CMYK 0 / 49 / 7 / 4

HEX #F67DE4

RGB 246 125 228

HSL 308.93, 0.87%, 0.73%

LAB 69.37, 59.37, -31.74

 

CMYK 0 / 34 / 5 / 2

HEX #F9A4EC

RGB 249 164 236

HSL 309.18, 0.88%, 0.81%

LAB 77.73, 42.07, -23.27

 

CMYK 0 / 19 / 3 / 2

HEX #FBCBF4

RGB 251 203 244

HSL 308.75, 0.86%, 0.89%

LAB 86.88, 23.62, -13.72

 

CMYK 0 / 50 / 8 / 3

HEX #F77CE4

RGB 247 124 228

HSL 309.27, 0.88%, 0.73%

LAB 69.32, 60.13, -31.8

 

CMYK 0 / 32 / 49 / 4

HEX #F6A77D

RGB 246 167 125

HSL 20.83, 0.87%, 0.73%

LAB 75.27, 24.57, 33.48

 

CMYK 49 / 0 / 12 / 4

HEX #7DF6D8

RGB 125 246 216

HSL 165.12, 0.87%, 0.73%

LAB 89.5, -41.12, 3.98

 

CMYK 0 / 50 / 8 / 3

HEX #F77CE4

RGB 247 124 228

HSL 309.27, 0.88%, 0.73%

LAB 69.32, 60.13, -31.8

 

CMYK 7 / 0 / 49 / 4

HEX #E4F67D

RGB 228 246 125

HSL 68.93, 0.87%, 0.73%

LAB 93.4, -22.94, 55.68

 

CMYK 49 / 7 / 0 / 4

HEX #7DE4F6

RGB 125 228 246

HSL 188.93, 0.87%, 0.73%

LAB 85.25, -25.31, -18.03

 

CMYK 0 / 50 / 8 / 3

HEX #F77CE4

RGB 247 124 228

HSL 309.27, 0.88%, 0.73%

LAB 69.32, 60.13, -31.8

 

CMYK 0 / 32 / 49 / 4

HEX #F6A77D

RGB 246 167 125

HSL 20.83, 0.87%, 0.73%

LAB 75.27, 24.57, 33.48

 

CMYK 49 / 0 / 42 / 4

HEX #7DF68F

RGB 125 246 143

HSL 128.93, 0.87%, 0.73%

LAB 88.09, -55.05, 39.29

 

CMYK 49 / 17 / 0 / 4

HEX #7DCCF6

RGB 125 204 246

HSL 200.83, 0.87%, 0.73%

LAB 78.58, -13.16, -28.17

 

CMYK 0 / 50 / 8 / 3

HEX #F77CE4

RGB 247 124 228

HSL 309.27, 0.88%, 0.73%

LAB 69.32, 60.13, -31.8

 

CMYK 0 / 17 / 49 / 4

HEX #F6CC7D

RGB 246 204 125

HSL 39.17, 0.87%, 0.73%

LAB 84.1, 5.17, 44.7

 

CMYK 49 / 0 / 42 / 4

HEX #7DF68F

RGB 125 246 143

HSL 128.93, 0.87%, 0.73%

LAB 88.09, -55.05, 39.29

 

CMYK 49 / 32 / 0 / 4

HEX #7DA7F6

RGB 125 167 246

HSL 219.17, 0.87%, 0.73%

LAB 68.5, 7.05, -43.8

 

Description

Color code: HEX #F77CE4 | qconv.com Color code: HEX #F77CE4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 124 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 124 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 8 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 8% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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