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Color name
HEX #F778A7

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F778A7 it is the complementary color #088758. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F778A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F778A7 shade: #FC78A2, #FF8AB5, #FF9CC8, #FFAEDB and #FFC0EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F778A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F778A7 shade: #F778A7, #E66694, #D55481, #C4426E and #B3305B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F778A7 shade: #F778A7, #F77884 and #F77878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F778A7 shade: #F778A7, #F778C9, #F778EB, #E078F7 and #BE78F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F778A7 shade matches the following richer shades: #F778A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F778A7 shade: #F778A7, #EB83AA, #E08FAD, #D49AB0 and #C8A6B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F778A7 shade: #F778EC, #F778CA, #F778A8, #F77886 and #F78B78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F778A7 shade: #F22A74, #F4518D, #F778A7, #F99FC0 and #FBC6D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F778A7 shade: #F778A7, #F7DF78 and #78DBF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F778A7 shade: #F778A7, #A8F778 and #78A8F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F778A7 shade: #F778A7, #F7DF78, #78F7C6 and #788FF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F778A7 shade: #F778A7, #E8F778, #78F7C6 and #8678F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 32 / 3

HEX #F778A7

RGB 247 120 167

HSL 337.8, 0.89%, 0.72%

LAB 66.52, 53.39, -1.87

 

Complementary color

CMYK 94 / 0 / 35 / 47

HEX #088758

RGB 8 135 88

HSL 157.8, 0.89%, 0.28%

LAB 49.6, -42.64, 16.76

 

CMYK 0 / 52 / 36 / 1

HEX #FC78A2

RGB 252 120 162

HSL 340.91, 0.96%, 0.73%

LAB 67.08, 54.43, 1.86

 

CMYK 0 / 46 / 29 / 0

HEX #FF8AB5

RGB 255 138 181

HSL 337.95, 1%, 0.77%

LAB 71.4, 49, -2.45

 

CMYK 0 / 39 / 22 / 0

HEX #FF9CC8

RGB 255 156 200

HSL 333.33, 1%, 0.81%

LAB 75.58, 42.48, -6.79

 

CMYK 0 / 32 / 14 / 0

HEX #FFAEDB

RGB 255 174 219

HSL 326.67, 1%, 0.84%

LAB 79.98, 36.02, -10.6

 

CMYK 0 / 25 / 7 / 0

HEX #FFC0EE

RGB 255 192 238

HSL 316.19, 1%, 0.88%

LAB 84.55, 29.69, -13.97

 

CMYK 0 / 51 / 32 / 3

HEX #F778A7

RGB 247 120 167

HSL 337.8, 0.89%, 0.72%

LAB 66.52, 53.39, -1.87

 

CMYK 0 / 56 / 36 / 10

HEX #E66694

RGB 230 102 148

HSL 338.44, 0.72%, 0.65%

LAB 60.31, 54.13, -0.38

 

CMYK 0 / 61 / 39 / 16

HEX #D55481

RGB 213 84 129

HSL 339.07, 0.61%, 0.58%

LAB 54.1, 54.75, 1.4

 

CMYK 0 / 66 / 44 / 23

HEX #C4426E

RGB 196 66 110

HSL 339.69, 0.52%, 0.51%

LAB 47.95, 55.15, 3.56

 

CMYK 0 / 73 / 49 / 30

HEX #B3305B

RGB 179 48 91

HSL 340.31, 0.58%, 0.45%

LAB 41.93, 55.13, 6.26

 

CMYK 0 / 51 / 32 / 3

HEX #F778A7

RGB 247 120 167

HSL 337.8, 0.89%, 0.72%

LAB 66.52, 53.39, -1.87

 

CMYK 0 / 51 / 47 / 3

HEX #F77884

RGB 247 120 132

HSL 354.33, 0.89%, 0.72%

LAB 65.65, 49.63, 16.75

 

CMYK 0 / 51 / 51 / 3

HEX #F77878

RGB 247 120 120

HSL 0, 0.89%, 0.72%

LAB 65.41, 48.56, 23.2

 

CMYK 0 / 51 / 32 / 3

HEX #F778A7

RGB 247 120 167

HSL 337.8, 0.89%, 0.72%

LAB 66.52, 53.39, -1.87

 

CMYK 0 / 51 / 19 / 3

HEX #F778C9

RGB 247 120 201

HSL 321.73, 0.89%, 0.72%

LAB 67.59, 57.89, -19.43

 

CMYK 0 / 51 / 5 / 3

HEX #F778EB

RGB 247 120 235

HSL 305.67, 0.89%, 0.72%

LAB 68.9, 63.14, -36.32

 

CMYK 9 / 51 / 0 / 3

HEX #E078F7

RGB 224 120 247

HSL 289.13, 0.89%, 0.72%

LAB 66.52, 59.07, -46.87

 

CMYK 23 / 51 / 0 / 3

HEX #BE78F7

RGB 190 120 247

HSL 273.07, 0.89%, 0.72%

LAB 62.59, 50.2, -53.33

 

CMYK 0 / 51 / 32 / 3

HEX #F778A7

RGB 247 120 167

HSL 337.8, 0.89%, 0.72%

LAB 66.52, 53.39, -1.87

 

CMYK 0 / 51 / 32 / 3

HEX #F778A7

RGB 247 120 167

HSL 337.8, 0.89%, 0.72%

LAB 66.52, 53.39, -1.87

 

CMYK 0 / 44 / 28 / 8

HEX #EB83AA

RGB 235 131 170

HSL 337.5, 0.72%, 0.72%

LAB 67.12, 44.34, -2.86

 

CMYK 0 / 36 / 23 / 12

HEX #E08FAD

RGB 224 143 173

HSL 337.78, 0.57%, 0.72%

LAB 68.39, 34.7, -2.84

 

CMYK 0 / 27 / 17 / 17

HEX #D49AB0

RGB 212 154 176

HSL 337.24, 0.4%, 0.72%

LAB 69.64, 24.96, -2.83

 

CMYK 0 / 17 / 11 / 22

HEX #C8A6B3

RGB 200 166 179

HSL 337.06, 0.24%, 0.72%

LAB 71.42, 14.58, -2.02

 

CMYK 0 / 51 / 4 / 3

HEX #F778EC

RGB 247 120 236

HSL 305.2, 0.89%, 0.72%

LAB 68.94, 63.3, -36.81

 

CMYK 0 / 51 / 18 / 3

HEX #F778CA

RGB 247 120 202

HSL 321.26, 0.89%, 0.72%

LAB 67.63, 58.03, -19.94

 

CMYK 0 / 51 / 32 / 3

HEX #F778A8

RGB 247 120 168

HSL 337.32, 0.89%, 0.72%

LAB 66.55, 53.51, -2.4

 

CMYK 0 / 51 / 46 / 3

HEX #F77886

RGB 247 120 134

HSL 353.39, 0.89%, 0.72%

LAB 65.69, 49.82, 15.68

 

CMYK 0 / 44 / 51 / 3

HEX #F78B78

RGB 247 139 120

HSL 8.98, 0.89%, 0.72%

LAB 69.18, 39.09, 28.23

 

CMYK 0 / 83 / 52 / 5

HEX #F22A74

RGB 242 42 116

HSL 337.8, 0.88%, 0.56%

LAB 53.81, 75.66, 9.41

 

CMYK 0 / 67 / 42 / 4

HEX #F4518D

RGB 244 81 141

HSL 337.91, 0.88%, 0.64%

LAB 59.01, 66.54, 2.08

 

CMYK 0 / 51 / 32 / 3

HEX #F778A7

RGB 247 120 167

HSL 337.8, 0.89%, 0.72%

LAB 66.52, 53.39, -1.87

 

CMYK 0 / 36 / 23 / 2

HEX #F99FC0

RGB 249 159 192

HSL 338, 0.88%, 0.8%

LAB 75.29, 37.75, -2.9

 

CMYK 0 / 21 / 14 / 2

HEX #FBC6D9

RGB 251 198 217

HSL 338.49, 0.87%, 0.88%

LAB 84.95, 21.73, -2.22

 

CMYK 0 / 51 / 32 / 3

HEX #F778A7

RGB 247 120 167

HSL 337.8, 0.89%, 0.72%

LAB 66.52, 53.39, -1.87

 

CMYK 0 / 10 / 51 / 3

HEX #F7DF78

RGB 247 223 120

HSL 48.66, 0.89%, 0.72%

LAB 88.88, -4.57, 52.97

 

CMYK 51 / 11 / 0 / 3

HEX #78DBF7

RGB 120 219 247

HSL 193.23, 0.89%, 0.72%

LAB 82.58, -21.64, -22.62

 

CMYK 0 / 51 / 32 / 3

HEX #F778A7

RGB 247 120 167

HSL 337.8, 0.89%, 0.72%

LAB 66.52, 53.39, -1.87

 

CMYK 32 / 0 / 51 / 3

HEX #A8F778

RGB 168 247 120

HSL 97.32, 0.89%, 0.72%

LAB 89.95, -45.67, 52.98

 

CMYK 51 / 32 / 0 / 3

HEX #78A8F7

RGB 120 168 247

HSL 217.32, 0.89%, 0.72%

LAB 68.54, 5.66, -44.29

 

CMYK 0 / 51 / 32 / 3

HEX #F778A7

RGB 247 120 167

HSL 337.8, 0.89%, 0.72%

LAB 66.52, 53.39, -1.87

 

CMYK 0 / 10 / 51 / 3

HEX #F7DF78

RGB 247 223 120

HSL 48.66, 0.89%, 0.72%

LAB 88.88, -4.57, 52.97

 

CMYK 51 / 0 / 20 / 3

HEX #78F7C6

RGB 120 247 198

HSL 156.85, 0.89%, 0.72%

LAB 89.2, -46.62, 12.87

 

CMYK 51 / 42 / 0 / 3

HEX #788FF7

RGB 120 143 247

HSL 229.13, 0.89%, 0.72%

LAB 61.96, 20.15, -54.7

 

CMYK 0 / 51 / 32 / 3

HEX #F778A7

RGB 247 120 167

HSL 337.8, 0.89%, 0.72%

LAB 66.52, 53.39, -1.87

 

CMYK 6 / 0 / 51 / 3

HEX #E8F778

RGB 232 247 120

HSL 67.09, 0.89%, 0.72%

LAB 93.9, -22.31, 58.62

 

CMYK 51 / 0 / 20 / 3

HEX #78F7C6

RGB 120 247 198

HSL 156.85, 0.89%, 0.72%

LAB 89.2, -46.62, 12.87

 

CMYK 46 / 51 / 0 / 3

HEX #8678F7

RGB 134 120 247

HSL 246.61, 0.89%, 0.72%

LAB 57.29, 36.72, -62.11

 

Description

Color code: HEX #F778A7 | qconv.com Color code: HEX #F778A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 120 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 120 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 32 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 32% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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