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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F775C8 it is the complementary color #088A37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F775C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F775C8 shade: #FC75C3, #FF87D6, #FF99E9, #FFABFC and #FFBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F775C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F775C8 shade: #F775C8, #E663B5, #D551A2, #C43F8F and #B32D7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F775C8 shade: #F673C7, #F673A3, #F67380 and #F67373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F775C8 shade: #F673C7, #F673EA, #DF73F6, #BB73F6 and #9873F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F775C8 shade matches the following richer shades: #F673C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F775C8 shade: #F673C7, #EA7FC3, #DE8BC0, #D297BD and #C7A3BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F775C8 shade: #DE73F6, #F673EB, #F673C8, #F673A5 and #F67382

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F775C8 shade: #F225A8, #F44CB7, #F673C7, #F99AD6 and #FBC1E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F775C8 shade: #F775C8, #F6BB73 and #73F6F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F775C8 shade: #F775C8, #C8F673 and #73C8F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F775C8 shade: #F775C8, #F6BB73, #73F6A1 and #73AEF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F775C8 shade: #F775C8, #F6E373, #73F6A1 and #7386F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 19 / 3

HEX #F775C8

RGB 247 117 200

HSL 321.69, 0.89%, 0.71%

LAB 67.03, 59.15, -19.73

 

Complementary color

CMYK 94 / 0 / 60 / 46

HEX #088A37

RGB 8 138 55

HSL 141.69, 0.89%, 0.29%

LAB 50.1, -49.84, 35.15

 

CMYK 0 / 54 / 23 / 1

HEX #FC75C3

RGB 252 117 195

HSL 325.33, 0.96%, 0.72%

LAB 67.54, 59.95, -16.07

 

CMYK 0 / 47 / 16 / 0

HEX #FF87D6

RGB 255 135 214

HSL 320.5, 1%, 0.76%

LAB 71.85, 55.05, -20.09

 

CMYK 0 / 40 / 9 / 0

HEX #FF99E9

RGB 255 153 233

HSL 312.94, 1%, 0.8%

LAB 76.02, 49.08, -24.17

 

CMYK 0 / 33 / 1 / 0

HEX #FFABFC

RGB 255 171 252

HSL 302.14, 1%, 0.84%

LAB 80.41, 43.1, -27.73

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 53 / 19 / 3

HEX #F775C8

RGB 247 117 200

HSL 321.69, 0.89%, 0.71%

LAB 67.03, 59.15, -19.73

 

CMYK 0 / 57 / 21 / 10

HEX #E663B5

RGB 230 99 181

HSL 322.44, 0.72%, 0.65%

LAB 60.85, 59.68, -18.57

 

CMYK 0 / 62 / 24 / 16

HEX #D551A2

RGB 213 81 162

HSL 323.18, 0.61%, 0.58%

LAB 54.7, 60.03, -17.17

 

CMYK 0 / 68 / 27 / 23

HEX #C43F8F

RGB 196 63 143

HSL 323.91, 0.53%, 0.51%

LAB 48.6, 60.07, -15.44

 

CMYK 0 / 75 / 31 / 30

HEX #B32D7C

RGB 179 45 124

HSL 324.63, 0.6%, 0.44%

LAB 42.64, 59.59, -13.23

 

CMYK 0 / 53 / 19 / 4

HEX #F673C7

RGB 246 115 199

HSL 321.53, 0.88%, 0.71%

LAB 66.5, 59.64, -19.98

 

CMYK 0 / 53 / 34 / 4

HEX #F673A3

RGB 246 115 163

HSL 338.02, 0.88%, 0.71%

LAB 65.36, 54.95, -1.32

 

CMYK 0 / 53 / 48 / 4

HEX #F67380

RGB 246 115 128

HSL 354.05, 0.88%, 0.71%

LAB 64.49, 51.31, 17.4

 

CMYK 0 / 53 / 53 / 4

HEX #F67373

RGB 246 115 115

HSL 0, 0.88%, 0.71%

LAB 64.24, 50.19, 24.42

 

CMYK 0 / 53 / 19 / 4

HEX #F673C7

RGB 246 115 199

HSL 321.53, 0.88%, 0.71%

LAB 66.5, 59.64, -19.98

 

CMYK 0 / 53 / 5 / 4

HEX #F673EA

RGB 246 115 234

HSL 305.5, 0.88%, 0.71%

LAB 67.87, 64.99, -37.38

 

CMYK 9 / 53 / 0 / 4

HEX #DF73F6

RGB 223 115 246

HSL 289.47, 0.88%, 0.71%

LAB 65.44, 61.02, -48.02

 

CMYK 24 / 53 / 0 / 4

HEX #BB73F6

RGB 187 115 246

HSL 272.98, 0.88%, 0.71%

LAB 61.2, 51.83, -55

 

CMYK 38 / 53 / 0 / 4

HEX #9873F6

RGB 152 115 246

HSL 256.95, 0.88%, 0.71%

LAB 57.65, 43.36, -60.89

 

CMYK 0 / 53 / 19 / 4

HEX #F673C7

RGB 246 115 199

HSL 321.53, 0.88%, 0.71%

LAB 66.5, 59.64, -19.98

 

CMYK 0 / 53 / 19 / 4

HEX #F673C7

RGB 246 115 199

HSL 321.53, 0.88%, 0.71%

LAB 66.5, 59.64, -19.98

 

CMYK 0 / 46 / 17 / 8

HEX #EA7FC3

RGB 234 127 195

HSL 321.87, 0.72%, 0.71%

LAB 66.98, 49.59, -17.15

 

CMYK 0 / 37 / 14 / 13

HEX #DE8BC0

RGB 222 139 192

HSL 321.69, 0.56%, 0.71%

LAB 67.87, 39.04, -14.27

 

CMYK 0 / 28 / 10 / 18

HEX #D297BD

RGB 210 151 189

HSL 321.36, 0.4%, 0.71%

LAB 69.12, 28.02, -10.87

 

CMYK 0 / 18 / 7 / 22

HEX #C7A3BA

RGB 199 163 186

HSL 321.67, 0.24%, 0.71%

LAB 70.79, 17.08, -6.83

 

CMYK 10 / 53 / 0 / 4

HEX #DE73F6

RGB 222 115 246

HSL 289.01, 0.88%, 0.71%

LAB 65.31, 60.77, -48.23

 

CMYK 0 / 53 / 4 / 4

HEX #F673EB

RGB 246 115 235

HSL 305.04, 0.88%, 0.71%

LAB 67.91, 65.15, -37.87

 

CMYK 0 / 53 / 19 / 4

HEX #F673C8

RGB 246 115 200

HSL 321.07, 0.88%, 0.71%

LAB 66.54, 59.78, -20.49

 

CMYK 0 / 53 / 33 / 4

HEX #F673A5

RGB 246 115 165

HSL 337.1, 0.88%, 0.71%

LAB 65.41, 55.19, -2.38

 

CMYK 0 / 53 / 47 / 4

HEX #F67382

RGB 246 115 130

HSL 353.13, 0.88%, 0.71%

LAB 64.54, 51.49, 16.32

 

CMYK 0 / 85 / 31 / 5

HEX #F225A8

RGB 242 37 168

HSL 321.66, 0.89%, 0.55%

LAB 55.1, 81.34, -19.63

 

CMYK 0 / 69 / 25 / 4

HEX #F44CB7

RGB 244 76 183

HSL 321.79, 0.88%, 0.63%

LAB 59.73, 72.98, -21.25

 

CMYK 0 / 53 / 19 / 4

HEX #F673C7

RGB 246 115 199

HSL 321.53, 0.88%, 0.71%

LAB 66.5, 59.64, -19.98

 

CMYK 0 / 38 / 14 / 2

HEX #F99AD6

RGB 249 154 214

HSL 322.11, 0.89%, 0.79%

LAB 74.89, 43.62, -15.57

 

CMYK 0 / 23 / 8 / 2

HEX #FBC1E6

RGB 251 193 230

HSL 321.72, 0.88%, 0.87%

LAB 84.15, 26.48, -10.34

 

CMYK 0 / 53 / 19 / 3

HEX #F775C8

RGB 247 117 200

HSL 321.69, 0.89%, 0.71%

LAB 67.03, 59.15, -19.73

 

CMYK 0 / 24 / 53 / 4

HEX #F6BB73

RGB 246 187 115

HSL 32.98, 0.88%, 0.71%

LAB 79.82, 13.17, 44.41

 

CMYK 53 / 0 / 2 / 4

HEX #73F6F0

RGB 115 246 240

HSL 177.25, 0.88%, 0.71%

LAB 89.79, -37.43, -8.14

 

CMYK 0 / 53 / 19 / 3

HEX #F775C8

RGB 247 117 200

HSL 321.69, 0.89%, 0.71%

LAB 67.03, 59.15, -19.73

 

CMYK 19 / 0 / 53 / 4

HEX #C8F673

RGB 200 246 115

HSL 81.07, 0.88%, 0.71%

LAB 91.43, -34.44, 57.44

 

CMYK 53 / 19 / 0 / 4

HEX #73C8F6

RGB 115 200 246

HSL 201.07, 0.88%, 0.71%

LAB 77.05, -13.22, -30.56

 

CMYK 0 / 53 / 19 / 3

HEX #F775C8

RGB 247 117 200

HSL 321.69, 0.89%, 0.71%

LAB 67.03, 59.15, -19.73

 

CMYK 0 / 24 / 53 / 4

HEX #F6BB73

RGB 246 187 115

HSL 32.98, 0.88%, 0.71%

LAB 79.82, 13.17, 44.41

 

CMYK 53 / 0 / 35 / 4

HEX #73F6A1

RGB 115 246 161

HSL 141.07, 0.88%, 0.71%

LAB 88.03, -54.54, 30.18

 

CMYK 53 / 29 / 0 / 4

HEX #73AEF6

RGB 115 174 246

HSL 212.98, 0.88%, 0.71%

LAB 69.87, 0.89, -41.68

 

CMYK 0 / 53 / 19 / 3

HEX #F775C8

RGB 247 117 200

HSL 321.69, 0.89%, 0.71%

LAB 67.03, 59.15, -19.73

 

CMYK 0 / 8 / 53 / 4

HEX #F6E373

RGB 246 227 115

HSL 51.3, 0.88%, 0.71%

LAB 89.75, -7.39, 56.32

 

CMYK 53 / 0 / 35 / 4

HEX #73F6A1

RGB 115 246 161

HSL 141.07, 0.88%, 0.71%

LAB 88.03, -54.54, 30.18

 

CMYK 53 / 46 / 0 / 4

HEX #7386F6

RGB 115 134 246

HSL 231.3, 0.88%, 0.71%

LAB 59.3, 24.12, -58.41

 

Description

Color code: HEX #F775C8 | qconv.com Color code: HEX #F775C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 117 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 117 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 19 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 19% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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