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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F76DD1 it is the complementary color #08922E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F76DD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F76DD1 shade: #FC6DCC, #FF7FDF, #FF91F2, #FFA3FF and #FFB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F76DD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F76DD1 shade: #F76DD1, #E65BBE, #D549AB, #C43798 and #B32585

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F76DD1 shade: #F76DD1, #F76DAC, #F76D87 and #F76D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F76DD1 shade: #F76DD1, #F76DF6, #D26DF7, #AD6DF7 and #886DF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F76DD1 shade matches the following richer shades: #F76DD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F76DD1 shade: #F76DD1, #EA7ACB, #DE86C6, #D292C0 and #C59FBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F76DD1 shade: #D26DF7, #F76DF7, #F76DD2, #F76DAD and #F76D89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F76DD1 shade: #F31FB8, #F546C5, #F76DD1, #F994DD and #FBBCEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F76DD1 shade: #F76DD1, #F7AD6D and #6DF7E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F76DD1 shade: #F76DD1, #D2F76D and #6DD2F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F76DD1 shade: #F76DD1, #F7AD6D, #6DF792 and #6DB7F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F76DD1 shade: #F76DD1, #F7D76D, #6DF792 and #6D8DF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 15 / 3

HEX #F76DD1

RGB 247 109 209

HSL 316.52, 0.9%, 0.7%

LAB 65.99, 64.08, -26.36

 

Complementary color

CMYK 95 / 0 / 68 / 43

HEX #08922E

RGB 8 146 46

HSL 136.52, 0.9%, 0.3%

LAB 52.74, -53.57, 42.29

 

CMYK 0 / 57 / 19 / 1

HEX #FC6DCC

RGB 252 109 204

HSL 320.14, 0.96%, 0.71%

LAB 66.51, 64.78, -22.69

 

CMYK 0 / 50 / 13 / 0

HEX #FF7FDF

RGB 255 127 223

HSL 315, 1%, 0.75%

LAB 70.71, 60.23, -26.81

 

CMYK 0 / 43 / 5 / 0

HEX #FF91F2

RGB 255 145 242

HSL 307.09, 1%, 0.78%

LAB 74.78, 54.58, -30.98

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 56 / 15 / 3

HEX #F76DD1

RGB 247 109 209

HSL 316.52, 0.9%, 0.7%

LAB 65.99, 64.08, -26.36

 

CMYK 0 / 60 / 17 / 10

HEX #E65BBE

RGB 230 91 190

HSL 317.27, 0.74%, 0.63%

LAB 59.91, 64.42, -25.17

 

CMYK 0 / 66 / 20 / 16

HEX #D549AB

RGB 213 73 171

HSL 318, 0.63%, 0.56%

LAB 53.87, 64.49, -23.71

 

CMYK 0 / 72 / 22 / 23

HEX #C43798

RGB 196 55 152

HSL 318.72, 0.56%, 0.49%

LAB 47.92, 64.13, -21.87

 

CMYK 0 / 79 / 26 / 30

HEX #B32585

RGB 179 37 133

HSL 319.44, 0.66%, 0.42%

LAB 42.15, 63.09, -19.5

 

CMYK 0 / 56 / 15 / 3

HEX #F76DD1

RGB 247 109 209

HSL 316.52, 0.9%, 0.7%

LAB 65.99, 64.08, -26.36

 

CMYK 0 / 56 / 30 / 3

HEX #F76DAC

RGB 247 109 172

HSL 332.61, 0.9%, 0.7%

LAB 64.72, 59.11, -7.38

 

CMYK 0 / 56 / 45 / 3

HEX #F76D87

RGB 247 109 135

HSL 348.7, 0.9%, 0.7%

LAB 63.72, 55.09, 12.35

 

CMYK 0 / 56 / 56 / 3

HEX #F76D6D

RGB 247 109 109

HSL 0, 0.9%, 0.7%

LAB 63.19, 52.89, 26.46

 

CMYK 0 / 56 / 15 / 3

HEX #F76DD1

RGB 247 109 209

HSL 316.52, 0.9%, 0.7%

LAB 65.99, 64.08, -26.36

 

CMYK 0 / 56 / 0 / 3

HEX #F76DF6

RGB 247 109 246

HSL 300.43, 0.9%, 0.7%

LAB 67.55, 69.88, -44.49

 

CMYK 15 / 56 / 0 / 3

HEX #D26DF7

RGB 210 109 247

HSL 283.91, 0.9%, 0.7%

LAB 62.81, 60.79, -52.84

 

CMYK 30 / 56 / 0 / 3

HEX #AD6DF7

RGB 173 109 247

HSL 267.83, 0.9%, 0.7%

LAB 58.54, 51.79, -59.89

 

CMYK 45 / 56 / 0 / 3

HEX #886DF7

RGB 136 109 247

HSL 251.74, 0.9%, 0.7%

LAB 54.96, 43.47, -65.85

 

CMYK 0 / 56 / 15 / 3

HEX #F76DD1

RGB 247 109 209

HSL 316.52, 0.9%, 0.7%

LAB 65.99, 64.08, -26.36

 

CMYK 0 / 56 / 15 / 3

HEX #F76DD1

RGB 247 109 209

HSL 316.52, 0.9%, 0.7%

LAB 65.99, 64.08, -26.36

 

CMYK 0 / 48 / 13 / 8

HEX #EA7ACB

RGB 234 122 203

HSL 316.61, 0.73%, 0.7%

LAB 66.31, 53.3, -22.67

 

CMYK 0 / 40 / 11 / 13

HEX #DE86C6

RGB 222 134 198

HSL 316.36, 0.57%, 0.7%

LAB 67.02, 42.65, -18.92

 

CMYK 0 / 30 / 9 / 18

HEX #D292C0

RGB 210 146 192

HSL 316.88, 0.42%, 0.7%

LAB 68.07, 31.25, -14.12

 

CMYK 0 / 19 / 5 / 23

HEX #C59FBB

RGB 197 159 187

HSL 315.79, 0.25%, 0.7%

LAB 69.65, 18.76, -9.1

 

CMYK 15 / 56 / 0 / 3

HEX #D26DF7

RGB 210 109 247

HSL 283.91, 0.9%, 0.7%

LAB 62.81, 60.79, -52.84

 

CMYK 0 / 56 / 0 / 3

HEX #F76DF7

RGB 247 109 247

HSL 300, 0.9%, 0.7%

LAB 67.6, 70.05, -44.96

 

CMYK 0 / 56 / 15 / 3

HEX #F76DD2

RGB 247 109 210

HSL 316.09, 0.9%, 0.7%

LAB 66.03, 64.23, -26.86

 

CMYK 0 / 56 / 30 / 3

HEX #F76DAD

RGB 247 109 173

HSL 332.17, 0.9%, 0.7%

LAB 64.75, 59.23, -7.9

 

CMYK 0 / 56 / 45 / 3

HEX #F76D89

RGB 247 109 137

HSL 347.83, 0.9%, 0.7%

LAB 63.77, 55.29, 11.27

 

CMYK 0 / 87 / 24 / 5

HEX #F31FB8

RGB 243 31 184

HSL 316.7, 0.9%, 0.54%

LAB 55.58, 84.33, -28.22

 

CMYK 0 / 71 / 20 / 4

HEX #F546C5

RGB 245 70 197

HSL 316.46, 0.9%, 0.62%

LAB 59.73, 77, -29.25

 

CMYK 0 / 56 / 15 / 3

HEX #F76DD1

RGB 247 109 209

HSL 316.52, 0.9%, 0.7%

LAB 65.99, 64.08, -26.36

 

CMYK 0 / 41 / 11 / 2

HEX #F994DD

RGB 249 148 221

HSL 316.63, 0.89%, 0.78%

LAB 73.89, 47.8, -20.92

 

CMYK 0 / 25 / 7 / 2

HEX #FBBCEA

RGB 251 188 234

HSL 316.19, 0.89%, 0.86%

LAB 83.13, 29.79, -14

 

CMYK 0 / 56 / 15 / 3

HEX #F76DD1

RGB 247 109 209

HSL 316.52, 0.9%, 0.7%

LAB 65.99, 64.08, -26.36

 

CMYK 0 / 30 / 56 / 3

HEX #F7AD6D

RGB 247 173 109

HSL 27.83, 0.9%, 0.7%

LAB 76.54, 20.46, 43.42

 

CMYK 56 / 0 / 8 / 3

HEX #6DF7E4

RGB 109 247 228

HSL 171.74, 0.9%, 0.7%

LAB 89.57, -42.02, -2.23

 

CMYK 0 / 56 / 15 / 3

HEX #F76DD1

RGB 247 109 209

HSL 316.52, 0.9%, 0.7%

LAB 65.99, 64.08, -26.36

 

CMYK 15 / 0 / 56 / 3

HEX #D2F76D

RGB 210 247 109

HSL 76.09, 0.9%, 0.7%

LAB 92.28, -31.69, 61.24

 

CMYK 56 / 15 / 0 / 3

HEX #6DD2F7

RGB 109 210 247

HSL 196.09, 0.9%, 0.7%

LAB 79.65, -19.31, -27.12

 

CMYK 0 / 56 / 15 / 3

HEX #F76DD1

RGB 247 109 209

HSL 316.52, 0.9%, 0.7%

LAB 65.99, 64.08, -26.36

 

CMYK 0 / 30 / 56 / 3

HEX #F7AD6D

RGB 247 173 109

HSL 27.83, 0.9%, 0.7%

LAB 76.54, 20.46, 43.42

 

CMYK 56 / 0 / 41 / 3

HEX #6DF792

RGB 109 247 146

HSL 136.09, 0.9%, 0.7%

LAB 87.9, -58.83, 37.46

 

CMYK 56 / 26 / 0 / 3

HEX #6DB7F7

RGB 109 183 247

HSL 207.83, 0.9%, 0.7%

LAB 72.12, -5.03, -38.75

 

CMYK 0 / 56 / 15 / 3

HEX #F76DD1

RGB 247 109 209

HSL 316.52, 0.9%, 0.7%

LAB 65.99, 64.08, -26.36

 

CMYK 0 / 13 / 56 / 3

HEX #F7D76D

RGB 247 215 109

HSL 46.09, 0.9%, 0.7%

LAB 86.74, -1.39, 55.61

 

CMYK 56 / 0 / 41 / 3

HEX #6DF792

RGB 109 247 146

HSL 136.09, 0.9%, 0.7%

LAB 87.9, -58.83, 37.46

 

CMYK 56 / 43 / 0 / 3

HEX #6D8DF7

RGB 109 141 247

HSL 226.09, 0.9%, 0.7%

LAB 60.8, 19.05, -56.59

 

Description

Color code: HEX #F76DD1 | qconv.com Color code: HEX #F76DD1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 109 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 109 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 15 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 15% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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