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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F749CA it is the complementary color #08B635. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F749CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F749CA shade: #FC49C5, #FF5BD8, #FF6DEB, #FF7FFE and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F749CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F749CA shade: #F749CA, #E637B7, #D525A4, #C41391 and #B3017E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F749CA shade: #F749CA, #F7499B, #F7496C and #F74949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F749CA shade: #F749CA, #F549F7, #C649F7, #9749F7 and #6949F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F749CA shade matches the following richer shades: #F749CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F749CA shade: #F749CA, #E859C3, #D868BB, #C977B4 and #BA86AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F749CA shade: #C649F7, #F449F7, #F749CC, #F7499D and #F7496F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F749CA shade: #E509AC, #F522BF, #F749CA, #F971D6 and #FA99E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F749CA shade: #F749CA, #F79749 and #49F7DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F749CA shade: #F749CA, #CCF749 and #49CCF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F749CA shade: #F749CA, #F79749, #49F775 and #49A9F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F749CA shade: #F749CA, #F7CC49, #49F775 and #4975F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 18 / 3

HEX #F749CA

RGB 247 73 202

HSL 315.52, 0.92%, 0.63%

LAB 60.61, 77.16, -30.72

 

Complementary color

CMYK 96 / 0 / 71 / 29

HEX #08B635

RGB 8 182 53

HSL 135.52, 0.92%, 0.37%

LAB 64.78, -63.88, 52.26

 

CMYK 0 / 71 / 22 / 1

HEX #FC49C5

RGB 252 73 197

HSL 318.44, 0.97%, 0.64%

LAB 61.21, 77.7, -26.87

 

CMYK 0 / 64 / 15 / 0

HEX #FF5BD8

RGB 255 91 216

HSL 314.27, 1%, 0.68%

LAB 64.72, 74.62, -32.15

 

CMYK 0 / 57 / 8 / 0

HEX #FF6DEB

RGB 255 109 235

HSL 308.22, 1%, 0.71%

LAB 68.16, 70.16, -37.38

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFE

RGB 255 127 254

HSL 300.47, 1%, 0.75%

LAB 71.96, 65.24, -41.89

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 70 / 18 / 3

HEX #F749CA

RGB 247 73 202

HSL 315.52, 0.92%, 0.63%

LAB 60.61, 77.16, -30.72

 

CMYK 0 / 76 / 20 / 10

HEX #E637B7

RGB 230 55 183

HSL 316.11, 0.78%, 0.56%

LAB 55.05, 76.25, -28.65

 

CMYK 0 / 83 / 23 / 16

HEX #D525A4

RGB 213 37 164

HSL 316.7, 0.7%, 0.49%

LAB 49.68, 74.62, -26.07

 

CMYK 0 / 90 / 26 / 23

HEX #C41391

RGB 196 19 145

HSL 317.29, 0.82%, 0.42%

LAB 44.58, 71.99, -22.81

 

CMYK 0 / 99 / 30 / 30

HEX #B3017E

RGB 179 1 126

HSL 317.87, 0.99%, 0.35%

LAB 39.77, 68.31, -18.86

 

CMYK 0 / 70 / 18 / 3

HEX #F749CA

RGB 247 73 202

HSL 315.52, 0.92%, 0.63%

LAB 60.61, 77.16, -30.72

 

CMYK 0 / 70 / 37 / 3

HEX #F7499B

RGB 247 73 155

HSL 331.72, 0.92%, 0.63%

LAB 58.89, 71.63, -6.23

 

CMYK 0 / 70 / 56 / 3

HEX #F7496C

RGB 247 73 108

HSL 347.93, 0.92%, 0.63%

LAB 57.68, 67.59, 19.67

 

CMYK 0 / 70 / 70 / 3

HEX #F74949

RGB 247 73 73

HSL 0, 0.92%, 0.63%

LAB 57.1, 65.6, 39.16

 

CMYK 0 / 70 / 18 / 3

HEX #F749CA

RGB 247 73 202

HSL 315.52, 0.92%, 0.63%

LAB 60.61, 77.16, -30.72

 

CMYK 1 / 70 / 0 / 3

HEX #F549F7

RGB 245 73 247

HSL 299.31, 0.92%, 0.63%

LAB 62.42, 83.22, -53.16

 

CMYK 20 / 70 / 0 / 3

HEX #C649F7

RGB 198 73 247

HSL 283.1, 0.92%, 0.63%

LAB 55.57, 73.73, -64.5

 

CMYK 39 / 70 / 0 / 3

HEX #9749F7

RGB 151 73 247

HSL 266.9, 0.92%, 0.63%

LAB 49.57, 64.97, -74.51

 

CMYK 57 / 70 / 0 / 3

HEX #6949F7

RGB 105 73 247

HSL 251.03, 0.92%, 0.63%

LAB 44.92, 57.76, -82.3

 

CMYK 0 / 70 / 18 / 3

HEX #F749CA

RGB 247 73 202

HSL 315.52, 0.92%, 0.63%

LAB 60.61, 77.16, -30.72

 

CMYK 0 / 70 / 18 / 3

HEX #F749CA

RGB 247 73 202

HSL 315.52, 0.92%, 0.63%

LAB 60.61, 77.16, -30.72

 

CMYK 0 / 62 / 16 / 9

HEX #E859C3

RGB 232 89 195

HSL 315.52, 0.76%, 0.63%

LAB 60.11, 66.51, -27.7

 

CMYK 0 / 52 / 13 / 15

HEX #D868BB

RGB 216 104 187

HSL 315.54, 0.59%, 0.63%

LAB 59.97, 54.11, -23.54

 

CMYK 0 / 41 / 10 / 21

HEX #C977B4

RGB 201 119 180

HSL 315.37, 0.43%, 0.63%

LAB 60.7, 40.7, -18.6

 

CMYK 0 / 28 / 7 / 27

HEX #BA86AD

RGB 186 134 173

HSL 315, 0.27%, 0.63%

LAB 62.09, 26.23, -12.68

 

CMYK 20 / 70 / 0 / 3

HEX #C649F7

RGB 198 73 247

HSL 283.1, 0.92%, 0.63%

LAB 55.57, 73.73, -64.5

 

CMYK 1 / 70 / 0 / 3

HEX #F449F7

RGB 244 73 247

HSL 298.97, 0.92%, 0.63%

LAB 62.27, 83.01, -53.41

 

CMYK 0 / 70 / 17 / 3

HEX #F749CC

RGB 247 73 204

HSL 314.83, 0.92%, 0.63%

LAB 60.69, 77.42, -31.73

 

CMYK 0 / 70 / 36 / 3

HEX #F7499D

RGB 247 73 157

HSL 331.03, 0.92%, 0.63%

LAB 58.95, 71.84, -7.3

 

CMYK 0 / 70 / 55 / 3

HEX #F7496F

RGB 247 73 111

HSL 346.9, 0.92%, 0.63%

LAB 57.74, 67.8, 17.99

 

CMYK 0 / 96 / 25 / 10

HEX #E509AC

RGB 229 9 172

HSL 315.55, 0.92%, 0.47%

LAB 51.65, 82.67, -27.51

 

CMYK 0 / 86 / 22 / 4

HEX #F522BF

RGB 245 34 191

HSL 315.36, 0.91%, 0.55%

LAB 56.4, 85.06, -30.97

 

CMYK 0 / 70 / 18 / 3

HEX #F749CA

RGB 247 73 202

HSL 315.52, 0.92%, 0.63%

LAB 60.61, 77.16, -30.72

 

CMYK 0 / 55 / 14 / 2

HEX #F971D6

RGB 249 113 214

HSL 315.44, 0.92%, 0.71%

LAB 67.13, 63.6, -27.38

 

CMYK 0 / 39 / 10 / 2

HEX #FA99E1

RGB 250 153 225

HSL 315.46, 0.91%, 0.79%

LAB 75.17, 46.21, -21.16

 

CMYK 0 / 70 / 18 / 3

HEX #F749CA

RGB 247 73 202

HSL 315.52, 0.92%, 0.63%

LAB 60.61, 77.16, -30.72

 

CMYK 0 / 39 / 70 / 3

HEX #F79749

RGB 247 151 73

HSL 26.9, 0.92%, 0.63%

LAB 71.14, 29.71, 54.84

 

CMYK 70 / 0 / 11 / 3

HEX #49F7DD

RGB 73 247 221

HSL 171.03, 0.92%, 0.63%

LAB 88.52, -49.45, -0.21

 

CMYK 0 / 70 / 18 / 3

HEX #F749CA

RGB 247 73 202

HSL 315.52, 0.92%, 0.63%

LAB 60.61, 77.16, -30.72

 

CMYK 17 / 0 / 70 / 3

HEX #CCF749

RGB 204 247 73

HSL 74.83, 0.92%, 0.63%

LAB 91.61, -36.45, 74.6

 

CMYK 70 / 17 / 0 / 3

HEX #49CCF7

RGB 73 204 247

HSL 194.83, 0.92%, 0.63%

LAB 76.87, -22.12, -31.48

 

CMYK 0 / 70 / 18 / 3

HEX #F749CA

RGB 247 73 202

HSL 315.52, 0.92%, 0.63%

LAB 60.61, 77.16, -30.72

 

CMYK 0 / 39 / 70 / 3

HEX #F79749

RGB 247 151 73

HSL 26.9, 0.92%, 0.63%

LAB 71.14, 29.71, 54.84

 

CMYK 70 / 0 / 53 / 3

HEX #49F775

RGB 73 247 117

HSL 135.17, 0.92%, 0.63%

LAB 86.61, -70.06, 49.55

 

CMYK 70 / 32 / 0 / 3

HEX #49A9F7

RGB 73 169 247

HSL 206.9, 0.92%, 0.63%

LAB 66.91, -3.38, -47

 

CMYK 0 / 70 / 18 / 3

HEX #F749CA

RGB 247 73 202

HSL 315.52, 0.92%, 0.63%

LAB 60.61, 77.16, -30.72

 

CMYK 0 / 17 / 70 / 3

HEX #F7CC49

RGB 247 204 73

HSL 45.17, 0.92%, 0.63%

LAB 83.67, 2.02, 67.82

 

CMYK 70 / 0 / 53 / 3

HEX #49F775

RGB 73 247 117

HSL 135.17, 0.92%, 0.63%

LAB 86.61, -70.06, 49.55

 

CMYK 70 / 53 / 0 / 3

HEX #4975F7

RGB 73 117 247

HSL 224.83, 0.92%, 0.63%

LAB 52.79, 27.64, -69.55

 

Description

Color code: HEX #F749CA | qconv.com Color code: HEX #F749CA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 73 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 73 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 18 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 18% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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