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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F735B7 it is the complementary color #08CA48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F735B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F735B7 shade: #FC35B2, #FF47C5, #FF59D8, #FF6BEB and #FF7DFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F735B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F735B7 shade: #F735B7, #E623A4, #D51191, #C4007E and #B3006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F735B7 shade: #F636B7, #F63683, #F6364F and #F63636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F735B7 shade: #F636B7, #F636EB, #CE36F6, #9A36F6 and #6636F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F735B7 shade matches the following richer shades: #F636B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F735B7 shade: #F636B7, #E547B1, #D458AB, #C369A5 and #B279A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F735B7 shade: #CC36F6, #F636ED, #F636B9, #F63686 and #F63653

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F735B7 shade: #D1088F, #F40EA9, #F636B7, #F85DC5 and #F985D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F735B7 shade: #F735B7, #F69936 and #36F6E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F735B7 shade: #F735B7, #B9F636 and #36B9F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F735B7 shade: #F735B7, #F69936, #36F673 and #3693F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F735B7 shade: #F735B7, #F6D336, #36F673 and #3659F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 26 / 3

HEX #F735B7

RGB 247 53 183

HSL 319.79, 0.92%, 0.59%

LAB 57.79, 80.61, -24.17

 

Complementary color

CMYK 96 / 0 / 64 / 21

HEX #08CA48

RGB 8 202 72

HSL 139.79, 0.92%, 0.41%

LAB 71.39, -67.89, 51.68

 

CMYK 0 / 79 / 29 / 1

HEX #FC35B2

RGB 252 53 178

HSL 322.31, 0.97%, 0.6%

LAB 58.47, 81.17, -20.16

 

CMYK 0 / 72 / 23 / 0

HEX #FF47C5

RGB 255 71 197

HSL 318.91, 1%, 0.64%

LAB 61.48, 79.05, -26.42

 

CMYK 0 / 65 / 15 / 0

HEX #FF59D8

RGB 255 89 216

HSL 314.1, 1%, 0.67%

LAB 64.45, 75.37, -32.57

 

CMYK 0 / 58 / 8 / 0

HEX #FF6BEB

RGB 255 107 235

HSL 308.11, 1%, 0.71%

LAB 67.85, 71.01, -37.86

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFE

RGB 255 125 254

HSL 300.46, 1%, 0.75%

LAB 71.61, 66.16, -42.43

 

CMYK 0 / 79 / 26 / 3

HEX #F735B7

RGB 247 53 183

HSL 319.79, 0.92%, 0.59%

LAB 57.79, 80.61, -24.17

 

CMYK 0 / 85 / 29 / 10

HEX #E623A4

RGB 230 35 164

HSL 320.31, 0.8%, 0.52%

LAB 52.63, 78.69, -21.26

 

CMYK 0 / 92 / 32 / 16

HEX #D51191

RGB 213 17 145

HSL 320.82, 0.85%, 0.45%

LAB 47.74, 75.79, -17.68

 

CMYK 0 / 100 / 36 / 23

HEX #C4007E

RGB 196 0 126

HSL 321.43, 1%, 0.38%

LAB 43.13, 71.92, -13.42

 

CMYK 0 / 100 / 40 / 30

HEX #B3006B

RGB 179 0 107

HSL 324.13, 1%, 0.35%

LAB 38.98, 66.47, -8.15

 

CMYK 0 / 78 / 26 / 4

HEX #F636B7

RGB 246 54 183

HSL 319.69, 0.91%, 0.59%

LAB 57.7, 80.13, -24.32

 

CMYK 0 / 78 / 47 / 4

HEX #F63683

RGB 246 54 131

HSL 335.94, 0.91%, 0.59%

LAB 55.96, 74.93, 3.6

 

CMYK 0 / 78 / 68 / 4

HEX #F6364F

RGB 246 54 79

HSL 352.19, 0.91%, 0.59%

LAB 54.86, 71.54, 33

 

CMYK 0 / 78 / 78 / 4

HEX #F63636

RGB 246 54 54

HSL 0, 0.91%, 0.59%

LAB 54.55, 70.57, 46.71

 

CMYK 0 / 78 / 26 / 4

HEX #F636B7

RGB 246 54 183

HSL 319.69, 0.91%, 0.59%

LAB 57.7, 80.13, -24.32

 

CMYK 0 / 78 / 4 / 4

HEX #F636EB

RGB 246 54 235

HSL 303.44, 0.91%, 0.59%

LAB 60.1, 86.94, -50.16

 

CMYK 16 / 78 / 0 / 4

HEX #CE36F6

RGB 206 54 246

HSL 287.5, 0.91%, 0.59%

LAB 54.46, 81.32, -65.67

 

CMYK 37 / 78 / 0 / 4

HEX #9A36F6

RGB 154 54 246

HSL 271.25, 0.91%, 0.59%

LAB 47.19, 72.85, -77.82

 

CMYK 59 / 78 / 0 / 4

HEX #6636F6

RGB 102 54 246

HSL 255, 0.91%, 0.59%

LAB 41.4, 66.1, -87.53

 

CMYK 0 / 78 / 26 / 4

HEX #F636B7

RGB 246 54 183

HSL 319.69, 0.91%, 0.59%

LAB 57.7, 80.13, -24.32

 

CMYK 0 / 78 / 26 / 4

HEX #F636B7

RGB 246 54 183

HSL 319.69, 0.91%, 0.59%

LAB 57.7, 80.13, -24.32

 

CMYK 0 / 69 / 23 / 10

HEX #E547B1

RGB 229 71 177

HSL 319.75, 0.75%, 0.59%

LAB 56.43, 70.17, -23.05

 

CMYK 0 / 58 / 19 / 17

HEX #D458AB

RGB 212 88 171

HSL 319.84, 0.59%, 0.59%

LAB 56, 57.95, -20.44

 

CMYK 0 / 46 / 15 / 24

HEX #C369A5

RGB 195 105 165

HSL 320, 0.43%, 0.59%

LAB 56.51, 43.61, -16.41

 

CMYK 0 / 32 / 10 / 30

HEX #B279A0

RGB 178 121 160

HSL 318.95, 0.27%, 0.59%

LAB 57.73, 28.37, -11.88

 

CMYK 17 / 78 / 0 / 4

HEX #CC36F6

RGB 204 54 246

HSL 286.88, 0.91%, 0.59%

LAB 54.16, 80.97, -66.17

 

CMYK 0 / 78 / 4 / 4

HEX #F636ED

RGB 246 54 237

HSL 302.81, 0.91%, 0.59%

LAB 60.2, 87.23, -51.11

 

CMYK 0 / 78 / 25 / 4

HEX #F636B9

RGB 246 54 185

HSL 319.06, 0.91%, 0.59%

LAB 57.78, 80.37, -25.35

 

CMYK 0 / 78 / 46 / 4

HEX #F63686

RGB 246 54 134

HSL 335, 0.91%, 0.59%

LAB 56.04, 75.18, 1.94

 

CMYK 0 / 78 / 66 / 4

HEX #F63653

RGB 246 54 83

HSL 350.94, 0.91%, 0.59%

LAB 54.92, 71.74, 30.74

 

CMYK 0 / 96 / 32 / 18

HEX #D1088F

RGB 209 8 143

HSL 319.7, 0.93%, 0.43%

LAB 46.59, 75.62, -18.3

 

CMYK 0 / 94 / 31 / 4

HEX #F40EA9

RGB 244 14 169

HSL 319.57, 0.91%, 0.51%

LAB 54.46, 84.91, -21.17

 

CMYK 0 / 78 / 26 / 4

HEX #F636B7

RGB 246 54 183

HSL 319.69, 0.91%, 0.59%

LAB 57.7, 80.13, -24.32

 

CMYK 0 / 63 / 21 / 3

HEX #F85DC5

RGB 248 93 197

HSL 319.74, 0.92%, 0.67%

LAB 63.19, 69.44, -23.88

 

CMYK 0 / 47 / 15 / 2

HEX #F985D3

RGB 249 133 211

HSL 319.66, 0.91%, 0.75%

LAB 70.61, 53.73, -20.4

 

CMYK 0 / 79 / 26 / 3

HEX #F735B7

RGB 247 53 183

HSL 319.79, 0.92%, 0.59%

LAB 57.79, 80.61, -24.17

 

CMYK 0 / 38 / 78 / 4

HEX #F69936

RGB 246 153 54

HSL 30.94, 0.91%, 0.59%

LAB 71.31, 27.46, 63.15

 

CMYK 78 / 0 / 7 / 4

HEX #36F6E6

RGB 54 246 230

HSL 175, 0.91%, 0.59%

LAB 88.17, -48.72, -5.47

 

CMYK 0 / 79 / 26 / 3

HEX #F735B7

RGB 247 53 183

HSL 319.79, 0.92%, 0.59%

LAB 57.79, 80.61, -24.17

 

CMYK 25 / 0 / 78 / 4

HEX #B9F636

RGB 185 246 54

HSL 79.06, 0.91%, 0.59%

LAB 90.09, -44.11, 78.64

 

CMYK 78 / 25 / 0 / 4

HEX #36B9F6

RGB 54 185 246

HSL 199.06, 0.91%, 0.59%

LAB 70.96, -14.75, -40.13

 

CMYK 0 / 79 / 26 / 3

HEX #F735B7

RGB 247 53 183

HSL 319.79, 0.92%, 0.59%

LAB 57.79, 80.61, -24.17

 

CMYK 0 / 38 / 78 / 4

HEX #F69936

RGB 246 153 54

HSL 30.94, 0.91%, 0.59%

LAB 71.31, 27.46, 63.15

 

CMYK 78 / 0 / 53 / 4

HEX #36F673

RGB 54 246 115

HSL 139.06, 0.91%, 0.59%

LAB 85.97, -72.59, 49.62

 

CMYK 78 / 40 / 0 / 4

HEX #3693F6

RGB 54 147 246

HSL 210.94, 0.91%, 0.59%

LAB 60.16, 6.72, -57.17

 

CMYK 0 / 79 / 26 / 3

HEX #F735B7

RGB 247 53 183

HSL 319.79, 0.92%, 0.59%

LAB 57.79, 80.61, -24.17

 

CMYK 0 / 14 / 78 / 4

HEX #F6D336

RGB 246 211 54

HSL 49.06, 0.91%, 0.59%

LAB 85.22, -2.76, 75.92

 

CMYK 78 / 0 / 53 / 4

HEX #36F673

RGB 54 246 115

HSL 139.06, 0.91%, 0.59%

LAB 85.97, -72.59, 49.62

 

CMYK 78 / 64 / 0 / 4

HEX #3659F6

RGB 54 89 246

HSL 229.06, 0.91%, 0.59%

LAB 45.06, 42.55, -81.63

 

Description

Color code: HEX #F735B7 | qconv.com Color code: HEX #F735B7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 53 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 53 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 26 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 26% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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