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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F72CD7 it is the complementary color #08D328. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F72CD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F72CD7 shade: #FC2CD2, #FF3EE5, #FF50F8, #FF62FF and #FF74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F72CD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F72CD7 shade: #F72CD7, #E61AC4, #D508B1, #C4009E and #B3008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F72CD7 shade: #F72BD7, #F72BA0, #F72B69, #F72B32 and #F72B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F72CD7 shade: #F72BD7, #E02BF7, #A92BF7, #722BF7 and #3B2BF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F72CD7 shade matches the following richer shades: #F72BD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F72CD7 shade: #F72BD7, #E53DCB, #D34EBE, #C260B2 and #B072A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F72CD7 shade: #A92BF7, #DF2BF7, #F72BD8, #F72BA2 and #F72B6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F72CD7 shade: #C807AA, #F008CC, #F72BD7, #F853DE and #FA7BE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F72CD7 shade: #F72CD7, #F7722B and #2BF7C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F72CD7 shade: #F72CD7, #D8F72B and #2BD8F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F72CD7 shade: #F72CD7, #F7722B, #2BF749 and #2BAFF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F72CD7 shade: #F72CD7, #F7AF2B, #2BF749 and #2B72F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 13 / 3

HEX #F72CD7

RGB 247 44 215

HSL 309.46, 0.93%, 0.57%

LAB 58.49, 86.6, -41.41

 

Complementary color

CMYK 96 / 0 / 81 / 17

HEX #08D328

RGB 8 211 40

HSL 129.46, 0.93%, 0.43%

LAB 74.06, -73.13, 65.68

 

CMYK 0 / 83 / 17 / 1

HEX #FC2CD2

RGB 252 44 210

HSL 312.12, 0.97%, 0.58%

LAB 59.11, 86.95, -37.54

 

CMYK 0 / 76 / 10 / 0

HEX #FF3EE5

RGB 255 62 229

HSL 308.08, 1%, 0.62%

LAB 61.97, 85.85, -43.75

 

CMYK 0 / 69 / 3 / 0

HEX #FF50F8

RGB 255 80 248

HSL 302.4, 1%, 0.66%

LAB 64.78, 83.21, -49.87

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 82 / 13 / 3

HEX #F72CD7

RGB 247 44 215

HSL 309.46, 0.93%, 0.57%

LAB 58.49, 86.6, -41.41

 

CMYK 0 / 89 / 15 / 10

HEX #E61AC4

RGB 230 26 196

HSL 310, 0.8%, 0.5%

LAB 53.54, 83.98, -38.52

 

CMYK 0 / 96 / 17 / 16

HEX #D508B1

RGB 213 8 177

HSL 310.54, 0.93%, 0.43%

LAB 48.88, 80.32, -34.99

 

CMYK 0 / 100 / 19 / 23

HEX #C4009E

RGB 196 0 158

HSL 311.63, 1%, 0.38%

LAB 44.52, 75.48, -30.75

 

CMYK 0 / 100 / 22 / 30

HEX #B3008B

RGB 179 0 139

HSL 313.41, 1%, 0.35%

LAB 40.32, 69.93, -26.02

 

CMYK 0 / 83 / 13 / 3

HEX #F72BD7

RGB 247 43 215

HSL 309.41, 0.93%, 0.57%

LAB 58.42, 86.8, -41.52

 

CMYK 0 / 83 / 35 / 3

HEX #F72BA0

RGB 247 43 160

HSL 325.59, 0.93%, 0.57%

LAB 56.13, 80.43, -13.29

 

CMYK 0 / 83 / 57 / 3

HEX #F72B69

RGB 247 43 105

HSL 341.76, 0.93%, 0.57%

LAB 54.58, 75.94, 17.23

 

CMYK 0 / 83 / 80 / 3

HEX #F72B32

RGB 247 43 50

HSL 357.94, 0.93%, 0.57%

LAB 53.74, 73.45, 48.08

 

CMYK 0 / 83 / 83 / 3

HEX #F72B2B

RGB 247 43 43

HSL 0, 0.93%, 0.57%

LAB 53.68, 73.27, 51.62

 

CMYK 0 / 83 / 13 / 3

HEX #F72BD7

RGB 247 43 215

HSL 309.41, 0.93%, 0.57%

LAB 58.42, 86.8, -41.52

 

CMYK 9 / 83 / 0 / 3

HEX #E02BF7

RGB 224 43 247

HSL 293.24, 0.93%, 0.57%

LAB 56.38, 87.28, -63

 

CMYK 32 / 83 / 0 / 3

HEX #A92BF7

RGB 169 43 247

HSL 277.06, 0.93%, 0.57%

LAB 48.11, 78.67, -76.79

 

CMYK 54 / 83 / 0 / 3

HEX #722BF7

RGB 114 43 247

HSL 260.88, 0.93%, 0.57%

LAB 41.25, 71.84, -88.31

 

CMYK 76 / 83 / 0 / 3

HEX #3B2BF7

RGB 59 43 247

HSL 244.71, 0.93%, 0.57%

LAB 36.69, 67.55, -96

 

CMYK 0 / 83 / 13 / 3

HEX #F72BD7

RGB 247 43 215

HSL 309.41, 0.93%, 0.57%

LAB 58.42, 86.8, -41.52

 

CMYK 0 / 83 / 13 / 3

HEX #F72BD7

RGB 247 43 215

HSL 309.41, 0.93%, 0.57%

LAB 58.42, 86.8, -41.52

 

CMYK 0 / 73 / 11 / 10

HEX #E53DCB

RGB 229 61 203

HSL 309.29, 0.76%, 0.57%

LAB 56.39, 76.96, -38.08

 

CMYK 0 / 63 / 10 / 17

HEX #D34EBE

RGB 211 78 190

HSL 309.47, 0.6%, 0.57%

LAB 55.09, 64.76, -32.87

 

CMYK 0 / 51 / 8 / 24

HEX #C260B2

RGB 194 96 178

HSL 309.8, 0.45%, 0.57%

LAB 55.12, 49.99, -26.07

 

CMYK 0 / 35 / 6 / 31

HEX #B072A6

RGB 176 114 166

HSL 309.68, 0.28%, 0.57%

LAB 56.11, 32.65, -17.82

 

CMYK 32 / 83 / 0 / 3

HEX #A92BF7

RGB 169 43 247

HSL 277.06, 0.93%, 0.57%

LAB 48.11, 78.67, -76.79

 

CMYK 10 / 83 / 0 / 3

HEX #DF2BF7

RGB 223 43 247

HSL 292.94, 0.93%, 0.57%

LAB 56.22, 87.12, -63.26

 

CMYK 0 / 83 / 13 / 3

HEX #F72BD8

RGB 247 43 216

HSL 309.12, 0.93%, 0.57%

LAB 58.47, 86.94, -42.01

 

CMYK 0 / 83 / 34 / 3

HEX #F72BA2

RGB 247 43 162

HSL 325, 0.93%, 0.57%

LAB 56.2, 80.63, -14.36

 

CMYK 0 / 83 / 57 / 3

HEX #F72B6B

RGB 247 43 107

HSL 341.18, 0.93%, 0.57%

LAB 54.62, 76.07, 16.09

 

CMYK 0 / 97 / 15 / 22

HEX #C807AA

RGB 200 7 170

HSL 309.33, 0.93%, 0.41%

LAB 46.09, 77.11, -35.41

 

CMYK 0 / 97 / 15 / 6

HEX #F008CC

RGB 240 8 204

HSL 309.31, 0.94%, 0.49%

LAB 55.13, 88.56, -40.51

 

CMYK 0 / 83 / 13 / 3

HEX #F72BD7

RGB 247 43 215

HSL 309.41, 0.93%, 0.57%

LAB 58.42, 86.8, -41.52

 

CMYK 0 / 67 / 10 / 3

HEX #F853DE

RGB 248 83 222

HSL 309.45, 0.92%, 0.65%

LAB 62.86, 76.72, -38.5

 

CMYK 0 / 51 / 8 / 2

HEX #FA7BE6

RGB 250 123 230

HSL 309.45, 0.93%, 0.73%

LAB 69.61, 61.77, -32.42

 

CMYK 0 / 82 / 13 / 3

HEX #F72CD7

RGB 247 44 215

HSL 309.46, 0.93%, 0.57%

LAB 58.49, 86.6, -41.41

 

CMYK 0 / 54 / 83 / 3

HEX #F7722B

RGB 247 114 43

HSL 20.88, 0.93%, 0.57%

LAB 63.33, 47.22, 60.26

 

CMYK 83 / 0 / 21 / 3

HEX #2BF7C4

RGB 43 247 196

HSL 165, 0.93%, 0.57%

LAB 87.5, -58.66, 11.25

 

CMYK 0 / 82 / 13 / 3

HEX #F72CD7

RGB 247 44 215

HSL 309.46, 0.93%, 0.57%

LAB 58.49, 86.6, -41.41

 

CMYK 13 / 0 / 83 / 3

HEX #D8F72B

RGB 216 247 43

HSL 69.12, 0.93%, 0.57%

LAB 92.26, -32.98, 84.04

 

CMYK 83 / 13 / 0 / 3

HEX #2BD8F7

RGB 43 216 247

HSL 189.12, 0.93%, 0.57%

LAB 79.81, -31.1, -27.02

 

CMYK 0 / 82 / 13 / 3

HEX #F72CD7

RGB 247 44 215

HSL 309.46, 0.93%, 0.57%

LAB 58.49, 86.6, -41.41

 

CMYK 0 / 54 / 83 / 3

HEX #F7722B

RGB 247 114 43

HSL 20.88, 0.93%, 0.57%

LAB 63.33, 47.22, 60.26

 

CMYK 83 / 0 / 70 / 3

HEX #2BF749

RGB 43 247 73

HSL 128.82, 0.93%, 0.57%

LAB 85.76, -78.69, 66.78

 

CMYK 83 / 29 / 0 / 3

HEX #2BAFF7

RGB 43 175 247

HSL 201.18, 0.93%, 0.57%

LAB 67.94, -9.98, -45.42

 

CMYK 0 / 82 / 13 / 3

HEX #F72CD7

RGB 247 44 215

HSL 309.46, 0.93%, 0.57%

LAB 58.49, 86.6, -41.41

 

CMYK 0 / 29 / 83 / 3

HEX #F7AF2B

RGB 247 175 43

HSL 38.82, 0.93%, 0.57%

LAB 76.44, 15.98, 71.62

 

CMYK 83 / 0 / 70 / 3

HEX #2BF749

RGB 43 247 73

HSL 128.82, 0.93%, 0.57%

LAB 85.76, -78.69, 66.78

 

CMYK 83 / 54 / 0 / 3

HEX #2B72F7

RGB 43 114 247

HSL 219.12, 0.93%, 0.57%

LAB 50.99, 26.39, -72.51

 

Description

Color code: HEX #F72CD7 | qconv.com Color code: HEX #F72CD7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 44 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 44 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 13 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 13% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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