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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F720A5 it is the complementary color #08DF5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F720A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F720A5 shade: #FC20A0, #FF32B3, #FF44C6, #FF56D9 and #FF68EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F720A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F720A5 shade: #F720A5, #E60E92, #D5007F, #C4006C and #B30059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F720A5 shade: #F621A5, #F6216C, #F62132 and #F62121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F720A5 shade: #F621A5, #F621DF, #D521F6, #9B21F6 and #6221F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F720A5 shade matches the following richer shades: #F621A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F720A5 shade: #F621A5, #E434A1, #D1469C, #BF5998 and #AC6B93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F720A5 shade: #D321F6, #F621E1, #F621A8, #F6216F and #F62136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F720A5 shade: #BF0678, #E60892, #F621A5, #F849B5 and #F971C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F720A5 shade: #F720A5, #F69A21 and #21F6EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F720A5 shade: #F720A5, #A8F621 and #21A8F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F720A5 shade: #F720A5, #F69A21, #21F66F and #217EF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F720A5 shade: #F720A5, #F6DA21, #21F66F and #213DF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 33 / 3

HEX #F720A5

RGB 247 32 165

HSL 322.88, 0.93%, 0.55%

LAB 55.61, 82.96, -17.02

 

Complementary color

CMYK 96 / 0 / 60 / 13

HEX #08DF5A

RGB 8 223 90

HSL 142.88, 0.93%, 0.45%

LAB 78.21, -72.06, 51.62

 

CMYK 0 / 87 / 37 / 1

HEX #FC20A0

RGB 252 32 160

HSL 325.09, 0.97%, 0.56%

LAB 56.35, 83.54, -12.86

 

CMYK 0 / 80 / 30 / 0

HEX #FF32B3

RGB 255 50 179

HSL 322.24, 1%, 0.6%

LAB 58.78, 82.67, -20.21

 

CMYK 0 / 73 / 22 / 0

HEX #FF44C6

RGB 255 68 198

HSL 318.29, 1%, 0.63%

LAB 61.2, 80.09, -27.43

 

CMYK 0 / 66 / 15 / 0

HEX #FF56D9

RGB 255 86 217

HSL 313.49, 1%, 0.67%

LAB 64.1, 76.61, -33.68

 

CMYK 0 / 59 / 7 / 0

HEX #FF68EC

RGB 255 104 236

HSL 307.55, 1%, 0.7%

LAB 67.44, 72.41, -39.06

 

CMYK 0 / 87 / 33 / 3

HEX #F720A5

RGB 247 32 165

HSL 322.88, 0.93%, 0.55%

LAB 55.61, 82.96, -17.02

 

CMYK 0 / 94 / 37 / 10

HEX #E60E92

RGB 230 14 146

HSL 323.33, 0.89%, 0.48%

LAB 50.93, 79.76, -13.13

 

CMYK 0 / 100 / 40 / 16

HEX #D5007F

RGB 213 0 127

HSL 324.23, 1%, 0.42%

LAB 46.55, 75.56, -8.54

 

CMYK 0 / 100 / 45 / 23

HEX #C4006C

RGB 196 0 108

HSL 326.94, 1%, 0.38%

LAB 42.49, 70.26, -3.18

 

CMYK 0 / 100 / 50 / 30

HEX #B30059

RGB 179 0 89

HSL 330.17, 1%, 0.35%

LAB 38.38, 64.92, 2.44

 

CMYK 0 / 87 / 33 / 4

HEX #F621A5

RGB 246 33 165

HSL 322.82, 0.92%, 0.55%

LAB 55.48, 82.58, -17.23

 

CMYK 0 / 87 / 56 / 4

HEX #F6216C

RGB 246 33 108

HSL 338.87, 0.92%, 0.55%

LAB 53.77, 77.82, 14.29

 

CMYK 0 / 87 / 80 / 4

HEX #F62132

RGB 246 33 50

HSL 355.21, 0.92%, 0.55%

LAB 52.85, 75.17, 47.13

 

CMYK 0 / 87 / 87 / 4

HEX #F62121

RGB 246 33 33

HSL 0, 0.92%, 0.55%

LAB 52.72, 74.78, 55.47

 

CMYK 0 / 87 / 33 / 4

HEX #F621A5

RGB 246 33 165

HSL 322.82, 0.92%, 0.55%

LAB 55.48, 82.58, -17.23

 

CMYK 0 / 87 / 9 / 4

HEX #F621DF

RGB 246 33 223

HSL 306.48, 0.92%, 0.55%

LAB 58.04, 89.44, -46.66

 

CMYK 13 / 87 / 0 / 4

HEX #D521F6

RGB 213 33 246

HSL 290.7, 0.92%, 0.55%

LAB 53.91, 87.27, -66.51

 

CMYK 37 / 87 / 0 / 4

HEX #9B21F6

RGB 155 33 246

HSL 274.37, 0.92%, 0.55%

LAB 45.23, 79.1, -81.01

 

CMYK 60 / 87 / 0 / 4

HEX #6221F6

RGB 98 33 246

HSL 258.31, 0.92%, 0.55%

LAB 38.44, 73.33, -92.44

 

CMYK 0 / 87 / 33 / 4

HEX #F621A5

RGB 246 33 165

HSL 322.82, 0.92%, 0.55%

LAB 55.48, 82.58, -17.23

 

CMYK 0 / 87 / 33 / 4

HEX #F621A5

RGB 246 33 165

HSL 322.82, 0.92%, 0.55%

LAB 55.48, 82.58, -17.23

 

CMYK 0 / 77 / 29 / 11

HEX #E434A1

RGB 228 52 161

HSL 322.84, 0.77%, 0.55%

LAB 53.52, 73.97, -18.16

 

CMYK 0 / 67 / 25 / 18

HEX #D1469C

RGB 209 70 156

HSL 322.88, 0.6%, 0.55%

LAB 52.21, 62.59, -17.49

 

CMYK 0 / 53 / 20 / 25

HEX #BF5998

RGB 191 89 152

HSL 322.94, 0.44%, 0.55%

LAB 52.38, 48.39, -15.12

 

CMYK 0 / 38 / 15 / 33

HEX #AC6B93

RGB 172 107 147

HSL 323.08, 0.28%, 0.55%

LAB 53.38, 31.81, -10.93

 

CMYK 14 / 87 / 0 / 4

HEX #D321F6

RGB 211 33 246

HSL 290.14, 0.92%, 0.55%

LAB 53.59, 86.96, -67.04

 

CMYK 0 / 87 / 9 / 4

HEX #F621E1

RGB 246 33 225

HSL 305.92, 0.92%, 0.55%

LAB 58.15, 89.7, -47.62

 

CMYK 0 / 87 / 32 / 4

HEX #F621A8

RGB 246 33 168

HSL 321.97, 0.92%, 0.55%

LAB 55.59, 82.89, -18.82

 

CMYK 0 / 87 / 55 / 4

HEX #F6216F

RGB 246 33 111

HSL 338.03, 0.92%, 0.55%

LAB 53.84, 78.02, 12.58

 

CMYK 0 / 87 / 78 / 4

HEX #F62136

RGB 246 33 54

HSL 354.08, 0.92%, 0.55%

LAB 52.89, 75.28, 45

 

CMYK 0 / 97 / 37 / 25

HEX #BF0678

RGB 191 6 120

HSL 323.03, 0.94%, 0.39%

LAB 42.1, 69.69, -11.36

 

CMYK 0 / 97 / 37 / 10

HEX #E60892

RGB 230 8 146

HSL 322.7, 0.93%, 0.47%

LAB 50.77, 80.24, -13.37

 

CMYK 0 / 87 / 33 / 4

HEX #F621A5

RGB 246 33 165

HSL 322.82, 0.92%, 0.55%

LAB 55.48, 82.58, -17.23

 

CMYK 0 / 71 / 27 / 3

HEX #F849B5

RGB 248 73 181

HSL 322.97, 0.93%, 0.63%

LAB 59.94, 74.77, -19.71

 

CMYK 0 / 55 / 21 / 2

HEX #F971C5

RGB 249 113 197

HSL 322.94, 0.92%, 0.71%

LAB 66.51, 61.16, -18.81

 

CMYK 0 / 87 / 33 / 3

HEX #F720A5

RGB 247 32 165

HSL 322.88, 0.93%, 0.55%

LAB 55.61, 82.96, -17.02

 

CMYK 0 / 37 / 87 / 4

HEX #F69A21

RGB 246 154 33

HSL 34.08, 0.92%, 0.55%

LAB 71.43, 26.34, 70.33

 

CMYK 87 / 0 / 3 / 4

HEX #21F6EF

RGB 33 246 239

HSL 178.03, 0.92%, 0.55%

LAB 88.19, -47.74, -10.16

 

CMYK 0 / 87 / 33 / 3

HEX #F720A5

RGB 247 32 165

HSL 322.88, 0.93%, 0.55%

LAB 55.61, 82.96, -17.02

 

CMYK 32 / 0 / 87 / 4

HEX #A8F621

RGB 168 246 33

HSL 81.97, 0.92%, 0.55%

LAB 89.09, -51.01, 82.23

 

CMYK 87 / 32 / 0 / 4

HEX #21A8F6

RGB 33 168 246

HSL 201.97, 0.92%, 0.55%

LAB 65.73, -7.16, -48.36

 

CMYK 0 / 87 / 33 / 3

HEX #F720A5

RGB 247 32 165

HSL 322.88, 0.93%, 0.55%

LAB 55.61, 82.96, -17.02

 

CMYK 0 / 37 / 87 / 4

HEX #F69A21

RGB 246 154 33

HSL 34.08, 0.92%, 0.55%

LAB 71.43, 26.34, 70.33

 

CMYK 87 / 0 / 55 / 4

HEX #21F66F

RGB 33 246 111

HSL 141.97, 0.92%, 0.55%

LAB 85.7, -75.08, 51.06

 

CMYK 87 / 49 / 0 / 4

HEX #217EF6

RGB 33 126 246

HSL 213.8, 0.92%, 0.55%

LAB 53.92, 17.79, -67.22

 

CMYK 0 / 87 / 33 / 3

HEX #F720A5

RGB 247 32 165

HSL 322.88, 0.93%, 0.55%

LAB 55.61, 82.96, -17.02

 

CMYK 0 / 11 / 87 / 4

HEX #F6DA21

RGB 246 218 33

HSL 52.11, 0.92%, 0.55%

LAB 86.92, -6.86, 82.69

 

CMYK 87 / 0 / 55 / 4

HEX #21F66F

RGB 33 246 111

HSL 141.97, 0.92%, 0.55%

LAB 85.7, -75.08, 51.06

 

CMYK 87 / 75 / 0 / 4

HEX #213DF6

RGB 33 61 246

HSL 232.11, 0.92%, 0.55%

LAB 38.4, 57.51, -92.63

 

Description

Color code: HEX #F720A5 | qconv.com Color code: HEX #F720A5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 32 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 32 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 33 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 33% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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