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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F726EA it is the complementary color #08D915. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F726EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F726EA shade: #FC26E5, #FF38F8, #FF4AFF, #FF5CFF and #FF6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F726EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F726EA shade: #F726EA, #E614D7, #D502C4, #C400B1 and #B3009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F726EA shade: #F726EA, #F726B1, #F72679, #F72641 and #F72626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F726EA shade: #F726EA, #CB26F7, #9326F7, #5B26F7 and #2626F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F726EA shade matches the following richer shades: #F726EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F726EA shade: #F726EA, #E438DA, #D24ACA, #C05CBA and #AE6FAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F726EA shade: #9226F7, #C926F7, #F726EC, #F726B5 and #F7267D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F726EA shade: #C307B8, #EB08DD, #F726EA, #F84EEE and #FA76F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F726EA shade: #F726EA, #F75A26 and #26F7AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F726EA shade: #F726EA, #ECF726 and #26ECF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F726EA shade: #F726EA, #F75A26, #26F730 and #26C2F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F726EA shade: #F726EA, #F79926, #26F730 and #2684F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 5 / 3

HEX #F726EA

RGB 247 38 234

HSL 303.73, 0.93%, 0.56%

LAB 59.07, 90.3, -51.22

 

Complementary color

CMYK 96 / 0 / 90 / 15

HEX #08D915

RGB 8 217 21

HSL 123.73, 0.93%, 0.44%

LAB 75.9, -75.57, 71.37

 

CMYK 0 / 85 / 9 / 1

HEX #FC26E5

RGB 252 38 229

HSL 306.45, 0.97%, 0.57%

LAB 59.65, 90.52, -47.43

 

CMYK 0 / 78 / 3 / 0

HEX #FF38F8

RGB 255 56 248

HSL 302.11, 1%, 0.61%

LAB 62.39, 90.05, -53.66

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 85 / 5 / 3

HEX #F726EA

RGB 247 38 234

HSL 303.73, 0.93%, 0.56%

LAB 59.07, 90.3, -51.22

 

CMYK 0 / 91 / 7 / 10

HEX #E614D7

RGB 230 20 215

HSL 304.29, 0.84%, 0.49%

LAB 54.27, 87.24, -48.28

 

CMYK 0 / 99 / 8 / 16

HEX #D502C4

RGB 213 2 196

HSL 304.83, 0.98%, 0.42%

LAB 49.71, 83.26, -44.79

 

CMYK 0 / 100 / 10 / 23

HEX #C400B1

RGB 196 0 177

HSL 305.82, 1%, 0.38%

LAB 45.51, 77.93, -40.52

 

CMYK 0 / 100 / 12 / 30

HEX #B3009E

RGB 179 0 158

HSL 307.04, 1%, 0.35%

LAB 41.3, 72.36, -36.05

 

CMYK 0 / 85 / 5 / 3

HEX #F726EA

RGB 247 38 234

HSL 303.73, 0.93%, 0.56%

LAB 59.07, 90.3, -51.22

 

CMYK 0 / 85 / 28 / 3

HEX #F726B1

RGB 247 38 177

HSL 320.1, 0.93%, 0.56%

LAB 56.42, 83.19, -22.79

 

CMYK 0 / 85 / 51 / 3

HEX #F72679

RGB 247 38 121

HSL 336.17, 0.93%, 0.56%

LAB 54.6, 78.06, 7.65

 

CMYK 0 / 85 / 74 / 3

HEX #F72641

RGB 247 38 65

HSL 352.25, 0.93%, 0.56%

LAB 53.54, 74.98, 39.58

 

CMYK 0 / 85 / 85 / 3

HEX #F72626

RGB 247 38 38

HSL 0, 0.93%, 0.56%

LAB 53.28, 74.21, 53.69

 

CMYK 0 / 85 / 5 / 3

HEX #F726EA

RGB 247 38 234

HSL 303.73, 0.93%, 0.56%

LAB 59.07, 90.3, -51.22

 

CMYK 18 / 85 / 0 / 3

HEX #CB26F7

RGB 203 38 247

HSL 287.37, 0.93%, 0.56%

LAB 52.73, 84.93, -69.06

 

CMYK 40 / 85 / 0 / 3

HEX #9326F7

RGB 147 38 247

HSL 271.29, 0.93%, 0.56%

LAB 44.67, 77.09, -82.54

 

CMYK 63 / 85 / 0 / 3

HEX #5B26F7

RGB 91 38 247

HSL 255.22, 0.93%, 0.56%

LAB 38.42, 71.47, -93.06

 

CMYK 85 / 85 / 0 / 3

HEX #2626F7

RGB 38 38 247

HSL 240, 0.93%, 0.56%

LAB 35.03, 68.66, -98.79

 

CMYK 0 / 85 / 5 / 3

HEX #F726EA

RGB 247 38 234

HSL 303.73, 0.93%, 0.56%

LAB 59.07, 90.3, -51.22

 

CMYK 0 / 85 / 5 / 3

HEX #F726EA

RGB 247 38 234

HSL 303.73, 0.93%, 0.56%

LAB 59.07, 90.3, -51.22

 

CMYK 0 / 75 / 4 / 11

HEX #E438DA

RGB 228 56 218

HSL 303.49, 0.76%, 0.56%

LAB 56.47, 80.37, -46.51

 

CMYK 0 / 65 / 4 / 18

HEX #D24ACA

RGB 210 74 202

HSL 303.53, 0.6%, 0.56%

LAB 54.93, 67.98, -40.02

 

CMYK 0 / 52 / 3 / 25

HEX #C05CBA

RGB 192 92 186

HSL 303.6, 0.44%, 0.56%

LAB 54.46, 52.73, -31.75

 

CMYK 0 / 36 / 2 / 32

HEX #AE6FAA

RGB 174 111 170

HSL 303.81, 0.28%, 0.56%

LAB 55.35, 34.38, -21.31

 

CMYK 41 / 85 / 0 / 3

HEX #9226F7

RGB 146 38 247

HSL 271, 0.93%, 0.56%

LAB 44.54, 76.97, -82.76

 

CMYK 19 / 85 / 0 / 3

HEX #C926F7

RGB 201 38 247

HSL 286.79, 0.93%, 0.56%

LAB 52.42, 84.62, -69.57

 

CMYK 0 / 85 / 4 / 3

HEX #F726EC

RGB 247 38 236

HSL 303.16, 0.93%, 0.56%

LAB 59.17, 90.58, -52.17

 

CMYK 0 / 85 / 27 / 3

HEX #F726B5

RGB 247 38 181

HSL 318.95, 0.93%, 0.56%

LAB 56.58, 83.63, -24.87

 

CMYK 0 / 85 / 49 / 3

HEX #F7267D

RGB 247 38 125

HSL 335.02, 0.93%, 0.56%

LAB 54.7, 78.35, 5.4

 

CMYK 0 / 96 / 6 / 24

HEX #C307B8

RGB 195 7 184

HSL 303.51, 0.93%, 0.4%

LAB 45.93, 78.11, -43.99

 

CMYK 0 / 97 / 6 / 8

HEX #EB08DD

RGB 235 8 221

HSL 303.7, 0.93%, 0.48%

LAB 55.13, 89.91, -50.27

 

CMYK 0 / 85 / 5 / 3

HEX #F726EA

RGB 247 38 234

HSL 303.73, 0.93%, 0.56%

LAB 59.07, 90.3, -51.22

 

CMYK 0 / 69 / 4 / 3

HEX #F84EEE

RGB 248 78 238

HSL 303.53, 0.92%, 0.64%

LAB 62.99, 80.84, -47.23

 

CMYK 0 / 53 / 4 / 2

HEX #FA76F1

RGB 250 118 241

HSL 304.09, 0.93%, 0.72%

LAB 69.21, 65.85, -39.11

 

CMYK 0 / 85 / 5 / 3

HEX #F726EA

RGB 247 38 234

HSL 303.73, 0.93%, 0.56%

LAB 59.07, 90.3, -51.22

 

CMYK 0 / 64 / 85 / 3

HEX #F75A26

RGB 247 90 38

HSL 14.93, 0.93%, 0.56%

LAB 59.18, 57.87, 58.7

 

CMYK 85 / 0 / 30 / 3

HEX #26F7AE

RGB 38 247 174

HSL 159.04, 0.93%, 0.56%

LAB 86.99, -64, 21.89

 

CMYK 0 / 85 / 5 / 3

HEX #F726EA

RGB 247 38 234

HSL 303.73, 0.93%, 0.56%

LAB 59.07, 90.3, -51.22

 

CMYK 4 / 0 / 85 / 3

HEX #ECF726

RGB 236 247 38

HSL 63.16, 0.93%, 0.56%

LAB 93.66, -25.06, 86.83

 

CMYK 85 / 4 / 0 / 3

HEX #26ECF7

RGB 38 236 247

HSL 183.16, 0.93%, 0.56%

LAB 85.56, -40.76, -18.28

 

CMYK 0 / 85 / 5 / 3

HEX #F726EA

RGB 247 38 234

HSL 303.73, 0.93%, 0.56%

LAB 59.07, 90.3, -51.22

 

CMYK 0 / 64 / 85 / 3

HEX #F75A26

RGB 247 90 38

HSL 14.93, 0.93%, 0.56%

LAB 59.18, 57.87, 58.7

 

CMYK 85 / 0 / 81 / 3

HEX #26F730

RGB 38 247 48

HSL 122.87, 0.93%, 0.56%

LAB 85.58, -80.85, 74.35

 

CMYK 85 / 21 / 0 / 3

HEX #26C2F7

RGB 38 194 247

HSL 195.22, 0.93%, 0.56%

LAB 73.36, -20.48, -36.96

 

CMYK 0 / 85 / 5 / 3

HEX #F726EA

RGB 247 38 234

HSL 303.73, 0.93%, 0.56%

LAB 59.07, 90.3, -51.22

 

CMYK 0 / 38 / 85 / 3

HEX #F79926

RGB 247 153 38

HSL 33.01, 0.93%, 0.56%

LAB 71.35, 27.39, 68.86

 

CMYK 85 / 0 / 81 / 3

HEX #26F730

RGB 38 247 48

HSL 122.87, 0.93%, 0.56%

LAB 85.58, -80.85, 74.35

 

CMYK 85 / 47 / 0 / 3

HEX #2684F7

RGB 38 132 247

HSL 213.01, 0.93%, 0.56%

LAB 55.72, 14.79, -64.88

 

Description

Color code: HEX #F726EA | qconv.com Color code: HEX #F726EA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 38 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 38 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 5 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 5% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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