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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6FC5F it is the complementary color #0903A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6FC5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6FC5F shade: #FBFC5A, #FFFF6D, #FFFF80, #FFFF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6FC5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6FC5F shade: #F6FC5F, #E5EA4C, #D4D839, #C3C626 and #B2B413

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6FC5F shade: #F5FB5F, #FBD75F, #FBAD5F, #FB825F and #FB5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6FC5F shade: #F5FB5F, #CBFB5F, #A1FB5F, #77FB5F and #5FFB71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6FC5F shade matches the following richer shades: #F5FB5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6FC5F shade: #F5FB5F, #E9EE6C, #DDE179, #D1D486 and #C4C693

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6FC5F shade: #FBAD5F, #FBD75F, #F6FB5F, #CCFB5F and #A2FB5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6FC5F shade: #F1FA0E, #F3FA36, #F5FB5F, #F8FC87 and #FAFDAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6FC5F shade: #F6FC5F, #5FFB83 and #C25FFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6FC5F shade: #F6FC5F, #5FF6FB and #FB5FF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6FC5F shade: #F6FC5F, #5FFB83, #645FFB and #FB5FD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6FC5F shade: #F6FC5F, #5FFBB2, #645FFB and #FB5FA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 62 / 1

HEX #F6FC5F

RGB 246 252 95

HSL 62.29, 0.96%, 0.68%

LAB 96.01, -21.02, 71.88

 

Complementary color

CMYK 94 / 98 / 0 / 37

HEX #0903A0

RGB 9 3 160

HSL 242.29, 0.96%, 0.32%

LAB 18.63, 55.09, -75.21

 

CMYK 0 / 0 / 64 / 1

HEX #FBFC5A

RGB 251 252 90

HSL 60.37, 0.96%, 0.67%

LAB 96.36, -19.32, 74.29

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 2 / 0 / 62 / 1

HEX #F6FC5F

RGB 246 252 95

HSL 62.29, 0.96%, 0.68%

LAB 96.01, -21.02, 71.88

 

CMYK 2 / 0 / 68 / 8

HEX #E5EA4C

RGB 229 234 76

HSL 61.9, 0.79%, 0.61%

LAB 89.87, -20.3, 72.39

 

CMYK 2 / 0 / 74 / 15

HEX #D4D839

RGB 212 216 57

HSL 61.51, 0.67%, 0.54%

LAB 83.65, -19.44, 72.47

 

CMYK 2 / 0 / 81 / 22

HEX #C3C626

RGB 195 198 38

HSL 61.13, 0.68%, 0.46%

LAB 77.36, -18.42, 71.86

 

CMYK 1 / 0 / 89 / 29

HEX #B2B413

RGB 178 180 19

HSL 60.75, 0.81%, 0.39%

LAB 70.98, -17.21, 70.15

 

CMYK 2 / 0 / 62 / 2

HEX #F5FB5F

RGB 245 251 95

HSL 62.31, 0.95%, 0.68%

LAB 95.68, -20.94, 71.5

 

CMYK 0 / 14 / 62 / 2

HEX #FBD75F

RGB 251 215 95

HSL 46.15, 0.95%, 0.68%

LAB 86.97, -0.72, 62.27

 

CMYK 0 / 31 / 62 / 2

HEX #FBAD5F

RGB 251 173 95

HSL 30, 0.95%, 0.68%

LAB 76.81, 21.08, 50.83

 

CMYK 0 / 48 / 62 / 2

HEX #FB825F

RGB 251 130 95

HSL 13.46, 0.95%, 0.68%

LAB 67.5, 43.25, 39.77

 

CMYK 0 / 62 / 62 / 2

HEX #FB5F5F

RGB 251 95 95

HSL 0, 0.95%, 0.68%

LAB 61.24, 59.48, 31.98

 

CMYK 2 / 0 / 62 / 2

HEX #F5FB5F

RGB 245 251 95

HSL 62.31, 0.95%, 0.68%

LAB 95.68, -20.94, 71.5

 

CMYK 19 / 0 / 62 / 2

HEX #CBFB5F

RGB 203 251 95

HSL 78.46, 0.95%, 0.68%

LAB 92.8, -37.24, 67.57

 

CMYK 36 / 0 / 62 / 2

HEX #A1FB5F

RGB 161 251 95

HSL 94.62, 0.95%, 0.68%

LAB 90.5, -52.08, 64.41

 

CMYK 53 / 0 / 62 / 2

HEX #77FB5F

RGB 119 251 95

HSL 110.77, 0.95%, 0.68%

LAB 88.8, -64.44, 62.04

 

CMYK 62 / 0 / 55 / 2

HEX #5FFB71

RGB 95 251 113

HSL 126.92, 0.95%, 0.68%

LAB 88.27, -67.99, 53.48

 

CMYK 2 / 0 / 62 / 2

HEX #F5FB5F

RGB 245 251 95

HSL 62.31, 0.95%, 0.68%

LAB 95.68, -20.94, 71.5

 

CMYK 2 / 0 / 62 / 2

HEX #F5FB5F

RGB 245 251 95

HSL 62.31, 0.95%, 0.68%

LAB 95.68, -20.94, 71.5

 

CMYK 2 / 0 / 55 / 7

HEX #E9EE6C

RGB 233 238 108

HSL 62.31, 0.79%, 0.68%

LAB 91.49, -18.56, 61.21

 

CMYK 2 / 0 / 46 / 12

HEX #DDE179

RGB 221 225 121

HSL 62.31, 0.63%, 0.68%

LAB 87.29, -15.84, 50.09

 

CMYK 1 / 0 / 37 / 17

HEX #D1D486

RGB 209 212 134

HSL 62.31, 0.48%, 0.68%

LAB 83.11, -12.71, 38.26

 

CMYK 1 / 0 / 26 / 22

HEX #C4C693

RGB 196 198 147

HSL 62.35, 0.31%, 0.68%

LAB 78.6, -8.95, 25.41

 

CMYK 0 / 31 / 62 / 2

HEX #FBAD5F

RGB 251 173 95

HSL 30, 0.95%, 0.68%

LAB 76.81, 21.08, 50.83

 

CMYK 0 / 14 / 62 / 2

HEX #FBD75F

RGB 251 215 95

HSL 46.15, 0.95%, 0.68%

LAB 86.97, -0.72, 62.27

 

CMYK 2 / 0 / 62 / 2

HEX #F6FB5F

RGB 246 251 95

HSL 61.92, 0.95%, 0.68%

LAB 95.75, -20.54, 71.61

 

CMYK 19 / 0 / 62 / 2

HEX #CCFB5F

RGB 204 251 95

HSL 78.08, 0.95%, 0.68%

LAB 92.86, -36.86, 67.66

 

CMYK 35 / 0 / 62 / 2

HEX #A2FB5F

RGB 162 251 95

HSL 94.23, 0.95%, 0.68%

LAB 90.55, -51.75, 64.47

 

CMYK 4 / 0 / 94 / 2

HEX #F1FA0E

RGB 241 250 14

HSL 62.29, 0.96%, 0.52%

LAB 94.78, -24.82, 91.25

 

CMYK 3 / 0 / 78 / 2

HEX #F3FA36

RGB 243 250 54

HSL 62.14, 0.95%, 0.6%

LAB 95.03, -23.18, 84.52

 

CMYK 2 / 0 / 62 / 2

HEX #F5FB5F

RGB 245 251 95

HSL 62.31, 0.95%, 0.68%

LAB 95.68, -20.94, 71.5

 

CMYK 2 / 0 / 46 / 1

HEX #F8FC87

RGB 248 252 135

HSL 62.05, 0.95%, 0.76%

LAB 96.54, -17.2, 55.18

 

CMYK 1 / 0 / 31 / 1

HEX #FAFDAF

RGB 250 253 175

HSL 62.31, 0.95%, 0.84%

LAB 97.5, -12.68, 37.08

 

CMYK 2 / 0 / 62 / 1

HEX #F6FC5F

RGB 246 252 95

HSL 62.29, 0.96%, 0.68%

LAB 96.01, -21.02, 71.88

 

CMYK 62 / 0 / 48 / 2

HEX #5FFB83

RGB 95 251 131

HSL 133.85, 0.95%, 0.68%

LAB 88.48, -65.57, 45.4

 

CMYK 23 / 62 / 0 / 2

HEX #C25FFB

RGB 194 95 251

HSL 278.08, 0.95%, 0.68%

LAB 58.62, 64.43, -61.85

 

CMYK 2 / 0 / 62 / 1

HEX #F6FC5F

RGB 246 252 95

HSL 62.29, 0.96%, 0.68%

LAB 96.01, -21.02, 71.88

 

CMYK 62 / 2 / 0 / 2

HEX #5FF6FB

RGB 95 246 251

HSL 181.92, 0.95%, 0.68%

LAB 89.54, -38.03, -14.31

 

CMYK 0 / 62 / 2 / 2

HEX #FB5FF6

RGB 251 95 246

HSL 301.92, 0.95%, 0.68%

LAB 66.02, 76.6, -46.86

 

CMYK 2 / 0 / 62 / 1

HEX #F6FC5F

RGB 246 252 95

HSL 62.29, 0.96%, 0.68%

LAB 96.01, -21.02, 71.88

 

CMYK 62 / 0 / 48 / 2

HEX #5FFB83

RGB 95 251 131

HSL 133.85, 0.95%, 0.68%

LAB 88.48, -65.57, 45.4

 

CMYK 60 / 62 / 0 / 2

HEX #645FFB

RGB 100 95 251

HSL 241.92, 0.95%, 0.68%

LAB 49.32, 46.14, -77.34

 

CMYK 0 / 62 / 14 / 2

HEX #FB5FD7

RGB 251 95 215

HSL 313.85, 0.95%, 0.68%

LAB 64.64, 71.92, -31.76

 

CMYK 2 / 0 / 62 / 1

HEX #F6FC5F

RGB 246 252 95

HSL 62.29, 0.96%, 0.68%

LAB 96.01, -21.02, 71.88

 

CMYK 62 / 0 / 29 / 2

HEX #5FFBB2

RGB 95 251 178

HSL 151.92, 0.95%, 0.68%

LAB 89.22, -57.46, 23.08

 

CMYK 60 / 62 / 0 / 2

HEX #645FFB

RGB 100 95 251

HSL 241.92, 0.95%, 0.68%

LAB 49.32, 46.14, -77.34

 

CMYK 0 / 62 / 33 / 2

HEX #FB5FA8

RGB 251 95 168

HSL 331.92, 0.95%, 0.68%

LAB 62.94, 65.87, -7.66

 

Description

Color code: HEX #F6FC5F | qconv.com Color code: HEX #F6FC5F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 252 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 252 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 62 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 62% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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