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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6EFBA it is the complementary color #091045. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6EFBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6EFBA shade: #FBEFB5, #FFFFC8, #FFFFDB and #FFFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6EFBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6EFBA shade: #F6EFBA, #E5DDA7, #D4CB94, #C3B981 and #B2A76E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6EFBA shade: #F6EFBB, #F6DFBB, #F6CFBB, #F6BFBB and #F6BBBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6EFBA shade: #F6EFBB, #EDF6BB, #DDF6BB, #CDF6BB and #BDF6BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6EFBA shade matches the following richer shades: #F6EFBB and #FCF4B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6EFBA shade: #F6EFBB, #F0EAC1, #E9E5C7, #E3E1CD and #DDDCD4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6EFBA shade: #F6CFBB, #F6DFBB, #F6EFBB, #EDF6BB and #DDF6BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6EFBA shade: #ECDE72, #F1E696, #F6EFBB and #FAF7DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6EFBA shade: #F6EFBA, #BBF6C0 and #D7BBF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6EFBA shade: #F6EFBA, #BBF6EF and #EFBBF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6EFBA shade: #F6EFBA, #BBF6C0, #BBC2F6 and #F6BBF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6EFBA shade: #F6EFBA, #BBF6D1, #BBC2F6 and #F6BBDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 24 / 4

HEX #F6EFBA

RGB 246 239 186

HSL 53, 0.77%, 0.85%

LAB 93.83, -5.81, 26.55

 

Complementary color

CMYK 87 / 77 / 0 / 73

HEX #091045

RGB 9 16 69

HSL 233, 0.77%, 0.15%

LAB 7.75, 19.36, -33.97

 

CMYK 0 / 5 / 28 / 2

HEX #FBEFB5

RGB 251 239 181

HSL 49.71, 0.9%, 0.85%

LAB 94.13, -4.61, 29.57

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 0 / 3 / 24 / 4

HEX #F6EFBA

RGB 246 239 186

HSL 53, 0.77%, 0.85%

LAB 93.83, -5.81, 26.55

 

CMYK 0 / 3 / 27 / 10

HEX #E5DDA7

RGB 229 221 167

HSL 52.26, 0.54%, 0.78%

LAB 87.56, -5.55, 27.56

 

CMYK 0 / 4 / 30 / 17

HEX #D4CB94

RGB 212 203 148

HSL 51.56, 0.43%, 0.71%

LAB 81.21, -5.26, 28.62

 

CMYK 0 / 5 / 34 / 24

HEX #C3B981

RGB 195 185 129

HSL 50.91, 0.35%, 0.64%

LAB 74.75, -4.92, 29.74

 

CMYK 0 / 6 / 38 / 30

HEX #B2A76E

RGB 178 167 110

HSL 50.29, 0.31%, 0.56%

LAB 68.19, -4.52, 30.92

 

CMYK 0 / 3 / 24 / 4

HEX #F6EFBB

RGB 246 239 187

HSL 52.88, 0.77%, 0.85%

LAB 93.85, -5.67, 26.06

 

CMYK 0 / 9 / 24 / 4

HEX #F6DFBB

RGB 246 223 187

HSL 36.61, 0.77%, 0.85%

LAB 89.84, 2.45, 20.53

 

CMYK 0 / 16 / 24 / 4

HEX #F6CFBB

RGB 246 207 187

HSL 20.34, 0.77%, 0.85%

LAB 85.91, 10.73, 15.04

 

CMYK 0 / 22 / 24 / 4

HEX #F6BFBB

RGB 246 191 187

HSL 4.07, 0.77%, 0.85%

LAB 82.08, 19.13, 9.6

 

CMYK 0 / 24 / 24 / 4

HEX #F6BBBB

RGB 246 187 187

HSL 0, 0.77%, 0.85%

LAB 81.14, 21.24, 8.26

 

CMYK 0 / 3 / 24 / 4

HEX #F6EFBB

RGB 246 239 187

HSL 52.88, 0.77%, 0.85%

LAB 93.85, -5.67, 26.06

 

CMYK 4 / 0 / 24 / 4

HEX #EDF6BB

RGB 237 246 187

HSL 69.15, 0.77%, 0.85%

LAB 94.95, -12.43, 27.46

 

CMYK 10 / 0 / 24 / 4

HEX #DDF6BB

RGB 221 246 187

HSL 85.42, 0.77%, 0.85%

LAB 93.83, -18.14, 25.74

 

CMYK 17 / 0 / 24 / 4

HEX #CDF6BB

RGB 205 246 187

HSL 101.69, 0.77%, 0.85%

LAB 92.79, -23.69, 24.14

 

CMYK 23 / 0 / 24 / 4

HEX #BDF6BB

RGB 189 246 187

HSL 117.97, 0.77%, 0.85%

LAB 91.83, -29.03, 22.67

 

CMYK 0 / 3 / 24 / 4

HEX #F6EFBB

RGB 246 239 187

HSL 52.88, 0.77%, 0.85%

LAB 93.85, -5.67, 26.06

 

CMYK 0 / 3 / 28 / 1

HEX #FCF4B5

RGB 252 244 181

HSL 53.24, 0.92%, 0.85%

LAB 95.47, -6.74, 31.39

 

CMYK 0 / 3 / 24 / 4

HEX #F6EFBB

RGB 246 239 187

HSL 52.88, 0.77%, 0.85%

LAB 93.85, -5.67, 26.06

 

CMYK 0 / 3 / 20 / 6

HEX #F0EAC1

RGB 240 234 193

HSL 52.34, 0.61%, 0.85%

LAB 92.23, -4.5, 20.68

 

CMYK 0 / 2 / 15 / 9

HEX #E9E5C7

RGB 233 229 199

HSL 52.94, 0.44%, 0.85%

LAB 90.54, -3.59, 15.12

 

CMYK 0 / 1 / 10 / 11

HEX #E3E1CD

RGB 227 225 205

HSL 54.55, 0.28%, 0.85%

LAB 89.2, -2.73, 10.02

 

CMYK 0 / 0 / 4 / 13

HEX #DDDCD4

RGB 221 220 212

HSL 53.33, 0.12%, 0.85%

LAB 87.64, -1.07, 4.03

 

CMYK 0 / 16 / 24 / 4

HEX #F6CFBB

RGB 246 207 187

HSL 20.34, 0.77%, 0.85%

LAB 85.91, 10.73, 15.04

 

CMYK 0 / 9 / 24 / 4

HEX #F6DFBB

RGB 246 223 187

HSL 36.61, 0.77%, 0.85%

LAB 89.84, 2.45, 20.53

 

CMYK 0 / 3 / 24 / 4

HEX #F6EFBB

RGB 246 239 187

HSL 52.88, 0.77%, 0.85%

LAB 93.85, -5.67, 26.06

 

CMYK 4 / 0 / 24 / 4

HEX #EDF6BB

RGB 237 246 187

HSL 69.15, 0.77%, 0.85%

LAB 94.95, -12.43, 27.46

 

CMYK 10 / 0 / 24 / 4

HEX #DDF6BB

RGB 221 246 187

HSL 85.42, 0.77%, 0.85%

LAB 93.83, -18.14, 25.74

 

CMYK 0 / 6 / 52 / 7

HEX #ECDE72

RGB 236 222 114

HSL 53.11, 0.76%, 0.69%

LAB 87.63, -8.99, 54.08

 

CMYK 0 / 5 / 38 / 5

HEX #F1E696

RGB 241 230 150

HSL 52.75, 0.76%, 0.77%

LAB 90.55, -7.57, 40.32

 

CMYK 0 / 3 / 24 / 4

HEX #F6EFBB

RGB 246 239 187

HSL 52.88, 0.77%, 0.85%

LAB 93.85, -5.67, 26.06

 

CMYK 0 / 1 / 11 / 2

HEX #FAF7DF

RGB 250 247 223

HSL 53.33, 0.73%, 0.93%

LAB 96.89, -2.99, 11.89

 

CMYK 0 / 3 / 24 / 4

HEX #F6EFBA

RGB 246 239 186

HSL 53, 0.77%, 0.85%

LAB 93.83, -5.81, 26.55

 

CMYK 24 / 0 / 22 / 4

HEX #BBF6C0

RGB 187 246 192

HSL 125.08, 0.77%, 0.85%

LAB 91.81, -28.84, 20.07

 

CMYK 13 / 24 / 0 / 4

HEX #D7BBF6

RGB 215 187 246

HSL 268.47, 0.77%, 0.85%

LAB 79.98, 20.93, -25.52

 

CMYK 0 / 3 / 24 / 4

HEX #F6EFBA

RGB 246 239 186

HSL 53, 0.77%, 0.85%

LAB 93.83, -5.81, 26.55

 

CMYK 24 / 0 / 3 / 4

HEX #BBF6EF

RGB 187 246 239

HSL 172.88, 0.77%, 0.85%

LAB 92.89, -19.9, -2.69

 

CMYK 3 / 24 / 0 / 4

HEX #EFBBF6

RGB 239 187 246

HSL 292.88, 0.77%, 0.85%

LAB 82.13, 28.55, -22.04

 

CMYK 0 / 3 / 24 / 4

HEX #F6EFBA

RGB 246 239 186

HSL 53, 0.77%, 0.85%

LAB 93.83, -5.81, 26.55

 

CMYK 24 / 0 / 22 / 4

HEX #BBF6C0

RGB 187 246 192

HSL 125.08, 0.77%, 0.85%

LAB 91.81, -28.84, 20.07

 

CMYK 24 / 21 / 0 / 4

HEX #BBC2F6

RGB 187 194 246

HSL 232.88, 0.77%, 0.85%

LAB 79.5, 8.57, -26.44

 

CMYK 0 / 24 / 2 / 4

HEX #F6BBF1

RGB 246 187 241

HSL 305.08, 0.77%, 0.85%

LAB 82.64, 29.9, -18.54

 

CMYK 0 / 3 / 24 / 4

HEX #F6EFBA

RGB 246 239 186

HSL 53, 0.77%, 0.85%

LAB 93.83, -5.81, 26.55

 

CMYK 24 / 0 / 15 / 4

HEX #BBF6D1

RGB 187 246 209

HSL 142.37, 0.77%, 0.85%

LAB 92.17, -25.82, 11.81

 

CMYK 24 / 21 / 0 / 4

HEX #BBC2F6

RGB 187 194 246

HSL 232.88, 0.77%, 0.85%

LAB 79.5, 8.57, -26.44

 

CMYK 0 / 24 / 9 / 4

HEX #F6BBDF

RGB 246 187 223

HSL 323.39, 0.77%, 0.85%

LAB 82.09, 26.79, -9.71

 

Description

Color code: HEX #F6EFBA | qconv.com Color code: HEX #F6EFBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 239 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 239 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 24 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 24% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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