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Color name
HEX #F6DE50

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6DE50 it is the complementary color #0921AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6DE50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6DE50 shade: #FBDE4B, #FFF05E, #FFFF71, #FFFF84 and #FFFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6DE50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6DE50 shade: #F6DE50, #E5CC3D, #D4BA2A, #C3A817 and #B29604

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6DE50 shade: #F5DD50, #F5B150, #F58450, #F55850 and #F55050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6DE50 shade: #F5DD50, #E1F550, #B4F550, #88F550 and #5BF550

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6DE50 shade matches the following richer shades: #F5DD50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6DE50 shade: #F5DD50, #E6D35F, #D8C86E, #C9BE7D and #BAB38B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6DE50 shade: #F58450, #F5B050, #F5DD50, #E2F550 and #B6F550

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6DE50 shade: #E7C70C, #F3D629, #F5DD50, #F7E577 and #F9EC9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6DE50 shade: #F6DE50, #50F558 and #9A50F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6DE50 shade: #F6DE50, #50F5DD and #DD50F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6DE50 shade: #F6DE50, #50F558, #5069F5 and #F550ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6DE50 shade: #F6DE50, #50F58A, #5069F5 and #F550BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 67 / 4

HEX #F6DE50

RGB 246 222 80

HSL 51.33, 0.9%, 0.64%

LAB 88.17, -7.19, 69.61

 

Complementary color

CMYK 95 / 81 / 0 / 31

HEX #0921AF

RGB 9 33 175

HSL 231.33, 0.9%, 0.36%

LAB 24.45, 48.3, -74.6

 

CMYK 0 / 12 / 70 / 2

HEX #FBDE4B

RGB 251 222 75

HSL 50.11, 0.96%, 0.64%

LAB 88.57, -5.36, 72.06

 

CMYK 0 / 6 / 63 / 0

HEX #FFF05E

RGB 255 240 94

HSL 54.41, 1%, 0.68%

LAB 93.62, -11.65, 69.96

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 10 / 67 / 4

HEX #F6DE50

RGB 246 222 80

HSL 51.33, 0.9%, 0.64%

LAB 88.17, -7.19, 69.61

 

CMYK 0 / 11 / 73 / 10

HEX #E5CC3D

RGB 229 204 61

HSL 51.07, 0.76%, 0.57%

LAB 81.94, -6.12, 70.01

 

CMYK 0 / 12 / 80 / 17

HEX #D4BA2A

RGB 212 186 42

HSL 50.82, 0.67%, 0.5%

LAB 75.63, -4.87, 69.82

 

CMYK 0 / 14 / 88 / 24

HEX #C3A817

RGB 195 168 23

HSL 50.58, 0.79%, 0.43%

LAB 69.23, -3.41, 68.65

 

CMYK 0 / 16 / 98 / 30

HEX #B29604

RGB 178 150 4

HSL 50.34, 0.96%, 0.36%

LAB 62.75, -1.71, 66.07

 

CMYK 0 / 10 / 67 / 4

HEX #F5DD50

RGB 245 221 80

HSL 51.27, 0.89%, 0.64%

LAB 87.83, -7.1, 69.23

 

CMYK 0 / 28 / 67 / 4

HEX #F5B150

RGB 245 177 80

HSL 35.27, 0.89%, 0.64%

LAB 76.94, 15.6, 57.81

 

CMYK 0 / 46 / 67 / 4

HEX #F58450

RGB 245 132 80

HSL 18.91, 0.89%, 0.64%

LAB 66.9, 39.07, 46.67

 

CMYK 0 / 64 / 67 / 4

HEX #F55850

RGB 245 88 80

HSL 2.91, 0.89%, 0.64%

LAB 58.95, 59.57, 37.36

 

CMYK 0 / 67 / 67 / 4

HEX #F55050

RGB 245 80 80

HSL 0, 0.89%, 0.64%

LAB 57.78, 62.74, 35.95

 

CMYK 0 / 10 / 67 / 4

HEX #F5DD50

RGB 245 221 80

HSL 51.27, 0.89%, 0.64%

LAB 87.83, -7.1, 69.23

 

CMYK 8 / 0 / 67 / 4

HEX #E1F550

RGB 225 245 80

HSL 67.27, 0.89%, 0.64%

LAB 92.53, -26.93, 73.5

 

CMYK 27 / 0 / 67 / 4

HEX #B4F550

RGB 180 245 80

HSL 83.64, 0.89%, 0.64%

LAB 89.67, -44.12, 69.66

 

CMYK 44 / 0 / 67 / 4

HEX #88F550

RGB 136 245 80

HSL 99.64, 0.89%, 0.64%

LAB 87.54, -58.77, 66.79

 

CMYK 63 / 0 / 67 / 4

HEX #5BF550

RGB 91 245 80

HSL 116, 0.89%, 0.64%

LAB 86.06, -70.24, 64.77

 

CMYK 0 / 10 / 67 / 4

HEX #F5DD50

RGB 245 221 80

HSL 51.27, 0.89%, 0.64%

LAB 87.83, -7.1, 69.23

 

CMYK 0 / 10 / 67 / 4

HEX #F5DD50

RGB 245 221 80

HSL 51.27, 0.89%, 0.64%

LAB 87.83, -7.1, 69.23

 

CMYK 0 / 8 / 59 / 10

HEX #E6D35F

RGB 230 211 95

HSL 51.56, 0.73%, 0.64%

LAB 84.09, -7.34, 58.56

 

CMYK 0 / 7 / 49 / 15

HEX #D8C86E

RGB 216 200 110

HSL 50.94, 0.58%, 0.64%

LAB 80.2, -6.27, 46.69

 

CMYK 0 / 5 / 38 / 21

HEX #C9BE7D

RGB 201 190 125

HSL 51.32, 0.41%, 0.64%

LAB 76.51, -5.62, 34.23

 

CMYK 0 / 4 / 25 / 27

HEX #BAB38B

RGB 186 179 139

HSL 51.06, 0.25%, 0.64%

LAB 72.59, -3.97, 21.37

 

CMYK 0 / 46 / 67 / 4

HEX #F58450

RGB 245 132 80

HSL 18.91, 0.89%, 0.64%

LAB 66.9, 39.07, 46.67

 

CMYK 0 / 28 / 67 / 4

HEX #F5B050

RGB 245 176 80

HSL 34.91, 0.89%, 0.64%

LAB 76.7, 16.13, 57.56

 

CMYK 0 / 10 / 67 / 4

HEX #F5DD50

RGB 245 221 80

HSL 51.27, 0.89%, 0.64%

LAB 87.83, -7.1, 69.23

 

CMYK 8 / 0 / 67 / 4

HEX #E2F550

RGB 226 245 80

HSL 66.91, 0.89%, 0.64%

LAB 92.6, -26.53, 73.59

 

CMYK 26 / 0 / 67 / 4

HEX #B6F550

RGB 182 245 80

HSL 82.91, 0.89%, 0.64%

LAB 89.78, -43.39, 69.82

 

CMYK 0 / 14 / 95 / 9

HEX #E7C70C

RGB 231 199 12

HSL 51.23, 0.9%, 0.48%

LAB 80.66, -3.96, 80.52

 

CMYK 0 / 12 / 83 / 5

HEX #F3D629

RGB 243 214 41

HSL 51.39, 0.89%, 0.56%

LAB 85.66, -5.94, 79.78

 

CMYK 0 / 10 / 67 / 4

HEX #F5DD50

RGB 245 221 80

HSL 51.27, 0.89%, 0.64%

LAB 87.83, -7.1, 69.23

 

CMYK 0 / 7 / 52 / 3

HEX #F7E577

RGB 247 229 119

HSL 51.56, 0.89%, 0.72%

LAB 90.39, -7.67, 55.24

 

CMYK 0 / 5 / 37 / 2

HEX #F9EC9E

RGB 249 236 158

HSL 51.43, 0.88%, 0.8%

LAB 92.84, -6.61, 39.43

 

CMYK 0 / 10 / 67 / 4

HEX #F6DE50

RGB 246 222 80

HSL 51.33, 0.9%, 0.64%

LAB 88.17, -7.19, 69.61

 

CMYK 67 / 0 / 64 / 4

HEX #50F558

RGB 80 245 88

HSL 122.91, 0.89%, 0.64%

LAB 85.86, -71.63, 61.34

 

CMYK 37 / 67 / 0 / 4

HEX #9A50F5

RGB 154 80 245

HSL 266.91, 0.89%, 0.64%

LAB 50.92, 61.82, -71.18

 

CMYK 0 / 10 / 67 / 4

HEX #F6DE50

RGB 246 222 80

HSL 51.33, 0.9%, 0.64%

LAB 88.17, -7.19, 69.61

 

CMYK 67 / 0 / 10 / 4

HEX #50F5DD

RGB 80 245 221

HSL 171.27, 0.89%, 0.64%

LAB 88.08, -47.67, -0.85

 

CMYK 10 / 67 / 0 / 4

HEX #DD50F5

RGB 221 80 245

HSL 291.27, 0.89%, 0.64%

LAB 59.62, 75.44, -56.72

 

CMYK 0 / 10 / 67 / 4

HEX #F6DE50

RGB 246 222 80

HSL 51.33, 0.9%, 0.64%

LAB 88.17, -7.19, 69.61

 

CMYK 67 / 0 / 64 / 4

HEX #50F558

RGB 80 245 88

HSL 122.91, 0.89%, 0.64%

LAB 85.86, -71.63, 61.34

 

CMYK 67 / 57 / 0 / 4

HEX #5069F5

RGB 80 105 245

HSL 230.91, 0.89%, 0.64%

LAB 49.98, 35.29, -72.98

 

CMYK 0 / 67 / 3 / 4

HEX #F550ED

RGB 245 80 237

HSL 302.91, 0.89%, 0.64%

LAB 62.73, 79.34, -47.11

 

CMYK 0 / 10 / 67 / 4

HEX #F6DE50

RGB 246 222 80

HSL 51.33, 0.9%, 0.64%

LAB 88.17, -7.19, 69.61

 

CMYK 67 / 0 / 44 / 4

HEX #50F58A

RGB 80 245 138

HSL 141.09, 0.89%, 0.64%

LAB 86.43, -65.1, 39.34

 

CMYK 67 / 57 / 0 / 4

HEX #5069F5

RGB 80 105 245

HSL 230.91, 0.89%, 0.64%

LAB 49.98, 35.29, -72.98

 

CMYK 0 / 67 / 24 / 4

HEX #F550BB

RGB 245 80 187

HSL 321.09, 0.89%, 0.64%

LAB 60.55, 72.31, -22.27

 

Description

Color code: HEX #F6DE50 | qconv.com Color code: HEX #F6DE50 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 222 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 222 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 67 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 67% 4% C M Y K

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