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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6C86A it is the complementary color #093795. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6C86A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6C86A shade: #FBC865, #FFDA78, #FFEC8B, #FFFE9E and #FFFFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6C86A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6C86A shade: #F6C86A, #E5B657, #D4A444, #C39231 and #B2801E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6C86A shade: #F6C869, #F6A269, #F67C69 and #F66969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6C86A shade: #F6C869, #F6EE69, #D8F669, #B2F669 and #8CF669

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6C86A shade matches the following richer shades: #F6C869

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6C86A shade: #F6C869, #E9C376, #DCBF83, #CFBA8F and #C3B69C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6C86A shade: #F67C69, #F6A169, #F6C769, #F6EC69 and #DAF669

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6C86A shade: #F1AB1B, #F4B942, #F6C869, #F8D690 and #FAE4B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6C86A shade: #F6C86A, #7CF669 and #8F69F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6C86A shade: #F6C86A, #69F6C7 and #C769F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6C86A shade: #F6C86A, #7CF669, #6998F6 and #E369F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6C86A shade: #F6C86A, #69F681, #6998F6 and #F669DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 57 / 4

HEX #F6C86A

RGB 246 200 106

HSL 40.29, 0.89%, 0.69%

LAB 82.88, 5.69, 52.49

 

Complementary color

CMYK 94 / 63 / 0 / 42

HEX #093795

RGB 9 55 149

HSL 220.29, 0.89%, 0.31%

LAB 26.62, 24.9, -55.23

 

CMYK 0 / 20 / 60 / 2

HEX #FBC865

RGB 251 200 101

HSL 39.6, 0.95%, 0.69%

LAB 83.31, 7.38, 55.47

 

CMYK 0 / 15 / 53 / 0

HEX #FFDA78

RGB 255 218 120

HSL 43.56, 1%, 0.74%

LAB 88.33, 1.18, 52.49

 

CMYK 0 / 7 / 45 / 0

HEX #FFEC8B

RGB 255 236 139

HSL 50.17, 1%, 0.77%

LAB 93.06, -6.24, 49.15

 

CMYK 0 / 0 / 38 / 0

HEX #FFFE9E

RGB 255 254 158

HSL 59.38, 1%, 0.81%

LAB 97.88, -13.22, 46.01

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 19 / 57 / 4

HEX #F6C86A

RGB 246 200 106

HSL 40.29, 0.89%, 0.69%

LAB 82.88, 5.69, 52.49

 

CMYK 0 / 21 / 62 / 10

HEX #E5B657

RGB 229 182 87

HSL 40.14, 0.73%, 0.62%

LAB 76.56, 6.7, 53.72

 

CMYK 0 / 23 / 68 / 17

HEX #D4A444

RGB 212 164 68

HSL 40, 0.63%, 0.55%

LAB 70.15, 7.89, 54.86

 

CMYK 0 / 25 / 75 / 24

HEX #C39231

RGB 195 146 49

HSL 39.86, 0.6%, 0.48%

LAB 63.66, 9.27, 55.73

 

CMYK 0 / 28 / 83 / 30

HEX #B2801E

RGB 178 128 30

HSL 39.73, 0.71%, 0.41%

LAB 57.07, 10.91, 56

 

CMYK 0 / 19 / 57 / 4

HEX #F6C869

RGB 246 200 105

HSL 40.43, 0.89%, 0.69%

LAB 82.87, 5.61, 52.95

 

CMYK 0 / 34 / 57 / 4

HEX #F6A269

RGB 246 162 105

HSL 24.26, 0.89%, 0.69%

LAB 73.84, 25.54, 42.14

 

CMYK 0 / 50 / 57 / 4

HEX #F67C69

RGB 246 124 105

HSL 8.09, 0.89%, 0.69%

LAB 65.77, 45.06, 32.02

 

CMYK 0 / 57 / 57 / 4

HEX #F66969

RGB 246 105 105

HSL 0, 0.89%, 0.69%

LAB 62.27, 54.09, 27.48

 

CMYK 0 / 19 / 57 / 4

HEX #F6C869

RGB 246 200 105

HSL 40.43, 0.89%, 0.69%

LAB 82.87, 5.61, 52.95

 

CMYK 0 / 3 / 57 / 4

HEX #F6EE69

RGB 246 238 105

HSL 56.6, 0.89%, 0.69%

LAB 92.47, -13.59, 63.9

 

CMYK 12 / 0 / 57 / 4

HEX #D8F669

RGB 216 246 105

HSL 72.77, 0.89%, 0.69%

LAB 92.37, -29.26, 63.18

 

CMYK 28 / 0 / 57 / 4

HEX #B2F669

RGB 178 246 105

HSL 88.94, 0.89%, 0.69%

LAB 90.04, -43.31, 59.92

 

CMYK 43 / 0 / 57 / 4

HEX #8CF669

RGB 140 246 105

HSL 105.11, 0.89%, 0.69%

LAB 88.21, -55.72, 57.34

 

CMYK 0 / 19 / 57 / 4

HEX #F6C869

RGB 246 200 105

HSL 40.43, 0.89%, 0.69%

LAB 82.87, 5.61, 52.95

 

CMYK 0 / 19 / 57 / 4

HEX #F6C869

RGB 246 200 105

HSL 40.43, 0.89%, 0.69%

LAB 82.87, 5.61, 52.95

 

CMYK 0 / 16 / 49 / 9

HEX #E9C376

RGB 233 195 118

HSL 40.17, 0.72%, 0.69%

LAB 80.55, 3.97, 43.51

 

CMYK 0 / 13 / 40 / 14

HEX #DCBF83

RGB 220 191 131

HSL 40.45, 0.56%, 0.69%

LAB 78.53, 2.12, 34.06

 

CMYK 0 / 10 / 31 / 19

HEX #CFBA8F

RGB 207 186 143

HSL 40.31, 0.4%, 0.69%

LAB 76.29, 1.04, 24.56

 

CMYK 0 / 7 / 20 / 24

HEX #C3B69C

RGB 195 182 156

HSL 40, 0.25%, 0.69%

LAB 74.48, 0.36, 14.91

 

CMYK 0 / 50 / 57 / 4

HEX #F67C69

RGB 246 124 105

HSL 8.09, 0.89%, 0.69%

LAB 65.77, 45.06, 32.02

 

CMYK 0 / 35 / 57 / 4

HEX #F6A169

RGB 246 161 105

HSL 23.83, 0.89%, 0.69%

LAB 73.61, 26.06, 41.86

 

CMYK 0 / 19 / 57 / 4

HEX #F6C769

RGB 246 199 105

HSL 40, 0.89%, 0.69%

LAB 82.63, 6.13, 52.66

 

CMYK 0 / 4 / 57 / 4

HEX #F6EC69

RGB 246 236 105

HSL 55.74, 0.89%, 0.69%

LAB 91.96, -12.61, 63.33

 

CMYK 11 / 0 / 57 / 4

HEX #DAF669

RGB 218 246 105

HSL 71.91, 0.89%, 0.69%

LAB 92.5, -28.49, 63.37

 

CMYK 0 / 29 / 89 / 5

HEX #F1AB1B

RGB 241 171 27

HSL 40.37, 0.88%, 0.53%

LAB 74.77, 15.17, 74.17

 

CMYK 0 / 24 / 73 / 4

HEX #F4B942

RGB 244 185 66

HSL 40.11, 0.89%, 0.61%

LAB 78.65, 10.29, 65.45

 

CMYK 0 / 19 / 57 / 4

HEX #F6C869

RGB 246 200 105

HSL 40.43, 0.89%, 0.69%

LAB 82.87, 5.61, 52.95

 

CMYK 0 / 14 / 42 / 3

HEX #F8D690

RGB 248 214 144

HSL 40.38, 0.88%, 0.77%

LAB 87.03, 2.65, 38.91

 

CMYK 0 / 9 / 27 / 2

HEX #FAE4B7

RGB 250 228 183

HSL 40.3, 0.87%, 0.85%

LAB 91.34, 0.84, 24.73

 

CMYK 0 / 19 / 57 / 4

HEX #F6C86A

RGB 246 200 106

HSL 40.29, 0.89%, 0.69%

LAB 82.88, 5.69, 52.49

 

CMYK 50 / 0 / 57 / 4

HEX #7CF669

RGB 124 246 105

HSL 111.91, 0.89%, 0.69%

LAB 87.59, -60.25, 56.46

 

CMYK 42 / 57 / 0 / 4

HEX #8F69F6

RGB 143 105 246

HSL 256.17, 0.89%, 0.69%

LAB 54.65, 46.93, -65.75

 

CMYK 0 / 19 / 57 / 4

HEX #F6C86A

RGB 246 200 106

HSL 40.29, 0.89%, 0.69%

LAB 82.88, 5.69, 52.49

 

CMYK 57 / 0 / 19 / 4

HEX #69F6C7

RGB 105 246 199

HSL 160, 0.89%, 0.69%

LAB 88.47, -49.12, 11.24

 

CMYK 19 / 57 / 0 / 4

HEX #C769F6

RGB 199 105 246

HSL 280, 0.89%, 0.69%

LAB 60.69, 59.82, -55.73

 

CMYK 0 / 19 / 57 / 4

HEX #F6C86A

RGB 246 200 106

HSL 40.29, 0.89%, 0.69%

LAB 82.88, 5.69, 52.49

 

CMYK 50 / 0 / 57 / 4

HEX #7CF669

RGB 124 246 105

HSL 111.91, 0.89%, 0.69%

LAB 87.59, -60.25, 56.46

 

CMYK 57 / 38 / 0 / 4

HEX #6998F6

RGB 105 152 246

HSL 220, 0.89%, 0.69%

LAB 63.44, 11.45, -51.85

 

CMYK 8 / 57 / 0 / 4

HEX #E369F6

RGB 227 105 246

HSL 291.91, 0.89%, 0.69%

LAB 64.23, 66.66, -49.89

 

CMYK 0 / 19 / 57 / 4

HEX #F6C86A

RGB 246 200 106

HSL 40.29, 0.89%, 0.69%

LAB 82.88, 5.69, 52.49

 

CMYK 57 / 0 / 48 / 4

HEX #69F681

RGB 105 246 129

HSL 130.21, 0.89%, 0.69%

LAB 87.24, -61.93, 44.86

 

CMYK 57 / 38 / 0 / 4

HEX #6998F6

RGB 105 152 246

HSL 220, 0.89%, 0.69%

LAB 63.44, 11.45, -51.85

 

CMYK 0 / 57 / 10 / 4

HEX #F669DE

RGB 246 105 222

HSL 310.21, 0.89%, 0.69%

LAB 65.73, 67.51, -34.05

 

Description

Color code: HEX #F6C86A | qconv.com Color code: HEX #F6C86A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 200 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 200 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 57 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 57% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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