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Color name
HEX #F6B795

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6B795 it is the complementary color #09486A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6B795. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6B795 shade: #FBB790, #FFC9A3, #FFDBB6, #FFEDC9 and #FFFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6B795. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6B795 shade: #F6B795, #E5A582, #D4936F, #C3815C and #B26F49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6B795 shade: #F5B593, #F59B93 and #F59393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6B795 shade: #F5B593, #F5D093, #F5EA93, #E5F593 and #CBF593

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6B795 shade matches the following richer shades: #F5B593

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6B795 shade: #F5B593, #ECB89C, #E2BBA6, #D9BEAF and #CFC0B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6B795 shade: #F593A5, #F59B93, #F5B593, #F5CF93 and #F5EA93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6B795 shade: #EF8147, #F29B6D, #F5B593, #F8CFB9 and #FCE9DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6B795 shade: #F6B795, #BFF593 and #9398F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6B795 shade: #F6B795, #93F5B5 and #B593F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6B795 shade: #F6B795, #BFF593, #93D3F5 and #C993F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6B795 shade: #F6B795, #A1F593, #93D3F5 and #E693F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 39 / 4

HEX #F6B795

RGB 246 183 149

HSL 21.03, 0.84%, 0.77%

LAB 79.4, 18.57, 26.2

 

Complementary color

CMYK 92 / 32 / 0 / 58

HEX #09486A

RGB 9 72 106

HSL 201.03, 0.84%, 0.23%

LAB 28.73, -5.06, -24.96

 

CMYK 0 / 27 / 43 / 2

HEX #FBB790

RGB 251 183 144

HSL 21.87, 0.93%, 0.77%

LAB 79.84, 19.97, 29.53

 

CMYK 0 / 21 / 36 / 0

HEX #FFC9A3

RGB 255 201 163

HSL 24.78, 1%, 0.82%

LAB 84.83, 14.18, 26.32

 

CMYK 0 / 14 / 29 / 0

HEX #FFDBB6

RGB 255 219 182

HSL 30.41, 1%, 0.86%

LAB 89.53, 7.18, 22.83

 

CMYK 0 / 7 / 21 / 0

HEX #FFEDC9

RGB 255 237 201

HSL 40, 1%, 0.89%

LAB 94.33, 0.55, 19.66

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 26 / 39 / 4

HEX #F6B795

RGB 246 183 149

HSL 21.03, 0.84%, 0.77%

LAB 79.4, 18.57, 26.2

 

CMYK 0 / 28 / 43 / 10

HEX #E5A582

RGB 229 165 130

HSL 21.21, 0.66%, 0.7%

LAB 73.01, 19.42, 27.48

 

CMYK 0 / 31 / 48 / 17

HEX #D4936F

RGB 212 147 111

HSL 21.39, 0.54%, 0.63%

LAB 66.53, 20.38, 28.87

 

CMYK 0 / 34 / 53 / 24

HEX #C3815C

RGB 195 129 92

HSL 21.55, 0.46%, 0.56%

LAB 59.96, 21.48, 30.39

 

CMYK 0 / 38 / 59 / 30

HEX #B26F49

RGB 178 111 73

HSL 21.71, 0.42%, 0.49%

LAB 53.29, 22.74, 32.07

 

CMYK 0 / 26 / 40 / 4

HEX #F5B593

RGB 245 181 147

HSL 20.82, 0.83%, 0.77%

LAB 78.79, 19.01, 26.43

 

CMYK 0 / 37 / 40 / 4

HEX #F59B93

RGB 245 155 147

HSL 4.9, 0.83%, 0.77%

LAB 72.87, 32.71, 18.33

 

CMYK 0 / 40 / 40 / 4

HEX #F59393

RGB 245 147 147

HSL 0, 0.83%, 0.77%

LAB 71.14, 36.88, 15.93

 

CMYK 0 / 26 / 40 / 4

HEX #F5B593

RGB 245 181 147

HSL 20.82, 0.83%, 0.77%

LAB 78.79, 19.01, 26.43

 

CMYK 0 / 15 / 40 / 4

HEX #F5D093

RGB 245 208 147

HSL 37.35, 0.83%, 0.77%

LAB 85.32, 4.88, 35.1

 

CMYK 0 / 4 / 40 / 4

HEX #F5EA93

RGB 245 234 147

HSL 53.27, 0.83%, 0.77%

LAB 91.85, -8.34, 43.54

 

CMYK 7 / 0 / 40 / 4

HEX #E5F593

RGB 229 245 147

HSL 69.8, 0.83%, 0.77%

LAB 93.48, -19.87, 45.37

 

CMYK 17 / 0 / 40 / 4

HEX #CBF593

RGB 203 245 147

HSL 85.71, 0.83%, 0.77%

LAB 91.73, -29.46, 42.78

 

CMYK 0 / 26 / 40 / 4

HEX #F5B593

RGB 245 181 147

HSL 20.82, 0.83%, 0.77%

LAB 78.79, 19.01, 26.43

 

CMYK 0 / 26 / 40 / 4

HEX #F5B593

RGB 245 181 147

HSL 20.82, 0.83%, 0.77%

LAB 78.79, 19.01, 26.43

 

CMYK 0 / 22 / 34 / 7

HEX #ECB89C

RGB 236 184 156

HSL 21, 0.68%, 0.77%

LAB 78.76, 15, 21.43

 

CMYK 0 / 17 / 27 / 11

HEX #E2BBA6

RGB 226 187 166

HSL 21, 0.51%, 0.77%

LAB 78.73, 10.89, 15.87

 

CMYK 0 / 12 / 19 / 15

HEX #D9BEAF

RGB 217 190 175

HSL 21.43, 0.36%, 0.77%

LAB 78.85, 7.22, 11.09

 

CMYK 0 / 7 / 11 / 19

HEX #CFC0B9

RGB 207 192 185

HSL 19.09, 0.19%, 0.77%

LAB 78.73, 4.08, 5.41

 

CMYK 0 / 40 / 33 / 4

HEX #F593A5

RGB 245 147 165

HSL 348.98, 0.83%, 0.77%

LAB 71.55, 38.97, 6.52

 

CMYK 0 / 37 / 40 / 4

HEX #F59B93

RGB 245 155 147

HSL 4.9, 0.83%, 0.77%

LAB 72.87, 32.71, 18.33

 

CMYK 0 / 26 / 40 / 4

HEX #F5B593

RGB 245 181 147

HSL 20.82, 0.83%, 0.77%

LAB 78.79, 19.01, 26.43

 

CMYK 0 / 16 / 40 / 4

HEX #F5CF93

RGB 245 207 147

HSL 36.73, 0.83%, 0.77%

LAB 85.07, 5.4, 34.78

 

CMYK 0 / 4 / 40 / 4

HEX #F5EA93

RGB 245 234 147

HSL 53.27, 0.83%, 0.77%

LAB 91.85, -8.34, 43.54

 

CMYK 0 / 46 / 70 / 6

HEX #EF8147

RGB 239 129 71

HSL 20.71, 0.84%, 0.61%

LAB 65.36, 37.79, 49.23

 

CMYK 0 / 36 / 55 / 5

HEX #F29B6D

RGB 242 155 109

HSL 20.75, 0.84%, 0.69%

LAB 71.84, 27.94, 37.47

 

CMYK 0 / 26 / 40 / 4

HEX #F5B593

RGB 245 181 147

HSL 20.82, 0.83%, 0.77%

LAB 78.79, 19.01, 26.43

 

CMYK 0 / 17 / 25 / 3

HEX #F8CFB9

RGB 248 207 185

HSL 20.95, 0.82%, 0.85%

LAB 86.05, 11.2, 16.32

 

CMYK 0 / 8 / 12 / 1

HEX #FCE9DF

RGB 252 233 223

HSL 20.69, 0.83%, 0.93%

LAB 93.58, 4.82, 7.17

 

CMYK 0 / 26 / 39 / 4

HEX #F6B795

RGB 246 183 149

HSL 21.03, 0.84%, 0.77%

LAB 79.4, 18.57, 26.2

 

CMYK 22 / 0 / 40 / 4

HEX #BFF593

RGB 191 245 147

HSL 93.06, 0.83%, 0.77%

LAB 91, -33.72, 41.7

 

CMYK 40 / 38 / 0 / 4

HEX #9398F5

RGB 147 152 245

HSL 236.94, 0.83%, 0.77%

LAB 65.94, 20.68, -47.17

 

CMYK 0 / 26 / 39 / 4

HEX #F6B795

RGB 246 183 149

HSL 21.03, 0.84%, 0.77%

LAB 79.4, 18.57, 26.2

 

CMYK 40 / 0 / 26 / 4

HEX #93F5B5

RGB 147 245 181

HSL 140.82, 0.83%, 0.77%

LAB 89.32, -42.36, 21.95

 

CMYK 26 / 40 / 0 / 4

HEX #B593F5

RGB 181 147 245

HSL 260.82, 0.83%, 0.77%

LAB 67.49, 32.61, -44.55

 

CMYK 0 / 26 / 39 / 4

HEX #F6B795

RGB 246 183 149

HSL 21.03, 0.84%, 0.77%

LAB 79.4, 18.57, 26.2

 

CMYK 22 / 0 / 40 / 4

HEX #BFF593

RGB 191 245 147

HSL 93.06, 0.83%, 0.77%

LAB 91, -33.72, 41.7

 

CMYK 40 / 14 / 0 / 4

HEX #93D3F5

RGB 147 211 245

HSL 200.82, 0.83%, 0.77%

LAB 81.5, -11.83, -23.08

 

CMYK 18 / 40 / 0 / 4

HEX #C993F5

RGB 201 147 245

HSL 273.06, 0.83%, 0.77%

LAB 69.38, 38.28, -41.45

 

CMYK 0 / 26 / 39 / 4

HEX #F6B795

RGB 246 183 149

HSL 21.03, 0.84%, 0.77%

LAB 79.4, 18.57, 26.2

 

CMYK 34 / 0 / 40 / 4

HEX #A1F593

RGB 161 245 147

HSL 111.43, 0.83%, 0.77%

LAB 89.39, -43.71, 39.3

 

CMYK 40 / 14 / 0 / 4

HEX #93D3F5

RGB 147 211 245

HSL 200.82, 0.83%, 0.77%

LAB 81.5, -11.83, -23.08

 

CMYK 6 / 40 / 0 / 4

HEX #E693F5

RGB 230 147 245

HSL 290.82, 0.83%, 0.77%

LAB 72.42, 46.73, -36.49

 

Description

Color code: HEX #F6B795 | qconv.com Color code: HEX #F6B795 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 183 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 183 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 39 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 39% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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