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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6AF5A it is the complementary color #0950A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6AF5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6AF5A shade: #FBAF55, #FFC168, #FFD37B, #FFE58E and #FFF7A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6AF5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6AF5A shade: #F6AF5A, #E59D47, #D48B34, #C37921 and #B2670E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6AF5A shade: #F6AF5A, #F6855A, #F65B5A and #F65A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6AF5A shade: #F6AF5A, #F6D95A, #E9F65A, #BFF65A and #95F65A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6AF5A shade matches the following richer shades: #F6AF5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6AF5A shade: #F6AF5A, #E8AE68, #DAAC76, #CCAB84 and #BEAA92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6AF5A shade: #F65A5A, #F6835A, #F6AD5A, #F6D75A and #EBF65A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6AF5A shade: #F1890C, #F49C33, #F6AF5A, #F8C281 and #FAD5A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6AF5A shade: #F6AF5A, #83F65A and #6F5AF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6AF5A shade: #F6AF5A, #5AF6AD and #AD5AF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6AF5A shade: #F6AF5A, #83F65A, #5AA3F6 and #CC5AF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6AF5A shade: #F6AF5A, #5AF65F, #5AA3F6 and #F65AF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 63 / 4

HEX #F6AF5A

RGB 246 175 90

HSL 32.69, 0.9%, 0.66%

LAB 76.67, 17.66, 52.92

 

Complementary color

CMYK 95 / 52 / 0 / 35

HEX #0950A5

RGB 9 80 165

HSL 212.69, 0.9%, 0.34%

LAB 35.03, 14.3, -51.24

 

CMYK 0 / 30 / 66 / 2

HEX #FBAF55

RGB 251 175 85

HSL 32.53, 0.95%, 0.66%

LAB 77.18, 19.42, 55.98

 

CMYK 0 / 24 / 59 / 0

HEX #FFC168

RGB 255 193 104

HSL 35.36, 1%, 0.7%

LAB 82.05, 12.86, 52.7

 

CMYK 0 / 17 / 52 / 0

HEX #FFD37B

RGB 255 211 123

HSL 40, 1%, 0.74%

LAB 86.64, 5.01, 49

 

CMYK 0 / 10 / 44 / 0

HEX #FFE58E

RGB 255 229 142

HSL 46.19, 1%, 0.78%

LAB 91.35, -2.44, 45.54

 

CMYK 0 / 3 / 37 / 0

HEX #FFF7A1

RGB 255 247 161

HSL 54.89, 1%, 0.82%

LAB 96.14, -9.46, 42.32

 

CMYK 0 / 29 / 63 / 4

HEX #F6AF5A

RGB 246 175 90

HSL 32.69, 0.9%, 0.66%

LAB 76.67, 17.66, 52.92

 

CMYK 0 / 31 / 69 / 10

HEX #E59D47

RGB 229 157 71

HSL 32.66, 0.75%, 0.59%

LAB 70.33, 19.03, 54.26

 

CMYK 0 / 34 / 75 / 17

HEX #D48B34

RGB 212 139 52

HSL 32.63, 0.65%, 0.52%

LAB 63.93, 20.59, 55.41

 

CMYK 0 / 38 / 83 / 24

HEX #C37921

RGB 195 121 33

HSL 32.59, 0.71%, 0.45%

LAB 57.45, 22.38, 56.09

 

CMYK 0 / 42 / 92 / 30

HEX #B2670E

RGB 178 103 14

HSL 32.56, 0.85%, 0.38%

LAB 50.92, 24.44, 55.69

 

CMYK 0 / 29 / 63 / 4

HEX #F6AF5A

RGB 246 175 90

HSL 32.69, 0.9%, 0.66%

LAB 76.67, 17.66, 52.92

 

CMYK 0 / 46 / 63 / 4

HEX #F6855A

RGB 246 133 90

HSL 16.54, 0.9%, 0.66%

LAB 67.36, 39.54, 42.07

 

CMYK 0 / 63 / 63 / 4

HEX #F65B5A

RGB 246 91 90

HSL 0.38, 0.9%, 0.66%

LAB 59.72, 59.21, 32.72

 

CMYK 0 / 63 / 63 / 4

HEX #F65A5A

RGB 246 90 90

HSL 0, 0.9%, 0.66%

LAB 59.57, 59.63, 32.53

 

CMYK 0 / 29 / 63 / 4

HEX #F6AF5A

RGB 246 175 90

HSL 32.69, 0.9%, 0.66%

LAB 76.67, 17.66, 52.92

 

CMYK 0 / 12 / 63 / 4

HEX #F6D95A

RGB 246 217 90

HSL 48.85, 0.9%, 0.66%

LAB 86.98, -4.1, 64.3

 

CMYK 5 / 0 / 63 / 4

HEX #E9F65A

RGB 233 246 90

HSL 65, 0.9%, 0.66%

LAB 93.44, -23.64, 70.84

 

CMYK 22 / 0 / 63 / 4

HEX #BFF65A

RGB 191 246 90

HSL 81.15, 0.9%, 0.66%

LAB 90.65, -39.84, 67.05

 

CMYK 39 / 0 / 63 / 4

HEX #95F65A

RGB 149 246 90

HSL 97.31, 0.9%, 0.66%

LAB 88.47, -54.35, 64.04

 

CMYK 0 / 29 / 63 / 4

HEX #F6AF5A

RGB 246 175 90

HSL 32.69, 0.9%, 0.66%

LAB 76.67, 17.66, 52.92

 

CMYK 0 / 29 / 63 / 4

HEX #F6AF5A

RGB 246 175 90

HSL 32.69, 0.9%, 0.66%

LAB 76.67, 17.66, 52.92

 

CMYK 0 / 25 / 55 / 9

HEX #E8AE68

RGB 232 174 104

HSL 32.81, 0.74%, 0.66%

LAB 75.09, 13.43, 43.82

 

CMYK 0 / 21 / 46 / 15

HEX #DAAC76

RGB 218 172 118

HSL 32.4, 0.57%, 0.66%

LAB 73.36, 10.02, 34.12

 

CMYK 0 / 16 / 35 / 20

HEX #CCAB84

RGB 204 171 132

HSL 32.5, 0.41%, 0.66%

LAB 71.98, 6.48, 24.58

 

CMYK 0 / 11 / 23 / 25

HEX #BEAA92

RGB 190 170 146

HSL 32.73, 0.25%, 0.66%

LAB 70.71, 3.41, 15.02

 

CMYK 0 / 63 / 63 / 4

HEX #F65A5A

RGB 246 90 90

HSL 0, 0.9%, 0.66%

LAB 59.57, 59.63, 32.53

 

CMYK 0 / 47 / 63 / 4

HEX #F6835A

RGB 246 131 90

HSL 15.77, 0.9%, 0.66%

LAB 66.95, 40.55, 41.59

 

CMYK 0 / 30 / 63 / 4

HEX #F6AD5A

RGB 246 173 90

HSL 31.92, 0.9%, 0.66%

LAB 76.2, 18.71, 52.39

 

CMYK 0 / 13 / 63 / 4

HEX #F6D75A

RGB 246 215 90

HSL 48.08, 0.9%, 0.66%

LAB 86.47, -3.09, 63.75

 

CMYK 4 / 0 / 63 / 4

HEX #EBF65A

RGB 235 246 90

HSL 64.23, 0.9%, 0.66%

LAB 93.59, -22.84, 71.04

 

CMYK 0 / 43 / 95 / 5

HEX #F1890C

RGB 241 137 12

HSL 32.75, 0.91%, 0.5%

LAB 66.99, 32.81, 71.33

 

CMYK 0 / 36 / 79 / 4

HEX #F49C33

RGB 244 156 51

HSL 32.64, 0.9%, 0.58%

LAB 71.72, 24.95, 64.6

 

CMYK 0 / 29 / 63 / 4

HEX #F6AF5A

RGB 246 175 90

HSL 32.69, 0.9%, 0.66%

LAB 76.67, 17.66, 52.92

 

CMYK 0 / 22 / 48 / 3

HEX #F8C281

RGB 248 194 129

HSL 32.77, 0.89%, 0.74%

LAB 81.91, 11.54, 39.96

 

CMYK 0 / 15 / 33 / 2

HEX #FAD5A8

RGB 250 213 168

HSL 32.93, 0.89%, 0.82%

LAB 87.36, 6.64, 27.06

 

CMYK 0 / 29 / 63 / 4

HEX #F6AF5A

RGB 246 175 90

HSL 32.69, 0.9%, 0.66%

LAB 76.67, 17.66, 52.92

 

CMYK 47 / 0 / 63 / 4

HEX #83F65A

RGB 131 246 90

HSL 104.23, 0.9%, 0.66%

LAB 87.72, -59.79, 63.01

 

CMYK 55 / 63 / 0 / 4

HEX #6F5AF6

RGB 111 90 246

HSL 248.08, 0.9%, 0.66%

LAB 48.69, 49.21, -75.55

 

CMYK 0 / 29 / 63 / 4

HEX #F6AF5A

RGB 246 175 90

HSL 32.69, 0.9%, 0.66%

LAB 76.67, 17.66, 52.92

 

CMYK 63 / 0 / 30 / 4

HEX #5AF6AD

RGB 90 246 173

HSL 151.92, 0.9%, 0.66%

LAB 87.53, -57.4, 23.28

 

CMYK 30 / 63 / 0 / 4

HEX #AD5AF6

RGB 173 90 246

HSL 271.92, 0.9%, 0.66%

LAB 54.92, 61.12, -65.16

 

CMYK 0 / 29 / 63 / 4

HEX #F6AF5A

RGB 246 175 90

HSL 32.69, 0.9%, 0.66%

LAB 76.67, 17.66, 52.92

 

CMYK 47 / 0 / 63 / 4

HEX #83F65A

RGB 131 246 90

HSL 104.23, 0.9%, 0.66%

LAB 87.72, -59.79, 63.01

 

CMYK 63 / 34 / 0 / 4

HEX #5AA3F6

RGB 90 163 246

HSL 211.92, 0.9%, 0.66%

LAB 65.77, 2.32, -48.21

 

CMYK 17 / 63 / 0 / 4

HEX #CC5AF6

RGB 204 90 246

HSL 283.85, 0.9%, 0.66%

LAB 58.79, 67.87, -58.73

 

CMYK 0 / 29 / 63 / 4

HEX #F6AF5A

RGB 246 175 90

HSL 32.69, 0.9%, 0.66%

LAB 76.67, 17.66, 52.92

 

CMYK 63 / 0 / 61 / 4

HEX #5AF65F

RGB 90 246 95

HSL 121.92, 0.9%, 0.66%

LAB 86.46, -69.34, 59.19

 

CMYK 63 / 34 / 0 / 4

HEX #5AA3F6

RGB 90 163 246

HSL 211.92, 0.9%, 0.66%

LAB 65.77, 2.32, -48.21

 

CMYK 0 / 63 / 2 / 4

HEX #F65AF1

RGB 246 90 241

HSL 301.92, 0.9%, 0.66%

LAB 64.37, 76.56, -46.74

 

Description

Color code: HEX #F6AF5A | qconv.com Color code: HEX #F6AF5A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 175 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 175 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 63 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 63% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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