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Color name
HEX #F6AD36

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6AD36 it is the complementary color #0952C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6AD36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6AD36 shade: #FBAD31, #FFBF44, #FFD157, #FFE36A and #FFF57D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6AD36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6AD36 shade: #F6AD36, #E59B23, #D48910, #C37700 and #B26500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6AD36 shade: #F5AD37, #F57937, #F54637 and #F53737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6AD36 shade: #F5AD37, #F5E037, #D7F537, #A3F537 and #70F537

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6AD36 shade matches the following richer shades: #F5AD37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6AD36 shade: #F5AD37, #E4A948, #D3A559, #C2A16A and #B19D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6AD36 shade: #F54737, #F57937, #F5AC37, #F5DF37 and #D9F537

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6AD36 shade: #D08509, #F39D0F, #F5AD37, #F7BD5E and #F9CD86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6AD36 shade: #F6AD36, #5AF537 and #6037F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6AD36 shade: #F6AD36, #37F5AC and #AC37F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6AD36 shade: #F6AD36, #5AF537, #3780F5 and #D237F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6AD36 shade: #F6AD36, #37F54D, #3780F5 and #F537DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 78 / 4

HEX #F6AD36

RGB 246 173 54

HSL 37.19, 0.91%, 0.59%

LAB 75.91, 16.95, 67.44

 

Complementary color

CMYK 96 / 59 / 0 / 21

HEX #0952C9

RGB 9 82 201

HSL 217.19, 0.91%, 0.41%

LAB 38.39, 27.53, -66.96

 

CMYK 0 / 31 / 80 / 2

HEX #FBAD31

RGB 251 173 49

HSL 36.83, 0.96%, 0.59%

LAB 76.45, 18.89, 69.88

 

CMYK 0 / 25 / 73 / 0

HEX #FFBF44

RGB 255 191 68

HSL 39.47, 1%, 0.63%

LAB 81.26, 11.87, 67.63

 

CMYK 0 / 18 / 66 / 0

HEX #FFD157

RGB 255 209 87

HSL 43.57, 1%, 0.67%

LAB 85.78, 3.52, 64.53

 

CMYK 0 / 11 / 58 / 0

HEX #FFE36A

RGB 255 227 106

HSL 48.72, 1%, 0.71%

LAB 90.43, -4.42, 61.39

 

CMYK 0 / 4 / 51 / 0

HEX #FFF57D

RGB 255 245 125

HSL 55.38, 1%, 0.75%

LAB 95.18, -11.92, 58.29

 

CMYK 0 / 30 / 78 / 4

HEX #F6AD36

RGB 246 173 54

HSL 37.19, 0.91%, 0.59%

LAB 75.91, 16.95, 67.44

 

CMYK 0 / 32 / 85 / 10

HEX #E59B23

RGB 229 155 35

HSL 37.11, 0.79%, 0.52%

LAB 69.63, 18.69, 67.45

 

CMYK 0 / 35 / 92 / 17

HEX #D48910

RGB 212 137 16

HSL 37.04, 0.86%, 0.45%

LAB 63.28, 20.67, 66.31

 

CMYK 0 / 39 / 100 / 24

HEX #C37700

RGB 195 119 0

HSL 36.62, 1%, 0.38%

LAB 56.88, 22.88, 63.59

 

CMYK 0 / 43 / 100 / 30

HEX #B26500

RGB 178 101 0

HSL 34.04, 1%, 0.35%

LAB 50.42, 25.35, 58.36

 

CMYK 0 / 29 / 78 / 4

HEX #F5AD37

RGB 245 173 55

HSL 37.26, 0.9%, 0.59%

LAB 75.81, 16.57, 66.94

 

CMYK 0 / 51 / 78 / 4

HEX #F57937

RGB 245 121 55

HSL 20.84, 0.9%, 0.59%

LAB 64.45, 43.44, 56.1

 

CMYK 0 / 71 / 78 / 4

HEX #F54637

RGB 245 70 55

HSL 4.74, 0.9%, 0.59%

LAB 56.16, 65.34, 47.78

 

CMYK 0 / 78 / 78 / 4

HEX #F53737

RGB 245 55 55

HSL 0, 0.9%, 0.59%

LAB 54.47, 70.04, 46.04

 

CMYK 0 / 29 / 78 / 4

HEX #F5AD37

RGB 245 173 55

HSL 37.26, 0.9%, 0.59%

LAB 75.81, 16.57, 66.94

 

CMYK 0 / 9 / 78 / 4

HEX #F5E037

RGB 245 224 55

HSL 53.37, 0.9%, 0.59%

LAB 88.45, -9.69, 78.47

 

CMYK 12 / 0 / 78 / 4

HEX #D7F537

RGB 215 245 55

HSL 69.47, 0.9%, 0.59%

LAB 91.7, -32.06, 80.53

 

CMYK 33 / 0 / 78 / 4

HEX #A3F537

RGB 163 245 55

HSL 85.89, 0.9%, 0.59%

LAB 88.62, -51.56, 76.58

 

CMYK 54 / 0 / 78 / 4

HEX #70F537

RGB 112 245 55

HSL 102, 0.9%, 0.59%

LAB 86.52, -67.11, 73.86

 

CMYK 0 / 29 / 78 / 4

HEX #F5AD37

RGB 245 173 55

HSL 37.26, 0.9%, 0.59%

LAB 75.81, 16.57, 66.94

 

CMYK 0 / 29 / 78 / 4

HEX #F5AD37

RGB 245 173 55

HSL 37.26, 0.9%, 0.59%

LAB 75.81, 16.57, 66.94

 

CMYK 0 / 26 / 68 / 11

HEX #E4A948

RGB 228 169 72

HSL 37.31, 0.74%, 0.59%

LAB 73.11, 12.26, 56.74

 

CMYK 0 / 22 / 58 / 17

HEX #D3A559

RGB 211 165 89

HSL 37.38, 0.58%, 0.59%

LAB 70.51, 8.31, 45.32

 

CMYK 0 / 17 / 45 / 24

HEX #C2A16A

RGB 194 161 106

HSL 37.5, 0.42%, 0.59%

LAB 68.02, 4.87, 33.12

 

CMYK 0 / 11 / 31 / 31

HEX #B19D7A

RGB 177 157 122

HSL 38.18, 0.26%, 0.59%

LAB 65.64, 1.98, 21.03

 

CMYK 0 / 71 / 78 / 4

HEX #F54737

RGB 245 71 55

HSL 5.05, 0.9%, 0.59%

LAB 56.28, 64.99, 47.91

 

CMYK 0 / 51 / 78 / 4

HEX #F57937

RGB 245 121 55

HSL 20.84, 0.9%, 0.59%

LAB 64.45, 43.44, 56.1

 

CMYK 0 / 30 / 78 / 4

HEX #F5AC37

RGB 245 172 55

HSL 36.95, 0.9%, 0.59%

LAB 75.57, 17.09, 66.72

 

CMYK 0 / 9 / 78 / 4

HEX #F5DF37

RGB 245 223 55

HSL 53.05, 0.9%, 0.59%

LAB 88.19, -9.19, 78.24

 

CMYK 11 / 0 / 78 / 4

HEX #D9F537

RGB 217 245 55

HSL 68.84, 0.9%, 0.59%

LAB 91.83, -31.27, 80.7

 

CMYK 0 / 36 / 96 / 18

HEX #D08509

RGB 208 133 9

HSL 37.39, 0.92%, 0.43%

LAB 61.83, 21.02, 66.23

 

CMYK 0 / 35 / 94 / 5

HEX #F39D0F

RGB 243 157 15

HSL 37.37, 0.9%, 0.51%

LAB 71.69, 23.22, 74.24

 

CMYK 0 / 29 / 78 / 4

HEX #F5AD37

RGB 245 173 55

HSL 37.26, 0.9%, 0.59%

LAB 75.81, 16.57, 66.94

 

CMYK 0 / 23 / 62 / 3

HEX #F7BD5E

RGB 247 189 94

HSL 37.25, 0.91%, 0.67%

LAB 80.17, 10.98, 55.03

 

CMYK 0 / 18 / 46 / 2

HEX #F9CD86

RGB 249 205 134

HSL 37.04, 0.91%, 0.75%

LAB 84.75, 6.69, 41.07

 

CMYK 0 / 30 / 78 / 4

HEX #F6AD36

RGB 246 173 54

HSL 37.19, 0.91%, 0.59%

LAB 75.91, 16.95, 67.44

 

CMYK 63 / 0 / 78 / 4

HEX #5AF537

RGB 90 245 55

HSL 108.95, 0.9%, 0.59%

LAB 85.88, -72.24, 73.03

 

CMYK 61 / 78 / 0 / 4

HEX #6037F5

RGB 96 55 245

HSL 252.95, 0.9%, 0.59%

LAB 40.92, 64.76, -87.79

 

CMYK 0 / 30 / 78 / 4

HEX #F6AD36

RGB 246 173 54

HSL 37.19, 0.91%, 0.59%

LAB 75.91, 16.95, 67.44

 

CMYK 78 / 0 / 30 / 4

HEX #37F5AC

RGB 55 245 172

HSL 156.95, 0.9%, 0.59%

LAB 86.55, -62.18, 22.34

 

CMYK 30 / 78 / 0 / 4

HEX #AC37F5

RGB 172 55 245

HSL 276.95, 0.9%, 0.59%

LAB 49.61, 75.1, -73.2

 

CMYK 0 / 30 / 78 / 4

HEX #F6AD36

RGB 246 173 54

HSL 37.19, 0.91%, 0.59%

LAB 75.91, 16.95, 67.44

 

CMYK 63 / 0 / 78 / 4

HEX #5AF537

RGB 90 245 55

HSL 108.95, 0.9%, 0.59%

LAB 85.88, -72.24, 73.03

 

CMYK 78 / 48 / 0 / 4

HEX #3780F5

RGB 55 128 245

HSL 216.95, 0.9%, 0.59%

LAB 54.91, 17.99, -65.05

 

CMYK 14 / 78 / 0 / 4

HEX #D237F5

RGB 210 55 245

HSL 288.95, 0.9%, 0.59%

LAB 55.1, 81.57, -64.06

 

CMYK 0 / 30 / 78 / 4

HEX #F6AD36

RGB 246 173 54

HSL 37.19, 0.91%, 0.59%

LAB 75.91, 16.95, 67.44

 

CMYK 78 / 0 / 69 / 4

HEX #37F54D

RGB 55 245 77

HSL 126.95, 0.9%, 0.59%

LAB 85.33, -76.45, 64.91

 

CMYK 78 / 48 / 0 / 4

HEX #3780F5

RGB 55 128 245

HSL 216.95, 0.9%, 0.59%

LAB 54.91, 17.99, -65.05

 

CMYK 0 / 78 / 9 / 4

HEX #F537DF

RGB 245 55 223

HSL 306.95, 0.9%, 0.59%

LAB 59.41, 84.79, -44.51

 

Description

Color code: HEX #F6AD36 | qconv.com Color code: HEX #F6AD36 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 173 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 173 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 78 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 78% 4% C M Y K

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