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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6936B it is the complementary color #096C94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6936B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6936B shade: #FB9366, #FFA579, #FFB78C, #FFC99F and #FFDBB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6936B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6936B shade: #F6936B, #E58158, #D46F45, #C35D32 and #B24B1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6936B shade: #F69269, #F66C69 and #F66969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6936B shade: #F69269, #F6B869, #F6DD69, #E8F669 and #C2F669

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6936B shade matches the following richer shades: #F69269

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6936B shade: #F69269, #E99776, #DC9C83, #CFA28F and #C3A79C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6936B shade: #F6698C, #F66B69, #F69169, #F6B669 and #F6DC69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6936B shade: #F1591B, #F47542, #F69269, #F8AE90 and #FACAB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6936B shade: #F6936B, #B2F669 and #697AF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6936B shade: #F6936B, #69F691 and #9169F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6936B shade: #F6936B, #B2F669, #69CEF6 and #AD69F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6936B shade: #F6936B, #88F669, #69CEF6 and #D769F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 57 / 4

HEX #F6936B

RGB 246 147 107

HSL 17.27, 0.89%, 0.69%

LAB 70.54, 33.53, 36.99

 

Complementary color

CMYK 94 / 27 / 0 / 42

HEX #096C94

RGB 9 108 148

HSL 197.27, 0.89%, 0.31%

LAB 42.64, -10.45, -28.94

 

CMYK 0 / 41 / 59 / 2

HEX #FB9366

RGB 251 147 102

HSL 18.12, 0.95%, 0.69%

LAB 71.1, 35.11, 40.47

 

CMYK 0 / 35 / 53 / 0

HEX #FFA579

RGB 255 165 121

HSL 19.7, 1%, 0.74%

LAB 75.79, 28.8, 36.47

 

CMYK 0 / 28 / 45 / 0

HEX #FFB78C

RGB 255 183 140

HSL 22.43, 1%, 0.77%

LAB 80.19, 21.12, 32.18

 

CMYK 0 / 21 / 38 / 0

HEX #FFC99F

RGB 255 201 159

HSL 26.25, 1%, 0.81%

LAB 84.76, 13.73, 28.31

 

CMYK 0 / 14 / 30 / 0

HEX #FFDBB2

RGB 255 219 178

HSL 31.95, 1%, 0.85%

LAB 89.46, 6.67, 24.8

 

CMYK 0 / 40 / 57 / 4

HEX #F6936B

RGB 246 147 107

HSL 17.27, 0.89%, 0.69%

LAB 70.54, 33.53, 36.99

 

CMYK 0 / 44 / 62 / 10

HEX #E58158

RGB 229 129 88

HSL 17.45, 0.73%, 0.62%

LAB 64.21, 34.87, 38.8

 

CMYK 0 / 48 / 67 / 17

HEX #D46F45

RGB 212 111 69

HSL 17.62, 0.62%, 0.55%

LAB 57.84, 36.34, 40.77

 

CMYK 0 / 52 / 74 / 24

HEX #C35D32

RGB 195 93 50

HSL 17.79, 0.59%, 0.48%

LAB 51.45, 37.93, 42.86

 

CMYK 0 / 58 / 83 / 30

HEX #B24B1F

RGB 178 75 31

HSL 17.96, 0.7%, 0.41%

LAB 45.08, 39.6, 44.89

 

CMYK 0 / 41 / 57 / 4

HEX #F69269

RGB 246 146 105

HSL 17.45, 0.89%, 0.69%

LAB 70.3, 33.9, 37.75

 

CMYK 0 / 56 / 57 / 4

HEX #F66C69

RGB 246 108 105

HSL 1.28, 0.89%, 0.69%

LAB 62.79, 52.71, 28.17

 

CMYK 0 / 57 / 57 / 4

HEX #F66969

RGB 246 105 105

HSL 0, 0.89%, 0.69%

LAB 62.27, 54.09, 27.48

 

CMYK 0 / 41 / 57 / 4

HEX #F69269

RGB 246 146 105

HSL 17.45, 0.89%, 0.69%

LAB 70.3, 33.9, 37.75

 

CMYK 0 / 25 / 57 / 4

HEX #F6B869

RGB 246 184 105

HSL 33.62, 0.89%, 0.69%

LAB 78.98, 13.96, 48.35

 

CMYK 0 / 10 / 57 / 4

HEX #F6DD69

RGB 246 221 105

HSL 49.36, 0.89%, 0.69%

LAB 88.13, -5.13, 59.01

 

CMYK 6 / 0 / 57 / 4

HEX #E8F669

RGB 232 246 105

HSL 65.96, 0.89%, 0.69%

LAB 93.49, -23.03, 64.74

 

CMYK 21 / 0 / 57 / 4

HEX #C2F669

RGB 194 246 105

HSL 82.13, 0.89%, 0.69%

LAB 90.96, -37.55, 61.21

 

CMYK 0 / 41 / 57 / 4

HEX #F69269

RGB 246 146 105

HSL 17.45, 0.89%, 0.69%

LAB 70.3, 33.9, 37.75

 

CMYK 0 / 41 / 57 / 4

HEX #F69269

RGB 246 146 105

HSL 17.45, 0.89%, 0.69%

LAB 70.3, 33.9, 37.75

 

CMYK 0 / 35 / 49 / 9

HEX #E99776

RGB 233 151 118

HSL 17.22, 0.72%, 0.69%

LAB 70.01, 27.27, 30.09

 

CMYK 0 / 29 / 40 / 14

HEX #DC9C83

RGB 220 156 131

HSL 16.85, 0.56%, 0.69%

LAB 69.92, 20.81, 22.61

 

CMYK 0 / 22 / 31 / 19

HEX #CFA28F

RGB 207 162 143

HSL 17.81, 0.4%, 0.69%

LAB 70.24, 13.93, 16.24

 

CMYK 0 / 14 / 20 / 24

HEX #C3A79C

RGB 195 167 156

HSL 16.92, 0.25%, 0.69%

LAB 70.62, 8.45, 9.46

 

CMYK 0 / 57 / 43 / 4

HEX #F6698C

RGB 246 105 140

HSL 345.11, 0.89%, 0.69%

LAB 63, 57.07, 8.44

 

CMYK 0 / 57 / 57 / 4

HEX #F66B69

RGB 246 107 105

HSL 0.85, 0.89%, 0.69%

LAB 62.62, 53.17, 27.94

 

CMYK 0 / 41 / 57 / 4

HEX #F69169

RGB 246 145 105

HSL 17.02, 0.89%, 0.69%

LAB 70.08, 34.42, 37.48

 

CMYK 0 / 26 / 57 / 4

HEX #F6B669

RGB 246 182 105

HSL 32.77, 0.89%, 0.69%

LAB 78.5, 15.01, 47.78

 

CMYK 0 / 11 / 57 / 4

HEX #F6DC69

RGB 246 220 105

HSL 48.94, 0.89%, 0.69%

LAB 87.87, -4.63, 58.72

 

CMYK 0 / 63 / 89 / 5

HEX #F1591B

RGB 241 89 27

HSL 17.38, 0.88%, 0.53%

LAB 57.97, 56.02, 61.43

 

CMYK 0 / 52 / 73 / 4

HEX #F47542

RGB 244 117 66

HSL 17.19, 0.89%, 0.61%

LAB 63.63, 45.46, 50.03

 

CMYK 0 / 41 / 57 / 4

HEX #F69269

RGB 246 146 105

HSL 17.45, 0.89%, 0.69%

LAB 70.3, 33.9, 37.75

 

CMYK 0 / 30 / 42 / 3

HEX #F8AE90

RGB 248 174 144

HSL 17.31, 0.88%, 0.77%

LAB 77.43, 23.54, 26.24

 

CMYK 0 / 19 / 27 / 2

HEX #FACAB7

RGB 250 202 183

HSL 17.01, 0.87%, 0.85%

LAB 84.99, 14.28, 15.91

 

CMYK 0 / 40 / 57 / 4

HEX #F6936B

RGB 246 147 107

HSL 17.27, 0.89%, 0.69%

LAB 70.54, 33.53, 36.99

 

CMYK 28 / 0 / 57 / 4

HEX #B2F669

RGB 178 246 105

HSL 88.94, 0.89%, 0.69%

LAB 90.04, -43.31, 59.92

 

CMYK 57 / 50 / 0 / 4

HEX #697AF6

RGB 105 122 246

HSL 232.77, 0.89%, 0.69%

LAB 55.66, 29.34, -64.27

 

CMYK 0 / 40 / 57 / 4

HEX #F6936B

RGB 246 147 107

HSL 17.27, 0.89%, 0.69%

LAB 70.54, 33.53, 36.99

 

CMYK 57 / 0 / 41 / 4

HEX #69F691

RGB 105 246 145

HSL 137.02, 0.89%, 0.69%

LAB 87.47, -59.5, 37.37

 

CMYK 41 / 57 / 0 / 4

HEX #9169F6

RGB 145 105 246

HSL 257.02, 0.89%, 0.69%

LAB 54.84, 47.35, -65.44

 

CMYK 0 / 40 / 57 / 4

HEX #F6936B

RGB 246 147 107

HSL 17.27, 0.89%, 0.69%

LAB 70.54, 33.53, 36.99

 

CMYK 28 / 0 / 57 / 4

HEX #B2F669

RGB 178 246 105

HSL 88.94, 0.89%, 0.69%

LAB 90.04, -43.31, 59.92

 

CMYK 57 / 16 / 0 / 4

HEX #69CEF6

RGB 105 206 246

HSL 197.02, 0.89%, 0.69%

LAB 78.34, -18.32, -28.6

 

CMYK 30 / 57 / 0 / 4

HEX #AD69F6

RGB 173 105 246

HSL 268.94, 0.89%, 0.69%

LAB 57.69, 53.64, -60.7

 

CMYK 0 / 40 / 57 / 4

HEX #F6936B

RGB 246 147 107

HSL 17.27, 0.89%, 0.69%

LAB 70.54, 33.53, 36.99

 

CMYK 45 / 0 / 57 / 4

HEX #88F669

RGB 136 246 105

HSL 106.81, 0.89%, 0.69%

LAB 88.05, -56.89, 57.11

 

CMYK 57 / 16 / 0 / 4

HEX #69CEF6

RGB 105 206 246

HSL 197.02, 0.89%, 0.69%

LAB 78.34, -18.32, -28.6

 

CMYK 13 / 57 / 0 / 4

HEX #D769F6

RGB 215 105 246

HSL 286.81, 0.89%, 0.69%

LAB 62.68, 63.71, -52.45

 

Description

Color code: HEX #F6936B | qconv.com Color code: HEX #F6936B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 147 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 147 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 57 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 57% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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