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Color name
HEX #F67E4F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F67E4F it is the complementary color #0981B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F67E4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F67E4F shade: #FB7E4A, #FF905D, #FFA270, #FFB483 and #FFC696

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F67E4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F67E4F shade: #F67E4F, #E56C3C, #D45A29, #C34816 and #B23603

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F67E4F shade: #F57F50, #F55250 and #F55050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F67E4F shade: #F57F50, #F5AB50, #F5D850, #E6F550 and #BAF550

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F67E4F shade matches the following richer shades: #F57F50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F67E4F shade: #F57F50, #E6855F, #D88C6E, #C9927D and #BA998B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F67E4F shade: #F5507C, #F55050, #F57C50, #F5A850 and #F5D450

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F67E4F shade: #E7490C, #F36229, #F57F50, #F79B77 and #F9B89E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F67E4F shade: #F67E4F, #A8F550 and #5066F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F67E4F shade: #F67E4F, #50F57C and #7C50F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F67E4F shade: #F67E4F, #A8F550, #50C9F5 and #9D50F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F67E4F shade: #F67E4F, #77F550, #50C9F5 and #CF50F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 68 / 4

HEX #F67E4F

RGB 246 126 79

HSL 16.89, 0.9%, 0.64%

LAB 65.81, 42.42, 45.98

 

Complementary color

CMYK 95 / 27 / 0 / 31

HEX #0981B0

RGB 9 129 176

HSL 196.89, 0.9%, 0.36%

LAB 50.56, -11.99, -32.98

 

CMYK 0 / 50 / 71 / 2

HEX #FB7E4A

RGB 251 126 74

HSL 17.63, 0.96%, 0.64%

LAB 66.46, 44.05, 49.43

 

CMYK 0 / 44 / 64 / 0

HEX #FF905D

RGB 255 144 93

HSL 18.89, 1%, 0.68%

LAB 70.87, 37.6, 44.99

 

CMYK 0 / 36 / 56 / 0

HEX #FFA270

RGB 255 162 112

HSL 20.98, 1%, 0.72%

LAB 75, 29.64, 40.18

 

CMYK 0 / 29 / 49 / 0

HEX #FFB483

RGB 255 180 131

HSL 23.71, 1%, 0.76%

LAB 79.35, 21.83, 35.8

 

CMYK 0 / 22 / 41 / 0

HEX #FFC696

RGB 255 198 150

HSL 27.43, 1%, 0.79%

LAB 83.89, 14.3, 31.84

 

CMYK 0 / 49 / 68 / 4

HEX #F67E4F

RGB 246 126 79

HSL 16.89, 0.9%, 0.64%

LAB 65.81, 42.42, 45.98

 

CMYK 0 / 53 / 74 / 10

HEX #E56C3C

RGB 229 108 60

HSL 17.04, 0.76%, 0.57%

LAB 59.63, 43.95, 48.06

 

CMYK 0 / 58 / 81 / 17

HEX #D45A29

RGB 212 90 41

HSL 17.19, 0.68%, 0.5%

LAB 53.46, 45.55, 50.12

 

CMYK 0 / 63 / 89 / 24

HEX #C34816

RGB 195 72 22

HSL 17.34, 0.8%, 0.43%

LAB 47.36, 47.12, 51.73

 

CMYK 0 / 70 / 98 / 30

HEX #B23603

RGB 178 54 3

HSL 17.49, 0.97%, 0.35%

LAB 41.39, 48.51, 52.26

 

CMYK 0 / 48 / 67 / 4

HEX #F57F50

RGB 245 127 80

HSL 17.09, 0.89%, 0.64%

LAB 65.88, 41.59, 45.51

 

CMYK 0 / 67 / 67 / 4

HEX #F55250

RGB 245 82 80

HSL 0.73, 0.89%, 0.64%

LAB 58.06, 61.97, 36.29

 

CMYK 0 / 67 / 67 / 4

HEX #F55050

RGB 245 80 80

HSL 0, 0.89%, 0.64%

LAB 57.78, 62.74, 35.95

 

CMYK 0 / 48 / 67 / 4

HEX #F57F50

RGB 245 127 80

HSL 17.09, 0.89%, 0.64%

LAB 65.88, 41.59, 45.51

 

CMYK 0 / 30 / 67 / 4

HEX #F5AB50

RGB 245 171 80

HSL 33.09, 0.89%, 0.64%

LAB 75.52, 18.76, 56.28

 

CMYK 0 / 12 / 67 / 4

HEX #F5D850

RGB 245 216 80

HSL 49.45, 0.89%, 0.64%

LAB 86.56, -4.58, 67.93

 

CMYK 6 / 0 / 67 / 4

HEX #E6F550

RGB 230 245 80

HSL 65.45, 0.89%, 0.64%

LAB 92.89, -24.94, 73.98

 

CMYK 24 / 0 / 67 / 4

HEX #BAF550

RGB 186 245 80

HSL 81.45, 0.89%, 0.64%

LAB 90.01, -41.93, 70.12

 

CMYK 0 / 48 / 67 / 4

HEX #F57F50

RGB 245 127 80

HSL 17.09, 0.89%, 0.64%

LAB 65.88, 41.59, 45.51

 

CMYK 0 / 48 / 67 / 4

HEX #F57F50

RGB 245 127 80

HSL 17.09, 0.89%, 0.64%

LAB 65.88, 41.59, 45.51

 

CMYK 0 / 42 / 59 / 10

HEX #E6855F

RGB 230 133 95

HSL 16.89, 0.73%, 0.64%

LAB 65.3, 33.67, 36.42

 

CMYK 0 / 35 / 49 / 15

HEX #D88C6E

RGB 216 140 110

HSL 16.98, 0.58%, 0.64%

LAB 65.34, 25.67, 27.95

 

CMYK 0 / 27 / 38 / 21

HEX #C9927D

RGB 201 146 125

HSL 16.58, 0.41%, 0.64%

LAB 65.32, 18.03, 19.32

 

CMYK 0 / 18 / 25 / 27

HEX #BA998B

RGB 186 153 139

HSL 17.87, 0.25%, 0.64%

LAB 65.82, 10.12, 11.96

 

CMYK 0 / 67 / 49 / 4

HEX #F5507C

RGB 245 80 124

HSL 344, 0.89%, 0.64%

LAB 58.61, 65.68, 11.49

 

CMYK 0 / 67 / 67 / 4

HEX #F55050

RGB 245 80 80

HSL 0, 0.89%, 0.64%

LAB 57.78, 62.74, 35.95

 

CMYK 0 / 49 / 67 / 4

HEX #F57C50

RGB 245 124 80

HSL 16, 0.89%, 0.64%

LAB 65.28, 43.08, 44.82

 

CMYK 0 / 31 / 67 / 4

HEX #F5A850

RGB 245 168 80

HSL 32, 0.89%, 0.64%

LAB 74.82, 20.34, 55.51

 

CMYK 0 / 13 / 67 / 4

HEX #F5D450

RGB 245 212 80

HSL 48, 0.89%, 0.64%

LAB 85.54, -2.55, 66.89

 

CMYK 0 / 68 / 95 / 9

HEX #E7490C

RGB 231 73 12

HSL 16.71, 0.9%, 0.48%

LAB 53.79, 58.92, 62.11

 

CMYK 0 / 60 / 83 / 5

HEX #F36229

RGB 243 98 41

HSL 16.93, 0.89%, 0.56%

LAB 59.84, 53.11, 57.77

 

CMYK 0 / 48 / 67 / 4

HEX #F57F50

RGB 245 127 80

HSL 17.09, 0.89%, 0.64%

LAB 65.88, 41.59, 45.51

 

CMYK 0 / 37 / 52 / 3

HEX #F79B77

RGB 247 155 119

HSL 16.88, 0.89%, 0.72%

LAB 72.59, 30.73, 33.23

 

CMYK 0 / 26 / 37 / 2

HEX #F9B89E

RGB 249 184 158

HSL 17.14, 0.88%, 0.8%

LAB 80.12, 20.21, 22.43

 

CMYK 0 / 49 / 68 / 4

HEX #F67E4F

RGB 246 126 79

HSL 16.89, 0.9%, 0.64%

LAB 65.81, 42.42, 45.98

 

CMYK 31 / 0 / 67 / 4

HEX #A8F550

RGB 168 245 80

HSL 88, 0.89%, 0.64%

LAB 89.02, -48.38, 68.79

 

CMYK 67 / 58 / 0 / 4

HEX #5066F5

RGB 80 102 245

HSL 232, 0.89%, 0.64%

LAB 49.25, 37.12, -74.16

 

CMYK 0 / 49 / 68 / 4

HEX #F67E4F

RGB 246 126 79

HSL 16.89, 0.9%, 0.64%

LAB 65.81, 42.42, 45.98

 

CMYK 67 / 0 / 49 / 4

HEX #50F57C

RGB 80 245 124

HSL 136, 0.89%, 0.64%

LAB 86.24, -67.25, 45.85

 

CMYK 49 / 67 / 0 / 4

HEX #7C50F5

RGB 124 80 245

HSL 256, 0.89%, 0.64%

LAB 47.77, 56.47, -76.44

 

CMYK 0 / 49 / 68 / 4

HEX #F67E4F

RGB 246 126 79

HSL 16.89, 0.9%, 0.64%

LAB 65.81, 42.42, 45.98

 

CMYK 31 / 0 / 67 / 4

HEX #A8F550

RGB 168 245 80

HSL 88, 0.89%, 0.64%

LAB 89.02, -48.38, 68.79

 

CMYK 67 / 18 / 0 / 4

HEX #50C9F5

RGB 80 201 245

HSL 196, 0.89%, 0.64%

LAB 76.11, -20.24, -31.56

 

CMYK 36 / 67 / 0 / 4

HEX #9D50F5

RGB 157 80 245

HSL 268, 0.89%, 0.64%

LAB 51.26, 62.39, -70.6

 

CMYK 0 / 49 / 68 / 4

HEX #F67E4F

RGB 246 126 79

HSL 16.89, 0.9%, 0.64%

LAB 65.81, 42.42, 45.98

 

CMYK 51 / 0 / 67 / 4

HEX #77F550

RGB 119 245 80

HSL 105.82, 0.89%, 0.64%

LAB 86.9, -63.59, 65.92

 

CMYK 67 / 18 / 0 / 4

HEX #50C9F5

RGB 80 201 245

HSL 196, 0.89%, 0.64%

LAB 76.11, -20.24, -31.56

 

CMYK 16 / 67 / 0 / 4

HEX #CF50F5

RGB 207 80 245

HSL 286.18, 0.89%, 0.64%

LAB 57.65, 72.47, -59.98

 

Description

Color code: HEX #F67E4F | qconv.com Color code: HEX #F67E4F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 126 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 126 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 68 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 68% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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