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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6638D it is the complementary color #099C72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6638D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F6638D shade: #FB6388, #FF759B, #FF87AE, #FF99C1 and #FFABD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6638D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F6638D shade: #F6638D, #E5517A, #D43F67, #C32D54 and #B21B41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F6638D shade: #F6648E, #F66467 and #F66464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F6638D shade: #F6648E, #F664B5, #F664DC, #E864F6 and #C164F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F6638D shade matches the following richer shades: #F6648E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F6638D shade: #F6648E, #E87193, #DB7F99, #CE8C9F and #C199A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F6638D shade: #F664DD, #F664B7, #F66490, #F66469 and #F68664

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F6638D shade: #F11655, #F33D71, #F6648E, #F88BAA and #FAB2C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F6638D shade: #F6638D, #F6E764 and #64CAF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F6638D shade: #F6638D, #90F664 and #6490F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F6638D shade: #F6638D, #F6E764, #64F6CA and #6473F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F6638D shade: #F6638D, #D8F664, #64F6CA and #8164F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 43 / 4

HEX #F6638D

RGB 246 99 141

HSL 342.86, 0.89%, 0.68%

LAB 62.03, 59.82, 6.48

 

Complementary color

CMYK 94 / 0 / 27 / 39

HEX #099C72

RGB 9 156 114

HSL 162.86, 0.89%, 0.32%

LAB 57.12, -44.76, 12.46

 

CMYK 0 / 61 / 46 / 2

HEX #FB6388

RGB 251 99 136

HSL 345.39, 0.95%, 0.69%

LAB 62.68, 60.91, 10.4

 

CMYK 0 / 54 / 39 / 0

HEX #FF759B

RGB 255 117 155

HSL 343.48, 1%, 0.73%

LAB 66.79, 56.04, 5.46

 

CMYK 0 / 47 / 32 / 0

HEX #FF87AE

RGB 255 135 174

HSL 340.5, 1%, 0.76%

LAB 70.62, 49.6, 0.32

 

CMYK 0 / 40 / 24 / 0

HEX #FF99C1

RGB 255 153 193

HSL 336.47, 1%, 0.8%

LAB 74.76, 43.03, -4.16

 

CMYK 0 / 33 / 17 / 0

HEX #FFABD4

RGB 255 171 212

HSL 330.71, 1%, 0.84%

LAB 79.12, 36.5, -8.09

 

CMYK 0 / 60 / 43 / 4

HEX #F6638D

RGB 246 99 141

HSL 342.86, 0.89%, 0.68%

LAB 62.03, 59.82, 6.48

 

CMYK 0 / 65 / 47 / 10

HEX #E5517A

RGB 229 81 122

HSL 343.38, 0.74%, 0.61%

LAB 56.04, 60.31, 8.66

 

CMYK 0 / 70 / 51 / 17

HEX #D43F67

RGB 212 63 103

HSL 343.89, 0.63%, 0.54%

LAB 50.13, 60.5, 11.3

 

CMYK 0 / 77 / 57 / 24

HEX #C32D54

RGB 195 45 84

HSL 344.4, 0.63%, 0.47%

LAB 44.4, 60.19, 14.54

 

CMYK 0 / 85 / 63 / 30

HEX #B21B41

RGB 178 27 65

HSL 344.9, 0.74%, 0.4%

LAB 38.95, 59.07, 18.58

 

CMYK 0 / 59 / 42 / 4

HEX #F6648E

RGB 246 100 142

HSL 342.74, 0.89%, 0.68%

LAB 62.22, 59.48, 6.17

 

CMYK 0 / 59 / 58 / 4

HEX #F66467

RGB 246 100 103

HSL 358.77, 0.89%, 0.68%

LAB 61.38, 56.18, 27.46

 

CMYK 0 / 59 / 59 / 4

HEX #F66464

RGB 246 100 100

HSL 0, 0.89%, 0.68%

LAB 61.33, 55.98, 29.1

 

CMYK 0 / 59 / 42 / 4

HEX #F6648E

RGB 246 100 142

HSL 342.74, 0.89%, 0.68%

LAB 62.22, 59.48, 6.17

 

CMYK 0 / 59 / 26 / 4

HEX #F664B5

RGB 246 100 181

HSL 326.71, 0.89%, 0.68%

LAB 63.38, 63.89, -14.52

 

CMYK 0 / 59 / 11 / 4

HEX #F664DC

RGB 246 100 220

HSL 310.68, 0.89%, 0.68%

LAB 64.86, 69.32, -34.28

 

CMYK 6 / 59 / 0 / 4

HEX #E864F6

RGB 232 100 246

HSL 294.25, 0.89%, 0.68%

LAB 64.1, 70.06, -50.06

 

CMYK 22 / 59 / 0 / 4

HEX #C164F6

RGB 193 100 246

HSL 278.22, 0.89%, 0.68%

LAB 59.07, 60.8, -58.36

 

CMYK 0 / 59 / 42 / 4

HEX #F6648E

RGB 246 100 142

HSL 342.74, 0.89%, 0.68%

LAB 62.22, 59.48, 6.17

 

CMYK 0 / 59 / 42 / 4

HEX #F6648E

RGB 246 100 142

HSL 342.74, 0.89%, 0.68%

LAB 62.22, 59.48, 6.17

 

CMYK 0 / 51 / 37 / 9

HEX #E87193

RGB 232 113 147

HSL 342.86, 0.72%, 0.68%

LAB 62.57, 49.45, 3.53

 

CMYK 0 / 42 / 30 / 14

HEX #DB7F99

RGB 219 127 153

HSL 343.04, 0.56%, 0.68%

LAB 63.79, 38.6, 1.64

 

CMYK 0 / 32 / 23 / 19

HEX #CE8C9F

RGB 206 140 159

HSL 342.73, 0.4%, 0.68%

LAB 65.26, 27.79, 0.2

 

CMYK 0 / 21 / 15 / 24

HEX #C199A4

RGB 193 153 164

HSL 343.5, 0.24%, 0.68%

LAB 67.13, 16.65, -0.05

 

CMYK 0 / 59 / 10 / 4

HEX #F664DD

RGB 246 100 221

HSL 310.27, 0.89%, 0.68%

LAB 64.91, 69.47, -34.77

 

CMYK 0 / 59 / 26 / 4

HEX #F664B7

RGB 246 100 183

HSL 325.89, 0.89%, 0.68%

LAB 63.45, 64.15, -15.56

 

CMYK 0 / 59 / 41 / 4

HEX #F66490

RGB 246 100 144

HSL 341.92, 0.89%, 0.68%

LAB 62.27, 59.68, 5.09

 

CMYK 0 / 59 / 57 / 4

HEX #F66469

RGB 246 100 105

HSL 357.95, 0.89%, 0.68%

LAB 61.42, 56.33, 26.37

 

CMYK 0 / 46 / 59 / 4

HEX #F68664

RGB 246 134 100

HSL 13.97, 0.89%, 0.68%

LAB 67.7, 39.69, 37.18

 

CMYK 0 / 91 / 65 / 5

HEX #F11655

RGB 241 22 85

HSL 342.74, 0.89%, 0.52%

LAB 51.76, 76.93, 25.32

 

CMYK 0 / 75 / 53 / 5

HEX #F33D71

RGB 243 61 113

HSL 342.86, 0.88%, 0.6%

LAB 55.67, 70.74, 13.84

 

CMYK 0 / 59 / 42 / 4

HEX #F6648E

RGB 246 100 142

HSL 342.74, 0.89%, 0.68%

LAB 62.22, 59.48, 6.17

 

CMYK 0 / 44 / 31 / 3

HEX #F88BAA

RGB 248 139 170

HSL 342.94, 0.89%, 0.76%

LAB 70.4, 44.74, 2.12

 

CMYK 0 / 29 / 20 / 2

HEX #FAB2C7

RGB 250 178 199

HSL 342.5, 0.88%, 0.84%

LAB 79.78, 29.15, -0.13

 

CMYK 0 / 60 / 43 / 4

HEX #F6638D

RGB 246 99 141

HSL 342.86, 0.89%, 0.68%

LAB 62.03, 59.82, 6.48

 

CMYK 0 / 6 / 59 / 4

HEX #F6E764

RGB 246 231 100

HSL 53.84, 0.89%, 0.68%

LAB 90.63, -10.48, 64.01

 

CMYK 59 / 18 / 0 / 4

HEX #64CAF6

RGB 100 202 246

HSL 198.08, 0.89%, 0.68%

LAB 77.04, -17.18, -30.61

 

CMYK 0 / 60 / 43 / 4

HEX #F6638D

RGB 246 99 141

HSL 342.86, 0.89%, 0.68%

LAB 62.03, 59.82, 6.48

 

CMYK 41 / 0 / 59 / 4

HEX #90F664

RGB 144 246 100

HSL 101.92, 0.89%, 0.68%

LAB 88.33, -55.01, 59.69

 

CMYK 59 / 41 / 0 / 4

HEX #6490F6

RGB 100 144 246

HSL 221.92, 0.89%, 0.68%

LAB 61.05, 15.21, -55.65

 

CMYK 0 / 60 / 43 / 4

HEX #F6638D

RGB 246 99 141

HSL 342.86, 0.89%, 0.68%

LAB 62.03, 59.82, 6.48

 

CMYK 0 / 6 / 59 / 4

HEX #F6E764

RGB 246 231 100

HSL 53.84, 0.89%, 0.68%

LAB 90.63, -10.48, 64.01

 

CMYK 59 / 0 / 18 / 4

HEX #64F6CA

RGB 100 246 202

HSL 161.92, 0.89%, 0.68%

LAB 88.39, -49.4, 9.56

 

CMYK 59 / 53 / 0 / 4

HEX #6473F6

RGB 100 115 246

HSL 233.84, 0.89%, 0.68%

LAB 53.63, 32.66, -67.57

 

CMYK 0 / 60 / 43 / 4

HEX #F6638D

RGB 246 99 141

HSL 342.86, 0.89%, 0.68%

LAB 62.03, 59.82, 6.48

 

CMYK 12 / 0 / 59 / 4

HEX #D8F664

RGB 216 246 100

HSL 72.33, 0.89%, 0.68%

LAB 92.32, -29.64, 65.24

 

CMYK 59 / 0 / 18 / 4

HEX #64F6CA

RGB 100 246 202

HSL 161.92, 0.89%, 0.68%

LAB 88.39, -49.4, 9.56

 

CMYK 48 / 59 / 0 / 4

HEX #8164F6

RGB 129 100 246

HSL 251.92, 0.89%, 0.68%

LAB 52.33, 46.85, -69.57

 

Description

Color code: HEX #F6638D | qconv.com Color code: HEX #F6638D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 99 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 99 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 43 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 43% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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