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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F66409 it is the complementary color #099BF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F66409. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F66409 shade: #FB6404, #FF7617, #FF882A, #FF9A3D and #FFAC50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F66409. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F66409 shade: #F66409, #E55200, #D44000, #C32E00 and #B21C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F66409 shade: #F66308, #F62408 and #F60808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F66409 shade: #F66308, #F6A308, #F6E308, #C8F608 and #88F608

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F66409 shade matches the following richer shades: #F66308

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F66409 shade: #F66308, #E1681D, #CC6D32, #B87246 and #A3775B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F66409 shade: #F6082C, #F62408, #F66308, #F6A308 and #F6E208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F66409 shade: #A64306, #CE5307, #F66308, #F77D30 and #F89658

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F66409 shade: #F66409, #6BF608 and #080CF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F66409 shade: #F66409, #08F663 and #6308F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F66409 shade: #F66409, #6BF608, #089BF6 and #9308F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F66409 shade: #F66409, #24F608, #089BF6 and #DA08F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 96 / 4

HEX #F66409

RGB 246 100 9

HSL 23.04, 0.93%, 0.5%

LAB 60.54, 52.77, 68.03

 

Complementary color

CMYK 96 / 37 / 0 / 4

HEX #099BF6

RGB 9 155 246

HSL 203.04, 0.93%, 0.5%

LAB 61.79, -0.75, -54.62

 

CMYK 0 / 60 / 98 / 2

HEX #FB6404

RGB 251 100 4

HSL 23.32, 0.97%, 0.5%

LAB 61.34, 54.51, 69.77

 

CMYK 0 / 54 / 91 / 0

HEX #FF7617

RGB 255 118 23

HSL 24.57, 1%, 0.55%

LAB 65.18, 47.89, 68.81

 

CMYK 0 / 47 / 84 / 0

HEX #FF882A

RGB 255 136 42

HSL 26.48, 1%, 0.58%

LAB 68.78, 39.45, 65.8

 

CMYK 0 / 40 / 76 / 0

HEX #FF9A3D

RGB 255 154 61

HSL 28.76, 1%, 0.62%

LAB 72.7, 30.86, 62.05

 

CMYK 0 / 33 / 69 / 0

HEX #FFAC50

RGB 255 172 80

HSL 31.54, 1%, 0.66%

LAB 76.89, 22.35, 58.08

 

CMYK 0 / 59 / 96 / 4

HEX #F66409

RGB 246 100 9

HSL 23.04, 0.93%, 0.5%

LAB 60.54, 52.77, 68.03

 

CMYK 0 / 64 / 100 / 10

HEX #E55200

RGB 229 82 0

HSL 21.48, 1%, 0.45%

LAB 54.75, 54.53, 65.01

 

CMYK 0 / 70 / 100 / 17

HEX #D44000

RGB 212 64 0

HSL 18.11, 1%, 0.42%

LAB 49.09, 56.01, 60.51

 

CMYK 0 / 76 / 100 / 24

HEX #C32E00

RGB 195 46 0

HSL 14.15, 1%, 0.38%

LAB 43.59, 56.89, 56.12

 

CMYK 0 / 84 / 100 / 30

HEX #B21C00

RGB 178 28 0

HSL 9.44, 1%, 0.35%

LAB 38.37, 56.85, 51.89

 

CMYK 0 / 60 / 97 / 4

HEX #F66308

RGB 246 99 8

HSL 22.94, 0.94%, 0.5%

LAB 60.37, 53.21, 68.1

 

CMYK 0 / 85 / 97 / 4

HEX #F62408

RGB 246 36 8

HSL 7.06, 0.94%, 0.5%

LAB 52.81, 73.94, 64

 

CMYK 0 / 97 / 97 / 4

HEX #F60808

RGB 246 8 8

HSL 0, 0.94%, 0.5%

LAB 51.59, 77.44, 63.43

 

CMYK 0 / 60 / 97 / 4

HEX #F66308

RGB 246 99 8

HSL 22.94, 0.94%, 0.5%

LAB 60.37, 53.21, 68.1

 

CMYK 0 / 34 / 97 / 4

HEX #F6A308

RGB 246 163 8

HSL 39.08, 0.94%, 0.5%

LAB 73.42, 21.27, 76.51

 

CMYK 0 / 8 / 97 / 4

HEX #F6E308

RGB 246 227 8

HSL 55.21, 0.94%, 0.5%

LAB 89.18, -11.68, 87.73

 

CMYK 19 / 0 / 97 / 4

HEX #C8F608

RGB 200 246 8

HSL 71.6, 0.94%, 0.5%

LAB 90.87, -39.47, 87.5

 

CMYK 45 / 0 / 97 / 4

HEX #88F608

RGB 136 246 8

HSL 87.73, 0.94%, 0.5%

LAB 87.56, -62.11, 83.5

 

CMYK 0 / 60 / 97 / 4

HEX #F66308

RGB 246 99 8

HSL 22.94, 0.94%, 0.5%

LAB 60.37, 53.21, 68.1

 

CMYK 0 / 60 / 97 / 4

HEX #F66308

RGB 246 99 8

HSL 22.94, 0.94%, 0.5%

LAB 60.37, 53.21, 68.1

 

CMYK 0 / 54 / 87 / 12

HEX #E1681D

RGB 225 104 29

HSL 22.96, 0.77%, 0.5%

LAB 58.03, 43.4, 59.69

 

CMYK 0 / 47 / 75 / 20

HEX #CC6D32

RGB 204 109 50

HSL 22.99, 0.61%, 0.5%

LAB 56.09, 33.23, 48.11

 

CMYK 0 / 38 / 62 / 28

HEX #B87246

RGB 184 114 70

HSL 23.16, 0.45%, 0.5%

LAB 54.73, 23.38, 35.63

 

CMYK 0 / 27 / 44 / 36

HEX #A3775B

RGB 163 119 91

HSL 23.33, 0.28%, 0.5%

LAB 53.75, 13.59, 22.15

 

CMYK 0 / 97 / 82 / 4

HEX #F6082C

RGB 246 8 44

HSL 350.92, 0.94%, 0.5%

LAB 51.78, 77.95, 49.28

 

CMYK 0 / 85 / 97 / 4

HEX #F62408

RGB 246 36 8

HSL 7.06, 0.94%, 0.5%

LAB 52.81, 73.94, 64

 

CMYK 0 / 60 / 97 / 4

HEX #F66308

RGB 246 99 8

HSL 22.94, 0.94%, 0.5%

LAB 60.37, 53.21, 68.1

 

CMYK 0 / 34 / 97 / 4

HEX #F6A308

RGB 246 163 8

HSL 39.08, 0.94%, 0.5%

LAB 73.42, 21.27, 76.51

 

CMYK 0 / 8 / 97 / 4

HEX #F6E208

RGB 246 226 8

HSL 54.96, 0.94%, 0.5%

LAB 88.92, -11.19, 87.54

 

CMYK 0 / 60 / 96 / 35

HEX #A64306

RGB 166 67 6

HSL 22.88, 0.93%, 0.34%

LAB 41.43, 38.34, 50.25

 

CMYK 0 / 60 / 97 / 19

HEX #CE5307

RGB 206 83 7

HSL 22.91, 0.93%, 0.42%

LAB 51.06, 45.93, 59.36

 

CMYK 0 / 60 / 97 / 4

HEX #F66308

RGB 246 99 8

HSL 22.94, 0.94%, 0.5%

LAB 60.37, 53.21, 68.1

 

CMYK 0 / 49 / 81 / 3

HEX #F77D30

RGB 247 125 48

HSL 23.22, 0.93%, 0.58%

LAB 65.48, 42, 60.17

 

CMYK 0 / 40 / 65 / 3

HEX #F89658

RGB 248 150 88

HSL 23.25, 0.92%, 0.66%

LAB 71.2, 31.46, 47.69

 

CMYK 0 / 59 / 96 / 4

HEX #F66409

RGB 246 100 9

HSL 23.04, 0.93%, 0.5%

LAB 60.54, 52.77, 68.03

 

CMYK 57 / 0 / 97 / 4

HEX #6BF608

RGB 107 246 8

HSL 95.04, 0.94%, 0.5%

LAB 86.53, -70.2, 82.24

 

CMYK 97 / 95 / 0 / 4

HEX #080CF6

RGB 8 12 246

HSL 238.99, 0.94%, 0.5%

LAB 31.73, 75.22, -103.74

 

CMYK 0 / 59 / 96 / 4

HEX #F66409

RGB 246 100 9

HSL 23.04, 0.93%, 0.5%

LAB 60.54, 52.77, 68.03

 

CMYK 97 / 0 / 60 / 4

HEX #08F663

RGB 8 246 99

HSL 142.94, 0.94%, 0.5%

LAB 85.44, -77.79, 56.04

 

CMYK 60 / 97 / 0 / 4

HEX #6308F6

RGB 99 8 246

HSL 262.94, 0.94%, 0.5%

LAB 36.89, 78.39, -95.01

 

CMYK 0 / 59 / 96 / 4

HEX #F66409

RGB 246 100 9

HSL 23.04, 0.93%, 0.5%

LAB 60.54, 52.77, 68.03

 

CMYK 57 / 0 / 97 / 4

HEX #6BF608

RGB 107 246 8

HSL 95.04, 0.94%, 0.5%

LAB 86.53, -70.2, 82.24

 

CMYK 97 / 37 / 0 / 4

HEX #089BF6

RGB 8 155 246

HSL 202.94, 0.94%, 0.5%

LAB 61.78, -0.78, -54.63

 

CMYK 40 / 97 / 0 / 4

HEX #9308F6

RGB 147 8 246

HSL 275.04, 0.94%, 0.5%

LAB 42.81, 82.16, -85.03

 

CMYK 0 / 59 / 96 / 4

HEX #F66409

RGB 246 100 9

HSL 23.04, 0.93%, 0.5%

LAB 60.54, 52.77, 68.03

 

CMYK 85 / 0 / 97 / 4

HEX #24F608

RGB 36 246 8

HSL 112.94, 0.94%, 0.5%

LAB 85.15, -82.01, 80.55

 

CMYK 97 / 37 / 0 / 4

HEX #089BF6

RGB 8 155 246

HSL 202.94, 0.94%, 0.5%

LAB 61.78, -0.78, -54.63

 

CMYK 11 / 97 / 0 / 4

HEX #DA08F6

RGB 218 8 246

HSL 292.94, 0.94%, 0.5%

LAB 53.74, 90.91, -66.74

 

Description

Color code: HEX #F66409 | qconv.com Color code: HEX #F66409 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 100 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 100 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 96 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 96% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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