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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F654B0 it is the complementary color #09AB4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F654B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F654B0 shade: #FB54AB, #FF66BE, #FF78D1, #FF8AE4 and #FF9CF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F654B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F654B0 shade: #F654B0, #E5429D, #D4308A, #C31E77 and #B20C64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F654B0 shade: #F655B0, #F65585, #F6555A and #F65555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F654B0 shade: #F655B0, #F655DB, #E455F6, #B955F6 and #8E55F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F654B0 shade matches the following richer shades: #F655B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F654B0 shade: #F655B0, #E763AE, #D972AC, #CA80AA and #BC8FA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F654B0 shade: #E355F6, #F655DD, #F655B3, #F65588 and #F6555D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F654B0 shade: #EC0C8B, #F42E9E, #F655B0, #F87CC2 and #FAA3D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F654B0 shade: #F654B0, #F6B855 and #55F3F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F654B0 shade: #F654B0, #B3F655 and #55B3F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F654B0 shade: #F654B0, #F6B855, #55F698 and #5593F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F654B0 shade: #F654B0, #F6E855, #55F698 and #5562F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 28 / 4

HEX #F654B0

RGB 246 84 176

HSL 325.93, 0.9%, 0.65%

LAB 60.84, 69.74, -15.49

 

Complementary color

CMYK 95 / 0 / 54 / 33

HEX #09AB4F

RGB 9 171 79

HSL 145.93, 0.9%, 0.35%

LAB 61.44, -57.2, 36.85

 

CMYK 0 / 67 / 32 / 2

HEX #FB54AB

RGB 251 84 171

HSL 328.74, 0.95%, 0.66%

LAB 61.47, 70.51, -11.58

 

CMYK 0 / 60 / 25 / 0

HEX #FF66BE

RGB 255 102 190

HSL 325.49, 1%, 0.7%

LAB 65.34, 66.76, -16.54

 

CMYK 0 / 53 / 18 / 0

HEX #FF78D1

RGB 255 120 209

HSL 320.44, 1%, 0.74%

LAB 68.97, 61.41, -21.71

 

CMYK 0 / 46 / 11 / 0

HEX #FF8AE4

RGB 255 138 228

HSL 313.85, 1%, 0.77%

LAB 72.92, 55.74, -26.18

 

CMYK 0 / 39 / 3 / 0

HEX #FF9CF7

RGB 255 156 247

HSL 304.85, 1%, 0.81%

LAB 77.13, 49.92, -30.07

 

CMYK 0 / 66 / 28 / 4

HEX #F654B0

RGB 246 84 176

HSL 325.93, 0.9%, 0.65%

LAB 60.84, 69.74, -15.49

 

CMYK 0 / 71 / 31 / 10

HEX #E5429D

RGB 229 66 157

HSL 326.5, 0.76%, 0.58%

LAB 55.06, 69.48, -13.45

 

CMYK 0 / 77 / 35 / 17

HEX #D4308A

RGB 212 48 138

HSL 327.07, 0.66%, 0.51%

LAB 49.43, 68.67, -10.92

 

CMYK 0 / 85 / 39 / 24

HEX #C31E77

RGB 195 30 119

HSL 327.64, 0.73%, 0.44%

LAB 44.04, 67.05, -7.75

 

CMYK 0 / 93 / 44 / 30

HEX #B20C64

RGB 178 12 100

HSL 328.19, 0.87%, 0.37%

LAB 38.98, 64.28, -3.73

 

CMYK 0 / 65 / 28 / 4

HEX #F655B0

RGB 246 85 176

HSL 326.09, 0.9%, 0.65%

LAB 60.98, 69.36, -15.28

 

CMYK 0 / 65 / 46 / 4

HEX #F65585

RGB 246 85 133

HSL 342.11, 0.9%, 0.65%

LAB 59.69, 64.84, 7.78

 

CMYK 0 / 65 / 63 / 4

HEX #F6555A

RGB 246 85 90

HSL 358.14, 0.9%, 0.65%

LAB 58.81, 61.66, 31.58

 

CMYK 0 / 65 / 65 / 4

HEX #F65555

RGB 246 85 85

HSL 0, 0.9%, 0.65%

LAB 58.74, 61.37, 34.33

 

CMYK 0 / 65 / 28 / 4

HEX #F655B0

RGB 246 85 176

HSL 326.09, 0.9%, 0.65%

LAB 60.98, 69.36, -15.28

 

CMYK 0 / 65 / 11 / 4

HEX #F655DB

RGB 246 85 219

HSL 310.06, 0.9%, 0.65%

LAB 62.68, 75.08, -37.12

 

CMYK 7 / 65 / 0 / 4

HEX #E455F6

RGB 228 85 246

HSL 293.29, 0.9%, 0.65%

LAB 61.35, 75.23, -54.46

 

CMYK 25 / 65 / 0 / 4

HEX #B955F6

RGB 185 85 246

HSL 277.27, 0.9%, 0.65%

LAB 55.55, 65.96, -64.07

 

CMYK 42 / 65 / 0 / 4

HEX #8E55F6

RGB 142 85 246

HSL 261.24, 0.9%, 0.65%

LAB 50.57, 57.37, -72.36

 

CMYK 0 / 65 / 28 / 4

HEX #F655B0

RGB 246 85 176

HSL 326.09, 0.9%, 0.65%

LAB 60.98, 69.36, -15.28

 

CMYK 0 / 65 / 28 / 4

HEX #F655B0

RGB 246 85 176

HSL 326.09, 0.9%, 0.65%

LAB 60.98, 69.36, -15.28

 

CMYK 0 / 57 / 25 / 9

HEX #E763AE

RGB 231 99 174

HSL 325.91, 0.73%, 0.65%

LAB 60.75, 59.03, -14.7

 

CMYK 0 / 47 / 21 / 15

HEX #D972AC

RGB 217 114 172

HSL 326.21, 0.58%, 0.65%

LAB 61.45, 47.24, -12.69

 

CMYK 0 / 37 / 16 / 21

HEX #CA80AA

RGB 202 128 170

HSL 325.95, 0.41%, 0.65%

LAB 62.42, 34.58, -10.29

 

CMYK 0 / 24 / 11 / 26

HEX #BC8FA8

RGB 188 143 168

HSL 326.67, 0.25%, 0.65%

LAB 64.29, 21.05, -6.53

 

CMYK 8 / 65 / 0 / 4

HEX #E355F6

RGB 227 85 246

HSL 292.92, 0.9%, 0.65%

LAB 61.2, 75.01, -54.7

 

CMYK 0 / 65 / 10 / 4

HEX #F655DD

RGB 246 85 221

HSL 309.32, 0.9%, 0.65%

LAB 62.77, 75.38, -38.1

 

CMYK 0 / 65 / 27 / 4

HEX #F655B3

RGB 246 85 179

HSL 324.97, 0.9%, 0.65%

LAB 61.08, 69.72, -16.85

 

CMYK 0 / 65 / 45 / 4

HEX #F65588

RGB 246 85 136

HSL 340.99, 0.9%, 0.65%

LAB 59.77, 65.11, 6.14

 

CMYK 0 / 65 / 62 / 4

HEX #F6555D

RGB 246 85 93

HSL 357.02, 0.9%, 0.65%

LAB 58.86, 61.83, 29.93

 

CMYK 0 / 95 / 41 / 7

HEX #EC0C8B

RGB 236 12 139

HSL 325.98, 0.9%, 0.49%

LAB 51.79, 80.55, -7.52

 

CMYK 0 / 81 / 35 / 4

HEX #F42E9E

RGB 244 46 158

HSL 326.06, 0.9%, 0.57%

LAB 55.74, 78.89, -12.75

 

CMYK 0 / 65 / 28 / 4

HEX #F655B0

RGB 246 85 176

HSL 326.09, 0.9%, 0.65%

LAB 60.98, 69.36, -15.28

 

CMYK 0 / 50 / 22 / 3

HEX #F87CC2

RGB 248 124 194

HSL 326.13, 0.9%, 0.73%

LAB 68.22, 55.3, -14.55

 

CMYK 0 / 35 / 15 / 2

HEX #FAA3D4

RGB 250 163 212

HSL 326.21, 0.9%, 0.81%

LAB 76.84, 38.98, -11.54

 

CMYK 0 / 66 / 28 / 4

HEX #F654B0

RGB 246 84 176

HSL 325.93, 0.9%, 0.65%

LAB 60.84, 69.74, -15.49

 

CMYK 0 / 25 / 65 / 4

HEX #F6B855

RGB 246 184 85

HSL 36.89, 0.9%, 0.65%

LAB 78.77, 12.63, 57.58

 

CMYK 65 / 1 / 0 / 4

HEX #55F3F6

RGB 85 243 246

HSL 181.12, 0.9%, 0.65%

LAB 88.3, -39.49, -13.58

 

CMYK 0 / 66 / 28 / 4

HEX #F654B0

RGB 246 84 176

HSL 325.93, 0.9%, 0.65%

LAB 60.84, 69.74, -15.49

 

CMYK 27 / 0 / 65 / 4

HEX #B3F655

RGB 179 246 85

HSL 84.97, 0.9%, 0.65%

LAB 89.93, -44.57, 68.03

 

CMYK 65 / 27 / 0 / 4

HEX #55B3F6

RGB 85 179 246

HSL 204.97, 0.9%, 0.65%

LAB 70.05, -7.49, -41.49

 

CMYK 0 / 66 / 28 / 4

HEX #F654B0

RGB 246 84 176

HSL 325.93, 0.9%, 0.65%

LAB 60.84, 69.74, -15.49

 

CMYK 0 / 25 / 65 / 4

HEX #F6B855

RGB 246 184 85

HSL 36.89, 0.9%, 0.65%

LAB 78.77, 12.63, 57.58

 

CMYK 65 / 0 / 38 / 4

HEX #55F698

RGB 85 246 152

HSL 144.97, 0.9%, 0.65%

LAB 87.05, -62.23, 33.24

 

CMYK 65 / 40 / 0 / 4

HEX #5593F6

RGB 85 147 246

HSL 216.89, 0.9%, 0.65%

LAB 61.18, 10.82, -55.49

 

CMYK 0 / 66 / 28 / 4

HEX #F654B0

RGB 246 84 176

HSL 325.93, 0.9%, 0.65%

LAB 60.84, 69.74, -15.49

 

CMYK 0 / 6 / 65 / 4

HEX #F6E855

RGB 246 232 85

HSL 54.78, 0.9%, 0.65%

LAB 90.76, -11.89, 70.32

 

CMYK 65 / 0 / 38 / 4

HEX #55F698

RGB 85 246 152

HSL 144.97, 0.9%, 0.65%

LAB 87.05, -62.23, 33.24

 

CMYK 65 / 60 / 0 / 4

HEX #5562F6

RGB 85 98 246

HSL 235.16, 0.9%, 0.65%

LAB 48.66, 40.57, -75.67

 

Description

Color code: HEX #F654B0 | qconv.com Color code: HEX #F654B0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 84 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 84 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 28 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 28% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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