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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F64566 it is the complementary color #09BA99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F64566. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F64566 shade: #FB4561, #FF5774, #FF6987, #FF7B9A and #FF8DAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F64566. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F64566 shade: #F64566, #E53353, #D42140, #C30F2D and #B2001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F64566 shade: #F64566 and #F64545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F64566 shade: #F64566, #F64596, #F645C5, #F645F5 and #C745F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F64566 shade matches the following richer shades: #F64566

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F64566 shade: #F64566, #E65570, #D6657A, #C77484 and #B7848E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F64566 shade: #F645C7, #F64598, #F64569, #F65145 and #F68045

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F64566 shade: #DF0A32, #F41E46, #F64566, #F86D87 and #F994A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F64566 shade: #F64566, #F6F645 and #45AFF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F64566 shade: #F64566, #69F645 and #4569F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F64566 shade: #F64566, #F6F645, #45F6D3 and #4545F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F64566 shade: #F64566, #C1F645, #45F6D3 and #7A45F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 59 / 4

HEX #F64566

RGB 246 69 102

HSL 348.81, 0.91%, 0.62%

LAB 56.89, 68.27, 22.11

 

Complementary color

CMYK 95 / 0 / 18 / 27

HEX #09BA99

RGB 9 186 153

HSL 168.81, 0.91%, 0.38%

LAB 67.63, -47.02, 5.72

 

CMYK 0 / 73 / 61 / 2

HEX #FB4561

RGB 251 69 97

HSL 350.77, 0.96%, 0.63%

LAB 57.68, 69.39, 26.25

 

CMYK 0 / 66 / 55 / 0

HEX #FF5774

RGB 255 87 116

HSL 349.64, 1%, 0.67%

LAB 61.08, 65.39, 19.84

 

CMYK 0 / 59 / 47 / 0

HEX #FF6987

RGB 255 105 135

HSL 348, 1%, 0.71%

LAB 64.25, 59.5, 13.27

 

CMYK 0 / 52 / 40 / 0

HEX #FF7B9A

RGB 255 123 154

HSL 345.91, 1%, 0.74%

LAB 67.84, 53.12, 7.54

 

CMYK 0 / 45 / 32 / 0

HEX #FF8DAD

RGB 255 141 173

HSL 343.16, 1%, 0.78%

LAB 71.78, 46.5, 2.56

 

CMYK 0 / 72 / 59 / 4

HEX #F64566

RGB 246 69 102

HSL 348.81, 0.91%, 0.62%

LAB 56.89, 68.27, 22.11

 

CMYK 0 / 78 / 64 / 10

HEX #E53353

RGB 229 51 83

HSL 349.21, 0.77%, 0.55%

LAB 51.44, 67.89, 25.65

 

CMYK 0 / 84 / 70 / 17

HEX #D42140

RGB 212 33 64

HSL 349.61, 0.73%, 0.48%

LAB 46.25, 66.81, 29.87

 

CMYK 0 / 92 / 77 / 24

HEX #C30F2D

RGB 195 15 45

HSL 350, 0.86%, 0.41%

LAB 41.43, 64.72, 34.79

 

CMYK 0 / 100 / 85 / 30

HEX #B2001A

RGB 178 0 26

HSL 351.24, 1%, 0.35%

LAB 37, 61.55, 40.05

 

CMYK 0 / 72 / 59 / 4

HEX #F64566

RGB 246 69 102

HSL 348.81, 0.91%, 0.62%

LAB 56.89, 68.27, 22.11

 

CMYK 0 / 72 / 72 / 4

HEX #F64545

RGB 246 69 69

HSL 0, 0.91%, 0.62%

LAB 56.37, 66.51, 40.5

 

CMYK 0 / 72 / 59 / 4

HEX #F64566

RGB 246 69 102

HSL 348.81, 0.91%, 0.62%

LAB 56.89, 68.27, 22.11

 

CMYK 0 / 72 / 39 / 4

HEX #F64596

RGB 246 69 150

HSL 332.54, 0.91%, 0.62%

LAB 58.09, 72.2, -4.51

 

CMYK 0 / 72 / 20 / 4

HEX #F645C5

RGB 246 69 197

HSL 316.61, 0.91%, 0.62%

LAB 59.78, 77.56, -29.16

 

CMYK 0 / 72 / 0 / 4

HEX #F645F5

RGB 246 69 245

HSL 300.34, 0.91%, 0.62%

LAB 62.03, 84.35, -52.65

 

CMYK 19 / 72 / 0 / 4

HEX #C745F6

RGB 199 69 246

HSL 284.07, 0.91%, 0.62%

LAB 55.13, 75.21, -64.65

 

CMYK 0 / 72 / 59 / 4

HEX #F64566

RGB 246 69 102

HSL 348.81, 0.91%, 0.62%

LAB 56.89, 68.27, 22.11

 

CMYK 0 / 72 / 59 / 4

HEX #F64566

RGB 246 69 102

HSL 348.81, 0.91%, 0.62%

LAB 56.89, 68.27, 22.11

 

CMYK 0 / 63 / 51 / 10

HEX #E65570

RGB 230 85 112

HSL 348.83, 0.74%, 0.62%

LAB 56.57, 58.11, 15.34

 

CMYK 0 / 53 / 43 / 16

HEX #D6657A

RGB 214 101 122

HSL 348.85, 0.58%, 0.62%

LAB 57.08, 46.41, 9.82

 

CMYK 0 / 42 / 34 / 22

HEX #C77484

RGB 199 116 132

HSL 348.43, 0.43%, 0.62%

LAB 58.32, 34.47, 5.48

 

CMYK 0 / 28 / 22 / 28

HEX #B7848E

RGB 183 132 142

HSL 348.24, 0.26%, 0.62%

LAB 60.36, 21.09, 2.42

 

CMYK 0 / 72 / 19 / 4

HEX #F645C7

RGB 246 69 199

HSL 315.93, 0.91%, 0.62%

LAB 59.86, 77.82, -30.18

 

CMYK 0 / 72 / 38 / 4

HEX #F64598

RGB 246 69 152

HSL 331.86, 0.91%, 0.62%

LAB 58.15, 72.4, -5.59

 

CMYK 0 / 72 / 57 / 4

HEX #F64569

RGB 246 69 105

HSL 347.8, 0.91%, 0.62%

LAB 56.95, 68.47, 20.42

 

CMYK 0 / 67 / 72 / 4

HEX #F65145

RGB 246 81 69

HSL 4.07, 0.91%, 0.62%

LAB 57.95, 62.16, 42.3

 

CMYK 0 / 48 / 72 / 4

HEX #F68045

RGB 246 128 69

HSL 20, 0.91%, 0.62%

LAB 66.11, 40.92, 51.3

 

CMYK 0 / 96 / 78 / 13

HEX #DF0A32

RGB 223 10 50

HSL 348.73, 0.91%, 0.46%

LAB 47.15, 72.4, 39.77

 

CMYK 0 / 88 / 71 / 4

HEX #F41E46

RGB 244 30 70

HSL 348.79, 0.91%, 0.54%

LAB 52.51, 75.84, 35.34

 

CMYK 0 / 72 / 59 / 4

HEX #F64566

RGB 246 69 102

HSL 348.81, 0.91%, 0.62%

LAB 56.89, 68.27, 22.11

 

CMYK 0 / 56 / 46 / 3

HEX #F86D87

RGB 248 109 135

HSL 348.78, 0.91%, 0.7%

LAB 63.87, 55.43, 12.58

 

CMYK 0 / 41 / 33 / 2

HEX #F994A7

RGB 249 148 167

HSL 348.71, 0.89%, 0.78%

LAB 72.3, 40.13, 6.55

 

CMYK 0 / 72 / 59 / 4

HEX #F64566

RGB 246 69 102

HSL 348.81, 0.91%, 0.62%

LAB 56.89, 68.27, 22.11

 

CMYK 0 / 0 / 72 / 4

HEX #F6F645

RGB 246 246 69

HSL 60, 0.91%, 0.62%

LAB 94.28, -19.49, 79.53

 

CMYK 72 / 29 / 0 / 4

HEX #45AFF6

RGB 69 175 246

HSL 204.07, 0.91%, 0.62%

LAB 68.45, -7.6, -44.04

 

CMYK 0 / 72 / 59 / 4

HEX #F64566

RGB 246 69 102

HSL 348.81, 0.91%, 0.62%

LAB 56.89, 68.27, 22.11

 

CMYK 57 / 0 / 72 / 4

HEX #69F645

RGB 105 246 69

HSL 107.8, 0.91%, 0.62%

LAB 86.67, -68.32, 69.51

 

CMYK 72 / 57 / 0 / 4

HEX #4569F6

RGB 69 105 246

HSL 227.8, 0.91%, 0.62%

LAB 49.52, 34.22, -74.3

 

CMYK 0 / 72 / 59 / 4

HEX #F64566

RGB 246 69 102

HSL 348.81, 0.91%, 0.62%

LAB 56.89, 68.27, 22.11

 

CMYK 0 / 0 / 72 / 4

HEX #F6F645

RGB 246 246 69

HSL 60, 0.91%, 0.62%

LAB 94.28, -19.49, 79.53

 

CMYK 72 / 0 / 14 / 4

HEX #45F6D3

RGB 69 246 211

HSL 168.14, 0.91%, 0.62%

LAB 87.91, -52.03, 4.1

 

CMYK 72 / 72 / 0 / 4

HEX #4545F6

RGB 69 69 246

HSL 240, 0.91%, 0.62%

LAB 41.49, 55.49, -87.47

 

CMYK 0 / 72 / 59 / 4

HEX #F64566

RGB 246 69 102

HSL 348.81, 0.91%, 0.62%

LAB 56.89, 68.27, 22.11

 

CMYK 22 / 0 / 72 / 4

HEX #C1F645

RGB 193 246 69

HSL 77.97, 0.91%, 0.62%

LAB 90.63, -40.4, 74.76

 

CMYK 72 / 0 / 14 / 4

HEX #45F6D3

RGB 69 246 211

HSL 168.14, 0.91%, 0.62%

LAB 87.91, -52.03, 4.1

 

CMYK 50 / 72 / 0 / 4

HEX #7A45F6

RGB 122 69 246

HSL 257.97, 0.91%, 0.62%

LAB 45.7, 61.88, -80.4

 

Description

Color code: HEX #F64566 | qconv.com Color code: HEX #F64566 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 69 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 69 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 59 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 59% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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