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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F62A21 it is the complementary color #09D5DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F62A21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F62A21 shade: #FB2A1C, #FF3C2F, #FF4E42, #FF6055 and #FF7268

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F62A21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F62A21 shade: #F62A21, #E5180E, #D40600, #C30000 and #B20000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F62A21 shade: #F52B22 and #F52222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F62A21 shade: #F52B22, #F56422, #F59D22, #F5D622 and #DCF522

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F62A21 shade matches the following richer shades: #F52B22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F62A21 shade: #F52B22, #E33C35, #D04D47, #BE5E5A and #AB6F6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F62A21 shade: #F5228C, #F52253, #F52922, #F56222 and #F59A22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F62A21 shade: #BE0F07, #E51209, #F52B22, #F7514A and #F97771

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F62A21 shade: #F62A21, #C4F522 and #2270F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F62A21 shade: #F62A21, #22F529 and #2922F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F62A21 shade: #F62A21, #C4F522, #22EEF5 and #5322F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F62A21 shade: #F62A21, #85F522, #22EEF5 and #9322F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 87 / 4

HEX #F62A21

RGB 246 42 33

HSL 2.54, 0.92%, 0.55%

LAB 53.34, 73.01, 55.96

 

Complementary color

CMYK 96 / 4 / 0 / 13

HEX #09D5DE

RGB 9 213 222

HSL 182.54, 0.92%, 0.45%

LAB 77.83, -39.05, -16.7

 

CMYK 0 / 83 / 89 / 2

HEX #FB2A1C

RGB 251 42 28

HSL 3.77, 0.97%, 0.55%

LAB 54.29, 74.27, 59.2

 

CMYK 0 / 76 / 82 / 0

HEX #FF3C2F

RGB 255 60 47

HSL 3.75, 1%, 0.59%

LAB 56.78, 71.23, 53.06

 

CMYK 0 / 69 / 74 / 0

HEX #FF4E42

RGB 255 78 66

HSL 3.81, 1%, 0.63%

LAB 59.07, 65.97, 45.6

 

CMYK 0 / 62 / 67 / 0

HEX #FF6055

RGB 255 96 85

HSL 3.88, 1%, 0.67%

LAB 61.9, 59.8, 38.52

 

CMYK 0 / 55 / 59 / 0

HEX #FF7268

RGB 255 114 104

HSL 3.97, 1%, 0.7%

LAB 65.2, 52.99, 32.1

 

CMYK 0 / 83 / 87 / 4

HEX #F62A21

RGB 246 42 33

HSL 2.54, 0.92%, 0.55%

LAB 53.34, 73.01, 55.96

 

CMYK 0 / 90 / 94 / 10

HEX #E5180E

RGB 229 24 14

HSL 2.79, 0.88%, 0.48%

LAB 48.69, 71.59, 58.43

 

CMYK 0 / 97 / 100 / 17

HEX #D40600

RGB 212 6 0

HSL 1.7, 1%, 0.42%

LAB 44.41, 69.15, 58.54

 

CMYK 0 / 100 / 100 / 24

HEX #C30000

RGB 195 0 0

HSL 0, 1%, 0.38%

LAB 40.58, 65.46, 54.93

 

CMYK 0 / 100 / 100 / 30

HEX #B20000

RGB 178 0 0

HSL 0, 1%, 0.35%

LAB 36.86, 61.17, 51.27

 

CMYK 0 / 82 / 86 / 4

HEX #F52B22

RGB 245 43 34

HSL 2.56, 0.91%, 0.55%

LAB 53.23, 72.54, 55.34

 

CMYK 0 / 86 / 86 / 4

HEX #F52222

RGB 245 34 34

HSL 0, 0.91%, 0.55%

LAB 52.59, 74.36, 54.83

 

CMYK 0 / 82 / 86 / 4

HEX #F52B22

RGB 245 43 34

HSL 2.56, 0.91%, 0.55%

LAB 53.23, 72.54, 55.34

 

CMYK 0 / 59 / 86 / 4

HEX #F56422

RGB 245 100 34

HSL 18.77, 0.91%, 0.55%

LAB 60.46, 52.76, 61.17

 

CMYK 0 / 36 / 86 / 4

HEX #F59D22

RGB 245 157 34

HSL 34.98, 0.91%, 0.55%

LAB 71.99, 24.37, 70.45

 

CMYK 0 / 13 / 86 / 4

HEX #F5D622

RGB 245 214 34

HSL 51.18, 0.91%, 0.55%

LAB 85.82, -5.25, 81.56

 

CMYK 10 / 0 / 86 / 4

HEX #DCF522

RGB 220 245 34

HSL 67.11, 0.91%, 0.55%

LAB 91.97, -30.69, 85.73

 

CMYK 0 / 82 / 86 / 4

HEX #F52B22

RGB 245 43 34

HSL 2.56, 0.91%, 0.55%

LAB 53.23, 72.54, 55.34

 

CMYK 0 / 82 / 86 / 4

HEX #F52B22

RGB 245 43 34

HSL 2.56, 0.91%, 0.55%

LAB 53.23, 72.54, 55.34

 

CMYK 0 / 74 / 77 / 11

HEX #E33C35

RGB 227 60 53

HSL 2.41, 0.76%, 0.55%

LAB 51.63, 63.2, 43.1

 

CMYK 0 / 63 / 66 / 18

HEX #D04D47

RGB 208 77 71

HSL 2.63, 0.59%, 0.55%

LAB 50.89, 51.38, 31.24

 

CMYK 0 / 51 / 53 / 25

HEX #BE5E5A

RGB 190 94 90

HSL 2.4, 0.43%, 0.55%

LAB 51.49, 38.14, 20.34

 

CMYK 0 / 35 / 37 / 33

HEX #AB6F6C

RGB 171 111 108

HSL 2.86, 0.27%, 0.55%

LAB 53.07, 23.44, 11.53

 

CMYK 0 / 86 / 43 / 4

HEX #F5228C

RGB 245 34 140

HSL 329.86, 0.91%, 0.55%

LAB 54.5, 79.84, -3.91

 

CMYK 0 / 86 / 66 / 4

HEX #F52253

RGB 245 34 83

HSL 346.07, 0.91%, 0.55%

LAB 53.15, 75.99, 28.46

 

CMYK 0 / 83 / 86 / 4

HEX #F52922

RGB 245 41 34

HSL 1.99, 0.91%, 0.55%

LAB 53.07, 72.98, 55.22

 

CMYK 0 / 60 / 86 / 4

HEX #F56222

RGB 245 98 34

HSL 18.2, 0.91%, 0.55%

LAB 60.13, 53.65, 60.9

 

CMYK 0 / 37 / 86 / 4

HEX #F59A22

RGB 245 154 34

HSL 34.12, 0.91%, 0.55%

LAB 71.31, 25.95, 69.9

 

CMYK 0 / 92 / 96 / 25

HEX #BE0F07

RGB 190 15 7

HSL 2.62, 0.93%, 0.39%

LAB 40.09, 62.63, 51.55

 

CMYK 0 / 92 / 96 / 10

HEX #E51209

RGB 229 18 9

HSL 2.45, 0.92%, 0.47%

LAB 48.4, 72.34, 59.67

 

CMYK 0 / 82 / 86 / 4

HEX #F52B22

RGB 245 43 34

HSL 2.56, 0.91%, 0.55%

LAB 53.23, 72.54, 55.34

 

CMYK 0 / 67 / 70 / 3

HEX #F7514A

RGB 247 81 74

HSL 2.43, 0.92%, 0.63%

LAB 58.18, 62.7, 39.87

 

CMYK 0 / 52 / 55 / 2

HEX #F97771

RGB 249 119 113

HSL 2.65, 0.92%, 0.71%

LAB 65.38, 49.18, 27.14

 

CMYK 0 / 83 / 87 / 4

HEX #F62A21

RGB 246 42 33

HSL 2.54, 0.92%, 0.55%

LAB 53.34, 73.01, 55.96

 

CMYK 20 / 0 / 86 / 4

HEX #C4F522

RGB 196 245 34

HSL 73.93, 0.91%, 0.55%

LAB 90.39, -40.16, 83.78

 

CMYK 86 / 54 / 0 / 4

HEX #2270F5

RGB 34 112 245

HSL 217.82, 0.91%, 0.55%

LAB 50.12, 26.28, -72.82

 

CMYK 0 / 83 / 87 / 4

HEX #F62A21

RGB 246 42 33

HSL 2.54, 0.92%, 0.55%

LAB 53.34, 73.01, 55.96

 

CMYK 86 / 0 / 83 / 4

HEX #22F529

RGB 34 245 41

HSL 121.99, 0.91%, 0.55%

LAB 84.9, -80.97, 75.42

 

CMYK 83 / 86 / 0 / 4

HEX #2922F5

RGB 41 34 245

HSL 241.99, 0.91%, 0.55%

LAB 34.41, 69.67, -98.69

 

CMYK 0 / 83 / 87 / 4

HEX #F62A21

RGB 246 42 33

HSL 2.54, 0.92%, 0.55%

LAB 53.34, 73.01, 55.96

 

CMYK 20 / 0 / 86 / 4

HEX #C4F522

RGB 196 245 34

HSL 73.93, 0.91%, 0.55%

LAB 90.39, -40.16, 83.78

 

CMYK 86 / 3 / 0 / 4

HEX #22EEF5

RGB 34 238 245

HSL 181.99, 0.91%, 0.55%

LAB 86.05, -42.47, -16.51

 

CMYK 66 / 86 / 0 / 4

HEX #5322F5

RGB 83 34 245

HSL 253.93, 0.91%, 0.55%

LAB 37.07, 71.69, -94.19

 

CMYK 0 / 83 / 87 / 4

HEX #F62A21

RGB 246 42 33

HSL 2.54, 0.92%, 0.55%

LAB 53.34, 73.01, 55.96

 

CMYK 46 / 0 / 86 / 4

HEX #85F522

RGB 133 245 34

HSL 91.85, 0.91%, 0.55%

LAB 87.2, -62.13, 79.8

 

CMYK 86 / 3 / 0 / 4

HEX #22EEF5

RGB 34 238 245

HSL 181.99, 0.91%, 0.55%

LAB 86.05, -42.47, -16.51

 

CMYK 40 / 86 / 0 / 4

HEX #9322F5

RGB 147 34 245

HSL 272.13, 0.91%, 0.55%

LAB 44.15, 77.69, -82.27

 

Description

Color code: HEX #F62A21 | qconv.com Color code: HEX #F62A21 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 42 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 42 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 87 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 87% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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