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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F621AF it is the complementary color #09DE50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F621AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F621AF shade: #FB21AA, #FF33BD, #FF45D0, #FF57E3 and #FF69F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F621AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F621AF shade: #F621AF, #E50F9C, #D40089, #C30076 and #B20063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F621AF shade: #F522AF, #F52276, #F5223D and #F52222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F621AF shade: #F522AF, #F522E8, #CA22F5, #9122F5 and #5822F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F621AF shade matches the following richer shades: #F522AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F621AF shade: #F522AF, #E335A9, #D047A3, #BE5A9C and #AB6C96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F621AF shade: #CB22F5, #F522E7, #F522AF, #F52277 and #F5223E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F621AF shade: #BE0781, #E5099C, #F522AF, #F74ABD and #F971CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F621AF shade: #F621AF, #F59322 and #22F5E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F621AF shade: #F621AF, #AFF522 and #22AFF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F621AF shade: #F621AF, #F59322, #22F569 and #2285F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F621AF shade: #F621AF, #F5D222, #22F569 and #2245F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 29 / 4

HEX #F621AF

RGB 246 33 175

HSL 320, 0.92%, 0.55%

LAB 55.86, 83.63, -22.5

 

Complementary color

CMYK 96 / 0 / 64 / 13

HEX #09DE50

RGB 9 222 80

HSL 140, 0.92%, 0.45%

LAB 77.8, -72.9, 55.45

 

CMYK 0 / 87 / 32 / 2

HEX #FB21AA

RGB 251 33 170

HSL 322.29, 0.96%, 0.56%

LAB 56.58, 84.15, -18.39

 

CMYK 0 / 80 / 26 / 0

HEX #FF33BD

RGB 255 51 189

HSL 319.41, 1%, 0.6%

LAB 59.25, 83.55, -25.26

 

CMYK 0 / 73 / 18 / 0

HEX #FF45D0

RGB 255 69 208

HSL 315.16, 1%, 0.64%

LAB 61.71, 81.05, -32.31

 

CMYK 0 / 66 / 11 / 0

HEX #FF57E3

RGB 255 87 227

HSL 310, 1%, 0.67%

LAB 64.66, 77.67, -38.4

 

CMYK 0 / 59 / 4 / 0

HEX #FF69F6

RGB 255 105 246

HSL 303.6, 1%, 0.71%

LAB 68.03, 73.57, -43.65

 

CMYK 0 / 87 / 29 / 4

HEX #F621AF

RGB 246 33 175

HSL 320, 0.92%, 0.55%

LAB 55.86, 83.63, -22.5

 

CMYK 0 / 93 / 32 / 10

HEX #E50F9C

RGB 229 15 156

HSL 320.47, 0.88%, 0.48%

LAB 51.15, 80.45, -18.79

 

CMYK 0 / 100 / 35 / 17

HEX #D40089

RGB 212 0 137

HSL 321.23, 1%, 0.42%

LAB 46.72, 76.3, -14.42

 

CMYK 0 / 100 / 39 / 24

HEX #C30076

RGB 195 0 118

HSL 323.69, 1%, 0.38%

LAB 42.63, 70.93, -9.24

 

CMYK 0 / 100 / 44 / 30

HEX #B20063

RGB 178 0 99

HSL 326.63, 1%, 0.35%

LAB 38.49, 65.52, -3.82

 

CMYK 0 / 86 / 29 / 4

HEX #F522AF

RGB 245 34 175

HSL 319.91, 0.91%, 0.55%

LAB 55.74, 83.25, -22.71

 

CMYK 0 / 86 / 52 / 4

HEX #F52276

RGB 245 34 118

HSL 336.11, 0.91%, 0.55%

LAB 53.88, 78.1, 8.39

 

CMYK 0 / 86 / 75 / 4

HEX #F5223D

RGB 245 34 61

HSL 352.32, 0.91%, 0.55%

LAB 52.83, 75.08, 40.96

 

CMYK 0 / 86 / 86 / 4

HEX #F52222

RGB 245 34 34

HSL 0, 0.91%, 0.55%

LAB 52.59, 74.36, 54.83

 

CMYK 0 / 86 / 29 / 4

HEX #F522AF

RGB 245 34 175

HSL 319.91, 0.91%, 0.55%

LAB 55.74, 83.25, -22.71

 

CMYK 0 / 86 / 5 / 4

HEX #F522E8

RGB 245 34 232

HSL 303.7, 0.91%, 0.55%

LAB 58.4, 90.33, -51.18

 

CMYK 18 / 86 / 0 / 4

HEX #CA22F5

RGB 202 34 245

HSL 287.77, 0.91%, 0.55%

LAB 52.17, 85.22, -68.85

 

CMYK 41 / 86 / 0 / 4

HEX #9122F5

RGB 145 34 245

HSL 271.56, 0.91%, 0.55%

LAB 43.88, 77.45, -82.72

 

CMYK 64 / 86 / 0 / 4

HEX #5822F5

RGB 88 34 245

HSL 255.36, 0.91%, 0.55%

LAB 37.5, 72.03, -93.46

 

CMYK 0 / 86 / 29 / 4

HEX #F522AF

RGB 245 34 175

HSL 319.91, 0.91%, 0.55%

LAB 55.74, 83.25, -22.71

 

CMYK 0 / 86 / 29 / 4

HEX #F522AF

RGB 245 34 175

HSL 319.91, 0.91%, 0.55%

LAB 55.74, 83.25, -22.71

 

CMYK 0 / 77 / 26 / 11

HEX #E335A9

RGB 227 53 169

HSL 320, 0.76%, 0.55%

LAB 53.75, 74.39, -22.52

 

CMYK 0 / 66 / 22 / 18

HEX #D047A3

RGB 208 71 163

HSL 319.71, 0.59%, 0.55%

LAB 52.47, 62.85, -21.25

 

CMYK 0 / 53 / 18 / 25

HEX #BE5A9C

RGB 190 90 156

HSL 320.4, 0.43%, 0.55%

LAB 52.58, 48.19, -17.2

 

CMYK 0 / 37 / 12 / 33

HEX #AB6C96

RGB 171 108 150

HSL 320, 0.27%, 0.55%

LAB 53.58, 31.42, -12.39

 

CMYK 17 / 86 / 0 / 4

HEX #CB22F5

RGB 203 34 245

HSL 288.06, 0.91%, 0.55%

LAB 52.32, 85.38, -68.59

 

CMYK 0 / 86 / 6 / 4

HEX #F522E7

RGB 245 34 231

HSL 303.98, 0.91%, 0.55%

LAB 58.35, 90.19, -50.7

 

CMYK 0 / 86 / 29 / 4

HEX #F522AF

RGB 245 34 175

HSL 319.91, 0.91%, 0.55%

LAB 55.74, 83.25, -22.71

 

CMYK 0 / 86 / 51 / 4

HEX #F52277

RGB 245 34 119

HSL 335.83, 0.91%, 0.55%

LAB 53.91, 78.17, 7.82

 

CMYK 0 / 86 / 75 / 4

HEX #F5223E

RGB 245 34 62

HSL 352.04, 0.91%, 0.55%

LAB 52.84, 75.11, 40.41

 

CMYK 0 / 96 / 32 / 25

HEX #BE0781

RGB 190 7 129

HSL 320, 0.93%, 0.39%

LAB 42.28, 70.3, -16.67

 

CMYK 0 / 96 / 32 / 10

HEX #E5099C

RGB 229 9 156

HSL 319.91, 0.92%, 0.47%

LAB 50.98, 80.95, -19.05

 

CMYK 0 / 86 / 29 / 4

HEX #F522AF

RGB 245 34 175

HSL 319.91, 0.91%, 0.55%

LAB 55.74, 83.25, -22.71

 

CMYK 0 / 70 / 23 / 3

HEX #F74ABD

RGB 247 74 189

HSL 320.12, 0.92%, 0.63%

LAB 60.2, 75.16, -23.92

 

CMYK 0 / 55 / 18 / 2

HEX #F971CC

RGB 249 113 204

HSL 319.85, 0.92%, 0.71%

LAB 66.76, 62.14, -22.36

 

CMYK 0 / 87 / 29 / 4

HEX #F621AF

RGB 246 33 175

HSL 320, 0.92%, 0.55%

LAB 55.86, 83.63, -22.5

 

CMYK 0 / 40 / 86 / 4

HEX #F59322

RGB 245 147 34

HSL 32.13, 0.91%, 0.55%

LAB 69.75, 29.6, 68.65

 

CMYK 86 / 0 / 6 / 4

HEX #22F5E7

RGB 34 245 231

HSL 176.02, 0.91%, 0.55%

LAB 87.69, -49.48, -6.73

 

CMYK 0 / 87 / 29 / 4

HEX #F621AF

RGB 246 33 175

HSL 320, 0.92%, 0.55%

LAB 55.86, 83.63, -22.5

 

CMYK 29 / 0 / 86 / 4

HEX #AFF522

RGB 175 245 34

HSL 79.91, 0.91%, 0.55%

LAB 89.17, -48.05, 82.27

 

CMYK 86 / 29 / 0 / 4

HEX #22AFF5

RGB 34 175 245

HSL 199.91, 0.91%, 0.55%

LAB 67.72, -11.32, -44.69

 

CMYK 0 / 87 / 29 / 4

HEX #F621AF

RGB 246 33 175

HSL 320, 0.92%, 0.55%

LAB 55.86, 83.63, -22.5

 

CMYK 0 / 40 / 86 / 4

HEX #F59322

RGB 245 147 34

HSL 32.13, 0.91%, 0.55%

LAB 69.75, 29.6, 68.65

 

CMYK 86 / 0 / 57 / 4

HEX #22F569

RGB 34 245 105

HSL 140.19, 0.91%, 0.55%

LAB 85.33, -75.49, 53.33

 

CMYK 86 / 46 / 0 / 4

HEX #2285F5

RGB 34 133 245

HSL 211.85, 0.91%, 0.55%

LAB 55.79, 13.14, -63.65

 

CMYK 0 / 87 / 29 / 4

HEX #F621AF

RGB 246 33 175

HSL 320, 0.92%, 0.55%

LAB 55.86, 83.63, -22.5

 

CMYK 0 / 14 / 86 / 4

HEX #F5D222

RGB 245 210 34

HSL 50.05, 0.91%, 0.55%

LAB 84.8, -3.23, 80.75

 

CMYK 86 / 0 / 57 / 4

HEX #22F569

RGB 34 245 105

HSL 140.19, 0.91%, 0.55%

LAB 85.33, -75.49, 53.33

 

CMYK 86 / 72 / 0 / 4

HEX #2245F5

RGB 34 69 245

HSL 230.05, 0.91%, 0.55%

LAB 39.9, 52.79, -89.59

 

Description

Color code: HEX #F621AF | qconv.com Color code: HEX #F621AF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 33 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 33 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 29 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 29% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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