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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F62183 it is the complementary color #09DE7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F62183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F62183 shade: #FB217E, #FF3391, #FF45A4, #FF57B7 and #FF69CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F62183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F62183 shade: #F62183, #E50F70, #D4005D, #C3004A and #B20037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F62183 shade: #F52283, #F5224A and #F52222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F62183 shade: #F52283, #F522BC, #F522F5, #BC22F5 and #8422F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F62183 shade matches the following richer shades: #F52283

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F62183 shade: #F52283, #E33585, #D04786, #BE5A88 and #AB6C89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F62183 shade: #F522F5, #F522BD, #F52285, #F5224C and #F53022

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F62183 shade: #BE075B, #E5096E, #F52283, #F74A99 and #F971B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F62183 shade: #F62183, #F5BD22 and #22D9F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F62183 shade: #F62183, #85F522 and #2285F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F62183 shade: #F62183, #F5BD22, #22F593 and #225AF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F62183 shade: #F62183, #EEF522, #22F593 and #2922F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 47 / 4

HEX #F62183

RGB 246 33 131

HSL 332.39, 0.92%, 0.55%

LAB 54.36, 79.49, 1.29

 

Complementary color

CMYK 96 / 0 / 44 / 13

HEX #09DE7C

RGB 9 222 124

HSL 152.39, 0.92%, 0.45%

LAB 78.32, -66.6, 35.63

 

CMYK 0 / 87 / 50 / 2

HEX #FB217E

RGB 251 33 126

HSL 334.4, 0.96%, 0.56%

LAB 55.18, 80.26, 5.59

 

CMYK 0 / 80 / 43 / 0

HEX #FF3391

RGB 255 51 145

HSL 332.35, 1%, 0.6%

LAB 57.72, 79.1, -1.92

 

CMYK 0 / 73 / 36 / 0

HEX #FF45A4

RGB 255 69 164

HSL 329.35, 1%, 0.64%

LAB 60.07, 75.94, -9.57

 

CMYK 0 / 66 / 28 / 0

HEX #FF57B7

RGB 255 87 183

HSL 325.71, 1%, 0.67%

LAB 62.92, 71.86, -16.22

 

CMYK 0 / 59 / 21 / 0

HEX #FF69CA

RGB 255 105 202

HSL 321.2, 1%, 0.71%

LAB 66.23, 67.07, -21.96

 

CMYK 0 / 87 / 47 / 4

HEX #F62183

RGB 246 33 131

HSL 332.39, 0.92%, 0.55%

LAB 54.36, 79.49, 1.29

 

CMYK 0 / 93 / 51 / 10

HEX #E50F70

RGB 229 15 112

HSL 332.8, 0.88%, 0.48%

LAB 49.7, 76.58, 5.65

 

CMYK 0 / 100 / 56 / 17

HEX #D4005D

RGB 212 0 93

HSL 333.68, 1%, 0.42%

LAB 45.34, 72.69, 10.75

 

CMYK 0 / 100 / 62 / 24

HEX #C3004A

RGB 195 0 74

HSL 337.23, 1%, 0.38%

LAB 41.37, 67.61, 16.7

 

CMYK 0 / 100 / 69 / 30

HEX #B20037

RGB 178 0 55

HSL 341.46, 1%, 0.35%

LAB 37.37, 62.55, 22.92

 

CMYK 0 / 86 / 47 / 4

HEX #F52283

RGB 245 34 131

HSL 332.42, 0.91%, 0.55%

LAB 54.23, 79.09, 1.08

 

CMYK 0 / 86 / 70 / 4

HEX #F5224A

RGB 245 34 74

HSL 348.63, 0.91%, 0.55%

LAB 53.01, 75.58, 33.63

 

CMYK 0 / 86 / 86 / 4

HEX #F52222

RGB 245 34 34

HSL 0, 0.91%, 0.55%

LAB 52.59, 74.36, 54.83

 

CMYK 0 / 86 / 47 / 4

HEX #F52283

RGB 245 34 131

HSL 332.42, 0.91%, 0.55%

LAB 54.23, 79.09, 1.08

 

CMYK 0 / 86 / 23 / 4

HEX #F522BC

RGB 245 34 188

HSL 316.21, 0.91%, 0.55%

LAB 56.27, 84.71, -29.43

 

CMYK 0 / 86 / 0 / 4

HEX #F522F5

RGB 245 34 245

HSL 300, 0.91%, 0.55%

LAB 59.11, 92.16, -57.32

 

CMYK 23 / 86 / 0 / 4

HEX #BC22F5

RGB 188 34 245

HSL 283.79, 0.91%, 0.55%

LAB 50.01, 83.14, -72.45

 

CMYK 46 / 86 / 0 / 4

HEX #8422F5

RGB 132 34 245

HSL 267.87, 0.91%, 0.55%

LAB 42.22, 75.98, -85.51

 

CMYK 0 / 86 / 47 / 4

HEX #F52283

RGB 245 34 131

HSL 332.42, 0.91%, 0.55%

LAB 54.23, 79.09, 1.08

 

CMYK 0 / 86 / 47 / 4

HEX #F52283

RGB 245 34 131

HSL 332.42, 0.91%, 0.55%

LAB 54.23, 79.09, 1.08

 

CMYK 0 / 77 / 41 / 11

HEX #E33585

RGB 227 53 133

HSL 332.41, 0.76%, 0.55%

LAB 52.48, 70.53, -3.09

 

CMYK 0 / 66 / 36 / 18

HEX #D04786

RGB 208 71 134

HSL 332.41, 0.59%, 0.55%

LAB 51.42, 59.26, -5.61

 

CMYK 0 / 53 / 28 / 25

HEX #BE5A88

RGB 190 90 136

HSL 332.4, 0.43%, 0.55%

LAB 51.88, 45.32, -6.43

 

CMYK 0 / 37 / 20 / 33

HEX #AB6C89

RGB 171 108 137

HSL 332.38, 0.27%, 0.55%

LAB 53.16, 29.26, -5.4

 

CMYK 0 / 86 / 0 / 4

HEX #F522F5

RGB 245 34 245

HSL 300, 0.91%, 0.55%

LAB 59.11, 92.16, -57.32

 

CMYK 0 / 86 / 23 / 4

HEX #F522BD

RGB 245 34 189

HSL 315.92, 0.91%, 0.55%

LAB 56.32, 84.83, -29.94

 

CMYK 0 / 86 / 46 / 4

HEX #F52285

RGB 245 34 133

HSL 331.85, 0.91%, 0.55%

LAB 54.29, 79.25, -0.03

 

CMYK 0 / 86 / 69 / 4

HEX #F5224C

RGB 245 34 76

HSL 348.06, 0.91%, 0.55%

LAB 53.04, 75.66, 32.48

 

CMYK 0 / 80 / 86 / 4

HEX #F53022

RGB 245 48 34

HSL 3.98, 0.91%, 0.55%

LAB 53.64, 71.36, 55.68

 

CMYK 0 / 96 / 52 / 25

HEX #BE075B

RGB 190 7 91

HSL 332.46, 0.93%, 0.39%

LAB 40.98, 66.86, 5.2

 

CMYK 0 / 96 / 52 / 10

HEX #E5096E

RGB 229 9 110

HSL 332.45, 0.92%, 0.47%

LAB 49.47, 76.95, 6.54

 

CMYK 0 / 86 / 47 / 4

HEX #F52283

RGB 245 34 131

HSL 332.42, 0.91%, 0.55%

LAB 54.23, 79.09, 1.08

 

CMYK 0 / 70 / 38 / 3

HEX #F74A99

RGB 247 74 153

HSL 332.6, 0.92%, 0.63%

LAB 58.95, 71.09, -4.97

 

CMYK 0 / 55 / 29 / 2

HEX #F971B0

RGB 249 113 176

HSL 332.21, 0.92%, 0.71%

LAB 65.81, 58.4, -7.99

 

CMYK 0 / 87 / 47 / 4

HEX #F62183

RGB 246 33 131

HSL 332.39, 0.92%, 0.55%

LAB 54.36, 79.49, 1.29

 

CMYK 0 / 23 / 86 / 4

HEX #F5BD22

RGB 245 189 34

HSL 44.08, 0.91%, 0.55%

LAB 79.57, 7.58, 76.54

 

CMYK 86 / 11 / 0 / 4

HEX #22D9F5

RGB 34 217 245

HSL 187.96, 0.91%, 0.55%

LAB 79.93, -32.79, -25.77

 

CMYK 0 / 87 / 47 / 4

HEX #F62183

RGB 246 33 131

HSL 332.39, 0.92%, 0.55%

LAB 54.36, 79.49, 1.29

 

CMYK 46 / 0 / 86 / 4

HEX #85F522

RGB 133 245 34

HSL 91.85, 0.91%, 0.55%

LAB 87.2, -62.13, 79.8

 

CMYK 86 / 46 / 0 / 4

HEX #2285F5

RGB 34 133 245

HSL 211.85, 0.91%, 0.55%

LAB 55.79, 13.14, -63.65

 

CMYK 0 / 87 / 47 / 4

HEX #F62183

RGB 246 33 131

HSL 332.39, 0.92%, 0.55%

LAB 54.36, 79.49, 1.29

 

CMYK 0 / 23 / 86 / 4

HEX #F5BD22

RGB 245 189 34

HSL 44.08, 0.91%, 0.55%

LAB 79.57, 7.58, 76.54

 

CMYK 86 / 0 / 40 / 4

HEX #22F593

RGB 34 245 147

HSL 152.13, 0.91%, 0.55%

LAB 85.88, -68.94, 34.05

 

CMYK 86 / 63 / 0 / 4

HEX #225AF5

RGB 34 90 245

HSL 224.08, 0.91%, 0.55%

LAB 44.58, 40.17, -81.87

 

CMYK 0 / 87 / 47 / 4

HEX #F62183

RGB 246 33 131

HSL 332.39, 0.92%, 0.55%

LAB 54.36, 79.49, 1.29

 

CMYK 3 / 0 / 86 / 4

HEX #EEF522

RGB 238 245 34

HSL 61.99, 0.91%, 0.55%

LAB 93.28, -23.38, 87.33

 

CMYK 86 / 0 / 40 / 4

HEX #22F593

RGB 34 245 147

HSL 152.13, 0.91%, 0.55%

LAB 85.88, -68.94, 34.05

 

CMYK 83 / 86 / 0 / 4

HEX #2922F5

RGB 41 34 245

HSL 241.99, 0.91%, 0.55%

LAB 34.41, 69.67, -98.69

 

Description

Color code: HEX #F62183 | qconv.com Color code: HEX #F62183 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 33 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 33 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 47 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 47% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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