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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F60CC6 it is the complementary color #09F339. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F60CC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F60CC6 shade: #FB0CC1, #FF1ED4, #FF30E7, #FF42FA and #FF54FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F60CC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F60CC6 shade: #F60CC6, #E500B3, #D400A0, #C3008D and #B2007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F60CC6 shade: #F60DC6, #F60D87, #F60D49 and #F60D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F60CC6 shade: #F60DC6, #E70DF6, #A80DF6, #690DF6 and #2B0DF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F60CC6 shade matches the following richer shades: #F60DC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F60CC6 shade: #F60DC6, #E222BA, #CD36AE, #B94AA2 and #A55E96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F60CC6 shade: #A80DF6, #E60DF6, #F60DC7, #F60D89 and #F60D4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F60CC6 shade: #AB0689, #D307A9, #F60DC6, #F735CF and #F95DD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F60CC6 shade: #F60CC6, #F66A0D and #0DF6C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F60CC6 shade: #F60CC6, #C7F60D and #0DC7F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F60CC6 shade: #F60CC6, #F66A0D, #0DF63C and #0D99F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F60CC6 shade: #F60CC6, #F6B00D, #0DF63C and #0D53F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 20 / 4

HEX #F60CC6

RGB 246 12 198

HSL 312.31, 0.93%, 0.51%

LAB 56.02, 88.65, -35.59

 

Complementary color

CMYK 96 / 0 / 77 / 5

HEX #09F339

RGB 9 243 57

HSL 132.31, 0.93%, 0.49%

LAB 84.2, -80.83, 70.45

 

CMYK 0 / 95 / 23 / 2

HEX #FB0CC1

RGB 251 12 193

HSL 314.56, 0.97%, 0.52%

LAB 56.71, 89, -31.57

 

CMYK 0 / 88 / 17 / 0

HEX #FF1ED4

RGB 255 30 212

HSL 311.47, 1%, 0.56%

LAB 58.92, 90.13, -38.94

 

CMYK 0 / 81 / 9 / 0

HEX #FF30E7

RGB 255 48 231

HSL 306.96, 1%, 0.59%

LAB 60.91, 89.46, -46.54

 

CMYK 0 / 74 / 2 / 0

HEX #FF42FA

RGB 255 66 250

HSL 301.59, 1%, 0.63%

LAB 63.39, 87.77, -53.18

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 95 / 20 / 4

HEX #F60CC6

RGB 246 12 198

HSL 312.31, 0.93%, 0.51%

LAB 56.02, 88.65, -35.59

 

CMYK 0 / 100 / 22 / 10

HEX #E500B3

RGB 229 0 179

HSL 313.1, 1%, 0.45%

LAB 51.74, 84.12, -31.47

 

CMYK 0 / 100 / 25 / 17

HEX #D400A0

RGB 212 0 160

HSL 314.72, 1%, 0.42%

LAB 47.67, 78.74, -26.82

 

CMYK 0 / 100 / 28 / 24

HEX #C3008D

RGB 195 0 141

HSL 316.62, 1%, 0.38%

LAB 43.54, 73.29, -22

 

CMYK 0 / 100 / 31 / 30

HEX #B2007A

RGB 178 0 122

HSL 318.88, 1%, 0.35%

LAB 39.36, 67.78, -17.01

 

CMYK 0 / 95 / 20 / 4

HEX #F60DC6

RGB 246 13 198

HSL 312.36, 0.93%, 0.51%

LAB 56.05, 88.58, -35.55

 

CMYK 0 / 95 / 45 / 4

HEX #F60D87

RGB 246 13 135

HSL 328.58, 0.93%, 0.51%

LAB 53.63, 82.27, -2.18

 

CMYK 0 / 95 / 70 / 4

HEX #F60D49

RGB 246 13 73

HSL 344.55, 0.93%, 0.51%

LAB 52.24, 78.51, 33.34

 

CMYK 0 / 95 / 95 / 4

HEX #F60D0D

RGB 246 13 13

HSL 0, 0.93%, 0.51%

LAB 51.74, 77.1, 62.24

 

CMYK 0 / 95 / 20 / 4

HEX #F60DC6

RGB 246 13 198

HSL 312.36, 0.93%, 0.51%

LAB 56.05, 88.58, -35.55

 

CMYK 6 / 95 / 0 / 4

HEX #E70DF6

RGB 231 13 246

HSL 296.14, 0.93%, 0.51%

LAB 56.02, 92.49, -62.96

 

CMYK 32 / 95 / 0 / 4

HEX #A80DF6

RGB 168 13 246

HSL 279.91, 0.93%, 0.51%

LAB 46, 83.93, -79.69

 

CMYK 57 / 95 / 0 / 4

HEX #690DF6

RGB 105 13 246

HSL 263.69, 0.93%, 0.51%

LAB 37.74, 78.13, -93.58

 

CMYK 83 / 95 / 0 / 4

HEX #2B0DF6

RGB 43 13 246

HSL 247.73, 0.93%, 0.51%

LAB 32.82, 75.49, -101.9

 

CMYK 0 / 95 / 20 / 4

HEX #F60DC6

RGB 246 13 198

HSL 312.36, 0.93%, 0.51%

LAB 56.05, 88.58, -35.55

 

CMYK 0 / 95 / 20 / 4

HEX #F60DC6

RGB 246 13 198

HSL 312.36, 0.93%, 0.51%

LAB 56.05, 88.58, -35.55

 

CMYK 0 / 85 / 18 / 11

HEX #E222BA

RGB 226 34 186

HSL 312.5, 0.77%, 0.51%

LAB 52.79, 80.65, -33.95

 

CMYK 0 / 74 / 15 / 20

HEX #CD36AE

RGB 205 54 174

HSL 312.32, 0.6%, 0.51%

LAB 50.3, 69.62, -31.1

 

CMYK 0 / 60 / 12 / 27

HEX #B94AA2

RGB 185 74 162

HSL 312.43, 0.44%, 0.51%

LAB 49.28, 55.15, -25.87

 

CMYK 0 / 43 / 9 / 35

HEX #A55E96

RGB 165 94 150

HSL 312.68, 0.28%, 0.51%

LAB 49.75, 37.08, -18.29

 

CMYK 32 / 95 / 0 / 4

HEX #A80DF6

RGB 168 13 246

HSL 279.91, 0.93%, 0.51%

LAB 46, 83.93, -79.69

 

CMYK 7 / 95 / 0 / 4

HEX #E60DF6

RGB 230 13 246

HSL 295.88, 0.93%, 0.51%

LAB 55.85, 92.33, -63.24

 

CMYK 0 / 95 / 19 / 4

HEX #F60DC7

RGB 246 13 199

HSL 312.1, 0.93%, 0.51%

LAB 56.09, 88.7, -36.05

 

CMYK 0 / 95 / 44 / 4

HEX #F60D89

RGB 246 13 137

HSL 328.07, 0.93%, 0.51%

LAB 53.69, 82.44, -3.29

 

CMYK 0 / 95 / 70 / 4

HEX #F60D4B

RGB 246 13 75

HSL 344.03, 0.93%, 0.51%

LAB 52.27, 78.59, 32.19

 

CMYK 0 / 96 / 20 / 33

HEX #AB0689

RGB 171 6 137

HSL 312.36, 0.93%, 0.35%

LAB 38.89, 67.47, -27.15

 

CMYK 0 / 97 / 20 / 17

HEX #D307A9

RGB 211 7 169

HSL 312.35, 0.94%, 0.43%

LAB 48.09, 79.04, -31.53

 

CMYK 0 / 95 / 20 / 4

HEX #F60DC6

RGB 246 13 198

HSL 312.36, 0.93%, 0.51%

LAB 56.05, 88.58, -35.55

 

CMYK 0 / 79 / 16 / 3

HEX #F735CF

RGB 247 53 207

HSL 312.37, 0.92%, 0.59%

LAB 58.81, 83.55, -36.36

 

CMYK 0 / 63 / 13 / 2

HEX #F95DD9

RGB 249 93 217

HSL 312.31, 0.93%, 0.67%

LAB 64.14, 72.48, -33.68

 

CMYK 0 / 95 / 20 / 4

HEX #F60CC6

RGB 246 12 198

HSL 312.31, 0.93%, 0.51%

LAB 56.02, 88.65, -35.59

 

CMYK 0 / 57 / 95 / 4

HEX #F66A0D

RGB 246 106 13

HSL 23.95, 0.93%, 0.51%

LAB 61.59, 50.07, 67.97

 

CMYK 95 / 0 / 19 / 4

HEX #0DF6C7

RGB 13 246 199

HSL 167.9, 0.93%, 0.51%

LAB 87.06, -59.09, 9.04

 

CMYK 0 / 95 / 20 / 4

HEX #F60CC6

RGB 246 12 198

HSL 312.31, 0.93%, 0.51%

LAB 56.02, 88.65, -35.59

 

CMYK 19 / 0 / 95 / 4

HEX #C7F60D

RGB 199 246 13

HSL 72.1, 0.93%, 0.51%

LAB 90.82, -39.81, 87.04

 

CMYK 95 / 19 / 0 / 4

HEX #0DC7F6

RGB 13 199 246

HSL 192.1, 0.93%, 0.51%

LAB 74.56, -24.54, -34.57

 

CMYK 0 / 95 / 20 / 4

HEX #F60CC6

RGB 246 12 198

HSL 312.31, 0.93%, 0.51%

LAB 56.02, 88.65, -35.59

 

CMYK 0 / 57 / 95 / 4

HEX #F66A0D

RGB 246 106 13

HSL 23.95, 0.93%, 0.51%

LAB 61.59, 50.07, 67.97

 

CMYK 95 / 0 / 76 / 4

HEX #0DF63C

RGB 13 246 60

HSL 132.1, 0.93%, 0.51%

LAB 85.16, -81.32, 70.47

 

CMYK 95 / 38 / 0 / 4

HEX #0D99F6

RGB 13 153 246

HSL 203.95, 0.93%, 0.51%

LAB 61.24, 0.52, -55.49

 

CMYK 0 / 95 / 20 / 4

HEX #F60CC6

RGB 246 12 198

HSL 312.31, 0.93%, 0.51%

LAB 56.02, 88.65, -35.59

 

CMYK 0 / 28 / 95 / 4

HEX #F6B00D

RGB 246 176 13

HSL 41.97, 0.93%, 0.51%

LAB 76.48, 14.48, 78.07

 

CMYK 95 / 0 / 76 / 4

HEX #0DF63C

RGB 13 246 60

HSL 132.1, 0.93%, 0.51%

LAB 85.16, -81.32, 70.47

 

CMYK 95 / 66 / 0 / 4

HEX #0D53F6

RGB 13 83 246

HSL 221.97, 0.93%, 0.51%

LAB 42.65, 44.06, -85.62

 

Description

Color code: HEX #F60CC6 | qconv.com Color code: HEX #F60CC6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 12 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 12 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 20 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 20% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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