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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5F384 it is the complementary color #0A0C7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5F384. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5F384 shade: #FAF37F, #FFFF92, #FFFFA5, #FFFFB8 and #FFFFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5F384. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5F384 shade: #F5F384, #E4E171, #D3CF5E, #C2BD4B and #B1AB38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5F384 shade: #F5F384, #F5D484, #F5B684, #F59784 and #F58484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5F384 shade: #F5F384, #D8F584, #BAF584, #9BF584 and #84F58B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5F384 shade matches the following richer shades: #F5F384

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5F384 shade: #F5F384, #EAE88F, #DFDE99, #D4D4A4 and #CAC9AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5F384 shade: #F5B584, #F5D384, #F5F184, #DAF584 and #BCF584

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5F384 shade: #EEEB38, #F1EF5E, #F5F384, #F8F6AA and #FBFAD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5F384 shade: #F5F384, #84F597 and #C484F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5F384 shade: #F5F384, #84F5F1 and #F184F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5F384 shade: #F5F384, #84F597, #8488F5 and #F584E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5F384 shade: #F5F384, #84F5B8, #8488F5 and #F584C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 46 / 4

HEX #F5F384

RGB 245 243 132

HSL 58.94, 0.85%, 0.74%

LAB 93.96, -14.26, 53.4

 

Complementary color

CMYK 92 / 90 / 0 / 52

HEX #0A0C7B

RGB 10 12 123

HSL 238.94, 0.85%, 0.26%

LAB 14.16, 41.45, -59.52

 

CMYK 0 / 3 / 49 / 2

HEX #FAF37F

RGB 250 243 127

HSL 56.59, 0.92%, 0.74%

LAB 94.29, -12.74, 56.23

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 1 / 46 / 4

HEX #F5F384

RGB 245 243 132

HSL 58.94, 0.85%, 0.74%

LAB 93.96, -14.26, 53.4

 

CMYK 0 / 1 / 50 / 11

HEX #E4E171

RGB 228 225 113

HSL 58.43, 0.68%, 0.67%

LAB 87.75, -13.78, 54.52

 

CMYK 0 / 2 / 55 / 17

HEX #D3CF5E

RGB 211 207 94

HSL 57.95, 0.57%, 0.6%

LAB 81.45, -13.21, 55.6

 

CMYK 0 / 3 / 61 / 24

HEX #C2BD4B

RGB 194 189 75

HSL 57.48, 0.49%, 0.53%

LAB 75.06, -12.52, 56.55

 

CMYK 0 / 3 / 68 / 31

HEX #B1AB38

RGB 177 171 56

HSL 57.02, 0.52%, 0.46%

LAB 68.58, -11.69, 57.23

 

CMYK 0 / 1 / 46 / 4

HEX #F5F384

RGB 245 243 132

HSL 58.94, 0.85%, 0.74%

LAB 93.96, -14.26, 53.4

 

CMYK 0 / 13 / 46 / 4

HEX #F5D484

RGB 245 212 132

HSL 42.48, 0.85%, 0.74%

LAB 86.09, 1.3, 43.68

 

CMYK 0 / 26 / 46 / 4

HEX #F5B684

RGB 245 182 132

HSL 26.55, 0.85%, 0.74%

LAB 78.77, 16.93, 34.32

 

CMYK 0 / 38 / 46 / 4

HEX #F59784

RGB 245 151 132

HSL 10.09, 0.85%, 0.74%

LAB 71.7, 33.24, 24.96

 

CMYK 0 / 46 / 46 / 4

HEX #F58484

RGB 245 132 132

HSL 0, 0.85%, 0.74%

LAB 67.71, 43, 19.55

 

CMYK 0 / 1 / 46 / 4

HEX #F5F384

RGB 245 243 132

HSL 58.94, 0.85%, 0.74%

LAB 93.96, -14.26, 53.4

 

CMYK 12 / 0 / 46 / 4

HEX #D8F584

RGB 216 245 132

HSL 75.4, 0.85%, 0.74%

LAB 92.38, -26.35, 51

 

CMYK 24 / 0 / 46 / 4

HEX #BAF584

RGB 186 245 132

HSL 91.33, 0.85%, 0.74%

LAB 90.51, -37.28, 48.27

 

CMYK 37 / 0 / 46 / 4

HEX #9BF584

RGB 155 245 132

HSL 107.79, 0.85%, 0.74%

LAB 88.89, -47.6, 45.9

 

CMYK 46 / 0 / 43 / 4

HEX #84F58B

RGB 132 245 139

HSL 123.72, 0.85%, 0.74%

LAB 88, -53.39, 41.19

 

CMYK 0 / 1 / 46 / 4

HEX #F5F384

RGB 245 243 132

HSL 58.94, 0.85%, 0.74%

LAB 93.96, -14.26, 53.4

 

CMYK 0 / 1 / 46 / 4

HEX #F5F384

RGB 245 243 132

HSL 58.94, 0.85%, 0.74%

LAB 93.96, -14.26, 53.4

 

CMYK 0 / 1 / 39 / 8

HEX #EAE88F

RGB 234 232 143

HSL 58.68, 0.68%, 0.74%

LAB 90.41, -12.02, 43.5

 

CMYK 0 / 0 / 31 / 13

HEX #DFDE99

RGB 223 222 153

HSL 59.14, 0.52%, 0.74%

LAB 87.11, -10.1, 34.05

 

CMYK 0 / 0 / 23 / 17

HEX #D4D4A4

RGB 212 212 164

HSL 60, 0.36%, 0.74%

LAB 83.84, -7.74, 23.83

 

CMYK 0 / 0 / 13 / 21

HEX #CAC9AF

RGB 202 201 175

HSL 57.78, 0.2%, 0.74%

LAB 80.42, -4.1, 13.13

 

CMYK 0 / 26 / 46 / 4

HEX #F5B584

RGB 245 181 132

HSL 26.02, 0.85%, 0.74%

LAB 78.54, 17.46, 34.01

 

CMYK 0 / 14 / 46 / 4

HEX #F5D384

RGB 245 211 132

HSL 41.95, 0.85%, 0.74%

LAB 85.84, 1.81, 43.37

 

CMYK 0 / 2 / 46 / 4

HEX #F5F184

RGB 245 241 132

HSL 57.88, 0.85%, 0.74%

LAB 93.45, -13.28, 52.78

 

CMYK 11 / 0 / 46 / 4

HEX #DAF584

RGB 218 245 132

HSL 74.34, 0.85%, 0.74%

LAB 92.52, -25.6, 51.19

 

CMYK 23 / 0 / 46 / 4

HEX #BCF584

RGB 188 245 132

HSL 90.27, 0.85%, 0.74%

LAB 90.63, -36.58, 48.44

 

CMYK 0 / 1 / 76 / 7

HEX #EEEB38

RGB 238 235 56

HSL 59.01, 0.84%, 0.58%

LAB 90.72, -17.97, 80

 

CMYK 0 / 1 / 61 / 5

HEX #F1EF5E

RGB 241 239 94

HSL 59.18, 0.84%, 0.66%

LAB 92.24, -16.82, 68.16

 

CMYK 0 / 1 / 46 / 4

HEX #F5F384

RGB 245 243 132

HSL 58.94, 0.85%, 0.74%

LAB 93.96, -14.26, 53.4

 

CMYK 0 / 1 / 31 / 3

HEX #F8F6AA

RGB 248 246 170

HSL 58.46, 0.85%, 0.82%

LAB 95.48, -10.58, 36.89

 

CMYK 0 / 0 / 17 / 2

HEX #FBFAD0

RGB 251 250 208

HSL 58.6, 0.84%, 0.9%

LAB 97.4, -6.42, 20.31

 

CMYK 0 / 1 / 46 / 4

HEX #F5F384

RGB 245 243 132

HSL 58.94, 0.85%, 0.74%

LAB 93.96, -14.26, 53.4

 

CMYK 46 / 0 / 38 / 4

HEX #84F597

RGB 132 245 151

HSL 130.09, 0.85%, 0.74%

LAB 88.18, -51.57, 35.5

 

CMYK 20 / 46 / 0 / 4

HEX #C484F5

RGB 196 132 245

HSL 273.98, 0.85%, 0.74%

LAB 65.62, 44.98, -47.4

 

CMYK 0 / 1 / 46 / 4

HEX #F5F384

RGB 245 243 132

HSL 58.94, 0.85%, 0.74%

LAB 93.96, -14.26, 53.4

 

CMYK 46 / 0 / 2 / 4

HEX #84F5F1

RGB 132 245 241

HSL 177.88, 0.85%, 0.74%

LAB 90.12, -33.2, -8.1

 

CMYK 2 / 46 / 0 / 4

HEX #F184F5

RGB 241 132 245

HSL 297.88, 0.85%, 0.74%

LAB 70.73, 57.47, -39.02

 

CMYK 0 / 1 / 46 / 4

HEX #F5F384

RGB 245 243 132

HSL 58.94, 0.85%, 0.74%

LAB 93.96, -14.26, 53.4

 

CMYK 46 / 0 / 38 / 4

HEX #84F597

RGB 132 245 151

HSL 130.09, 0.85%, 0.74%

LAB 88.18, -51.57, 35.5

 

CMYK 46 / 44 / 0 / 4

HEX #8488F5

RGB 132 136 245

HSL 237.88, 0.85%, 0.74%

LAB 60.88, 26.34, -55.27

 

CMYK 0 / 46 / 8 / 4

HEX #F584E2

RGB 245 132 226

HSL 310.09, 0.85%, 0.74%

LAB 70.46, 55.38, -28.96

 

CMYK 0 / 1 / 46 / 4

HEX #F5F384

RGB 245 243 132

HSL 58.94, 0.85%, 0.74%

LAB 93.96, -14.26, 53.4

 

CMYK 46 / 0 / 25 / 4

HEX #84F5B8

RGB 132 245 184

HSL 147.61, 0.85%, 0.74%

LAB 88.77, -45.76, 19.55

 

CMYK 46 / 44 / 0 / 4

HEX #8488F5

RGB 132 136 245

HSL 237.88, 0.85%, 0.74%

LAB 60.88, 26.34, -55.27

 

CMYK 0 / 46 / 22 / 4

HEX #F584C0

RGB 245 132 192

HSL 328.14, 0.85%, 0.74%

LAB 69.27, 50.18, -11.89

 

Description

Color code: HEX #F5F384 | qconv.com Color code: HEX #F5F384 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 243 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 243 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 46 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 46% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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