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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5E904 it is the complementary color #0A16FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5E904. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5E904 shade: #FAE900, #FFFB12, #FFFF25, #FFFF38 and #FFFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5E904. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5E904 shade: #F5E904, #E4D700, #D3C500, #C2B300 and #B1A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5E904 shade: #F6EA03, #F6A803, #F66703, #F62503 and #F60303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5E904 shade: #F6EA03, #C0F603, #7FF603, #3EF603 and #03F60A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5E904 shade matches the following richer shades: #F6EA03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5E904 shade: #F6EA03, #E1D717, #CDC52C, #B9B340 and #A5A154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5E904 shade: #F66803, #F6A903, #F6EA03, #C1F603 and #80F603

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5E904 shade: #A49C02, #CDC303, #F6EA03, #FBF127 and #FCF350

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5E904 shade: #F5E904, #03F628 and #8903F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5E904 shade: #F5E904, #03F6EA and #EA03F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5E904 shade: #F5E904, #03F628, #030FF6 and #F603D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5E904 shade: #F5E904, #03F670, #030FF6 and #F60389

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 98 / 4

HEX #F5E904

RGB 245 233 4

HSL 57.01, 0.97%, 0.49%

LAB 90.64, -15.08, 89.08

 

Complementary color

CMYK 96 / 91 / 0 / 2

HEX #0A16FB

RGB 10 22 251

HSL 237.01, 0.97%, 0.51%

LAB 33.14, 74.37, -104.21

 

CMYK 0 / 7 / 100 / 2

HEX #FAE900

RGB 250 233 0

HSL 55.92, 1%, 0.49%

LAB 91.05, -13.02, 89.88

 

CMYK 0 / 2 / 93 / 0

HEX #FFFB12

RGB 255 251 18

HSL 58.99, 1%, 0.54%

LAB 96.12, -19.51, 92.36

 

CMYK 0 / 0 / 85 / 0

HEX #FFFF25

RGB 255 255 37

HSL 60, 1%, 0.57%

LAB 97.19, -21.12, 90.49

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF38

RGB 255 255 56

HSL 60, 1%, 0.61%

LAB 97.25, -20.62, 86.3

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 5 / 98 / 4

HEX #F5E904

RGB 245 233 4

HSL 57.01, 0.97%, 0.49%

LAB 90.64, -15.08, 89.08

 

CMYK 0 / 6 / 100 / 11

HEX #E4D700

RGB 228 215 0

HSL 56.58, 1%, 0.45%

LAB 84.53, -13.43, 84.32

 

CMYK 0 / 7 / 100 / 17

HEX #D3C500

RGB 211 197 0

HSL 56.02, 1%, 0.41%

LAB 78.33, -11.7, 79.18

 

CMYK 0 / 8 / 100 / 24

HEX #C2B300

RGB 194 179 0

HSL 55.36, 1%, 0.38%

LAB 72.03, -9.93, 73.96

 

CMYK 0 / 9 / 100 / 31

HEX #B1A100

RGB 177 161 0

HSL 54.58, 1%, 0.35%

LAB 65.62, -8.1, 68.65

 

CMYK 0 / 5 / 99 / 4

HEX #F6EA03

RGB 246 234 3

HSL 57.04, 0.98%, 0.49%

LAB 90.98, -15.16, 89.44

 

CMYK 0 / 32 / 99 / 4

HEX #F6A803

RGB 246 168 3

HSL 40.74, 0.98%, 0.49%

LAB 74.57, 18.6, 77.87

 

CMYK 0 / 58 / 99 / 4

HEX #F66703

RGB 246 103 3

HSL 24.69, 0.98%, 0.49%

LAB 61.05, 51.37, 69.35

 

CMYK 0 / 85 / 99 / 4

HEX #F62503

RGB 246 37 3

HSL 8.4, 0.98%, 0.49%

LAB 52.86, 73.71, 65.22

 

CMYK 0 / 99 / 99 / 4

HEX #F60303

RGB 246 3 3

HSL 0, 0.98%, 0.49%

LAB 51.46, 77.76, 64.65

 

CMYK 0 / 5 / 99 / 4

HEX #F6EA03

RGB 246 234 3

HSL 57.04, 0.98%, 0.49%

LAB 90.98, -15.16, 89.44

 

CMYK 22 / 0 / 99 / 4

HEX #C0F603

RGB 192 246 3

HSL 73.33, 0.98%, 0.49%

LAB 90.38, -42.61, 87.29

 

CMYK 48 / 0 / 99 / 4

HEX #7FF603

RGB 127 246 3

HSL 89.38, 0.98%, 0.49%

LAB 87.21, -64.86, 83.46

 

CMYK 75 / 0 / 99 / 4

HEX #3EF603

RGB 62 246 3

HSL 105.43, 0.98%, 0.49%

LAB 85.47, -79.15, 81.35

 

CMYK 99 / 0 / 96 / 4

HEX #03F60A

RGB 3 246 10

HSL 121.73, 0.98%, 0.49%

LAB 84.97, -83.63, 80.17

 

CMYK 0 / 5 / 99 / 4

HEX #F6EA03

RGB 246 234 3

HSL 57.04, 0.98%, 0.49%

LAB 90.98, -15.16, 89.44

 

CMYK 0 / 5 / 99 / 4

HEX #F6EA03

RGB 246 234 3

HSL 57.04, 0.98%, 0.49%

LAB 90.98, -15.16, 89.44

 

CMYK 0 / 4 / 90 / 12

HEX #E1D717

RGB 225 215 23

HSL 57.03, 0.81%, 0.49%

LAB 84.31, -14.45, 81.63

 

CMYK 0 / 4 / 79 / 20

HEX #CDC52C

RGB 205 197 44

HSL 57.02, 0.65%, 0.49%

LAB 77.93, -13.46, 71.03

 

CMYK 0 / 3 / 65 / 27

HEX #B9B340

RGB 185 179 64

HSL 57.02, 0.49%, 0.49%

LAB 71.5, -11.91, 57.21

 

CMYK 0 / 2 / 49 / 35

HEX #A5A154

RGB 165 161 84

HSL 57.04, 0.33%, 0.49%

LAB 65.06, -9.51, 40.28

 

CMYK 0 / 58 / 99 / 4

HEX #F66803

RGB 246 104 3

HSL 24.94, 0.98%, 0.49%

LAB 61.22, 50.91, 69.45

 

CMYK 0 / 31 / 99 / 4

HEX #F6A903

RGB 246 169 3

HSL 40.99, 0.98%, 0.49%

LAB 74.81, 18.07, 78.03

 

CMYK 0 / 5 / 99 / 4

HEX #F6EA03

RGB 246 234 3

HSL 57.04, 0.98%, 0.49%

LAB 90.98, -15.16, 89.44

 

CMYK 22 / 0 / 99 / 4

HEX #C1F603

RGB 193 246 3

HSL 73.09, 0.98%, 0.49%

LAB 90.44, -42.22, 87.36

 

CMYK 48 / 0 / 99 / 4

HEX #80F603

RGB 128 246 3

HSL 89.14, 0.98%, 0.49%

LAB 87.25, -64.56, 83.5

 

CMYK 0 / 5 / 99 / 36

HEX #A49C02

RGB 164 156 2

HSL 57.04, 0.98%, 0.33%

LAB 63.07, -11.3, 65.99

 

CMYK 0 / 5 / 99 / 20

HEX #CDC303

RGB 205 195 3

HSL 57.03, 0.97%, 0.41%

LAB 77.29, -13.26, 77.89

 

CMYK 0 / 5 / 99 / 4

HEX #F6EA03

RGB 246 234 3

HSL 57.04, 0.98%, 0.49%

LAB 90.98, -15.16, 89.44

 

CMYK 0 / 4 / 84 / 2

HEX #FBF127

RGB 251 241 39

HSL 57.17, 0.96%, 0.57%

LAB 93.26, -16, 86.78

 

CMYK 0 / 4 / 68 / 1

HEX #FCF350

RGB 252 243 80

HSL 56.86, 0.97%, 0.65%

LAB 94.04, -15.1, 75.69

 

CMYK 0 / 5 / 98 / 4

HEX #F5E904

RGB 245 233 4

HSL 57.01, 0.97%, 0.49%

LAB 90.64, -15.08, 89.08

 

CMYK 99 / 0 / 84 / 4

HEX #03F628

RGB 3 246 40

HSL 129.14, 0.98%, 0.49%

LAB 85.04, -82.76, 75.71

 

CMYK 44 / 99 / 0 / 4

HEX #8903F6

RGB 137 3 246

HSL 273.09, 0.98%, 0.49%

LAB 41.28, 81.74, -87.61

 

CMYK 0 / 5 / 98 / 4

HEX #F5E904

RGB 245 233 4

HSL 57.01, 0.97%, 0.49%

LAB 90.64, -15.08, 89.08

 

CMYK 99 / 0 / 5 / 4

HEX #03F6EA

RGB 3 246 234

HSL 177.04, 0.98%, 0.49%

LAB 87.91, -50.13, -7.98

 

CMYK 5 / 99 / 0 / 4

HEX #EA03F6

RGB 234 3 246

HSL 297.04, 0.98%, 0.49%

LAB 56.3, 93.6, -62.48

 

CMYK 0 / 5 / 98 / 4

HEX #F5E904

RGB 245 233 4

HSL 57.01, 0.97%, 0.49%

LAB 90.64, -15.08, 89.08

 

CMYK 99 / 0 / 84 / 4

HEX #03F628

RGB 3 246 40

HSL 129.14, 0.98%, 0.49%

LAB 85.04, -82.76, 75.71

 

CMYK 99 / 94 / 0 / 4

HEX #030FF6

RGB 3 15 246

HSL 237.04, 0.98%, 0.49%

LAB 31.84, 74.63, -103.57

 

CMYK 0 / 99 / 15 / 4

HEX #F603D1

RGB 246 3 209

HSL 309.14, 0.98%, 0.49%

LAB 56.35, 90.56, -41.38

 

CMYK 0 / 5 / 98 / 4

HEX #F5E904

RGB 245 233 4

HSL 57.01, 0.97%, 0.49%

LAB 90.64, -15.08, 89.08

 

CMYK 99 / 0 / 54 / 4

HEX #03F670

RGB 3 246 112

HSL 146.91, 0.98%, 0.49%

LAB 85.55, -76.25, 50.4

 

CMYK 99 / 94 / 0 / 4

HEX #030FF6

RGB 3 15 246

HSL 237.04, 0.98%, 0.49%

LAB 31.84, 74.63, -103.57

 

CMYK 0 / 99 / 44 / 4

HEX #F60389

RGB 246 3 137

HSL 326.91, 0.98%, 0.49%

LAB 53.45, 83.14, -3.64

 

Description

Color code: HEX #F5E904 | qconv.com Color code: HEX #F5E904 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 233 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 233 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 98 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 98% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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