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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5E46F it is the complementary color #0A1B90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5E46F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5E46F shade: #FAE46A, #FFF67D, #FFFF90, #FFFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5E46F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5E46F shade: #F5E46F, #E4D25C, #D3C049, #C2AE36 and #B19C23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5E46F shade: #F5E46F, #F5C06F, #F59C6F, #F5786F and #F56F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5E46F shade: #F5E46F, #E2F56F, #BEF56F, #9AF56F and #76F56F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5E46F shade matches the following richer shades: #F5E46F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5E46F shade: #F5E46F, #E8DA7C, #DCD188, #CFC895 and #C3BFA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5E46F shade: #F59C6F, #F5BF6F, #F5E36F, #E3F56F and #BFF56F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5E46F shade: #EFD522, #F2DC49, #F5E46F, #F7EB96 and #FAF2BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5E46F shade: #F5E46F, #6FF578 and #AE6FF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5E46F shade: #F5E46F, #6FF5E3 and #E36FF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5E46F shade: #F5E46F, #6FF578, #6F81F5 and #F56FEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5E46F shade: #F5E46F, #6FF5A0, #6F81F5 and #F56FC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 55 / 4

HEX #F5E46F

RGB 245 228 111

HSL 52.39, 0.87%, 0.7%

LAB 89.88, -8.6, 58.28

 

Complementary color

CMYK 93 / 81 / 0 / 44

HEX #0A1B90

RGB 10 27 144

HSL 232.39, 0.87%, 0.3%

LAB 19.48, 41.05, -63.92

 

CMYK 0 / 9 / 58 / 2

HEX #FAE46A

RGB 250 228 106

HSL 50.83, 0.94%, 0.7%

LAB 90.25, -6.95, 61.07

 

CMYK 0 / 4 / 51 / 0

HEX #FFF67D

RGB 255 246 125

HSL 55.85, 1%, 0.75%

LAB 95.43, -12.41, 58.59

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 7 / 55 / 4

HEX #F5E46F

RGB 245 228 111

HSL 52.39, 0.87%, 0.7%

LAB 89.88, -8.6, 58.28

 

CMYK 0 / 8 / 60 / 11

HEX #E4D25C

RGB 228 210 92

HSL 52.06, 0.72%, 0.63%

LAB 83.63, -7.86, 59.33

 

CMYK 0 / 9 / 65 / 17

HEX #D3C049

RGB 211 192 73

HSL 51.74, 0.61%, 0.56%

LAB 77.3, -7, 60.22

 

CMYK 0 / 10 / 72 / 24

HEX #C2AE36

RGB 194 174 54

HSL 51.43, 0.56%, 0.49%

LAB 70.88, -5.96, 60.79

 

CMYK 0 / 12 / 80 / 31

HEX #B19C23

RGB 177 156 35

HSL 51.13, 0.67%, 0.42%

LAB 64.36, -4.72, 60.75

 

CMYK 0 / 7 / 55 / 4

HEX #F5E46F

RGB 245 228 111

HSL 52.39, 0.87%, 0.7%

LAB 89.88, -8.6, 58.28

 

CMYK 0 / 22 / 55 / 4

HEX #F5C06F

RGB 245 192 111

HSL 36.27, 0.87%, 0.7%

LAB 80.88, 9.83, 47.66

 

CMYK 0 / 36 / 55 / 4

HEX #F59C6F

RGB 245 156 111

HSL 20.15, 0.87%, 0.7%

LAB 72.45, 28.76, 37.26

 

CMYK 0 / 51 / 55 / 4

HEX #F5786F

RGB 245 120 111

HSL 4.03, 0.87%, 0.7%

LAB 64.96, 47.11, 27.6

 

CMYK 0 / 55 / 55 / 4

HEX #F56F6F

RGB 245 111 111

HSL 0, 0.87%, 0.7%

LAB 63.28, 51.42, 25.39

 

CMYK 0 / 7 / 55 / 4

HEX #F5E46F

RGB 245 228 111

HSL 52.39, 0.87%, 0.7%

LAB 89.88, -8.6, 58.28

 

CMYK 8 / 0 / 55 / 4

HEX #E2F56F

RGB 226 245 111

HSL 68.51, 0.87%, 0.7%

LAB 92.85, -24.44, 61.31

 

CMYK 22 / 0 / 55 / 4

HEX #BEF56F

RGB 190 245 111

HSL 84.63, 0.87%, 0.7%

LAB 90.51, -38.03, 58

 

CMYK 37 / 0 / 55 / 4

HEX #9AF56F

RGB 154 245 111

HSL 100.75, 0.87%, 0.7%

LAB 88.6, -50.36, 55.29

 

CMYK 52 / 0 / 55 / 4

HEX #76F56F

RGB 118 245 111

HSL 116.87, 0.87%, 0.7%

LAB 87.15, -60.78, 53.21

 

CMYK 0 / 7 / 55 / 4

HEX #F5E46F

RGB 245 228 111

HSL 52.39, 0.87%, 0.7%

LAB 89.88, -8.6, 58.28

 

CMYK 0 / 7 / 55 / 4

HEX #F5E46F

RGB 245 228 111

HSL 52.39, 0.87%, 0.7%

LAB 89.88, -8.6, 58.28

 

CMYK 0 / 6 / 47 / 9

HEX #E8DA7C

RGB 232 218 124

HSL 52.22, 0.7%, 0.7%

LAB 86.38, -7.7, 47.73

 

CMYK 0 / 5 / 38 / 14

HEX #DCD188

RGB 220 209 136

HSL 52.14, 0.55%, 0.7%

LAB 83.23, -6.66, 37.58

 

CMYK 0 / 3 / 28 / 19

HEX #CFC895

RGB 207 200 149

HSL 52.76, 0.38%, 0.7%

LAB 80.04, -5.5, 26.45

 

CMYK 0 / 2 / 17 / 24

HEX #C3BFA1

RGB 195 191 161

HSL 52.94, 0.22%, 0.7%

LAB 76.94, -3.64, 15.66

 

CMYK 0 / 36 / 55 / 4

HEX #F59C6F

RGB 245 156 111

HSL 20.15, 0.87%, 0.7%

LAB 72.45, 28.76, 37.26

 

CMYK 0 / 22 / 55 / 4

HEX #F5BF6F

RGB 245 191 111

HSL 35.82, 0.87%, 0.7%

LAB 80.64, 10.35, 47.37

 

CMYK 0 / 7 / 55 / 4

HEX #F5E36F

RGB 245 227 111

HSL 51.94, 0.87%, 0.7%

LAB 89.63, -8.1, 57.99

 

CMYK 7 / 0 / 55 / 4

HEX #E3F56F

RGB 227 245 111

HSL 68.06, 0.87%, 0.7%

LAB 92.92, -24.05, 61.41

 

CMYK 22 / 0 / 55 / 4

HEX #BFF56F

RGB 191 245 111

HSL 84.18, 0.87%, 0.7%

LAB 90.56, -37.66, 58.08

 

CMYK 0 / 11 / 86 / 6

HEX #EFD522

RGB 239 213 34

HSL 52.39, 0.86%, 0.54%

LAB 85.02, -7.3, 80.7

 

CMYK 0 / 9 / 70 / 5

HEX #F2DC49

RGB 242 220 73

HSL 52.19, 0.87%, 0.62%

LAB 87.26, -8.2, 71.25

 

CMYK 0 / 7 / 55 / 4

HEX #F5E46F

RGB 245 228 111

HSL 52.39, 0.87%, 0.7%

LAB 89.88, -8.6, 58.28

 

CMYK 0 / 5 / 39 / 3

HEX #F7EB96

RGB 247 235 150

HSL 52.58, 0.86%, 0.78%

LAB 92.31, -7.75, 42.68

 

CMYK 0 / 3 / 24 / 2

HEX #FAF2BD

RGB 250 242 189

HSL 52.13, 0.86%, 0.86%

LAB 94.95, -5.44, 26.6

 

CMYK 0 / 7 / 55 / 4

HEX #F5E46F

RGB 245 228 111

HSL 52.39, 0.87%, 0.7%

LAB 89.88, -8.6, 58.28

 

CMYK 55 / 0 / 51 / 4

HEX #6FF578

RGB 111 245 120

HSL 124.03, 0.87%, 0.7%

LAB 87.02, -61.4, 48.87

 

CMYK 29 / 55 / 0 / 4

HEX #AE6FF5

RGB 174 111 245

HSL 268.21, 0.87%, 0.7%

LAB 58.94, 50.5, -58.15

 

CMYK 0 / 7 / 55 / 4

HEX #F5E46F

RGB 245 228 111

HSL 52.39, 0.87%, 0.7%

LAB 89.88, -8.6, 58.28

 

CMYK 55 / 0 / 7 / 4

HEX #6FF5E3

RGB 111 245 227

HSL 171.94, 0.87%, 0.7%

LAB 89.03, -40.99, -2.49

 

CMYK 7 / 55 / 0 / 4

HEX #E36FF5

RGB 227 111 245

HSL 291.94, 0.87%, 0.7%

LAB 65.19, 63.74, -47.82

 

CMYK 0 / 7 / 55 / 4

HEX #F5E46F

RGB 245 228 111

HSL 52.39, 0.87%, 0.7%

LAB 89.88, -8.6, 58.28

 

CMYK 55 / 0 / 51 / 4

HEX #6FF578

RGB 111 245 120

HSL 124.03, 0.87%, 0.7%

LAB 87.02, -61.4, 48.87

 

CMYK 55 / 47 / 0 / 4

HEX #6F81F5

RGB 111 129 245

HSL 231.94, 0.87%, 0.7%

LAB 57.72, 25.98, -60.39

 

CMYK 0 / 55 / 4 / 4

HEX #F56FEC

RGB 245 111 236

HSL 304.03, 0.87%, 0.7%

LAB 67.15, 66.84, -39.61

 

CMYK 0 / 7 / 55 / 4

HEX #F5E46F

RGB 245 228 111

HSL 52.39, 0.87%, 0.7%

LAB 89.88, -8.6, 58.28

 

CMYK 55 / 0 / 35 / 4

HEX #6FF5A0

RGB 111 245 160

HSL 141.94, 0.87%, 0.7%

LAB 87.59, -55.23, 30.07

 

CMYK 55 / 47 / 0 / 4

HEX #6F81F5

RGB 111 129 245

HSL 231.94, 0.87%, 0.7%

LAB 57.72, 25.98, -60.39

 

CMYK 0 / 55 / 20 / 4

HEX #F56FC4

RGB 245 111 196

HSL 321.94, 0.87%, 0.7%

LAB 65.57, 60.75, -19.73

 

Description

Color code: HEX #F5E46F | qconv.com Color code: HEX #F5E46F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 228 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 228 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 55 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 55% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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