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Color name
HEX #F5C1D7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5C1D7 it is the complementary color #0A3E28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5C1D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5C1D7 shade: #FAC1D2, #FFD3E5, #FFE5F8 and #FFF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5C1D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5C1D7 shade: #F5C1D7, #E4AFC4, #D39DB1, #C28B9E and #B1798B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5C1D7 shade: #F5C1D7, #F5C1C9 and #F5C1C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5C1D7 shade: #F5C1D7, #F5C1E5, #F5C1F3, #E9C1F5 and #DBC1F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5C1D7 shade matches the following richer shades: #F5C1D7 and #FABBD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5C1D7 shade: #F5C1D7, #EFC7D8, #E9CDD9, #E3D2DA and #DDD8DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5C1D7 shade: #F5C1F3, #F5C1E5, #F5C1D7, #F5C1CA and #F5C6C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5C1D7 shade: #E97AA9, #EF9EC0, #F5C1D7 and #FAE5EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5C1D7 shade: #F5C1D7, #F5E9C1 and #C1ECF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5C1D7 shade: #F5C1D7, #D7F5C1 and #C1D7F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5C1D7 shade: #F5C1D7, #F5E9C1, #C1F5DE and #C1CDF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5C1D7 shade: #F5C1D7, #F1F5C1, #C1F5DE and #C5C1F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 12 / 4

HEX #F5C1D7

RGB 245 193 215

HSL 334.62, 0.72%, 0.86%

LAB 83.16, 21.96, -3.85

 

Complementary color

CMYK 84 / 0 / 35 / 76

HEX #0A3E28

RGB 10 62 40

HSL 154.62, 0.72%, 0.14%

LAB 22.52, -22.9, 8.85

 

CMYK 0 / 23 / 16 / 2

HEX #FAC1D2

RGB 250 193 210

HSL 342.11, 0.85%, 0.87%

LAB 83.5, 22.91, -0.61

 

CMYK 0 / 17 / 10 / 0

HEX #FFD3E5

RGB 255 211 229

HSL 335.45, 1%, 0.91%

LAB 88.69, 18.23, -3.06

 

CMYK 0 / 10 / 3 / 0

HEX #FFE5F8

RGB 255 229 248

HSL 316.15, 1%, 0.95%

LAB 93.48, 12.07, -5.96

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 0 / 21 / 12 / 4

HEX #F5C1D7

RGB 245 193 215

HSL 334.62, 0.72%, 0.86%

LAB 83.16, 21.96, -3.85

 

CMYK 0 / 23 / 14 / 11

HEX #E4AFC4

RGB 228 175 196

HSL 336.23, 0.5%, 0.79%

LAB 76.76, 22.52, -3.19

 

CMYK 0 / 26 / 16 / 17

HEX #D39DB1

RGB 211 157 177

HSL 337.78, 0.38%, 0.72%

LAB 70.27, 23.12, -2.48

 

CMYK 0 / 28 / 19 / 24

HEX #C28B9E

RGB 194 139 158

HSL 339.27, 0.31%, 0.65%

LAB 63.67, 23.79, -1.71

 

CMYK 0 / 32 / 21 / 31

HEX #B1798B

RGB 177 121 139

HSL 340.71, 0.26%, 0.58%

LAB 56.96, 24.52, -0.88

 

CMYK 0 / 21 / 12 / 4

HEX #F5C1D7

RGB 245 193 215

HSL 334.62, 0.72%, 0.86%

LAB 83.16, 21.96, -3.85

 

CMYK 0 / 21 / 18 / 4

HEX #F5C1C9

RGB 245 193 201

HSL 350.77, 0.72%, 0.86%

LAB 82.79, 19.76, 3.11

 

CMYK 0 / 21 / 21 / 4

HEX #F5C1C1

RGB 245 193 193

HSL 0, 0.72%, 0.86%

LAB 82.59, 18.57, 7.12

 

CMYK 0 / 21 / 12 / 4

HEX #F5C1D7

RGB 245 193 215

HSL 334.62, 0.72%, 0.86%

LAB 83.16, 21.96, -3.85

 

CMYK 0 / 21 / 7 / 4

HEX #F5C1E5

RGB 245 193 229

HSL 318.46, 0.72%, 0.86%

LAB 83.55, 24.29, -10.76

 

CMYK 0 / 21 / 1 / 4

HEX #F5C1F3

RGB 245 193 243

HSL 302.31, 0.72%, 0.86%

LAB 83.98, 26.75, -17.59

 

CMYK 5 / 21 / 0 / 4

HEX #E9C1F5

RGB 233 193 245

HSL 286.15, 0.72%, 0.86%

LAB 82.94, 23.23, -20.33

 

CMYK 11 / 21 / 0 / 4

HEX #DBC1F5

RGB 219 193 245

HSL 270, 0.72%, 0.86%

LAB 81.73, 18.75, -22.29

 

CMYK 0 / 21 / 12 / 4

HEX #F5C1D7

RGB 245 193 215

HSL 334.62, 0.72%, 0.86%

LAB 83.16, 21.96, -3.85

 

CMYK 0 / 25 / 14 / 2

HEX #FABBD6

RGB 250 187 214

HSL 334.29, 0.86%, 0.86%

LAB 82.23, 26.7, -4.63

 

CMYK 0 / 21 / 12 / 4

HEX #F5C1D7

RGB 245 193 215

HSL 334.62, 0.72%, 0.86%

LAB 83.16, 21.96, -3.85

 

CMYK 0 / 17 / 10 / 6

HEX #EFC7D8

RGB 239 199 216

HSL 334.5, 0.56%, 0.86%

LAB 84.05, 16.86, -3.14

 

CMYK 0 / 12 / 7 / 9

HEX #E9CDD9

RGB 233 205 217

HSL 334.29, 0.39%, 0.86%

LAB 84.99, 11.78, -2.35

 

CMYK 0 / 7 / 4 / 11

HEX #E3D2DA

RGB 227 210 218

HSL 331.76, 0.23%, 0.86%

LAB 85.75, 7.26, -1.83

 

CMYK 0 / 2 / 1 / 13

HEX #DDD8DA

RGB 221 216 218

HSL 336, 0.07%, 0.86%

LAB 86.77, 2.06, -0.39

 

CMYK 0 / 21 / 1 / 4

HEX #F5C1F3

RGB 245 193 243

HSL 302.31, 0.72%, 0.86%

LAB 83.98, 26.75, -17.59

 

CMYK 0 / 21 / 7 / 4

HEX #F5C1E5

RGB 245 193 229

HSL 318.46, 0.72%, 0.86%

LAB 83.55, 24.29, -10.76

 

CMYK 0 / 21 / 12 / 4

HEX #F5C1D7

RGB 245 193 215

HSL 334.62, 0.72%, 0.86%

LAB 83.16, 21.96, -3.85

 

CMYK 0 / 21 / 18 / 4

HEX #F5C1CA

RGB 245 193 202

HSL 349.62, 0.72%, 0.86%

LAB 82.82, 19.91, 2.61

 

CMYK 0 / 19 / 21 / 4

HEX #F5C6C1

RGB 245 198 193

HSL 5.77, 0.72%, 0.86%

LAB 83.78, 15.94, 8.82

 

CMYK 0 / 48 / 27 / 9

HEX #E97AA9

RGB 233 122 169

HSL 334.59, 0.72%, 0.7%

LAB 65.05, 48.07, -5.39

 

CMYK 0 / 34 / 20 / 6

HEX #EF9EC0

RGB 239 158 192

HSL 334.81, 0.72%, 0.78%

LAB 73.94, 34.81, -5.02

 

CMYK 0 / 21 / 12 / 4

HEX #F5C1D7

RGB 245 193 215

HSL 334.62, 0.72%, 0.86%

LAB 83.16, 21.96, -3.85

 

CMYK 0 / 8 / 5 / 2

HEX #FAE5EE

RGB 250 229 238

HSL 334.29, 0.68%, 0.94%

LAB 92.81, 8.66, -1.78

 

CMYK 0 / 21 / 12 / 4

HEX #F5C1D7

RGB 245 193 215

HSL 334.62, 0.72%, 0.86%

LAB 83.16, 21.96, -3.85

 

CMYK 0 / 5 / 21 / 4

HEX #F5E9C1

RGB 245 233 193

HSL 46.15, 0.72%, 0.86%

LAB 92.37, -2.18, 20.93

 

CMYK 21 / 4 / 0 / 4

HEX #C1ECF5

RGB 193 236 245

HSL 190.38, 0.72%, 0.86%

LAB 90.74, -11.88, -8.94

 

CMYK 0 / 21 / 12 / 4

HEX #F5C1D7

RGB 245 193 215

HSL 334.62, 0.72%, 0.86%

LAB 83.16, 21.96, -3.85

 

CMYK 12 / 0 / 21 / 4

HEX #D7F5C1

RGB 215 245 193

HSL 94.62, 0.72%, 0.86%

LAB 93.28, -18.84, 21.86

 

CMYK 21 / 12 / 0 / 4

HEX #C1D7F5

RGB 193 215 245

HSL 214.62, 0.72%, 0.86%

LAB 85.27, -1.06, -17.13

 

CMYK 0 / 21 / 12 / 4

HEX #F5C1D7

RGB 245 193 215

HSL 334.62, 0.72%, 0.86%

LAB 83.16, 21.96, -3.85

 

CMYK 0 / 5 / 21 / 4

HEX #F5E9C1

RGB 245 233 193

HSL 46.15, 0.72%, 0.86%

LAB 92.37, -2.18, 20.93

 

CMYK 21 / 0 / 9 / 4

HEX #C1F5DE

RGB 193 245 222

HSL 153.46, 0.72%, 0.86%

LAB 92.54, -21.02, 5.66

 

CMYK 21 / 16 / 0 / 4

HEX #C1CDF5

RGB 193 205 245

HSL 226.15, 0.72%, 0.86%

LAB 82.7, 4.23, -21.01

 

CMYK 0 / 21 / 12 / 4

HEX #F5C1D7

RGB 245 193 215

HSL 334.62, 0.72%, 0.86%

LAB 83.16, 21.96, -3.85

 

CMYK 2 / 0 / 21 / 4

HEX #F1F5C1

RGB 241 245 193

HSL 64.62, 0.72%, 0.86%

LAB 95.1, -9.66, 24.66

 

CMYK 21 / 0 / 9 / 4

HEX #C1F5DE

RGB 193 245 222

HSL 153.46, 0.72%, 0.86%

LAB 92.54, -21.02, 5.66

 

CMYK 20 / 21 / 0 / 4

HEX #C5C1F5

RGB 197 193 245

HSL 244.62, 0.72%, 0.86%

LAB 79.96, 11.9, -25.15

 

Description

Color code: HEX #F5C1D7 | qconv.com Color code: HEX #F5C1D7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 193 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 193 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 12 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 12% 4% C M Y K

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Provide designers and agencies with accurate color values.

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