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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5B64B it is the complementary color #0A49B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5B64B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5B64B shade: #FAB646, #FFC859, #FFDA6C, #FFEC7F and #FFFE92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5B64B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5B64B shade: #F5B64B, #E4A438, #D39225, #C28012 and #B16E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5B64B shade: #F4B64C, #F4894C, #F45B4C and #F44C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5B64B shade: #F4B64C, #F4E34C, #D8F44C, #ABF44C and #7DF44C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5B64B shade matches the following richer shades: #F4B64C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5B64B shade: #F4B64C, #E5B25B, #D6AE6B, #C6AA7A and #B7A689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5B64B shade: #F45A4C, #F4874C, #F4B44C, #F4E14C and #DBF44C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5B64B shade: #E1920D, #F2A625, #F4B64C, #F6C673 and #F9D69A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5B64B shade: #F5B64B, #6BF44C and #714CF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5B64B shade: #F5B64B, #4CF4B4 and #B44CF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5B64B shade: #F5B64B, #6BF44C, #4C8DF4 and #D54CF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5B64B shade: #F5B64B, #4CF460, #4C8DF4 and #F44CE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 69 / 4

HEX #F5B64B

RGB 245 182 75

HSL 37.76, 0.89%, 0.63%

LAB 78.1, 12.71, 61.23

 

Complementary color

CMYK 94 / 59 / 0 / 29

HEX #0A49B4

RGB 10 73 180

HSL 217.76, 0.89%, 0.37%

LAB 34.24, 25.21, -61.44

 

CMYK 0 / 27 / 72 / 2

HEX #FAB646

RGB 250 182 70

HSL 37.33, 0.95%, 0.63%

LAB 78.59, 14.56, 64

 

CMYK 0 / 22 / 65 / 0

HEX #FFC859

RGB 255 200 89

HSL 40.12, 1%, 0.67%

LAB 83.59, 8.27, 61.32

 

CMYK 0 / 15 / 58 / 0

HEX #FFDA6C

RGB 255 218 108

HSL 44.9, 1%, 0.71%

LAB 88.2, 0.27, 57.94

 

CMYK 0 / 7 / 50 / 0

HEX #FFEC7F

RGB 255 236 127

HSL 51.09, 1%, 0.75%

LAB 92.92, -7.31, 54.68

 

CMYK 0 / 0 / 43 / 0

HEX #FFFE92

RGB 255 254 146

HSL 59.45, 1%, 0.79%

LAB 97.72, -14.44, 51.57

 

CMYK 0 / 26 / 69 / 4

HEX #F5B64B

RGB 245 182 75

HSL 37.76, 0.89%, 0.63%

LAB 78.1, 12.71, 61.23

 

CMYK 0 / 28 / 75 / 11

HEX #E4A438

RGB 228 164 56

HSL 37.67, 0.76%, 0.56%

LAB 71.78, 14.16, 62.08

 

CMYK 0 / 31 / 82 / 17

HEX #D39225

RGB 211 146 37

HSL 37.59, 0.7%, 0.49%

LAB 65.39, 15.83, 62.39

 

CMYK 0 / 34 / 91 / 24

HEX #C28012

RGB 194 128 18

HSL 37.5, 0.83%, 0.42%

LAB 58.93, 17.75, 61.67

 

CMYK 0 / 38 / 100 / 31

HEX #B16E00

RGB 177 110 0

HSL 37.29, 1%, 0.35%

LAB 52.4, 19.93, 59.55

 

CMYK 0 / 25 / 69 / 4

HEX #F4B64C

RGB 244 182 76

HSL 37.86, 0.88%, 0.63%

LAB 78, 12.35, 60.66

 

CMYK 0 / 44 / 69 / 4

HEX #F4894C

RGB 244 137 76

HSL 21.79, 0.88%, 0.63%

LAB 67.76, 35.92, 49.61

 

CMYK 0 / 63 / 69 / 4

HEX #F45B4C

RGB 244 91 76

HSL 5.36, 0.88%, 0.63%

LAB 59.19, 57.8, 39.82

 

CMYK 0 / 69 / 69 / 4

HEX #F44C4C

RGB 244 76 76

HSL 0, 0.88%, 0.63%

LAB 57, 63.74, 37.23

 

CMYK 0 / 25 / 69 / 4

HEX #F4B64C

RGB 244 182 76

HSL 37.86, 0.88%, 0.63%

LAB 78, 12.35, 60.66

 

CMYK 0 / 7 / 69 / 4

HEX #F4E34C

RGB 244 227 76

HSL 53.93, 0.88%, 0.63%

LAB 89.25, -10.71, 72.16

 

CMYK 11 / 0 / 69 / 4

HEX #D8F44C

RGB 216 244 76

HSL 70, 0.88%, 0.63%

LAB 91.6, -30.24, 73.81

 

CMYK 30 / 0 / 69 / 4

HEX #ABF44C

RGB 171 244 76

HSL 86.07, 0.88%, 0.63%

LAB 88.87, -47.18, 70.15

 

CMYK 49 / 0 / 69 / 4

HEX #7DF44C

RGB 125 244 76

HSL 102.5, 0.88%, 0.63%

LAB 86.79, -61.89, 67.36

 

CMYK 0 / 25 / 69 / 4

HEX #F4B64C

RGB 244 182 76

HSL 37.86, 0.88%, 0.63%

LAB 78, 12.35, 60.66

 

CMYK 0 / 25 / 69 / 4

HEX #F4B64C

RGB 244 182 76

HSL 37.86, 0.88%, 0.63%

LAB 78, 12.35, 60.66

 

CMYK 0 / 22 / 60 / 10

HEX #E5B25B

RGB 229 178 91

HSL 37.83, 0.73%, 0.63%

LAB 75.61, 9.09, 50.76

 

CMYK 0 / 19 / 50 / 16

HEX #D6AE6B

RGB 214 174 107

HSL 37.57, 0.57%, 0.63%

LAB 73.3, 6.26, 39.68

 

CMYK 0 / 14 / 38 / 22

HEX #C6AA7A

RGB 198 170 122

HSL 37.89, 0.4%, 0.63%

LAB 70.98, 3.41, 28.52

 

CMYK 0 / 9 / 25 / 28

HEX #B7A689

RGB 183 166 137

HSL 37.83, 0.24%, 0.63%

LAB 68.86, 1.54, 17.28

 

CMYK 0 / 63 / 69 / 4

HEX #F45A4C

RGB 244 90 76

HSL 5, 0.88%, 0.63%

LAB 59.04, 58.22, 39.64

 

CMYK 0 / 45 / 69 / 4

HEX #F4874C

RGB 244 135 76

HSL 21.07, 0.88%, 0.63%

LAB 67.34, 36.94, 49.14

 

CMYK 0 / 26 / 69 / 4

HEX #F4B44C

RGB 244 180 76

HSL 37.14, 0.88%, 0.63%

LAB 77.52, 13.4, 60.16

 

CMYK 0 / 8 / 69 / 4

HEX #F4E14C

RGB 244 225 76

HSL 53.21, 0.88%, 0.63%

LAB 88.74, -9.72, 71.65

 

CMYK 10 / 0 / 69 / 4

HEX #DBF44C

RGB 219 244 76

HSL 68.93, 0.88%, 0.63%

LAB 91.81, -29.06, 74.08

 

CMYK 0 / 35 / 94 / 12

HEX #E1920D

RGB 225 146 13

HSL 37.64, 0.89%, 0.47%

LAB 66.97, 21.39, 70.2

 

CMYK 0 / 31 / 85 / 5

HEX #F2A625

RGB 242 166 37

HSL 37.76, 0.89%, 0.55%

LAB 73.73, 18.44, 70.88

 

CMYK 0 / 25 / 69 / 4

HEX #F4B64C

RGB 244 182 76

HSL 37.86, 0.88%, 0.63%

LAB 78, 12.35, 60.66

 

CMYK 0 / 20 / 53 / 4

HEX #F6C673

RGB 246 198 115

HSL 38.02, 0.88%, 0.71%

LAB 82.5, 7.43, 47.67

 

CMYK 0 / 14 / 38 / 2

HEX #F9D69A

RGB 249 214 154

HSL 37.89, 0.89%, 0.79%

LAB 87.27, 4.11, 34.15

 

CMYK 0 / 26 / 69 / 4

HEX #F5B64B

RGB 245 182 75

HSL 37.76, 0.89%, 0.63%

LAB 78.1, 12.71, 61.23

 

CMYK 56 / 0 / 69 / 4

HEX #6BF44C

RGB 107 244 76

HSL 108.93, 0.88%, 0.63%

LAB 86.18, -66.62, 66.54

 

CMYK 54 / 69 / 0 / 4

HEX #714CF4

RGB 113 76 244

HSL 253.21, 0.88%, 0.63%

LAB 45.92, 56.51, -78.95

 

CMYK 0 / 26 / 69 / 4

HEX #F5B64B

RGB 245 182 75

HSL 37.76, 0.89%, 0.63%

LAB 78.1, 12.71, 61.23

 

CMYK 69 / 0 / 26 / 4

HEX #4CF4B4

RGB 76 244 180

HSL 157.14, 0.88%, 0.63%

LAB 86.77, -57.44, 18.58

 

CMYK 26 / 69 / 0 / 4

HEX #B44CF4

RGB 180 76 244

HSL 277.14, 0.88%, 0.63%

LAB 53.39, 68.4, -66.47

 

CMYK 0 / 26 / 69 / 4

HEX #F5B64B

RGB 245 182 75

HSL 37.76, 0.89%, 0.63%

LAB 78.1, 12.71, 61.23

 

CMYK 56 / 0 / 69 / 4

HEX #6BF44C

RGB 107 244 76

HSL 108.93, 0.88%, 0.63%

LAB 86.18, -66.62, 66.54

 

CMYK 69 / 42 / 0 / 4

HEX #4C8DF4

RGB 76 141 244

HSL 216.79, 0.88%, 0.63%

LAB 59.08, 12.33, -57.76

 

CMYK 13 / 69 / 0 / 4

HEX #D54CF4

RGB 213 76 244

HSL 288.93, 0.88%, 0.63%

LAB 57.89, 75.07, -58.99

 

CMYK 0 / 26 / 69 / 4

HEX #F5B64B

RGB 245 182 75

HSL 37.76, 0.89%, 0.63%

LAB 78.1, 12.71, 61.23

 

CMYK 69 / 0 / 61 / 4

HEX #4CF460

RGB 76 244 96

HSL 127.14, 0.88%, 0.63%

LAB 85.55, -71.16, 57.65

 

CMYK 69 / 42 / 0 / 4

HEX #4C8DF4

RGB 76 141 244

HSL 216.79, 0.88%, 0.63%

LAB 59.08, 12.33, -57.76

 

CMYK 0 / 69 / 8 / 4

HEX #F44CE1

RGB 244 76 225

HSL 306.79, 0.88%, 0.63%

LAB 61.51, 78.68, -42.33

 

Description

Color code: HEX #F5B64B | qconv.com Color code: HEX #F5B64B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 182 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 182 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 69 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 69% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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