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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5AE7F it is the complementary color #0A5180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5AE7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5AE7F shade: #FAAE7A, #FFC08D, #FFD2A0, #FFE4B3 and #FFF6C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5AE7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5AE7F shade: #F5AE7F, #E49C6C, #D38A59, #C27846 and #B16633

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5AE7F shade: #F5AE7E, #F58E7E and #F57E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5AE7F shade: #F5AE7E, #F5CE7E, #F5ED7E, #DCF57E and #BCF57E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5AE7F shade matches the following richer shades: #F5AE7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5AE7F shade: #F5AE7E, #EAB08A, #DFB295, #D3B4A0 and #C8B7AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5AE7F shade: #F57E90, #F58C7E, #F5AC7E, #F5CB7E and #F5EB7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5AE7F shade: #EF7D32, #F29558, #F5AE7E, #F8C6A5 and #FBDECB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5AE7F shade: #F5AE7F, #B0F57E and #7E80F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5AE7F shade: #F5AE7F, #7EF5AC and #AC7EF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5AE7F shade: #F5AE7F, #B0F57E, #7EC7F5 and #C47EF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5AE7F shade: #F5AE7F, #8CF57E, #7EC7F5 and #E77EF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 48 / 4

HEX #F5AE7F

RGB 245 174 127

HSL 23.9, 0.86%, 0.73%

LAB 76.81, 20.67, 34.4

 

Complementary color

CMYK 92 / 37 / 0 / 50

HEX #0A5180

RGB 10 81 128

HSL 203.9, 0.86%, 0.27%

LAB 32.94, -1.71, -32.1

 

CMYK 0 / 30 / 51 / 2

HEX #FAAE7A

RGB 250 174 122

HSL 24.38, 0.93%, 0.73%

LAB 77.28, 22.2, 37.73

 

CMYK 0 / 25 / 45 / 0

HEX #FFC08D

RGB 255 192 141

HSL 26.84, 1%, 0.78%

LAB 82.32, 16.51, 34.45

 

CMYK 0 / 18 / 37 / 0

HEX #FFD2A0

RGB 255 210 160

HSL 31.58, 1%, 0.81%

LAB 86.94, 9.17, 30.73

 

CMYK 0 / 11 / 30 / 0

HEX #FFE4B3

RGB 255 228 179

HSL 38.68, 1%, 0.85%

LAB 91.69, 2.19, 27.33

 

CMYK 0 / 4 / 22 / 0

HEX #FFF6C6

RGB 255 246 198

HSL 50.53, 1%, 0.89%

LAB 96.51, -4.4, 24.22

 

CMYK 0 / 29 / 48 / 4

HEX #F5AE7F

RGB 245 174 127

HSL 23.9, 0.86%, 0.73%

LAB 76.81, 20.67, 34.4

 

CMYK 0 / 32 / 53 / 11

HEX #E49C6C

RGB 228 156 108

HSL 24, 0.69%, 0.66%

LAB 70.42, 21.72, 35.86

 

CMYK 0 / 35 / 58 / 17

HEX #D38A59

RGB 211 138 89

HSL 24.1, 0.58%, 0.59%

LAB 63.96, 22.91, 37.44

 

CMYK 0 / 38 / 64 / 24

HEX #C27846

RGB 194 120 70

HSL 24.19, 0.5%, 0.52%

LAB 57.41, 24.28, 39.12

 

CMYK 0 / 42 / 71 / 31

HEX #B16633

RGB 177 102 51

HSL 24.29, 0.55%, 0.45%

LAB 50.79, 25.84, 40.87

 

CMYK 0 / 29 / 49 / 4

HEX #F5AE7E

RGB 245 174 126

HSL 24.2, 0.86%, 0.73%

LAB 76.79, 20.58, 34.9

 

CMYK 0 / 42 / 49 / 4

HEX #F58E7E

RGB 245 142 126

HSL 8.07, 0.86%, 0.73%

LAB 69.66, 37.34, 25.52

 

CMYK 0 / 49 / 49 / 4

HEX #F57E7E

RGB 245 126 126

HSL 0, 0.86%, 0.73%

LAB 66.4, 45.44, 21.12

 

CMYK 0 / 29 / 49 / 4

HEX #F5AE7E

RGB 245 174 126

HSL 24.2, 0.86%, 0.73%

LAB 76.79, 20.58, 34.9

 

CMYK 0 / 16 / 49 / 4

HEX #F5CE7E

RGB 245 206 126

HSL 40.34, 0.86%, 0.73%

LAB 84.52, 3.83, 44.7

 

CMYK 0 / 3 / 49 / 4

HEX #F5ED7E

RGB 245 237 126

HSL 55.97, 0.86%, 0.73%

LAB 92.35, -11.84, 54.27

 

CMYK 10 / 0 / 49 / 4

HEX #DCF57E

RGB 220 245 126

HSL 72.61, 0.86%, 0.73%

LAB 92.59, -25.43, 54.11

 

CMYK 23 / 0 / 49 / 4

HEX #BCF57E

RGB 188 245 126

HSL 88.74, 0.86%, 0.73%

LAB 90.55, -37.24, 51.18

 

CMYK 0 / 29 / 49 / 4

HEX #F5AE7E

RGB 245 174 126

HSL 24.2, 0.86%, 0.73%

LAB 76.79, 20.58, 34.9

 

CMYK 0 / 29 / 49 / 4

HEX #F5AE7E

RGB 245 174 126

HSL 24.2, 0.86%, 0.73%

LAB 76.79, 20.58, 34.9

 

CMYK 0 / 25 / 41 / 8

HEX #EAB08A

RGB 234 176 138

HSL 23.75, 0.7%, 0.73%

LAB 76.3, 16.38, 27.68

 

CMYK 0 / 20 / 33 / 13

HEX #DFB295

RGB 223 178 149

HSL 23.51, 0.54%, 0.73%

LAB 75.88, 12.3, 21.03

 

CMYK 0 / 15 / 24 / 17

HEX #D3B4A0

RGB 211 180 160

HSL 23.53, 0.37%, 0.73%

LAB 75.47, 8.09, 14.33

 

CMYK 0 / 9 / 15 / 22

HEX #C8B7AB

RGB 200 183 171

HSL 24.83, 0.21%, 0.73%

LAB 75.51, 4.04, 8.28

 

CMYK 0 / 49 / 41 / 4

HEX #F57E90

RGB 245 126 144

HSL 350.92, 0.86%, 0.73%

LAB 66.78, 47.2, 11.5

 

CMYK 0 / 43 / 49 / 4

HEX #F58C7E

RGB 245 140 126

HSL 7.06, 0.86%, 0.73%

LAB 69.24, 38.37, 24.95

 

CMYK 0 / 30 / 49 / 4

HEX #F5AC7E

RGB 245 172 126

HSL 23.19, 0.86%, 0.73%

LAB 76.33, 21.63, 34.3

 

CMYK 0 / 17 / 49 / 4

HEX #F5CB7E

RGB 245 203 126

HSL 38.82, 0.86%, 0.73%

LAB 83.77, 5.38, 43.77

 

CMYK 0 / 4 / 49 / 4

HEX #F5EB7E

RGB 245 235 126

HSL 54.96, 0.86%, 0.73%

LAB 91.84, -10.86, 53.65

 

CMYK 0 / 48 / 79 / 6

HEX #EF7D32

RGB 239 125 50

HSL 23.81, 0.86%, 0.57%

LAB 64.36, 38.95, 57.9

 

CMYK 0 / 38 / 64 / 5

HEX #F29558

RGB 242 149 88

HSL 23.77, 0.86%, 0.65%

LAB 70.23, 29.58, 46.37

 

CMYK 0 / 29 / 49 / 4

HEX #F5AE7E

RGB 245 174 126

HSL 24.2, 0.86%, 0.73%

LAB 76.79, 20.58, 34.9

 

CMYK 0 / 20 / 33 / 3

HEX #F8C6A5

RGB 248 198 165

HSL 23.86, 0.86%, 0.81%

LAB 83.47, 13.32, 23.3

 

CMYK 0 / 12 / 19 / 2

HEX #FBDECB

RGB 251 222 203

HSL 23.75, 0.86%, 0.89%

LAB 90.35, 7.06, 12.97

 

CMYK 0 / 29 / 48 / 4

HEX #F5AE7F

RGB 245 174 127

HSL 23.9, 0.86%, 0.73%

LAB 76.81, 20.67, 34.4

 

CMYK 28 / 0 / 49 / 4

HEX #B0F57E

RGB 176 245 126

HSL 94.79, 0.86%, 0.73%

LAB 89.88, -41.43, 50.2

 

CMYK 49 / 48 / 0 / 4

HEX #7E80F5

RGB 126 128 245

HSL 238.99, 0.86%, 0.73%

LAB 58.48, 29.7, -59.13

 

CMYK 0 / 29 / 48 / 4

HEX #F5AE7F

RGB 245 174 127

HSL 23.9, 0.86%, 0.73%

LAB 76.81, 20.67, 34.4

 

CMYK 49 / 0 / 30 / 4

HEX #7EF5AC

RGB 126 245 172

HSL 143.19, 0.86%, 0.73%

LAB 88.31, -49.52, 25.04

 

CMYK 30 / 49 / 0 / 4

HEX #AC7EF5

RGB 172 126 245

HSL 263.19, 0.86%, 0.73%

LAB 61.9, 41.88, -53.44

 

CMYK 0 / 29 / 48 / 4

HEX #F5AE7F

RGB 245 174 127

HSL 23.9, 0.86%, 0.73%

LAB 76.81, 20.67, 34.4

 

CMYK 28 / 0 / 49 / 4

HEX #B0F57E

RGB 176 245 126

HSL 94.79, 0.86%, 0.73%

LAB 89.88, -41.43, 50.2

 

CMYK 49 / 19 / 0 / 4

HEX #7EC7F5

RGB 126 199 245

HSL 203.19, 0.86%, 0.73%

LAB 77.21, -10.59, -29.74

 

CMYK 20 / 49 / 0 / 4

HEX #C47EF5

RGB 196 126 245

HSL 275.29, 0.86%, 0.73%

LAB 64.36, 48.17, -49.38

 

CMYK 0 / 29 / 48 / 4

HEX #F5AE7F

RGB 245 174 127

HSL 23.9, 0.86%, 0.73%

LAB 76.81, 20.67, 34.4

 

CMYK 43 / 0 / 49 / 4

HEX #8CF57E

RGB 140 245 126

HSL 112.94, 0.86%, 0.73%

LAB 88.15, -52.9, 47.69

 

CMYK 49 / 19 / 0 / 4

HEX #7EC7F5

RGB 126 199 245

HSL 203.19, 0.86%, 0.73%

LAB 77.21, -10.59, -29.74

 

CMYK 6 / 49 / 0 / 4

HEX #E77EF5

RGB 231 126 245

HSL 292.94, 0.86%, 0.73%

LAB 68.39, 57.64, -42.77

 

Description

Color code: HEX #F5AE7F | qconv.com Color code: HEX #F5AE7F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 174 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 174 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 48 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 48% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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