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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F56768 it is the complementary color #0A9897. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F56768. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F56768 shade: #FA6763, #FF7976, #FF8B89, #FF9D9C and #FFAFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F56768. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F56768 shade: #F56768, #E45555, #D34342, #C2312F and #B11F1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F56768 shade: #F56566 and #F56565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F56768 shade: #F56566, #F5658D, #F565B4, #F565DA and #E865F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F56768 shade matches the following richer shades: #F56566

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F56768 shade: #F56566, #E87273, #DA7F80, #CD8D8D and #C09A9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F56768 shade: #F565B4, #F5658E, #F56567, #F58965 and #F5AF65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F56768 shade: #F01819, #F23E40, #F56566, #F78C8D and #FAB3B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F56768 shade: #F56768, #DAF565 and #65A1F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F56768 shade: #F56768, #67F565 and #6567F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F56768 shade: #F56768, #DAF565, #65F5F2 and #7F65F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F56768 shade: #F56768, #AFF565, #65F5F2 and #AB65F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 58 / 4

HEX #F56768

RGB 245 103 104

HSL 359.58, 0.88%, 0.68%

LAB 61.75, 54.58, 27.35

 

Complementary color

CMYK 93 / 0 / 1 / 40

HEX #0A9897

RGB 10 152 151

HSL 179.58, 0.88%, 0.32%

LAB 56.84, -32.57, -8.98

 

CMYK 0 / 59 / 60 / 2

HEX #FA6763

RGB 250 103 99

HSL 1.59, 0.94%, 0.68%

LAB 62.44, 55.93, 31.22

 

CMYK 0 / 53 / 54 / 0

HEX #FF7976

RGB 255 121 118

HSL 1.31, 1%, 0.73%

LAB 66.7, 50.73, 26.26

 

CMYK 0 / 45 / 46 / 0

HEX #FF8B89

RGB 255 139 137

HSL 1.02, 1%, 0.77%

LAB 70.55, 43.58, 20.86

 

CMYK 0 / 38 / 39 / 0

HEX #FF9D9C

RGB 255 157 156

HSL 0.61, 1%, 0.81%

LAB 74.68, 36.37, 16.1

 

CMYK 0 / 31 / 31 / 0

HEX #FFAFAF

RGB 255 175 175

HSL 0, 1%, 0.84%

LAB 79.05, 29.25, 11.89

 

CMYK 0 / 58 / 58 / 4

HEX #F56768

RGB 245 103 104

HSL 359.58, 0.88%, 0.68%

LAB 61.75, 54.58, 27.35

 

CMYK 0 / 63 / 63 / 11

HEX #E45555

RGB 228 85 85

HSL 0, 0.73%, 0.61%

LAB 55.73, 55.51, 29.93

 

CMYK 0 / 68 / 69 / 17

HEX #D34342

RGB 211 67 66

HSL 0.41, 0.62%, 0.54%

LAB 49.81, 56.24, 32.94

 

CMYK 0 / 75 / 76 / 24

HEX #C2312F

RGB 194 49 47

HSL 0.82, 0.61%, 0.47%

LAB 44.05, 56.59, 36.44

 

CMYK 0 / 82 / 84 / 31

HEX #B11F1C

RGB 177 31 28

HSL 1.21, 0.73%, 0.4%

LAB 38.57, 56.27, 40.32

 

CMYK 0 / 59 / 58 / 4

HEX #F56566

RGB 245 101 102

HSL 359.58, 0.88%, 0.68%

LAB 61.38, 55.33, 27.99

 

CMYK 0 / 59 / 59 / 4

HEX #F56565

RGB 245 101 101

HSL 0, 0.88%, 0.68%

LAB 61.36, 55.27, 28.54

 

CMYK 0 / 59 / 58 / 4

HEX #F56566

RGB 245 101 102

HSL 359.58, 0.88%, 0.68%

LAB 61.38, 55.33, 27.99

 

CMYK 0 / 59 / 42 / 4

HEX #F5658D

RGB 245 101 141

HSL 343.33, 0.88%, 0.68%

LAB 62.21, 58.63, 6.71

 

CMYK 0 / 59 / 27 / 4

HEX #F565B4

RGB 245 101 180

HSL 327.08, 0.88%, 0.68%

LAB 63.36, 63.05, -14

 

CMYK 0 / 59 / 11 / 4

HEX #F565DA

RGB 245 101 218

HSL 311.25, 0.88%, 0.68%

LAB 64.79, 68.34, -33.28

 

CMYK 5 / 59 / 0 / 4

HEX #E865F5

RGB 232 101 245

HSL 294.58, 0.88%, 0.68%

LAB 64.21, 69.46, -49.34

 

CMYK 0 / 59 / 58 / 4

HEX #F56566

RGB 245 101 102

HSL 359.58, 0.88%, 0.68%

LAB 61.38, 55.33, 27.99

 

CMYK 0 / 59 / 58 / 4

HEX #F56566

RGB 245 101 102

HSL 359.58, 0.88%, 0.68%

LAB 61.38, 55.33, 27.99

 

CMYK 0 / 51 / 50 / 9

HEX #E87273

RGB 232 114 115

HSL 359.49, 0.72%, 0.68%

LAB 62.02, 45.71, 21.1

 

CMYK 0 / 42 / 41 / 15

HEX #DA7F80

RGB 218 127 128

HSL 359.34, 0.55%, 0.68%

LAB 63.05, 35.22, 14.81

 

CMYK 0 / 31 / 31 / 20

HEX #CD8D8D

RGB 205 141 141

HSL 0, 0.39%, 0.68%

LAB 64.92, 24.34, 9.86

 

CMYK 0 / 20 / 20 / 25

HEX #C09A9A

RGB 192 154 154

HSL 0, 0.23%, 0.68%

LAB 67.01, 14.13, 5.37

 

CMYK 0 / 59 / 27 / 4

HEX #F565B4

RGB 245 101 180

HSL 327.08, 0.88%, 0.68%

LAB 63.36, 63.05, -14

 

CMYK 0 / 59 / 42 / 4

HEX #F5658E

RGB 245 101 142

HSL 342.92, 0.88%, 0.68%

LAB 62.23, 58.73, 6.16

 

CMYK 0 / 59 / 58 / 4

HEX #F56567

RGB 245 101 103

HSL 359.17, 0.88%, 0.68%

LAB 61.39, 55.4, 27.45

 

CMYK 0 / 44 / 59 / 4

HEX #F58965

RGB 245 137 101

HSL 15, 0.88%, 0.68%

LAB 68.2, 37.85, 37.24

 

CMYK 0 / 29 / 59 / 4

HEX #F5AF65

RGB 245 175 101

HSL 30.83, 0.88%, 0.68%

LAB 76.69, 17.99, 47.57

 

CMYK 0 / 90 / 90 / 6

HEX #F01819

RGB 240 24 25

HSL 359.72, 0.88%, 0.52%

LAB 50.98, 74.53, 57.05

 

CMYK 0 / 74 / 74 / 5

HEX #F23E40

RGB 242 62 64

HSL 359.33, 0.87%, 0.6%

LAB 54.75, 67.41, 41.26

 

CMYK 0 / 59 / 58 / 4

HEX #F56566

RGB 245 101 102

HSL 359.58, 0.88%, 0.68%

LAB 61.38, 55.33, 27.99

 

CMYK 0 / 43 / 43 / 3

HEX #F78C8D

RGB 247 140 141

HSL 359.44, 0.87%, 0.76%

LAB 69.79, 40.57, 17.43

 

CMYK 0 / 28 / 28 / 2

HEX #FAB3B3

RGB 250 179 179

HSL 0, 0.88%, 0.84%

LAB 79.51, 25.83, 10.31

 

CMYK 0 / 58 / 58 / 4

HEX #F56768

RGB 245 103 104

HSL 359.58, 0.88%, 0.68%

LAB 61.75, 54.58, 27.35

 

CMYK 11 / 0 / 59 / 4

HEX #DAF565

RGB 218 245 101

HSL 71.25, 0.88%, 0.68%

LAB 92.2, -28.32, 64.73

 

CMYK 59 / 34 / 0 / 4

HEX #65A1F5

RGB 101 161 245

HSL 215, 0.88%, 0.68%

LAB 65.63, 5.13, -47.85

 

CMYK 0 / 58 / 58 / 4

HEX #F56768

RGB 245 103 104

HSL 359.58, 0.88%, 0.68%

LAB 61.75, 54.58, 27.35

 

CMYK 58 / 0 / 59 / 4

HEX #67F565

RGB 103 245 101

HSL 119.17, 0.88%, 0.68%

LAB 86.57, -65.56, 56.85

 

CMYK 59 / 58 / 0 / 4

HEX #6567F5

RGB 101 103 245

HSL 239.17, 0.88%, 0.68%

LAB 50.76, 39.71, -71.66

 

CMYK 0 / 58 / 58 / 4

HEX #F56768

RGB 245 103 104

HSL 359.58, 0.88%, 0.68%

LAB 61.75, 54.58, 27.35

 

CMYK 11 / 0 / 59 / 4

HEX #DAF565

RGB 218 245 101

HSL 71.25, 0.88%, 0.68%

LAB 92.2, -28.32, 64.73

 

CMYK 59 / 0 / 1 / 4

HEX #65F5F2

RGB 101 245 242

HSL 178.75, 0.88%, 0.68%

LAB 89.15, -39, -10.17

 

CMYK 48 / 59 / 0 / 4

HEX #7F65F5

RGB 127 101 245

HSL 250.83, 0.88%, 0.68%

LAB 52.3, 45.61, -69.07

 

CMYK 0 / 58 / 58 / 4

HEX #F56768

RGB 245 103 104

HSL 359.58, 0.88%, 0.68%

LAB 61.75, 54.58, 27.35

 

CMYK 29 / 0 / 59 / 4

HEX #AFF565

RGB 175 245 101

HSL 89.17, 0.88%, 0.68%

LAB 89.56, -44.29, 61.05

 

CMYK 59 / 0 / 1 / 4

HEX #65F5F2

RGB 101 245 242

HSL 178.75, 0.88%, 0.68%

LAB 89.15, -39, -10.17

 

CMYK 30 / 59 / 0 / 4

HEX #AB65F5

RGB 171 101 245

HSL 269.17, 0.88%, 0.68%

LAB 56.64, 55, -61.84

 

Description

Color code: HEX #F56768 | qconv.com Color code: HEX #F56768 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 103 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 103 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 58 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 58% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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