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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F53CE5 it is the complementary color #0AC31A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F53CE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F53CE5 shade: #FA3CE0, #FF4EF3, #FF60FF, #FF72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F53CE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F53CE5 shade: #F53CE5, #E42AD2, #D318BF, #C206AC and #B10099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F53CE5 shade: #F43DE4, #F43DB3, #F43D81, #F43D50 and #F43D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F53CE5 shade: #F43DE4, #D33DF4, #A13DF4, #703DF4 and #3E3DF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F53CE5 shade matches the following richer shades: #F43DE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F53CE5 shade: #F43DE4, #E44DD7, #D35EC9, #C36EBB and #B27FAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F53CE5 shade: #A23DF4, #D33DF4, #F43DE5, #F43DB4 and #F43D83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F53CE5 shade: #D40BC2, #F216DF, #F43DE4, #F664EA and #F88BEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F53CE5 shade: #F53CE5, #F4713D and #3DF4BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F53CE5 shade: #F53CE5, #E5F43D and #3DE5F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F53CE5 shade: #F53CE5, #F4713D, #3DF44C and #3DC0F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F53CE5 shade: #F53CE5, #F4A83D, #3DF44C and #3D89F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 7 / 4

HEX #F53CE5

RGB 245 60 229

HSL 305.19, 0.9%, 0.6%

LAB 60.16, 84.34, -46.7

 

Complementary color

CMYK 95 / 0 / 87 / 24

HEX #0AC31A

RGB 10 195 26

HSL 125.19, 0.9%, 0.4%

LAB 68.87, -69.3, 64.38

 

CMYK 0 / 76 / 10 / 2

HEX #FA3CE0

RGB 250 60 224

HSL 308.21, 0.95%, 0.61%

LAB 60.73, 84.66, -42.95

 

CMYK 0 / 69 / 5 / 0

HEX #FF4EF3

RGB 255 78 243

HSL 304.07, 1%, 0.65%

LAB 64.31, 83.11, -47.86

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 76 / 7 / 4

HEX #F53CE5

RGB 245 60 229

HSL 305.19, 0.9%, 0.6%

LAB 60.16, 84.34, -46.7

 

CMYK 0 / 82 / 8 / 11

HEX #E42AD2

RGB 228 42 210

HSL 305.81, 0.78%, 0.53%

LAB 54.87, 82.65, -44.5

 

CMYK 0 / 89 / 9 / 17

HEX #D318BF

RGB 211 24 191

HSL 306.42, 0.8%, 0.46%

LAB 49.81, 80.06, -41.73

 

CMYK 0 / 97 / 11 / 24

HEX #C206AC

RGB 194 6 172

HSL 307.02, 0.94%, 0.39%

LAB 45.05, 76.37, -38.31

 

CMYK 0 / 100 / 14 / 31

HEX #B10099

RGB 177 0 153

HSL 308.14, 1%, 0.35%

LAB 40.65, 71.33, -34.08

 

CMYK 0 / 75 / 7 / 4

HEX #F43DE4

RGB 244 61 228

HSL 305.25, 0.89%, 0.6%

LAB 60.04, 83.72, -46.34

 

CMYK 0 / 75 / 27 / 4

HEX #F43DB3

RGB 244 61 179

HSL 321.31, 0.89%, 0.6%

LAB 57.87, 77.3, -21.78

 

CMYK 0 / 75 / 47 / 4

HEX #F43D81

RGB 244 61 129

HSL 337.7, 0.89%, 0.6%

LAB 56.24, 72.26, 5.16

 

CMYK 0 / 75 / 67 / 4

HEX #F43D50

RGB 244 61 80

HSL 353.77, 0.89%, 0.6%

LAB 55.23, 69.01, 32.79

 

CMYK 0 / 75 / 75 / 4

HEX #F43D3D

RGB 244 61 61

HSL 0, 0.89%, 0.6%

LAB 54.98, 68.19, 43.27

 

CMYK 0 / 75 / 7 / 4

HEX #F43DE4

RGB 244 61 228

HSL 305.25, 0.89%, 0.6%

LAB 60.04, 83.72, -46.34

 

CMYK 14 / 75 / 0 / 4

HEX #D33DF4

RGB 211 61 244

HSL 289.18, 0.89%, 0.6%

LAB 55.8, 79.8, -62.36

 

CMYK 34 / 75 / 0 / 4

HEX #A13DF4

RGB 161 61 244

HSL 272.79, 0.89%, 0.6%

LAB 48.82, 70.95, -74

 

CMYK 54 / 75 / 0 / 4

HEX #703DF4

RGB 112 61 244

HSL 256.72, 0.89%, 0.6%

LAB 43.23, 63.67, -83.36

 

CMYK 75 / 75 / 0 / 4

HEX #3E3DF4

RGB 62 61 244

HSL 240.33, 0.89%, 0.6%

LAB 39.4, 58.52, -89.81

 

CMYK 0 / 75 / 7 / 4

HEX #F43DE4

RGB 244 61 228

HSL 305.25, 0.89%, 0.6%

LAB 60.04, 83.72, -46.34

 

CMYK 0 / 75 / 7 / 4

HEX #F43DE4

RGB 244 61 228

HSL 305.25, 0.89%, 0.6%

LAB 60.04, 83.72, -46.34

 

CMYK 0 / 66 / 6 / 11

HEX #E44DD7

RGB 228 77 215

HSL 305.17, 0.74%, 0.6%

LAB 58.7, 73.15, -41.29

 

CMYK 0 / 55 / 5 / 17

HEX #D35EC9

RGB 211 94 201

HSL 305.13, 0.57%, 0.6%

LAB 58.1, 59.63, -34.46

 

CMYK 0 / 44 / 4 / 24

HEX #C36EBB

RGB 195 110 187

HSL 305.65, 0.41%, 0.6%

LAB 58.36, 44.73, -26.24

 

CMYK 0 / 29 / 2 / 30

HEX #B27FAE

RGB 178 127 174

HSL 304.71, 0.25%, 0.6%

LAB 59.62, 27.57, -17.06

 

CMYK 34 / 75 / 0 / 4

HEX #A23DF4

RGB 162 61 244

HSL 273.11, 0.89%, 0.6%

LAB 48.95, 71.12, -73.78

 

CMYK 14 / 75 / 0 / 4

HEX #D33DF4

RGB 211 61 244

HSL 289.18, 0.89%, 0.6%

LAB 55.8, 79.8, -62.36

 

CMYK 0 / 75 / 6 / 4

HEX #F43DE5

RGB 244 61 229

HSL 304.92, 0.89%, 0.6%

LAB 60.09, 83.86, -46.82

 

CMYK 0 / 75 / 26 / 4

HEX #F43DB4

RGB 244 61 180

HSL 320.98, 0.89%, 0.6%

LAB 57.91, 77.41, -22.3

 

CMYK 0 / 75 / 46 / 4

HEX #F43D83

RGB 244 61 131

HSL 337.05, 0.89%, 0.6%

LAB 56.3, 72.43, 4.05

 

CMYK 0 / 95 / 8 / 17

HEX #D40BC2

RGB 212 11 194

HSL 305.37, 0.9%, 0.44%

LAB 49.66, 82.11, -43.72

 

CMYK 0 / 91 / 8 / 5

HEX #F216DF

RGB 242 22 223

HSL 305.18, 0.89%, 0.52%

LAB 56.86, 90.18, -48.58

 

CMYK 0 / 75 / 7 / 4

HEX #F43DE4

RGB 244 61 228

HSL 305.25, 0.89%, 0.6%

LAB 60.04, 83.72, -46.34

 

CMYK 0 / 59 / 5 / 4

HEX #F664EA

RGB 246 100 234

HSL 304.93, 0.89%, 0.68%

LAB 65.47, 71.49, -41.12

 

CMYK 0 / 44 / 4 / 3

HEX #F88BEF

RGB 248 139 239

HSL 304.95, 0.89%, 0.76%

LAB 72.66, 54.99, -32.67

 

CMYK 0 / 76 / 7 / 4

HEX #F53CE5

RGB 245 60 229

HSL 305.19, 0.9%, 0.6%

LAB 60.16, 84.34, -46.7

 

CMYK 0 / 54 / 75 / 4

HEX #F4713D

RGB 244 113 61

HSL 17.05, 0.89%, 0.6%

LAB 62.83, 47.18, 51.62

 

CMYK 75 / 0 / 24 / 4

HEX #3DF4BA

RGB 61 244 186

HSL 160.98, 0.89%, 0.6%

LAB 86.62, -58.09, 15.23

 

CMYK 0 / 76 / 7 / 4

HEX #F53CE5

RGB 245 60 229

HSL 305.19, 0.9%, 0.6%

LAB 60.16, 84.34, -46.7

 

CMYK 6 / 0 / 75 / 4

HEX #E5F43D

RGB 229 244 61

HSL 64.92, 0.89%, 0.6%

LAB 92.44, -25.76, 79.84

 

CMYK 75 / 6 / 0 / 4

HEX #3DE5F4

RGB 61 229 244

HSL 184.92, 0.89%, 0.6%

LAB 83.74, -36.56, -19.43

 

CMYK 0 / 76 / 7 / 4

HEX #F53CE5

RGB 245 60 229

HSL 305.19, 0.9%, 0.6%

LAB 60.16, 84.34, -46.7

 

CMYK 0 / 54 / 75 / 4

HEX #F4713D

RGB 244 113 61

HSL 17.05, 0.89%, 0.6%

LAB 62.83, 47.18, 51.62

 

CMYK 75 / 0 / 69 / 4

HEX #3DF44C

RGB 61 244 76

HSL 124.92, 0.89%, 0.6%

LAB 85.11, -75.45, 65.08

 

CMYK 75 / 21 / 0 / 4

HEX #3DC0F4

RGB 61 192 244

HSL 197.05, 0.89%, 0.6%

LAB 73.04, -18.36, -35.81

 

CMYK 0 / 76 / 7 / 4

HEX #F53CE5

RGB 245 60 229

HSL 305.19, 0.9%, 0.6%

LAB 60.16, 84.34, -46.7

 

CMYK 0 / 31 / 75 / 4

HEX #F4A83D

RGB 244 168 61

HSL 35.08, 0.89%, 0.6%

LAB 74.56, 19.01, 63.41

 

CMYK 75 / 0 / 69 / 4

HEX #3DF44C

RGB 61 244 76

HSL 124.92, 0.89%, 0.6%

LAB 85.11, -75.45, 65.08

 

CMYK 75 / 44 / 0 / 4

HEX #3D89F4

RGB 61 137 244

HSL 215.08, 0.89%, 0.6%

LAB 57.48, 12.78, -60.36

 

Description

Color code: HEX #F53CE5 | qconv.com Color code: HEX #F53CE5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 60 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 60 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 7 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 7% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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