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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F50E7E it is the complementary color #0AF181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F50E7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F50E7E shade: #FA0E79, #FF208C, #FF329F, #FF44B2 and #FF56C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F50E7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F50E7E shade: #F50E7E, #E4006B, #D30058, #C20045 and #B10032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F50E7E shade: #F50F7E, #F50F40 and #F50F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F50E7E shade: #F50F7E, #F50FBC, #EF0FF5, #B10FF5 and #730FF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F50E7E shade matches the following richer shades: #F50F7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F50E7E shade: #F50F7E, #E0237F, #CC377F, #B84B80 and #A45F81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F50E7E shade: #ED0FF5, #F50FBF, #F50F82, #F50F44 and #F5160F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F50E7E shade: #AA0756, #D2086A, #F50F7E, #F63693 and #F85EA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F50E7E shade: #F50E7E, #F5B00F and #0FDEF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F50E7E shade: #F50E7E, #82F50F and #0F82F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F50E7E shade: #F50E7E, #F5B00F, #0FF582 and #0F54F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F50E7E shade: #F50E7E, #F5F50F, #0FF582 and #0F0FF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 49 / 4

HEX #F50E7E

RGB 245 14 126

HSL 330.91, 0.92%, 0.51%

LAB 53.2, 81.27, 2.59

 

Complementary color

CMYK 96 / 0 / 46 / 5

HEX #0AF181

RGB 10 241 129

HSL 150.91, 0.92%, 0.49%

LAB 84.26, -71.91, 40.78

 

CMYK 0 / 94 / 52 / 2

HEX #FA0E79

RGB 250 14 121

HSL 332.8, 0.96%, 0.52%

LAB 54.05, 82.01, 6.95

 

CMYK 0 / 87 / 45 / 0

HEX #FF208C

RGB 255 32 140

HSL 330.94, 1%, 0.56%

LAB 56.27, 82.43, -1.09

 

CMYK 0 / 80 / 38 / 0

HEX #FF329F

RGB 255 50 159

HSL 328.1, 1%, 0.6%

LAB 58.08, 80.62, -9.63

 

CMYK 0 / 73 / 30 / 0

HEX #FF44B2

RGB 255 68 178

HSL 324.71, 1%, 0.63%

LAB 60.43, 77.75, -17.12

 

CMYK 0 / 66 / 23 / 0

HEX #FF56C5

RGB 255 86 197

HSL 320.59, 1%, 0.67%

LAB 63.3, 73.95, -23.62

 

CMYK 0 / 94 / 49 / 4

HEX #F50E7E

RGB 245 14 126

HSL 330.91, 0.92%, 0.51%

LAB 53.2, 81.27, 2.59

 

CMYK 0 / 100 / 53 / 11

HEX #E4006B

RGB 228 0 107

HSL 331.84, 1%, 0.45%

LAB 48.95, 77.21, 7.62

 

CMYK 0 / 100 / 58 / 17

HEX #D30058

RGB 211 0 88

HSL 334.98, 1%, 0.41%

LAB 45.02, 72.15, 13.39

 

CMYK 0 / 100 / 64 / 24

HEX #C20045

RGB 194 0 69

HSL 338.66, 1%, 0.38%

LAB 41.06, 67.1, 19.42

 

CMYK 0 / 100 / 72 / 31

HEX #B10032

RGB 177 0 50

HSL 343.05, 1%, 0.35%

LAB 37.07, 62.08, 25.69

 

CMYK 0 / 94 / 49 / 4

HEX #F50F7E

RGB 245 15 126

HSL 331.04, 0.92%, 0.51%

LAB 53.23, 81.18, 2.63

 

CMYK 0 / 94 / 74 / 4

HEX #F50F40

RGB 245 15 64

HSL 347.22, 0.92%, 0.51%

LAB 51.98, 77.75, 38.27

 

CMYK 0 / 94 / 94 / 4

HEX #F50F0F

RGB 245 15 15

HSL 0, 0.92%, 0.51%

LAB 51.6, 76.69, 61.48

 

CMYK 0 / 94 / 49 / 4

HEX #F50F7E

RGB 245 15 126

HSL 331.04, 0.92%, 0.51%

LAB 53.23, 81.18, 2.63

 

CMYK 0 / 94 / 23 / 4

HEX #F50FBC

RGB 245 15 188

HSL 314.87, 0.92%, 0.51%

LAB 55.47, 87.07, -30.69

 

CMYK 2 / 94 / 0 / 4

HEX #EF0FF5

RGB 239 15 245

HSL 298.43, 0.92%, 0.51%

LAB 57.35, 93.42, -60.19

 

CMYK 28 / 94 / 0 / 4

HEX #B10FF5

RGB 177 15 245

HSL 282.26, 0.92%, 0.51%

LAB 47.34, 84.62, -76.87

 

CMYK 53 / 94 / 0 / 4

HEX #730FF5

RGB 115 15 245

HSL 266.09, 0.92%, 0.51%

LAB 38.86, 78.33, -91.12

 

CMYK 0 / 94 / 49 / 4

HEX #F50F7E

RGB 245 15 126

HSL 331.04, 0.92%, 0.51%

LAB 53.23, 81.18, 2.63

 

CMYK 0 / 94 / 49 / 4

HEX #F50F7E

RGB 245 15 126

HSL 331.04, 0.92%, 0.51%

LAB 53.23, 81.18, 2.63

 

CMYK 0 / 84 / 43 / 12

HEX #E0237F

RGB 224 35 127

HSL 330.79, 0.75%, 0.51%

LAB 50.19, 73.65, -2.9

 

CMYK 0 / 73 / 38 / 20

HEX #CC377F

RGB 204 55 127

HSL 331.01, 0.59%, 0.51%

LAB 48.39, 63.27, -5.98

 

CMYK 0 / 59 / 30 / 28

HEX #B84B80

RGB 184 75 128

HSL 330.83, 0.43%, 0.51%

LAB 47.98, 49.53, -7.54

 

CMYK 0 / 42 / 21 / 36

HEX #A45F81

RGB 164 95 129

HSL 330.43, 0.27%, 0.51%

LAB 49.08, 32.68, -6.81

 

CMYK 3 / 94 / 0 / 4

HEX #ED0FF5

RGB 237 15 245

HSL 297.91, 0.92%, 0.51%

LAB 57.02, 93.1, -60.75

 

CMYK 0 / 94 / 22 / 4

HEX #F50FBF

RGB 245 15 191

HSL 314.09, 0.92%, 0.51%

LAB 55.6, 87.42, -32.22

 

CMYK 0 / 94 / 47 / 4

HEX #F50F82

RGB 245 15 130

HSL 330, 0.92%, 0.51%

LAB 53.35, 81.49, 0.39

 

CMYK 0 / 94 / 72 / 4

HEX #F50F44

RGB 245 15 68

HSL 346.17, 0.92%, 0.51%

LAB 52.03, 77.9, 35.99

 

CMYK 0 / 91 / 94 / 4

HEX #F5160F

RGB 245 22 15

HSL 1.83, 0.92%, 0.51%

LAB 51.86, 75.93, 61.62

 

CMYK 0 / 96 / 49 / 33

HEX #AA0756

RGB 170 7 86

HSL 330.92, 0.92%, 0.35%

LAB 36.69, 61.79, 1.68

 

CMYK 0 / 96 / 50 / 18

HEX #D2086A

RGB 210 8 106

HSL 330.89, 0.93%, 0.43%

LAB 45.52, 72.47, 2.84

 

CMYK 0 / 94 / 49 / 4

HEX #F50F7E

RGB 245 15 126

HSL 331.04, 0.92%, 0.51%

LAB 53.23, 81.18, 2.63

 

CMYK 0 / 78 / 40 / 4

HEX #F63693

RGB 246 54 147

HSL 330.94, 0.91%, 0.59%

LAB 56.42, 76.34, -5.2

 

CMYK 0 / 62 / 32 / 3

HEX #F85EA8

RGB 248 94 168

HSL 331.17, 0.92%, 0.67%

LAB 62.33, 65.41, -8.62

 

CMYK 0 / 94 / 49 / 4

HEX #F50E7E

RGB 245 14 126

HSL 330.91, 0.92%, 0.51%

LAB 53.2, 81.27, 2.59

 

CMYK 0 / 28 / 94 / 4

HEX #F5B00F

RGB 245 176 15

HSL 42, 0.92%, 0.51%

LAB 76.37, 14.07, 77.68

 

CMYK 94 / 9 / 0 / 4

HEX #0FDEF5

RGB 15 222 245

HSL 186, 0.92%, 0.51%

LAB 81.26, -35.97, -23.77

 

CMYK 0 / 94 / 49 / 4

HEX #F50E7E

RGB 245 14 126

HSL 330.91, 0.92%, 0.51%

LAB 53.2, 81.27, 2.59

 

CMYK 47 / 0 / 94 / 4

HEX #82F50F

RGB 130 245 15

HSL 90, 0.92%, 0.51%

LAB 87.04, -63.46, 82.38

 

CMYK 94 / 47 / 0 / 4

HEX #0F82F5

RGB 15 130 245

HSL 210, 0.92%, 0.51%

LAB 54.72, 14.08, -65.39

 

CMYK 0 / 94 / 49 / 4

HEX #F50E7E

RGB 245 14 126

HSL 330.91, 0.92%, 0.51%

LAB 53.2, 81.27, 2.59

 

CMYK 0 / 28 / 94 / 4

HEX #F5B00F

RGB 245 176 15

HSL 42, 0.92%, 0.51%

LAB 76.37, 14.07, 77.68

 

CMYK 94 / 0 / 47 / 4

HEX #0FF582

RGB 15 245 130

HSL 150, 0.92%, 0.51%

LAB 85.51, -72.87, 41.9

 

CMYK 94 / 66 / 0 / 4

HEX #0F54F5

RGB 15 84 245

HSL 222, 0.92%, 0.51%

LAB 42.82, 43.13, -84.79

 

CMYK 0 / 94 / 49 / 4

HEX #F50E7E

RGB 245 14 126

HSL 330.91, 0.92%, 0.51%

LAB 53.2, 81.27, 2.59

 

CMYK 0 / 0 / 94 / 4

HEX #F5F50F

RGB 245 245 15

HSL 60, 0.92%, 0.51%

LAB 93.78, -20.79, 90.53

 

CMYK 94 / 0 / 47 / 4

HEX #0FF582

RGB 15 245 130

HSL 150, 0.92%, 0.51%

LAB 85.51, -72.87, 41.9

 

CMYK 94 / 94 / 0 / 4

HEX #0F0FF5

RGB 15 15 245

HSL 240, 0.92%, 0.51%

LAB 31.89, 74.46, -102.92

 

Description

Color code: HEX #F50E7E | qconv.com Color code: HEX #F50E7E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 14 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 14 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 49 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 49% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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