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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F50093 it is the complementary color #0AFF6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F50093. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F50093 shade: #FA008E, #FF12A1, #FF24B4, #FF36C7 and #FF48DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F50093. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F50093 shade: #F50093, #E40080, #D3006D, #C2005A and #B10047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F50093 shade: #F40092, #F40050, #F4000E and #F40000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F50093 shade: #F40092, #F400D4, #D200F4, #9000F4 and #4E00F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F50093 shade matches the following richer shades: #F40092

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F50093 shade: #F40092, #E0138E, #CD278A, #B93B86 and #A54F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F50093 shade: #D400F4, #F400D4, #F40092, #F40051 and #F40010

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F50093 shade: #A20061, #CB007A, #F40092, #FF1FA5 and #FF48B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F50093 shade: #F50093, #F49200 and #00F4F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F50093 shade: #F50093, #92F400 and #0092F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F50093 shade: #F50093, #F49200, #00F461 and #0061F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F50093 shade: #F50093, #F4DC00, #00F461 and #0018F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 40 / 4

HEX #F50093

RGB 245 0 147

HSL 324, 1%, 0.48%

LAB 53.51, 83.98, -9.56

 

Complementary color

CMYK 96 / 0 / 58 / 0

HEX #0AFF6C

RGB 10 255 108

HSL 144, 1%, 0.52%

LAB 88.29, -79.28, 55.44

 

CMYK 0 / 100 / 43 / 2

HEX #FA008E

RGB 250 0 142

HSL 325.92, 1%, 0.49%

LAB 54.32, 84.58, -5.27

 

CMYK 0 / 93 / 37 / 0

HEX #FF12A1

RGB 255 18 161

HSL 323.8, 1%, 0.54%

LAB 56.35, 86, -13.39

 

CMYK 0 / 86 / 29 / 0

HEX #FF24B4

RGB 255 36 180

HSL 320.55, 1%, 0.57%

LAB 57.86, 85.55, -22.2

 

CMYK 0 / 79 / 22 / 0

HEX #FF36C7

RGB 255 54 199

HSL 316.72, 1%, 0.61%

LAB 59.91, 84.01, -29.99

 

CMYK 0 / 72 / 15 / 0

HEX #FF48DA

RGB 255 72 218

HSL 312.13, 1%, 0.64%

LAB 62.47, 81.46, -36.78

 

CMYK 0 / 100 / 40 / 4

HEX #F50093

RGB 245 0 147

HSL 324, 1%, 0.48%

LAB 53.51, 83.98, -9.56

 

CMYK 0 / 100 / 44 / 11

HEX #E40080

RGB 228 0 128

HSL 326.32, 1%, 0.45%

LAB 49.56, 78.81, -4.35

 

CMYK 0 / 100 / 48 / 17

HEX #D3006D

RGB 211 0 109

HSL 329, 1%, 0.41%

LAB 45.57, 73.62, 1.07

 

CMYK 0 / 100 / 54 / 24

HEX #C2005A

RGB 194 0 90

HSL 332.16, 1%, 0.38%

LAB 41.54, 68.41, 6.75

 

CMYK 0 / 100 / 60 / 31

HEX #B10047

RGB 177 0 71

HSL 335.93, 1%, 0.35%

LAB 37.48, 63.19, 12.72

 

CMYK 0 / 100 / 40 / 4

HEX #F40092

RGB 244 0 146

HSL 324.1, 1%, 0.48%

LAB 53.29, 83.69, -9.32

 

CMYK 0 / 100 / 67 / 4

HEX #F40050

RGB 244 0 80

HSL 340.33, 1%, 0.48%

LAB 51.62, 79.29, 28.29

 

CMYK 0 / 100 / 94 / 4

HEX #F4000E

RGB 244 0 14

HSL 356.56, 1%, 0.48%

LAB 51, 77.58, 61.34

 

CMYK 0 / 100 / 100 / 4

HEX #F40000

RGB 244 0 0

HSL 0, 1%, 0.48%

LAB 50.96, 77.48, 65.01

 

CMYK 0 / 100 / 40 / 4

HEX #F40092

RGB 244 0 146

HSL 324.1, 1%, 0.48%

LAB 53.29, 83.69, -9.32

 

CMYK 0 / 100 / 13 / 4

HEX #F400D4

RGB 244 0 212

HSL 307.87, 1%, 0.48%

LAB 56.07, 90.78, -43.55

 

CMYK 14 / 100 / 0 / 4

HEX #D200F4

RGB 210 0 244

HSL 291.64, 1%, 0.48%

LAB 52.1, 90.03, -68.34

 

CMYK 41 / 100 / 0 / 4

HEX #9000F4

RGB 144 0 244

HSL 275.41, 1%, 0.48%

LAB 41.94, 82.28, -85.35

 

CMYK 68 / 100 / 0 / 4

HEX #4E00F4

RGB 78 0 244

HSL 259.18, 1%, 0.48%

LAB 34.3, 77.96, -98.25

 

CMYK 0 / 100 / 40 / 4

HEX #F40092

RGB 244 0 146

HSL 324.1, 1%, 0.48%

LAB 53.29, 83.69, -9.32

 

CMYK 0 / 100 / 40 / 4

HEX #F40092

RGB 244 0 146

HSL 324.1, 1%, 0.48%

LAB 53.29, 83.69, -9.32

 

CMYK 0 / 92 / 37 / 12

HEX #E0138E

RGB 224 19 142

HSL 324, 0.84%, 0.48%

LAB 49.82, 77.59, -12.52

 

CMYK 0 / 81 / 33 / 20

HEX #CD278A

RGB 205 39 138

HSL 324.22, 0.68%, 0.48%

LAB 47.32, 69.34, -14.23

 

CMYK 0 / 68 / 28 / 27

HEX #B93B86

RGB 185 59 134

HSL 324.29, 0.52%, 0.48%

LAB 45.86, 57.43, -14.36

 

CMYK 0 / 52 / 21 / 35

HEX #A54F83

RGB 165 79 131

HSL 323.72, 0.35%, 0.48%

LAB 45.95, 41.87, -12.7

 

CMYK 13 / 100 / 0 / 4

HEX #D400F4

RGB 212 0 244

HSL 292.13, 1%, 0.48%

LAB 52.43, 90.31, -67.79

 

CMYK 0 / 100 / 13 / 4

HEX #F400D4

RGB 244 0 212

HSL 307.87, 1%, 0.48%

LAB 56.07, 90.78, -43.55

 

CMYK 0 / 100 / 40 / 4

HEX #F40092

RGB 244 0 146

HSL 324.1, 1%, 0.48%

LAB 53.29, 83.69, -9.32

 

CMYK 0 / 100 / 67 / 4

HEX #F40051

RGB 244 0 81

HSL 340.08, 1%, 0.48%

LAB 51.64, 79.33, 27.71

 

CMYK 0 / 100 / 93 / 4

HEX #F40010

RGB 244 0 16

HSL 356.07, 1%, 0.48%

LAB 51, 77.6, 60.73

 

CMYK 0 / 100 / 40 / 36

HEX #A20061

RGB 162 0 97

HSL 324.07, 1%, 0.32%

LAB 35.09, 61.81, -7.96

 

CMYK 0 / 100 / 40 / 20

HEX #CB007A

RGB 203 0 122

HSL 323.94, 1%, 0.4%

LAB 44.38, 73, -8.92

 

CMYK 0 / 100 / 40 / 4

HEX #F40092

RGB 244 0 146

HSL 324.1, 1%, 0.48%

LAB 53.29, 83.69, -9.32

 

CMYK 0 / 88 / 35 / 0

HEX #FF1FA5

RGB 255 31 165

HSL 324.11, 1%, 0.56%

LAB 57.03, 84.81, -14.72

 

CMYK 0 / 72 / 29 / 0

HEX #FF48B5

RGB 255 72 181

HSL 324.26, 1%, 0.64%

LAB 60.98, 76.84, -18.01

 

CMYK 0 / 100 / 40 / 4

HEX #F50093

RGB 245 0 147

HSL 324, 1%, 0.48%

LAB 53.51, 83.98, -9.56

 

CMYK 0 / 40 / 100 / 4

HEX #F49200

RGB 244 146 0

HSL 35.9, 1%, 0.48%

LAB 69.32, 29.27, 74.67

 

CMYK 100 / 0 / 0 / 4

HEX #00F4F4

RGB 0 244 244

HSL 180, 1%, 0.48%

LAB 87.6, -46.5, -13.67

 

CMYK 0 / 100 / 40 / 4

HEX #F50093

RGB 245 0 147

HSL 324, 1%, 0.48%

LAB 53.51, 83.98, -9.56

 

CMYK 40 / 0 / 100 / 4

HEX #92F400

RGB 146 244 0

HSL 84.1, 1%, 0.48%

LAB 87.39, -58.27, 84.17

 

CMYK 100 / 40 / 0 / 4

HEX #0092F4

RGB 0 146 244

HSL 204.1, 1%, 0.48%

LAB 59.06, 3.56, -57.88

 

CMYK 0 / 100 / 40 / 4

HEX #F50093

RGB 245 0 147

HSL 324, 1%, 0.48%

LAB 53.51, 83.98, -9.56

 

CMYK 0 / 40 / 100 / 4

HEX #F49200

RGB 244 146 0

HSL 35.9, 1%, 0.48%

LAB 69.32, 29.27, 74.67

 

CMYK 100 / 0 / 60 / 4

HEX #00F461

RGB 0 244 97

HSL 143.85, 1%, 0.48%

LAB 84.77, -77.67, 56.13

 

CMYK 100 / 60 / 0 / 4

HEX #0061F4

RGB 0 97 244

HSL 216.15, 1%, 0.48%

LAB 45.74, 34.22, -79.42

 

CMYK 0 / 100 / 40 / 4

HEX #F50093

RGB 245 0 147

HSL 324, 1%, 0.48%

LAB 53.51, 83.98, -9.56

 

CMYK 0 / 10 / 100 / 4

HEX #F4DC00

RGB 244 220 0

HSL 54.1, 1%, 0.48%

LAB 87.2, -9.11, 86.87

 

CMYK 100 / 0 / 60 / 4

HEX #00F461

RGB 0 244 97

HSL 143.85, 1%, 0.48%

LAB 84.77, -77.67, 56.13

 

CMYK 100 / 90 / 0 / 4

HEX #0018F4

RGB 0 24 244

HSL 234.1, 1%, 0.48%

LAB 32.22, 71.94, -101.8

 

Description

Color code: HEX #F50093 | qconv.com Color code: HEX #F50093 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, none green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 0 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 40 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 40% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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