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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4FF6E it is the complementary color #0B0091. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4FF6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4FF6E shade: #F9FF69, #FFFF7C, #FFFF8F, #FFFFA2 and #FFFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4FF6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4FF6E shade: #F4FF6E, #E3ED5B, #D2DB48, #C1C935 and #B0B722

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4FF6E shade: #F4FF70, #FFE370, #FFBC70, #FF9670 and #FF7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4FF6E shade: #F4FF70, #CDFF70, #A7FF70, #80FF70 and #70FF86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4FF6E shade matches the following richer shades: #F4FF70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4FF6E shade: #F4FF70, #EAF37B, #E0E787, #D6DC92 and #CCD09E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4FF6E shade: #FFBC70, #FFE270, #F5FF70, #CFFF70 and #A9FF70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4FF6E shade: #EDFF1D, #F1FF46, #F4FF70, #F7FF99 and #FAFFC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4FF6E shade: #F4FF6E, #70FF96 and #CF70FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4FF6E shade: #F4FF6E, #70F5FF and #FF70F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4FF6E shade: #F4FF6E, #70FF96, #7970FF and #FF70D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4FF6E shade: #F4FF6E, #70FFC1, #7970FF and #FF70AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 57 / 0

HEX #F4FF6E

RGB 244 255 110

HSL 64.55, 1%, 0.72%

LAB 96.77, -22.24, 66.52

 

Complementary color

CMYK 92 / 100 / 0 / 43

HEX #0B0091

RGB 11 0 145

HSL 244.55, 1%, 0.28%

LAB 16.08, 52.12, -70.21

 

CMYK 2 / 0 / 59 / 0

HEX #F9FF69

RGB 249 255 105

HSL 62.4, 1%, 0.71%

LAB 97.1, -20.62, 69.07

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 4 / 0 / 57 / 0

HEX #F4FF6E

RGB 244 255 110

HSL 64.55, 1%, 0.72%

LAB 96.77, -22.24, 66.52

 

CMYK 4 / 0 / 62 / 7

HEX #E3ED5B

RGB 227 237 91

HSL 64.11, 0.8%, 0.64%

LAB 90.62, -21.67, 67.33

 

CMYK 4 / 0 / 67 / 14

HEX #D2DB48

RGB 210 219 72

HSL 63.67, 0.67%, 0.57%

LAB 84.4, -21, 67.9

 

CMYK 4 / 0 / 74 / 21

HEX #C1C935

RGB 193 201 53

HSL 63.24, 0.58%, 0.5%

LAB 78.09, -20.18, 68.03

 

CMYK 4 / 0 / 81 / 28

HEX #B0B722

RGB 176 183 34

HSL 62.82, 0.69%, 0.43%

LAB 71.7, -19.2, 67.43

 

CMYK 4 / 0 / 56 / 0

HEX #F4FF70

RGB 244 255 112

HSL 64.62, 1%, 0.72%

LAB 96.79, -22.09, 65.69

 

CMYK 0 / 11 / 56 / 0

HEX #FFE370

RGB 255 227 112

HSL 48.25, 1%, 0.72%

LAB 90.49, -3.99, 58.75

 

CMYK 0 / 26 / 56 / 0

HEX #FFBC70

RGB 255 188 112

HSL 31.89, 1%, 0.72%

LAB 80.96, 16.05, 47.5

HEX #FFBC70

CMYK 0 / 41 / 56 / 0

HEX #FF9670

RGB 255 150 112

HSL 15.94, 1%, 0.72%

LAB 72.39, 35.84, 36.91

HEX #FF9670

CMYK 0 / 56 / 56 / 0

HEX #FF7070

RGB 255 112 112

HSL 0, 1%, 0.72%

LAB 64.98, 54.48, 27.34

HEX #FF7070

CMYK 4 / 0 / 56 / 0

HEX #F4FF70

RGB 244 255 112

HSL 64.62, 1%, 0.72%

LAB 96.79, -22.09, 65.69

 

CMYK 20 / 0 / 56 / 0

HEX #CDFF70

RGB 205 255 112

HSL 80.98, 1%, 0.72%

LAB 94.17, -36.94, 62.01

 

CMYK 35 / 0 / 56 / 0

HEX #A7FF70

RGB 167 255 112

HSL 96.92, 1%, 0.72%

LAB 92.09, -50.21, 59.08

 

CMYK 50 / 0 / 56 / 0

HEX #80FF70

RGB 128 255 112

HSL 113.29, 1%, 0.72%

LAB 90.45, -61.81, 56.75

 

CMYK 56 / 0 / 47 / 0

HEX #70FF86

RGB 112 255 134

HSL 129.23, 1%, 0.72%

LAB 90.18, -62.99, 46.2

 

CMYK 4 / 0 / 56 / 0

HEX #F4FF70

RGB 244 255 112

HSL 64.62, 1%, 0.72%

LAB 96.79, -22.09, 65.69

 

CMYK 4 / 0 / 56 / 0

HEX #F4FF70

RGB 244 255 112

HSL 64.62, 1%, 0.72%

LAB 96.79, -22.09, 65.69

 

CMYK 4 / 0 / 49 / 5

HEX #EAF37B

RGB 234 243 123

HSL 64.5, 0.83%, 0.72%

LAB 93.02, -19.35, 56.26

 

CMYK 3 / 0 / 42 / 9

HEX #E0E787

RGB 224 231 135

HSL 64.38, 0.67%, 0.72%

LAB 89.28, -16.24, 45.83

 

CMYK 3 / 0 / 34 / 14

HEX #D6DC92

RGB 214 220 146

HSL 64.86, 0.51%, 0.72%

LAB 85.78, -13.38, 35.74

 

CMYK 2 / 0 / 24 / 18

HEX #CCD09E

RGB 204 208 158

HSL 64.8, 0.35%, 0.72%

LAB 82.06, -9.53, 24.44

 

CMYK 0 / 26 / 56 / 0

HEX #FFBC70

RGB 255 188 112

HSL 31.89, 1%, 0.72%

LAB 80.96, 16.05, 47.5

HEX #FFBC70

CMYK 0 / 11 / 56 / 0

HEX #FFE270

RGB 255 226 112

HSL 47.83, 1%, 0.72%

LAB 90.24, -3.49, 58.47

HEX #FFE270

CMYK 4 / 0 / 56 / 0

HEX #F5FF70

RGB 245 255 112

HSL 64.2, 1%, 0.72%

LAB 96.86, -21.7, 65.79

HEX #F5FF70

CMYK 19 / 0 / 56 / 0

HEX #CFFF70

RGB 207 255 112

HSL 80.14, 1%, 0.72%

LAB 94.29, -36.21, 62.19

HEX #CFFF70

CMYK 34 / 0 / 56 / 0

HEX #A9FF70

RGB 169 255 112

HSL 96.08, 1%, 0.72%

LAB 92.19, -49.55, 59.22

HEX #A9FF70

CMYK 7 / 0 / 89 / 0

HEX #EDFF1D

RGB 237 255 29

HSL 64.78, 1%, 0.56%

LAB 95.84, -28.58, 90.17

 

CMYK 5 / 0 / 73 / 0

HEX #F1FF46

RGB 241 255 70

HSL 64.54, 1%, 0.64%

LAB 96.27, -25.74, 80.95

 

CMYK 4 / 0 / 56 / 0

HEX #F4FF70

RGB 244 255 112

HSL 64.62, 1%, 0.72%

LAB 96.79, -22.09, 65.69

 

CMYK 3 / 0 / 40 / 0

HEX #F7FF99

RGB 247 255 153

HSL 64.71, 1%, 0.8%

LAB 97.47, -17.26, 47.78

 

CMYK 2 / 0 / 24 / 0

HEX #FAFFC2

RGB 250 255 194

HSL 64.92, 1%, 0.88%

LAB 98.33, -11.22, 28.68

 

CMYK 4 / 0 / 57 / 0

HEX #F4FF6E

RGB 244 255 110

HSL 64.55, 1%, 0.72%

LAB 96.77, -22.24, 66.52

 

CMYK 56 / 0 / 41 / 0

HEX #70FF96

RGB 112 255 150

HSL 135.94, 1%, 0.72%

LAB 90.4, -60.59, 38.76

 

CMYK 19 / 56 / 0 / 0

HEX #CF70FF

RGB 207 112 255

HSL 279.86, 1%, 0.72%

LAB 63.4, 60.23, -56.32

 

CMYK 4 / 0 / 57 / 0

HEX #F4FF6E

RGB 244 255 110

HSL 64.55, 1%, 0.72%

LAB 96.77, -22.24, 66.52

 

CMYK 56 / 4 / 0 / 0

HEX #70F5FF

RGB 112 245 255

HSL 184.2, 1%, 0.72%

LAB 89.85, -33.64, -15.88

 

CMYK 0 / 56 / 4 / 0

HEX #FF70F5

RGB 255 112 245

HSL 304.2, 1%, 0.72%

LAB 69.07, 70.46, -41.48

 

CMYK 4 / 0 / 57 / 0

HEX #F4FF6E

RGB 244 255 110

HSL 64.55, 1%, 0.72%

LAB 96.77, -22.24, 66.52

 

CMYK 56 / 0 / 41 / 0

HEX #70FF96

RGB 112 255 150

HSL 135.94, 1%, 0.72%

LAB 90.4, -60.59, 38.76

 

CMYK 53 / 56 / 0 / 0

HEX #7970FF

RGB 121 112 255

HSL 243.78, 1%, 0.72%

LAB 54.94, 41.07, -70.36

 

CMYK 0 / 56 / 15 / 0

HEX #FF70D8

RGB 255 112 216

HSL 316.36, 1%, 0.72%

LAB 67.88, 66.01, -27.28

 

CMYK 4 / 0 / 57 / 0

HEX #F4FF6E

RGB 244 255 110

HSL 64.55, 1%, 0.72%

LAB 96.77, -22.24, 66.52

 

CMYK 56 / 0 / 24 / 0

HEX #70FFC1

RGB 112 255 193

HSL 153.99, 1%, 0.72%

LAB 91.15, -52.74, 18.16

 

CMYK 53 / 56 / 0 / 0

HEX #7970FF

RGB 121 112 255

HSL 243.78, 1%, 0.72%

LAB 54.94, 41.07, -70.36

 

CMYK 0 / 56 / 32 / 0

HEX #FF70AE

RGB 255 112 174

HSL 333.99, 1%, 0.72%

LAB 66.45, 60.46, -5.82

 

Description

Color code: HEX #F4FF6E | qconv.com Color code: HEX #F4FF6E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 255 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 255 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 57 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 57% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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