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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4EE62 it is the complementary color #0B119D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4EE62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4EE62 shade: #F9EE5D, #FFFF70, #FFFF83, #FFFF96 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4EE62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4EE62 shade: #F4EE62, #E3DC4F, #D2CA3C, #C1B829 and #B0A616

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4EE62 shade: #F4EE61, #F4C661, #F49F61, #F47761 and #F46161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4EE62 shade: #F4EE61, #D2F461, #ABF461, #83F461 and #61F467

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4EE62 shade matches the following richer shades: #F4EE61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4EE62 shade: #F4EE61, #E6E16F, #D8D57C, #CBC88A and #BDBC98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4EE62 shade: #F49E61, #F4C561, #F4EC61, #D4F461 and #ADF461

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4EE62 shade: #EEE514, #F1E93B, #F4EE61, #F6F288 and #F9F6AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4EE62 shade: #F4EE62, #61F477 and #B261F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4EE62 shade: #F4EE62, #61F4EC and #EC61F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4EE62 shade: #F4EE62, #61F477, #6168F4 and #F461DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4EE62 shade: #F4EE62, #61F4A3, #6168F4 and #F461B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 60 / 4

HEX #F4EE62

RGB 244 238 98

HSL 57.53, 0.87%, 0.67%

LAB 92.25, -14.87, 66.59

 

Complementary color

CMYK 93 / 89 / 0 / 38

HEX #0B119D

RGB 11 17 157

HSL 237.53, 0.87%, 0.33%

LAB 19.66, 49.94, -71.65

 

CMYK 0 / 4 / 63 / 2

HEX #F9EE5D

RGB 249 238 93

HSL 55.77, 0.93%, 0.67%

LAB 92.61, -13.16, 69.15

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 2 / 60 / 4

HEX #F4EE62

RGB 244 238 98

HSL 57.53, 0.87%, 0.67%

LAB 92.25, -14.87, 66.59

 

CMYK 0 / 3 / 65 / 11

HEX #E3DC4F

RGB 227 220 79

HSL 57.16, 0.73%, 0.6%

LAB 86.05, -14.1, 67.32

 

CMYK 0 / 4 / 71 / 18

HEX #D2CA3C

RGB 210 202 60

HSL 56.8, 0.63%, 0.53%

LAB 79.77, -13.2, 67.71

 

CMYK 0 / 5 / 79 / 24

HEX #C1B829

RGB 193 184 41

HSL 56.45, 0.65%, 0.46%

LAB 73.4, -12.12, 67.51

 

CMYK 0 / 6 / 88 / 31

HEX #B0A616

RGB 176 166 22

HSL 56.1, 0.78%, 0.39%

LAB 66.95, -10.83, 66.29

 

CMYK 0 / 2 / 60 / 4

HEX #F4EE61

RGB 244 238 97

HSL 57.55, 0.87%, 0.67%

LAB 92.24, -14.93, 67

 

CMYK 0 / 19 / 60 / 4

HEX #F4C661

RGB 244 198 97

HSL 41.22, 0.87%, 0.67%

LAB 82.1, 5.26, 55.75

 

CMYK 0 / 35 / 60 / 4

HEX #F49F61

RGB 244 159 97

HSL 25.31, 0.87%, 0.67%

LAB 72.82, 25.73, 44.94

 

CMYK 0 / 51 / 60 / 4

HEX #F47761

RGB 244 119 97

HSL 8.98, 0.87%, 0.67%

LAB 64.39, 46.21, 34.62

 

CMYK 0 / 60 / 60 / 4

HEX #F46161

RGB 244 97 97

HSL 0, 0.87%, 0.67%

LAB 60.47, 56.43, 29.63

 

CMYK 0 / 2 / 60 / 4

HEX #F4EE61

RGB 244 238 97

HSL 57.55, 0.87%, 0.67%

LAB 92.24, -14.93, 67

 

CMYK 14 / 0 / 60 / 4

HEX #D2F461

RGB 210 244 97

HSL 73.88, 0.87%, 0.67%

LAB 91.35, -31.24, 65.31

 

CMYK 30 / 0 / 60 / 4

HEX #ABF461

RGB 171 244 97

HSL 89.8, 0.87%, 0.67%

LAB 89.03, -45.6, 62.09

 

CMYK 46 / 0 / 60 / 4

HEX #83F461

RGB 131 244 97

HSL 106.12, 0.87%, 0.67%

LAB 87.19, -58.37, 59.52

 

CMYK 60 / 0 / 58 / 4

HEX #61F467

RGB 97 244 103

HSL 122.45, 0.87%, 0.67%

LAB 86.12, -66.32, 55.41

 

CMYK 0 / 2 / 60 / 4

HEX #F4EE61

RGB 244 238 97

HSL 57.55, 0.87%, 0.67%

LAB 92.24, -14.93, 67

 

CMYK 0 / 2 / 60 / 4

HEX #F4EE61

RGB 244 238 97

HSL 57.55, 0.87%, 0.67%

LAB 92.24, -14.93, 67

 

CMYK 0 / 2 / 52 / 10

HEX #E6E16F

RGB 230 225 111

HSL 57.48, 0.7%, 0.67%

LAB 87.88, -13.14, 55.65

 

CMYK 0 / 1 / 43 / 15

HEX #D8D57C

RGB 216 213 124

HSL 58.04, 0.54%, 0.67%

LAB 83.78, -11.54, 44.23

 

CMYK 0 / 1 / 32 / 20

HEX #CBC88A

RGB 203 200 138

HSL 57.23, 0.38%, 0.67%

LAB 79.52, -8.46, 31.45

 

CMYK 0 / 1 / 20 / 26

HEX #BDBC98

RGB 189 188 152

HSL 58.38, 0.22%, 0.67%

LAB 75.48, -5.68, 18.39

 

CMYK 0 / 35 / 60 / 4

HEX #F49E61

RGB 244 158 97

HSL 24.9, 0.87%, 0.67%

LAB 72.59, 26.26, 44.67

 

CMYK 0 / 19 / 60 / 4

HEX #F4C561

RGB 244 197 97

HSL 40.82, 0.87%, 0.67%

LAB 81.85, 5.78, 55.47

 

CMYK 0 / 3 / 60 / 4

HEX #F4EC61

RGB 244 236 97

HSL 56.73, 0.87%, 0.67%

LAB 91.72, -13.95, 66.44

 

CMYK 13 / 0 / 60 / 4

HEX #D4F461

RGB 212 244 97

HSL 73.06, 0.87%, 0.67%

LAB 91.49, -30.47, 65.5

 

CMYK 29 / 0 / 60 / 4

HEX #ADF461

RGB 173 244 97

HSL 88.98, 0.87%, 0.67%

LAB 89.13, -44.9, 62.24

 

CMYK 0 / 4 / 92 / 7

HEX #EEE514

RGB 238 229 20

HSL 57.52, 0.87%, 0.51%

LAB 89.05, -15.91, 86.16

 

CMYK 0 / 3 / 76 / 5

HEX #F1E93B

RGB 241 233 59

HSL 57.36, 0.87%, 0.59%

LAB 90.46, -15.65, 78.97

 

CMYK 0 / 2 / 60 / 4

HEX #F4EE61

RGB 244 238 97

HSL 57.55, 0.87%, 0.67%

LAB 92.24, -14.93, 67

 

CMYK 0 / 2 / 45 / 4

HEX #F6F288

RGB 246 242 136

HSL 57.82, 0.86%, 0.75%

LAB 93.83, -13.01, 51.37

 

CMYK 0 / 1 / 30 / 2

HEX #F9F6AE

RGB 249 246 174

HSL 57.6, 0.86%, 0.83%

LAB 95.63, -9.72, 35.09

 

CMYK 0 / 2 / 60 / 4

HEX #F4EE62

RGB 244 238 98

HSL 57.53, 0.87%, 0.67%

LAB 92.25, -14.87, 66.59

 

CMYK 60 / 0 / 51 / 4

HEX #61F477

RGB 97 244 119

HSL 128.98, 0.87%, 0.67%

LAB 86.29, -64.33, 48.36

 

CMYK 27 / 60 / 0 / 4

HEX #B261F4

RGB 178 97 244

HSL 273.06, 0.87%, 0.67%

LAB 56.63, 58.37, -61.26

 

CMYK 0 / 2 / 60 / 4

HEX #F4EE62

RGB 244 238 98

HSL 57.53, 0.87%, 0.67%

LAB 92.25, -14.87, 66.59

 

CMYK 60 / 0 / 3 / 4

HEX #61F4EC

RGB 97 244 236

HSL 176.73, 0.87%, 0.67%

LAB 88.59, -40.78, -7.88

 

CMYK 3 / 60 / 0 / 4

HEX #EC61F4

RGB 236 97 244

HSL 296.73, 0.87%, 0.67%

LAB 64.09, 71.93, -48.93

 

CMYK 0 / 2 / 60 / 4

HEX #F4EE62

RGB 244 238 98

HSL 57.53, 0.87%, 0.67%

LAB 92.25, -14.87, 66.59

 

CMYK 60 / 0 / 51 / 4

HEX #61F477

RGB 97 244 119

HSL 128.98, 0.87%, 0.67%

LAB 86.29, -64.33, 48.36

 

CMYK 60 / 57 / 0 / 4

HEX #6168F4

RGB 97 104 244

HSL 237.14, 0.87%, 0.67%

LAB 50.66, 38.13, -71.28

 

CMYK 0 / 60 / 9 / 4

HEX #F461DE

RGB 244 97 222

HSL 308.98, 0.87%, 0.67%

LAB 64.21, 70.35, -36.44

 

CMYK 0 / 2 / 60 / 4

HEX #F4EE62

RGB 244 238 98

HSL 57.53, 0.87%, 0.67%

LAB 92.25, -14.87, 66.59

 

CMYK 60 / 0 / 33 / 4

HEX #61F4A3

RGB 97 244 163

HSL 146.94, 0.87%, 0.67%

LAB 86.94, -57.24, 27.6

 

CMYK 60 / 57 / 0 / 4

HEX #6168F4

RGB 97 104 244

HSL 237.14, 0.87%, 0.67%

LAB 50.66, 38.13, -71.28

 

CMYK 0 / 60 / 27 / 4

HEX #F461B2

RGB 244 97 178

HSL 326.94, 0.87%, 0.67%

LAB 62.5, 64.22, -14.16

 

Description

Color code: HEX #F4EE62 | qconv.com Color code: HEX #F4EE62 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 238 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 238 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 60 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 60% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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