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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4EC23 it is the complementary color #0B13DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4EC23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4EC23 shade: #F9EC1E, #FFFE31, #FFFF44, #FFFF57 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4EC23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4EC23 shade: #F4EC23, #E3DA10, #D2C800, #C1B600 and #B0A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4EC23 shade: #F3EB24, #F3B324, #F37C24, #F34424 and #F32424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4EC23 shade: #F3EB24, #C3F324, #8CF324, #54F324 and #24F32D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4EC23 shade matches the following richer shades: #F3EB24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4EC23 shade: #F3EB24, #E0DA37, #CEC94A, #BBB85C and #A9A76F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4EC23 shade: #F37B24, #F3B224, #F3E924, #C6F324 and #8FF324

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4EC23 shade: #BCB509, #E3DB0B, #F3EB24, #F5EF4C and #F7F273

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4EC23 shade: #F4EC23, #24F343 and #9624F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4EC23 shade: #F4EC23, #24F3E9 and #E924F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4EC23 shade: #F4EC23, #24F343, #242FF3 and #F324D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4EC23 shade: #F4EC23, #24F381, #242FF3 and #F32496

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 86 / 4

HEX #F4EC23

RGB 244 236 35

HSL 57.7, 0.9%, 0.55%

LAB 91.39, -16.56, 85.82

 

Complementary color

CMYK 95 / 91 / 0 / 14

HEX #0B13DC

RGB 11 19 220

HSL 237.7, 0.9%, 0.45%

LAB 28.65, 67.04, -94.06

 

CMYK 0 / 5 / 88 / 2

HEX #F9EC1E

RGB 249 236 30

HSL 56.44, 0.95%, 0.55%

LAB 91.79, -14.58, 87.2

 

CMYK 0 / 0 / 81 / 0

HEX #FFFE31

RGB 255 254 49

HSL 59.71, 1%, 0.6%

LAB 96.97, -20.35, 87.8

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF44

RGB 255 255 68

HSL 60, 1%, 0.63%

LAB 97.31, -20.19, 82.92

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 3 / 86 / 4

HEX #F4EC23

RGB 244 236 35

HSL 57.7, 0.9%, 0.55%

LAB 91.39, -16.56, 85.82

 

CMYK 0 / 4 / 93 / 11

HEX #E3DA10

RGB 227 218 16

HSL 57.44, 0.87%, 0.48%

LAB 85.26, -15.19, 83.36

 

CMYK 0 / 5 / 100 / 18

HEX #D2C800

RGB 210 200 0

HSL 57.14, 1%, 0.41%

LAB 79.05, -13.65, 79.66

 

CMYK 0 / 6 / 100 / 24

HEX #C1B600

RGB 193 182 0

HSL 56.58, 1%, 0.38%

LAB 72.76, -11.91, 74.44

 

CMYK 0 / 7 / 100 / 31

HEX #B0A400

RGB 176 164 0

HSL 55.91, 1%, 0.35%

LAB 66.35, -10.13, 69.13

 

CMYK 0 / 3 / 85 / 5

HEX #F3EB24

RGB 243 235 36

HSL 57.68, 0.9%, 0.55%

LAB 91.05, -16.47, 85.32

 

CMYK 0 / 26 / 85 / 5

HEX #F3B324

RGB 243 179 36

HSL 41.45, 0.9%, 0.55%

LAB 76.93, 12, 73.83

 

CMYK 0 / 49 / 85 / 5

HEX #F37C24

RGB 243 124 36

HSL 25.51, 0.9%, 0.55%

LAB 64.64, 40.62, 63.75

 

CMYK 0 / 72 / 85 / 5

HEX #F34424

RGB 243 68 36

HSL 9.28, 0.9%, 0.55%

LAB 55.4, 64.9, 56.09

 

CMYK 0 / 85 / 85 / 5

HEX #F32424

RGB 243 36 36

HSL 0, 0.9%, 0.55%

LAB 52.34, 73.51, 53.53

 

CMYK 0 / 3 / 85 / 5

HEX #F3EB24

RGB 243 235 36

HSL 57.68, 0.9%, 0.55%

LAB 91.05, -16.47, 85.32

 

CMYK 20 / 0 / 85 / 5

HEX #C3F324

RGB 195 243 36

HSL 73.91, 0.9%, 0.55%

LAB 89.78, -39.61, 82.86

 

CMYK 42 / 0 / 85 / 5

HEX #8CF324

RGB 140 243 36

HSL 89.86, 0.9%, 0.55%

LAB 86.9, -59.15, 79.27

 

CMYK 65 / 0 / 85 / 5

HEX #54F324

RGB 84 243 36

HSL 106.09, 0.9%, 0.55%

LAB 85.05, -73.73, 76.95

 

CMYK 85 / 0 / 81 / 5

HEX #24F32D

RGB 36 243 45

HSL 122.61, 0.9%, 0.55%

LAB 84.31, -80.06, 73.94

 

CMYK 0 / 3 / 85 / 5

HEX #F3EB24

RGB 243 235 36

HSL 57.68, 0.9%, 0.55%

LAB 91.05, -16.47, 85.32

 

CMYK 0 / 3 / 85 / 5

HEX #F3EB24

RGB 243 235 36

HSL 57.68, 0.9%, 0.55%

LAB 91.05, -16.47, 85.32

 

CMYK 0 / 3 / 75 / 12

HEX #E0DA37

RGB 224 218 55

HSL 57.87, 0.73%, 0.55%

LAB 85.13, -15.5, 74.82

 

CMYK 0 / 2 / 64 / 19

HEX #CEC94A

RGB 206 201 74

HSL 57.73, 0.57%, 0.55%

LAB 79.27, -13.63, 61.74

 

CMYK 0 / 2 / 51 / 27

HEX #BBB85C

RGB 187 184 92

HSL 58.11, 0.41%, 0.55%

LAB 73.3, -11.57, 46.59

 

CMYK 0 / 1 / 34 / 34

HEX #A9A76F

RGB 169 167 111

HSL 57.93, 0.25%, 0.55%

LAB 67.44, -8.06, 29.27

 

CMYK 0 / 49 / 85 / 5

HEX #F37B24

RGB 243 123 36

HSL 25.22, 0.9%, 0.55%

LAB 64.44, 41.12, 63.58

 

CMYK 0 / 27 / 85 / 5

HEX #F3B224

RGB 243 178 36

HSL 41.16, 0.9%, 0.55%

LAB 76.69, 12.52, 73.63

 

CMYK 0 / 4 / 85 / 5

HEX #F3E924

RGB 243 233 36

HSL 57.1, 0.9%, 0.55%

LAB 90.53, -15.49, 84.89

 

CMYK 19 / 0 / 85 / 5

HEX #C6F324

RGB 198 243 36

HSL 73.04, 0.9%, 0.55%

LAB 89.97, -38.45, 83.1

 

CMYK 41 / 0 / 85 / 5

HEX #8FF324

RGB 143 243 36

HSL 88.99, 0.9%, 0.55%

LAB 87.03, -58.2, 79.43

 

CMYK 0 / 4 / 95 / 26

HEX #BCB509

RGB 188 181 9

HSL 57.65, 0.91%, 0.39%

LAB 72.07, -13.49, 72.73

 

CMYK 0 / 4 / 95 / 11

HEX #E3DB0B

RGB 227 219 11

HSL 57.78, 0.91%, 0.47%

LAB 85.51, -15.74, 84.06

 

CMYK 0 / 3 / 85 / 5

HEX #F3EB24

RGB 243 235 36

HSL 57.68, 0.9%, 0.55%

LAB 91.05, -16.47, 85.32

 

CMYK 0 / 2 / 69 / 4

HEX #F5EF4C

RGB 245 239 76

HSL 57.87, 0.89%, 0.63%

LAB 92.43, -16.2, 75.34

 

CMYK 0 / 2 / 53 / 3

HEX #F7F273

RGB 247 242 115

HSL 57.73, 0.89%, 0.71%

LAB 93.67, -14.41, 60.9

 

CMYK 0 / 3 / 86 / 4

HEX #F4EC23

RGB 244 236 35

HSL 57.7, 0.9%, 0.55%

LAB 91.39, -16.56, 85.82

 

CMYK 85 / 0 / 72 / 5

HEX #24F343

RGB 36 243 67

HSL 128.99, 0.9%, 0.55%

LAB 84.42, -78.65, 67.49

 

CMYK 38 / 85 / 0 / 5

HEX #9624F3

RGB 150 36 243

HSL 273.04, 0.9%, 0.55%

LAB 44.54, 77.14, -80.48

 

CMYK 0 / 3 / 86 / 4

HEX #F4EC23

RGB 244 236 35

HSL 57.7, 0.9%, 0.55%

LAB 91.39, -16.56, 85.82

 

CMYK 85 / 0 / 4 / 5

HEX #24F3E9

RGB 36 243 233

HSL 177.1, 0.9%, 0.55%

LAB 87.17, -47.96, -8.53

 

CMYK 4 / 85 / 0 / 5

HEX #E924F3

RGB 233 36 243

HSL 297.1, 0.9%, 0.55%

LAB 57.13, 89.52, -59.48

 

CMYK 0 / 3 / 86 / 4

HEX #F4EC23

RGB 244 236 35

HSL 57.7, 0.9%, 0.55%

LAB 91.39, -16.56, 85.82

 

CMYK 85 / 0 / 72 / 5

HEX #24F343

RGB 36 243 67

HSL 128.99, 0.9%, 0.55%

LAB 84.42, -78.65, 67.49

 

CMYK 85 / 81 / 0 / 5

HEX #242FF3

RGB 36 47 243

HSL 236.81, 0.9%, 0.55%

LAB 35.75, 63.65, -95.34

 

CMYK 0 / 85 / 13 / 5

HEX #F324D4

RGB 243 36 212

HSL 308.99, 0.9%, 0.55%

LAB 57.14, 86.94, -41.88

 

CMYK 0 / 3 / 86 / 4

HEX #F4EC23

RGB 244 236 35

HSL 57.7, 0.9%, 0.55%

LAB 91.39, -16.56, 85.82

 

CMYK 85 / 0 / 47 / 5

HEX #24F381

RGB 36 243 129

HSL 146.96, 0.9%, 0.55%

LAB 85.03, -71.24, 41.79

 

CMYK 85 / 81 / 0 / 5

HEX #242FF3

RGB 36 47 243

HSL 236.81, 0.9%, 0.55%

LAB 35.75, 63.65, -95.34

 

CMYK 0 / 85 / 38 / 5

HEX #F32496

RGB 243 36 150

HSL 326.96, 0.9%, 0.55%

LAB 54.57, 79.94, -9.79

 

Description

Color code: HEX #F4EC23 | qconv.com Color code: HEX #F4EC23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 236 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 236 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 86 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 86% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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