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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4BA8B it is the complementary color #0B4574. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4BA8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4BA8B shade: #F9BA86, #FFCC99, #FFDEAC, #FFF0BF and #FFFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4BA8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4BA8B shade: #F4BA8B, #E3A878, #D29665, #C18452 and #B0723F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4BA8B shade: #F4B98A, #F49D8A and #F48A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4BA8B shade: #F4B98A, #F4D68A, #F4F28A, #D9F48A and #BCF48A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4BA8B shade matches the following richer shades: #F4B98A and #FEB880

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4BA8B shade: #F4B98A, #E9BA94, #DFBB9E, #D5BCA9 and #CABEB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4BA8B shade: #F48A94, #F49B8A, #F4B88A, #F4D48A and #F4F08A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4BA8B shade: #ED8C3E, #F0A364, #F4B98A, #F7D0B0 and #FBE6D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4BA8B shade: #F4BA8B, #B1F48A and #8D8AF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4BA8B shade: #F4BA8B, #8AF4B8 and #B88AF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4BA8B shade: #F4BA8B, #B1F48A, #8AC6F4 and #CD8AF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4BA8B shade: #F4BA8B, #91F48A, #8AC6F4 and #ED8AF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 43 / 4

HEX #F4BA8B

RGB 244 186 139

HSL 26.86, 0.83%, 0.75%

LAB 79.74, 15.13, 31.9

 

Complementary color

CMYK 91 / 41 / 0 / 55

HEX #0B4574

RGB 11 69 116

HSL 206.86, 0.83%, 0.25%

LAB 28.35, 1.27, -31.89

 

CMYK 0 / 25 / 46 / 2

HEX #F9BA86

RGB 249 186 134

HSL 27.13, 0.91%, 0.75%

LAB 80.17, 16.6, 35.17

 

CMYK 0 / 20 / 40 / 0

HEX #FFCC99

RGB 255 204 153

HSL 30, 1%, 0.8%

LAB 85.38, 11.5, 32.26

 

CMYK 0 / 13 / 33 / 0

HEX #FFDEAC

RGB 255 222 172

HSL 36.14, 1%, 0.84%

LAB 90.08, 4.39, 28.76

 

CMYK 0 / 6 / 25 / 0

HEX #FFF0BF

RGB 255 240 191

HSL 45.94, 1%, 0.87%

LAB 94.88, -2.34, 25.55

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 24 / 43 / 4

HEX #F4BA8B

RGB 244 186 139

HSL 26.86, 0.83%, 0.75%

LAB 79.74, 15.13, 31.9

 

CMYK 0 / 26 / 47 / 11

HEX #E3A878

RGB 227 168 120

HSL 26.92, 0.66%, 0.68%

LAB 73.35, 16, 33.23

 

CMYK 0 / 29 / 52 / 18

HEX #D29665

RGB 210 150 101

HSL 26.97, 0.55%, 0.61%

LAB 66.87, 17, 34.65

 

CMYK 0 / 32 / 58 / 24

HEX #C18452

RGB 193 132 82

HSL 27.03, 0.47%, 0.54%

LAB 60.29, 18.14, 36.19

 

CMYK 0 / 35 / 64 / 31

HEX #B0723F

RGB 176 114 63

HSL 27.08, 0.47%, 0.47%

LAB 53.63, 19.47, 37.81

 

CMYK 0 / 24 / 43 / 4

HEX #F4B98A

RGB 244 185 138

HSL 26.6, 0.83%, 0.75%

LAB 79.48, 15.56, 32.09

 

CMYK 0 / 36 / 43 / 4

HEX #F49D8A

RGB 244 157 138

HSL 10.75, 0.83%, 0.75%

LAB 73.01, 30.32, 23.44

 

CMYK 0 / 43 / 43 / 4

HEX #F48A8A

RGB 244 138 138

HSL 0, 0.83%, 0.75%

LAB 68.93, 40.19, 17.85

 

CMYK 0 / 24 / 43 / 4

HEX #F4B98A

RGB 244 185 138

HSL 26.6, 0.83%, 0.75%

LAB 79.48, 15.56, 32.09

 

CMYK 0 / 12 / 43 / 4

HEX #F4D68A

RGB 244 214 138

HSL 43.02, 0.83%, 0.75%

LAB 86.58, 0.46, 41.29

 

CMYK 0 / 1 / 43 / 4

HEX #F4F28A

RGB 244 242 138

HSL 58.87, 0.83%, 0.75%

LAB 93.7, -13.59, 50.22

 

CMYK 11 / 0 / 43 / 4

HEX #D9F48A

RGB 217 244 138

HSL 75.28, 0.83%, 0.75%

LAB 92.26, -24.87, 48

 

CMYK 23 / 0 / 43 / 4

HEX #BCF48A

RGB 188 244 138

HSL 91.7, 0.83%, 0.75%

LAB 90.43, -35.42, 45.31

 

CMYK 0 / 24 / 43 / 4

HEX #F4B98A

RGB 244 185 138

HSL 26.6, 0.83%, 0.75%

LAB 79.48, 15.56, 32.09

 

CMYK 0 / 28 / 50 / 0

HEX #FEB880

RGB 254 184 128

HSL 26.67, 0.98%, 0.75%

LAB 80.13, 19.07, 38.34

 

CMYK 0 / 24 / 43 / 4

HEX #F4B98A

RGB 244 185 138

HSL 26.6, 0.83%, 0.75%

LAB 79.48, 15.56, 32.09

 

CMYK 0 / 20 / 36 / 9

HEX #E9BA94

RGB 233 186 148

HSL 26.82, 0.66%, 0.75%

LAB 78.8, 11.82, 25.7

 

CMYK 0 / 16 / 29 / 13

HEX #DFBB9E

RGB 223 187 158

HSL 26.77, 0.5%, 0.75%

LAB 78.28, 8.67, 19.5

 

CMYK 0 / 12 / 21 / 16

HEX #D5BCA9

RGB 213 188 169

HSL 25.91, 0.34%, 0.75%

LAB 77.86, 5.89, 12.87

 

CMYK 0 / 6 / 11 / 21

HEX #CABEB3

RGB 202 190 179

HSL 28.7, 0.18%, 0.75%

LAB 77.66, 2.34, 7.06

 

CMYK 0 / 43 / 39 / 4

HEX #F48A94

RGB 244 138 148

HSL 354.34, 0.83%, 0.75%

LAB 69.15, 41.25, 12.57

 

CMYK 0 / 36 / 43 / 4

HEX #F49B8A

RGB 244 155 138

HSL 9.62, 0.83%, 0.75%

LAB 72.57, 31.37, 22.84

 

CMYK 0 / 25 / 43 / 4

HEX #F4B88A

RGB 244 184 138

HSL 26.04, 0.83%, 0.75%

LAB 79.24, 16.08, 31.77

 

CMYK 0 / 13 / 43 / 4

HEX #F4D48A

RGB 244 212 138

HSL 41.89, 0.83%, 0.75%

LAB 86.08, 1.49, 40.65

 

CMYK 0 / 2 / 43 / 4

HEX #F4F08A

RGB 244 240 138

HSL 57.74, 0.83%, 0.75%

LAB 93.18, -12.61, 49.58

 

CMYK 0 / 41 / 74 / 7

HEX #ED8C3E

RGB 237 140 62

HSL 26.74, 0.83%, 0.59%

LAB 67.36, 30.89, 55.52

 

CMYK 0 / 32 / 58 / 6

HEX #F0A364

RGB 240 163 100

HSL 27, 0.82%, 0.67%

LAB 73.31, 22.22, 43.89

 

CMYK 0 / 24 / 43 / 4

HEX #F4B98A

RGB 244 185 138

HSL 26.6, 0.83%, 0.75%

LAB 79.48, 15.56, 32.09

 

CMYK 0 / 16 / 29 / 3

HEX #F7D0B0

RGB 247 208 176

HSL 27.04, 0.82%, 0.83%

LAB 86.02, 9.1, 21

 

CMYK 0 / 8 / 15 / 2

HEX #FBE6D5

RGB 251 230 213

HSL 26.84, 0.83%, 0.91%

LAB 92.53, 4.45, 10.86

 

CMYK 0 / 24 / 43 / 4

HEX #F4BA8B

RGB 244 186 139

HSL 26.86, 0.83%, 0.75%

LAB 79.74, 15.13, 31.9

 

CMYK 27 / 0 / 43 / 4

HEX #B1F48A

RGB 177 244 138

HSL 97.92, 0.83%, 0.75%

LAB 89.81, -39.22, 44.4

 

CMYK 42 / 43 / 0 / 4

HEX #8D8AF4

RGB 141 138 244

HSL 241.7, 0.83%, 0.75%

LAB 61.97, 27.01, -52.93

 

CMYK 0 / 24 / 43 / 4

HEX #F4BA8B

RGB 244 186 139

HSL 26.86, 0.83%, 0.75%

LAB 79.74, 15.13, 31.9

 

CMYK 43 / 0 / 25 / 4

HEX #8AF4B8

RGB 138 244 184

HSL 146.04, 0.83%, 0.75%

LAB 88.72, -43.78, 19.51

 

CMYK 25 / 43 / 0 / 4

HEX #B88AF4

RGB 184 138 244

HSL 266.04, 0.83%, 0.75%

LAB 65.67, 38.21, -46.85

 

CMYK 0 / 24 / 43 / 4

HEX #F4BA8B

RGB 244 186 139

HSL 26.86, 0.83%, 0.75%

LAB 79.74, 15.13, 31.9

 

CMYK 27 / 0 / 43 / 4

HEX #B1F48A

RGB 177 244 138

HSL 97.92, 0.83%, 0.75%

LAB 89.81, -39.22, 44.4

 

CMYK 43 / 19 / 0 / 4

HEX #8AC6F4

RGB 138 198 244

HSL 206.04, 0.83%, 0.75%

LAB 77.47, -7.5, -28.74

 

CMYK 16 / 43 / 0 / 4

HEX #CD8AF4

RGB 205 138 244

HSL 277.92, 0.83%, 0.75%

LAB 67.79, 44.06, -43.37

 

CMYK 0 / 24 / 43 / 4

HEX #F4BA8B

RGB 244 186 139

HSL 26.86, 0.83%, 0.75%

LAB 79.74, 15.13, 31.9

 

CMYK 41 / 0 / 43 / 4

HEX #91F48A

RGB 145 244 138

HSL 116.04, 0.83%, 0.75%

LAB 88.24, -49.43, 42.08

 

CMYK 43 / 19 / 0 / 4

HEX #8AC6F4

RGB 138 198 244

HSL 206.04, 0.83%, 0.75%

LAB 77.47, -7.5, -28.74

 

CMYK 3 / 43 / 0 / 4

HEX #ED8AF4

RGB 237 138 244

HSL 296.04, 0.83%, 0.75%

LAB 71.36, 53.18, -37.53

 

Description

Color code: HEX #F4BA8B | qconv.com Color code: HEX #F4BA8B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 186 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 186 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 43 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 43% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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