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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4B31E it is the complementary color #0B4CE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4B31E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4B31E shade: #F9B319, #FFC52C, #FFD73F, #FFE952 and #FFFB65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4B31E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4B31E shade: #F4B31E, #E3A10B, #D28F00, #C17D00 and #B06B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4B31E shade: #F4B31E, #F47A1E, #F4401E and #F41E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4B31E shade: #F4B31E, #F4ED1E, #C2F41E, #88F41E and #4EF41E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4B31E shade matches the following richer shades: #F4B31E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4B31E shade: #F4B31E, #E1AC31, #CEA444, #BB9D57 and #A8956A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4B31E shade: #F43E1E, #F4771E, #F4B01E, #F4E91E and #C6F41E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4B31E shade: #B88208, #DF9E0A, #F4B31E, #F6C046 and #F8CE6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4B31E shade: #F4B31E, #37F41E and #5B1EF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4B31E shade: #F4B31E, #1EF4B0 and #B01EF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4B31E shade: #F4B31E, #37F41E, #1E62F4 and #DB1EF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4B31E shade: #F4B31E, #1EF446, #1E62F4 and #F41ECD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 88 / 4

HEX #F4B31E

RGB 244 179 30

HSL 41.78, 0.91%, 0.54%

LAB 77.02, 12.3, 75.4

 

Complementary color

CMYK 95 / 66 / 0 / 12

HEX #0B4CE1

RGB 11 76 225

HSL 221.78, 0.91%, 0.46%

LAB 39.03, 40.67, -79.71

 

CMYK 0 / 28 / 90 / 2

HEX #F9B319

RGB 249 179 25

HSL 41.25, 0.95%, 0.54%

LAB 77.55, 14.34, 77.09

 

CMYK 0 / 23 / 83 / 0

HEX #FFC52C

RGB 255 197 44

HSL 43.51, 1%, 0.59%

LAB 82.58, 7.93, 76.87

 

CMYK 0 / 16 / 75 / 0

HEX #FFD73F

RGB 255 215 63

HSL 47.5, 1%, 0.62%

LAB 87.1, -0.68, 75.04

 

CMYK 0 / 9 / 68 / 0

HEX #FFE952

RGB 255 233 82

HSL 52.37, 1%, 0.66%

LAB 91.75, -8.86, 72.73

 

CMYK 0 / 2 / 60 / 0

HEX #FFFB65

RGB 255 251 101

HSL 58.44, 1%, 0.7%

LAB 96.49, -16.58, 70.19

 

CMYK 0 / 27 / 88 / 4

HEX #F4B31E

RGB 244 179 30

HSL 41.78, 0.91%, 0.54%

LAB 77.02, 12.3, 75.4

 

CMYK 0 / 29 / 95 / 11

HEX #E3A10B

RGB 227 161 11

HSL 41.67, 0.91%, 0.47%

LAB 70.76, 14.22, 73.28

 

CMYK 0 / 32 / 100 / 18

HEX #D28F00

RGB 210 143 0

HSL 40.86, 1%, 0.41%

LAB 64.44, 16.37, 69.45

 

CMYK 0 / 35 / 100 / 24

HEX #C17D00

RGB 193 125 0

HSL 38.86, 1%, 0.38%

LAB 58.04, 18.72, 64.23

 

CMYK 0 / 39 / 100 / 31

HEX #B06B00

RGB 176 107 0

HSL 36.48, 1%, 0.35%

LAB 51.55, 21.15, 58.94

 

CMYK 0 / 27 / 88 / 4

HEX #F4B31E

RGB 244 179 30

HSL 41.78, 0.91%, 0.54%

LAB 77.02, 12.3, 75.4

 

CMYK 0 / 50 / 88 / 4

HEX #F47A1E

RGB 244 122 30

HSL 25.79, 0.91%, 0.54%

LAB 64.36, 41.88, 65.53

 

CMYK 0 / 74 / 88 / 4

HEX #F4401E

RGB 244 64 30

HSL 9.53, 0.91%, 0.54%

LAB 55.07, 66.42, 58.39

 

CMYK 0 / 88 / 88 / 4

HEX #F41E1E

RGB 244 30 30

HSL 0, 0.91%, 0.54%

LAB 52.12, 74.72, 56.16

 

CMYK 0 / 27 / 88 / 4

HEX #F4B31E

RGB 244 179 30

HSL 41.78, 0.91%, 0.54%

LAB 77.02, 12.3, 75.4

 

CMYK 0 / 3 / 88 / 4

HEX #F4ED1E

RGB 244 237 30

HSL 58.04, 0.91%, 0.54%

LAB 91.64, -17.14, 86.91

 

CMYK 20 / 0 / 88 / 4

HEX #C2F41E

RGB 194 244 30

HSL 74.02, 0.91%, 0.54%

LAB 89.98, -40.58, 84.1

 

CMYK 44 / 0 / 88 / 4

HEX #88F41E

RGB 136 244 30

HSL 90.28, 0.91%, 0.54%

LAB 87.01, -60.96, 80.42

 

CMYK 68 / 0 / 88 / 4

HEX #4EF41E

RGB 78 244 30

HSL 106.54, 0.91%, 0.54%

LAB 85.21, -75.39, 78.17

 

CMYK 0 / 27 / 88 / 4

HEX #F4B31E

RGB 244 179 30

HSL 41.78, 0.91%, 0.54%

LAB 77.02, 12.3, 75.4

 

CMYK 0 / 27 / 88 / 4

HEX #F4B31E

RGB 244 179 30

HSL 41.78, 0.91%, 0.54%

LAB 77.02, 12.3, 75.4

 

CMYK 0 / 24 / 78 / 12

HEX #E1AC31

RGB 225 172 49

HSL 41.93, 0.75%, 0.54%

LAB 73.37, 8.35, 66.04

 

CMYK 0 / 20 / 67 / 19

HEX #CEA444

RGB 206 164 68

HSL 41.74, 0.58%, 0.54%

LAB 69.53, 5.3, 54.01

 

CMYK 0 / 16 / 53 / 27

HEX #BB9D57

RGB 187 157 87

HSL 42, 0.42%, 0.54%

LAB 66.03, 2.28, 40.4

 

CMYK 0 / 11 / 37 / 34

HEX #A8956A

RGB 168 149 106

HSL 41.61, 0.26%, 0.54%

LAB 62.39, 0.63, 25.31

 

CMYK 0 / 75 / 88 / 4

HEX #F43E1E

RGB 244 62 30

HSL 8.97, 0.91%, 0.54%

LAB 54.84, 67.05, 58.21

 

CMYK 0 / 51 / 88 / 4

HEX #F4771E

RGB 244 119 30

HSL 24.95, 0.91%, 0.54%

LAB 63.77, 43.36, 65.07

 

CMYK 0 / 28 / 88 / 4

HEX #F4B01E

RGB 244 176 30

HSL 40.93, 0.91%, 0.54%

LAB 76.3, 13.87, 74.83

 

CMYK 0 / 5 / 88 / 4

HEX #F4E91E

RGB 244 233 30

HSL 56.92, 0.91%, 0.54%

LAB 90.6, -15.2, 86.09

 

CMYK 19 / 0 / 88 / 4

HEX #C6F41E

RGB 198 244 30

HSL 72.9, 0.91%, 0.54%

LAB 90.23, -39.04, 84.4

 

CMYK 0 / 29 / 96 / 28

HEX #B88208

RGB 184 130 8

HSL 41.59, 0.92%, 0.38%

LAB 58.2, 12.04, 62.48

 

CMYK 0 / 29 / 96 / 13

HEX #DF9E0A

RGB 223 158 10

HSL 41.69, 0.91%, 0.46%

LAB 69.59, 14.08, 72.36

 

CMYK 0 / 27 / 88 / 4

HEX #F4B31E

RGB 244 179 30

HSL 41.78, 0.91%, 0.54%

LAB 77.02, 12.3, 75.4

 

CMYK 0 / 22 / 72 / 4

HEX #F6C046

RGB 246 192 70

HSL 41.59, 0.91%, 0.62%

LAB 80.59, 7.66, 65.87

 

CMYK 0 / 17 / 56 / 3

HEX #F8CE6D

RGB 248 206 109

HSL 41.87, 0.91%, 0.7%

LAB 84.59, 3.63, 53.11

 

CMYK 0 / 27 / 88 / 4

HEX #F4B31E

RGB 244 179 30

HSL 41.78, 0.91%, 0.54%

LAB 77.02, 12.3, 75.4

 

CMYK 77 / 0 / 88 / 4

HEX #37F41E

RGB 55 244 30

HSL 112.99, 0.91%, 0.54%

LAB 84.8, -78.97, 77.65

 

CMYK 63 / 88 / 0 / 4

HEX #5B1EF4

RGB 91 30 244

HSL 257.1, 0.91%, 0.54%

LAB 37.27, 73.18, -93.28

 

CMYK 0 / 27 / 88 / 4

HEX #F4B31E

RGB 244 179 30

HSL 41.78, 0.91%, 0.54%

LAB 77.02, 12.3, 75.4

 

CMYK 88 / 0 / 28 / 4

HEX #1EF4B0

RGB 30 244 176

HSL 160.93, 0.91%, 0.54%

LAB 86.06, -62.99, 19.56

 

CMYK 28 / 88 / 0 / 4

HEX #B01EF4

RGB 176 30 244

HSL 280.93, 0.91%, 0.54%

LAB 47.87, 82.06, -75.46

 

CMYK 0 / 27 / 88 / 4

HEX #F4B31E

RGB 244 179 30

HSL 41.78, 0.91%, 0.54%

LAB 77.02, 12.3, 75.4

 

CMYK 77 / 0 / 88 / 4

HEX #37F41E

RGB 55 244 30

HSL 112.99, 0.91%, 0.54%

LAB 84.8, -78.97, 77.65

 

CMYK 88 / 60 / 0 / 4

HEX #1E62F4

RGB 30 98 244

HSL 220.93, 0.91%, 0.54%

LAB 46.37, 34.55, -78.39

 

CMYK 10 / 88 / 0 / 4

HEX #DB1EF4

RGB 219 30 244

HSL 292.99, 0.91%, 0.54%

LAB 54.57, 88.38, -64.27

 

CMYK 0 / 27 / 88 / 4

HEX #F4B31E

RGB 244 179 30

HSL 41.78, 0.91%, 0.54%

LAB 77.02, 12.3, 75.4

 

CMYK 88 / 0 / 71 / 4

HEX #1EF446

RGB 30 244 70

HSL 131.21, 0.91%, 0.54%

LAB 84.7, -79.14, 66.71

 

CMYK 88 / 60 / 0 / 4

HEX #1E62F4

RGB 30 98 244

HSL 220.93, 0.91%, 0.54%

LAB 46.37, 34.55, -78.39

 

CMYK 0 / 88 / 16 / 4

HEX #F41ECD

RGB 244 30 205

HSL 310.93, 0.91%, 0.54%

LAB 56.65, 87.19, -38.64

 

Description

Color code: HEX #F4B31E | qconv.com Color code: HEX #F4B31E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 179 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 179 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 88 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 88% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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